Title |
Author(s) |
Type |
Editor's Welcome
|
Sandra Matthews |
Article |
Why Asian Photography?
|
Sandra Matthews; Geoffrey Batchen; Patrick Flores; Kotaro Iizawa; Bohnchang Koo; Anthony W. Lee; Young June Lee; Sheila Pinkel; Christopher Pinney; Aveek Sen; Karen Strassler; Laura Wexler; Hung Wu; Jiabao Wu |
Forum |
Mohammad and Me: Three Views of Life within Indonesian Muslim Society
|
Alexander Supartono |
Curatorial Project |
Photo Resurrections: Before and Afterimages: An Ancestor Story
|
Nina Hien |
Essay |
Witnessing the Action of Current Events from the Comfort of your Chair: The Place of the Photographic Magazine 'The Graphic'
|
Naoyuki Kinoshita; Erumi Honda |
Essay |
Coming to Light : Three Shadows Photography Art Center, Beijing
|
Abby Robinson |
Focal Point |
Liu Heung Shing, ed., China: Portrait of a Country by 88 Chinese Photographers
|
Claire Roberts |
Book Review |
Rosalind Morris, ed., Photographies East: The Camera and Its Histories in East and Southeast Asia
|
Doreen Lee |
Book Review |
Karen Sinsheimer, Anne Wilkes Tucker, and Bohnchang Koo, Chaotic Harmony: Contemporary Korean Photography [exhibition catalog]
|
Hyewon Yi |
Book Review |
Terry Bennett, History of Photography in China, 1842-1860
|
Oliver Moore |
Book Review |
Lucien de Guise, Neither East Nor West: The Lafayette Collection: Asia in the Age of Monochrome
|
Raymond Lum |
Book Review |
Eliza Ho, Art, Documentary, and Propaganda in Wartime China: The Photography of Sha Fei [exhibition catalog]
|
Shana Brown |
Book Review |
Recent Publications of Note: An Annotated List
|
Raymond Lum |
Recent Publications of Note |
Summaries of Scholarly Symposia 1.1
|
— |
Symposia |
Editor's Welcome
|
Sandra Matthews |
Article |
Politics and Identity: Contemporary Photography in Thailand
|
Wubin Zhuang |
Article |
John Thomas Gulick (1832-1923): Pioneer Photographer in Japan
|
Terry Bennett |
Article |
The Alkazi Foundation for the Arts, New Delhi
|
Abby Robinson |
Focal Point |
Crossing Boundaries: An Interview with Nobuyoshi Araki
|
Hyewon Yi |
Interview |
Japanese Ambrotypes
|
Geoffrey Batchen; Yoshiaki Kai; Masashi Kohara |
Curatorial Project |
The Long Bien Picture Show
|
Jamie Maxtone-Graham |
Curatorial Project |
Hong Kong Photographer Series #1
|
Wo-bik Wong |
Curatorial Project |
Anne Lacoste, Felice Beato: A Photographer on the Eastern Road
|
Eleanor M. Hight |
Book Review |
Jason Toh, Singapore Through 19th Century Photographs
|
Gretchen Liu |
Book Review |
First Photographs of Hong Kong, 1858-1875
|
Raymond Lum |
Book Review |
Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh
|
Ajay Sinha |
Book Review |
Terry Bennett, History of Photography in China, Western Photographers 1861-1879
|
Roberta Wue |
Book Review |
Recent Publications of Note
|
Raymond Lum |
Recent Publications of Note |
Summaries of Scholarly Symposia 1.2
|
— |
Symposia |
Editor’s Welcome
|
Sandra Matthews |
— |
The Elu[va]sive Portrait: Mimicry, Masquerade and Camouflage. Conceptual and Theoretical Notes, an Introduction
|
Ayelet Zohar |
Article |
Traveler-as-Lama Photography and the Fantasy of Transformation in Tibet
|
Namiko Kunimoto |
Article |
Subversive Portraits of National Heroism in Contemporary Korean Photography
|
Youngsook Choi |
Article |
The Elu[va]sive Japanese Portrait: Repetition, Difference and Multiplicity
|
Ayelet Zohar |
Article |
The Photographer’s New Clothes: An Interview with Cang Xin regarding “Identity Exchange” (2002-2007)
|
Yomi Braester |
Article |
Doubles, Triples and Halves: Kip Fulbeck’s “Hapa Project”
|
Kip Fulbeck |
Curatorial Project |
Piety and Power: The Theatrical Images of Empress Dowager Cixi
|
David Hogge |
Curatorial Project |
Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
|
Jeehey Kim |
Curatorial Project |
Eluding Presence: Portraiture in South Asian Photography
|
Murtaza Vali |
Curatorial Project |
“Ai Weiwei: New York 1983 – 1993”. Beijing: Three Shadows Press; New York: Chambers Fine Art, 2010. Exhibition: Asia Society, New York, June 29 – August 14, 2011.
|
Gail Pellett |
Book Review |
John Falconer, ed., “The Waterhouse Albums: Central Indian Provinces” (Ahmedabad: Mapin Publishing in association with the Alkazi Collection of Photography; Ocean Township, N.J.: Grantha; Easthampton, MA.: Distributed in North America by Antique Collectors’ Club, 2009) 262 p. ISBN 9788189995300 (Mapin)
|
Deepali Dewan |
Book Review |
Jeffrey W. Cody and Frances Terpak eds., “Brush and Shutter: Early Photography in China” [exhibition catalogue] (Los Angeles: Getty Research Institute, 2011) 188 p. ISBN 978-1-60606-054-4.
|
H. Tiffany Lee |
Book Review |
Recent Publications of Note
|
Raymond Lum |
Recent Publications of Note |
Summaries of Scholarly Symposia 2.1
|
— |
Symposia |
Editor’s Introduction
|
Sandra Matthews |
— |
Concubines with Cameras: Royal Siamese Consorts Picturing Femininity and Ethnic Difference in Early 20th Century Siam
|
Leslie Woodhouse |
Article |
Telling Her Story: Filming Women in Photographs
|
Suryanandini Narain |
Article |
Okinawa/Philadelphia/Tokyo: The Specificity and Complexity of Mao Ishikawa’s Photographic Work
|
Ayelet Zohar |
Article |
Whatever Happened to Rehana? Homai Vyarawalla’s Photographs of Modern Girls and the Cultural Project of Nationalism
|
Sabeena Gadihoke |
Curatorial Project |
Quick Time: On Beijing, Spring Festival and the Photographs of Hedda Hammer Morrison
|
Claire Roberts |
Curatorial Project |
My Modern Age: The Constructed Photographs of Eiko Yamazawa
|
Mihoko Yamagata |
Curatorial Project |
Uneasy Fever: Four Korean Women Photographers
|
Eunhee Yang |
Curatorial Project |
Chassés-Croisés of Three Women Photographers in China: a Trilogy
|
Jean Loh |
Curatorial Project |
“Ma” and Photography: Four Emerging Female Artists from Japan
|
Mika Kobayashi |
Curatorial Project |
Karen Strassler, Refracted Visions: Popular Photography and National Modernity in Java (Durham and London: Duke University press, 2010). 375 pp. ISBN 9780822345930
|
Intan Paramaditha |
Book Review |
Sebastian Dobson and Sven Saaler, eds., Under Eagle Eyes: Lithographs, Drawings & Photographs from the Prussian Expedition to Japan, 1860-61. (München: IUDICIUM Verlag, 2011). 392 pages ISBN 983862051373
|
Doris G. Bargen |
Book Review |
Karen M. Fraser, Photography and Japan (London: Reaktion Books, 2011). 170 pp. ISBN 9781861897978
|
Maki Fukuoka |
Book Review |
Eleanor M. Hight, Capturing Japan in Nineteenth-Century New England Photography Collections. (Burlington, VT: Ashgate, 2011). 226 pp. ISBN 9781409404989
|
Sebastian Dobson |
Book Review |
Ooi Cheng Ghee, Portraits of Penang: Little India. Foreword by Andrew Sheng. Penang: Areca Books, 2011. xiii, 212 p. ISBN 978-967-5719-05-9
|
Raymond Lum |
Book Review |
Recent Publications of Note
|
Raymond Lum |
Recent Publications of Note |
Archival Collections of Asia Photographs: Asia Photographs at Harvard
|
Raymond Lum |
Archive |
Summaries of Scholarly Symposia 2.2
|
— |
Symposia |
Introduction
|
Young Min Moon |
— |
Dear Heung-Soon [translated by Young Min Moon]
|
Heung-Soon Im |
Article |
Icons in Disguise: Vietnamese Resistance Figures Hoàng Hoa Thám and Ba Biểu in French Colonial Images and Related Texts, 1909-2007
|
Ellen Takata |
Article |
The Logic of Pity in an Era of Armistice: Hein-Kuhn Oh and Area Park [translated by Young Min Moon]
|
Jee-sook Beck |
Article |
Camouflage, Photography and [In]visibility: Yamashiro Chikako’s “Chorus of the Melodies” Series (2010)
|
Ayelet Zohar |
Article |
Leviathan: Kang Yong Suk’s Maehyang-ri Photographs [translated by Young Min Moon]
|
Chan-Kyong Park |
Article |
Unexploded Ordnance (UXO) in Laos
|
Sheila Pinkel |
Curatorial Project |
Cambodian Photographers Document War and Violence: Vandy Rattana, Khvay Samnang and Sovan Philong
|
Vuth Lyno |
Curatorial Project |
What Remains
|
Gauri Gill |
Curatorial Project |
Report from the Underside: Dongducheon
|
Young Min Moon |
Curatorial Project |
Miryam Sas, Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return (Cambridge: Harvard University Asia Center, 2011) Harvard East Asian Monograph, 329. 300 p. ISBN 978-0674053403.
|
Yuko Fujii |
Book Review |
Liu Heung Shing, China in Revolution: The Road to 1911 (Hong Kong: Hong Kong University Press, 2011) 415 p. ISBN 978-988-8139-50-7
|
Yi Gu |
Book Review |
Road to China’s 1911 Revolution=走向辛亥革命之路 (Hong Kong: Hong Kong Museum of History, 2011), 176 pp. ISBN 9789627039686
|
Raymond Lum |
Book Review |
John Rich, with Elizabeth Shim, Andrew Salmon, Robert Koehler, Korean War in Color: A Correspondent’s Retrospective on a Forgotten War (Seoul: Seoul Selection, 2010). 233 pp. ISBN 9788991913646
|
Jung Joon Lee |
Book Review |
Recent Publications of Note
|
Raymond Lum |
Recent Publications of Note |
ARCHIVE PROFILE: The SouthEast Asian Images & Texts (SEAiT) Project at The University of Wisconsin-Madison
|
Larry Ashmun |
Archive |
Editor’s Introduction
|
Sandra Matthews |
— |
The Good, the Bad, and the Not Beautiful: In the Street and on the Ground in Vietnam
|
Nina Hien |
Article |
Distinctiveness versus Universality: Reconsidering New Japanese Photography
|
Yoshiaki Kai |
Article |
Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign
|
Richard K. Kent |
Article |
Notes on a Painting of a Painted Photograph
|
Ajay Sinha |
Article |
Engaging with Tradition: A Conversation with Michael Cherney
|
Stephanie H. Tung |
Article |
The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order
|
Clare Veal |
Article |
Deepali Dewan, Embellished Reality: Indian Painted Photographs: Towards a Transcultural History of Photography (Toronto: Royal Ontario Museum Press, 2012) 119 p. ISBN 978-0-88854-481-0
|
Jennifer Chowdhry |
Book Review |
Reinventing Tokyo: Japan’s Largest City in the Artistic Imagination. Ed. by Samuel C. Morse, with a foreword by Elizabeth E. Barker and contributions by John W. Dower, Trent E. Maxey, Samuel C. Morse, Timothy J. Van Campernolle and Yamashita Yūji (Amherst, MA: Mead Art Museum, Amherst College; Hanover, N.H.: distributed by University Press of New England, c2012 ISBN 9780914337355
|
William Johnston |
Book Review |
Traces of Life: Seen Through Korean Eyes, 1945-1992 (New York: The Korea Society, 2012) 136 pp. Chang Jae Lee, ed., with contributions by David R. McCann and Sun Il. ISBN 9788974092894. In English and Korean.
|
Jina E. Kim |
Book Review |
Archaeologists in Angkor: Photographic Archives of the École Française d’Extrême-Orient (French School of Asian Studies) (Paris : École française d’Extrême-Orient) 2010. 239 p. ISBN 9782855391212
|
Raymond Lum |
Book Review |
Claire Roberts, Photography and China (London: Reaktion Books; Hong Kong: Hong Kong University Press, 2013) 200 pp. ISBN978-988-8139-88-0 (Hong Kong ed.)
|
Laura Wexler |
Book Review |
Maki Fukuoka, The Premise of Fidelity: Science, Visuality and the Representation of the Real in Nineteenth Century Japan (Stanford University Press, 2012) 272 pp. ISBN 9780804777902
|
Ayelet Zohar |
Book Review |
Recent Publications of Note
|
Raymond Lum |
Recent Publications of Note |
Editor’s Introduction
|
Sandra Matthews |
— |
Of Colonial Photographs and Cultural Resources: the Photographic Archive of the Sarawak Museum
|
Christine Horn |
Article |
Archives and Origins: The Material and Vernacular Cultures of Photography in India
|
Sudhir Mahadevan |
Article |
Archiving the Spirit: Suda Issei’s Fushi Kaden and “Essential” Japan
|
Ross Tunney |
Article |
Maintaining the Photographic Legacy of Ceylon
|
Benita Stambler |
Curatorial Project |
The Challenging Archive: Studying Photographers of the Chinese Communist Party
|
Chu Gao; Shuo Wang |
Curatorial Project |
Walking through Ephemeral Archives and Creating Settings for New Memories
|
Madhuja Mukherjee |
Curatorial Project |
The Pacific Rim Divide of “Japan’s Modern Divide”
|
Eiko Aoki |
Review |
Early Burma Photographs at the American Baptist Historical Society
|
Jackie Imamura |
Archive |
Archival Collections of Asia Photographs in Singapore’s National Archives, National Library and National Museum
|
Gretchen Liu |
Archive |
Recent Publications of Note
|
Raymond Lum |
Recent Publications of Note |
Editor’s Introduction
|
Sandra Matthews |
— |
“Zenana Studio: Early Women Photographers of Bengal”, from Taking Pictures: The Practice of Photography by Bengalis, by Siddhartha Ghosh
|
Debjani Sengupta |
Essay |
The Development of Photo Studios in Korea, by Lee Kyung-Min
|
Jeehey Kim |
Essay |
Photography in Vietnam from the End of the Nineteenth Century to the Start of the Twentieth, by Nguyễn Ðức Hiệp
|
Ellen Takata |
Essay |
“Shaping the Photographic Art Image”, from Expression Methods for Photographic Art, by Wu Yinxian
|
Shuxia Chen |
Essay |
Tickled: Photography and Humor
|
Abby Robinson |
Curatorial Project |
Kon Michiko: New Work
|
Samuel C. Morse |
Curatorial Project |
History of Photography in China: Chinese Photographers 1844-1879 (Terry Bennett)
|
Oliver Moore |
Book Review |
The Passionist China Collection Photo Archive
|
Fr. Robert E. Carbonneau |
Archive |
Recent Publications of Note
|
Raymond Lum |
Recent Publications of Note |
Introduction
|
Anthony W. Lee |
— |
Diasporic Vietnamese Family Photographs, Orphan Images, and the Art of Recollection
|
Thy Phu |
Article |
Going “Native” in an American Borderland: Frank S. Matsura’s Photographic Miscegenation
|
ShiPu Wang |
Article |
We’ll Take Your Artifacts but Not Your People: The Komagata Maru in Canada’s South Asian Diasporic History
|
Deepali Dewan |
Article |
‘A Weak Messianic Power’: Yamashiro Chikako’s “Your Voice Came Out Through My Throat”
|
Joshua Chambers-Letson |
Article |
Speculative Frameworks: Approaching the Interwar Years Work of Shinsaku Izumi and Nakaji Yasui
|
Susette Min |
Article |
Photography and Diaspora: A roundtable with Pok Chi Lau, Surendra Lawoti, and Wei Leng Tay
|
Anthony W. Lee |
Interview |
Yearning for Home: Representation of North Koreans in the Work of Kim Insook
|
Young Min Moon |
Curatorial Project |
Traversing Expanses: The Cambodian-American Diaspora Experience in the Work of Pete Pin, Amy Lee Sanford, and Seoun Som
|
Vuth Lyno |
Curatorial Project |
Garden of the East: Photography in Indonesia 1850s- 1940s
|
Geoffrey Batchen |
Review |
Recent Publications of Note
|
Raymond Lum |
Recent Publications of Note |
Editor’s Welcome
|
Sandra Matthews |
— |
Gray Pastoral: Critical Engagement with Idyllic Nature in Contemporary Photography from China
|
Xavier Ortells-Nicolau |
Article |
Lu Guang’s China Water Survey
|
Jean Loh |
Curatorial Project |
Spotlight on Environmental and Social Concerns in Hong Kong: the WYNG Masters Award
|
Lisa Botos |
Curatorial Project |
Gauri Gill and Rajesh Vangad: “Fields of Sight”
|
Inderpal Grewal |
Curatorial Project |
From Cell Phone Camera to Satellite Sensor
|
Sandra Matthews; Olivier Krischer |
Curatorial Project |
Nuclear Waste Out of Lanyu: Indigenous Indignation in Taiwan Seen through Guan Xiao-rong’s Photographs
|
Li-hsin Kuo |
Curatorial Project |
Fukushima Notes: Photographs by Kei Kobayashi
|
Mihoko Yamagata |
Curatorial Project |
Liangyou: Kaleidoscopic Modernity and the Shanghai Metropolis, 1926-1945, ed. By Paul G. Pickowicz, Kuiyi Shen and Yingjin Zhang
|
Yajun Mo |
Review |
Ars Orientalis 43, “Imperial Exposure: Early Photography and Royal Portraits Across Asia”
|
Gael Newton |
Review |
Chinese Contemporary Photography 2009-2014, Shanghai Minsheng Art Museum
|
Stephanie Tung |
Review |
Afterimage: Contemporary Photography from Southeast Asia, Singapore Art Museum
|
Kimberly Shen |
Review |
Recent Publications of Note
|
Raymond Lum |
Review |
Welcome/TAP Update
|
Sandra Matthews |
— |
Guest Editors’ Introduction
|
Claire Roberts; Yi Gu |
— |
Manipulation as Art: Photographs by Xu Zhuo, 1979–1981
|
Shuxia Chen |
Article |
Photographic Manipulation in China: A Conversation between Fu Yu and Gao Chu
|
Chu Gao; Shuo Wang |
Interview |
The ‘China Dream’ Reimagined: Contemporary Photography in China
|
Jiehong Jiang |
Article |
The “Emulative” Portraits: Lang Jingshan’s Photography of Zhang Daqian
|
Mia Yinxing Liu |
Article |
Xi Jinping at the “Occupy” Sites: Derivative Works and Participatory Propaganda from Hong Kong’s Umbrella Movement (2014)
|
Wing Ki Lee |
Article |
Excerpt from 'Coming to the Village to Take Photos', by Wang Yong
|
Claire Roberts |
Interview |
Jin Yongquan, Red Flag Studio: Debates on photography in China, 1956–1959 (Beijing: Jincheng chubanshe, 2014) 303 p. ISBN 978-7-5155-0898-6
|
Yi GU |
Book Review |
Anne Nishimura Morse and Anne E. Havinga, In the Wake: Japanese Photographers Respond to 3/11 (Boston: Museum of Fine Arts, 2015) 208 pp. ISBN: 978-0-87846-827-0
|
Tessa Hite |
Book Review |
Deepali Dewan and Deborah Hutton, Raja Deen Dayal: Artist Photographer in 19th-Century India (New Delhi: The Alkazi Collection of Photography; Ahmedabad: In Association with Mapin Publishing, 2013) 231 pp. ISBN 9788189995768
|
Ajay Sinha |
Book Review |
Recent Publications of Note
|
Raymond Lum |
Recent Publications of Note |
Editor’s Introduction
|
Sandra Matthews |
— |
Kowloon Walled City Revisited: Photography and Postcoloniality in the City of Darkness
|
Jung Joon Lee |
Article |
Before the End of Everything: Masuyama Tazuko and “Another Tokuyama Village”
|
Masashi Kohara; Yoshiaki Kai |
Article |
Corporal Punishment in Early-Twentieth-Century Japanese Visual Culture
|
Paul D. Barclay |
Article |
Looking Away: An Exercise in Visual Resistance
|
Utsa Hazarika |
Curatorial Project |
Omar Imam: Humanitarian Surrealism
|
Eric Gottesman |
Curatorial Project |
Archiving the Unspeakable: Silence, Memory and the Photographic Record in Cambodia (Michelle Caswell)
|
Sebastian C. Galbo |
Book Review |
The Chinese Photobook: From the 1900s to the Present (Martin Parr and WassinkLundgren)
|
William Schaefer |
Book Review |
The Journey of a “Good Type”: From Artistry to Ethnography in Early Japanese Photographs (David Odo)
|
Allen Hockley |
Book Review |
A Career of Japan: Baron Raimund von Stillfried and Early Yokohama Photography (Luke Gartlan)
|
Eleanor Hight |
Book Review |
Exhibition Review: North Korean Perspectives (curated by Marc Prüst and Natasha Egan)
|
Keum Hyun Han |
Book Review |
Raymond D. Lum: In Memoriam
|
Sandra Matthews |
Article |
Editor’s Welcome
|
Sandra Matthews |
— |
Hamaya Hiroshi (1915-1999) and Photographic Modernism in Japan
|
John Clark |
Article |
Imperial Images: The Japanese Empress Teimei in Early Twentieth-Century Newspaper Photography
|
Alison Miller |
Article |
The Tresidder Album: A Case Study of a Private “Ethnography”
|
Rashmi Viswanathan |
Article |
(Un)Signifying Ethnicity in Republican China: State-Sponsored Ethnographic Photographs from the 1930s and 1940s
|
Yanqiu Zheng |
Article |
Aluss: Photographing Nomadic Life in Northwest China
|
Jiangtao Gu |
Curatorial Project |
My Father’s Lenses: The Album of a Calcutta Photographer
|
Debjani Sengupta |
Curatorial Project |
Cross-Cultural Gender Identity: An Interview with Wasma Mansour
|
Marco Bohr |
Interview |
From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali
|
Katherine Grube |
Interview |
Recent Photobooks from Japan and China
|
Russet Lederman; Jiayi Liu |
Book Review |
Review of Lee Fook Chee’s Hong Kong: Photographs from the 1950’s, by Patricia Chu and Edward Stokes
|
Wing Ki Lee |
Book Review |
Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
|
Kelly M. McCormick |
Article |
Photography and the Appropriation of Kodak Dye Transfer in Socialist China
|
Dengyan Zhou; Zhimin Shi |
Article |
My Unseen Sister
|
Shahidul Alam |
Curatorial Project |
Seeing Nuclear Issues in Daguerrotypes: An Interview with Takashi Arai
|
Amandine Davre |
Curatorial Project |
Ways of Looking: Studying the Architecture of Hanoi’s Ngoc Ha Neighborhood via Drone Photography
|
Monique Gross |
Curatorial Project |
Clare Harris, Photography and Tibet
|
Amy Holmes-Tagchungdarpa |
Review |
Mark Rice, Dean Worcester’s Fantasy Islands: Photography, Film and the Colonial Philippines
|
Gael Newton |
Review |
Ali Behdad, Camera Orientalis: Reflections on Photography of the Middle East
|
Shireen Walton |
Review |
Recent – and not so recent – Japanese Photobooks
|
Russet Lederman |
Review |
Recent Photobooks from China
|
Jiayi Liu |
Review |
More than a Collection: Photography in the Asia Art Archive
|
Procheta Mukherjee Olson |
Profile |
Editor’s Welcome
|
Sandra Matthews |
— |
Editor's Introduction
|
Sandra Matthews |
— |
Then and Now: Japanese Women Photographers of the 1970s and '80s Revealed Through Their Photobooks
|
Russet Lederman |
Article |
Departing from Socialist Realism: April Photo Society, 1979-1981
|
Shuxia Chen |
Article |
Lineage and Legitimacy: Exploring Royal-Familial Visual Configurations in Cambodia
|
Joanna Wolfarth |
Article |
Photography as State Apparatus: Resident Registration Card Photography in South Korea
|
Young June Lee |
Article |
Iconology of a Photograph
|
Ajay Sinha |
Article |
The Cultural Revolution Through the Prism of Vernacular Photography
|
Marine Cabos |
Article |
Review of Liminalities of Gender and Sexuality in Nineteenth Century Iranian Photography: Desirous Bodies, by Staci Gem Scheiwiller
|
Mariam Rahmani |
Review |
Review of The Arab Imago: A Social History of Portrait Photography, 1860-1910, by Stephen Sheehi
|
Nancy Micklewright |
Review |
Review of Portraiture and Early Studio Photography in China and Japan, ed. by Luke Gartlan and Roberta Wue
|
Stephen Sheehi |
Review |
Editor's Welcome
|
Sandra Matthews |
— |
Review of History of Photo Studios in China, 1859–1956 中国照相馆史, by Tong Bingxue
|
Yao Wu |
Review |
Review of Photography in Southeast Asia: A Survey, by Zhuang Wubin
|
Carlos Quijon, Jr. |
Review |
The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
|
Qiuzi Guo |
Article |
Blood Wood
|
Jean Loh |
Article |
Landscape Photography, Infrastructure, and Armed Conflict in a Chinese Travel Anthology from 1935: The Case of Dongnan lansheng
|
Juliane Noth |
Article |
Rerouting the Modernist Visions of Horino Masao: Territorial Photography, Mass Amateurism, and Imperial Tourism
|
Shota T. Ogawa |
Article |
Thuma
|
Abby Robinson |
Article |
Following the Box: Exploring an Archive of Anonymous Photographs from India
|
Alan Teller; Jerri Zbiral |
Article |
Introduction
|
Deepali Dewan |
Introduction |
Review of Guts, by Masaki Yamamoto
|
Sebastian Galbo |
Book Review |
“A Treasury of Rays”: Finding a Winter Garden in Palestine
|
Alessandra Amin |
Article |
Thinking of a Place
|
Surendra Lawoti |
Article |
Diaspora and Performance: Reenacting the Family Album
|
Jessica Nakamura |
Article |
Family Intact: An Experience of being Photographed
|
Suryanandani Narain |
Article |
Finding Family in The Times of India’s Mid-Century Kodak Ads
|
Jennifer Orpana |
Article |
Photos Unhomed: Orphan Images and Militarized Visual Kinship
|
Thy Phu |
Article |
Modern Family: The Transformation of the Family Photograph in Qajar Iran
|
Staci Gem Scheiwiller |
Article |
Introduction
|
Sandra Matthews |
Introduction |
Creating a Space for Performing Tibetan Identies: A Curatorial Commentary
|
Clare Harris |
Article |
Images Under Construction: Photomontage in Interwar Europe and Japan
|
Kevin Michael Smith |
Article |
Witnessing Death: The Circulation of Lu Xun’s Postmortem Image
|
Yiwen Liu |
Article |
Photobooks by Women from Asia: A Conversation with Amanda Ling-Ning Lo, Miwa Susuda, and Iona Ferguson
|
Russet Lederman |
Article |
Photographic Praxis in China, 1930s-1980: A Conversation with Chen Shuxia, Shi Zhimin, and Zhou Dengyan about Shi Shaohua and the Friday Salon
|
Shuxia Chen; Dengyan Zhou; Zhimin Shi |
Article |
The Gift of the Abdulhamid II Albums: The Consequences of Photographic Circulation
|
Erin Hyde Nolan |
Article |
South India Addresses the World: Postcards, Circulation, and Empire
|
Stephen Hughes; Emily Stevenson |
Article |
Ernest ‘Chinese’ Wilson’s Re-imagined Legacy in Sichuan
|
Scott Dietrich; Michael R. Dietrich |
Article |
Review of Unseen Siam: Early Photography 1860–1910, by Joachim K. Bautze
|
Leslie A. Castro-Woodhouse |
Book Review |
Review of Life and Dreams, Contemporary Chinese Photography and Media, ed. by Christopher Phillips and Wu Hung
|
Christine I. Ho |
Book Review |
Introduction
|
Sandra Matthews |
Introduction |
Picturing Meishu: Photomechanical Reproductions of Works of Art in Chinese Periodicals before WWII
|
Yanfei Zhu |
Article |
The Shanghai Amateur Photographic Society: An Early Photographic Organization Established by Westerners in China
|
Liang Che |
Article |
Revealing the Radioactive Contamination after Fukushima in Japanese Photography
|
Amandine Davre |
Article |
Visualizing Impunity: Photography and State Violence in Thailand
|
Karin H. Zackari |
Article |
“Ummijaan’s Pictures Were Nice”: Thinking about Haleema Hashim’s Photography
|
Mallika Leuzinger |
Article |
Feeling Around for Matter: Mikiko Hara’s Quiet Observations
|
Jane Simon |
Article |
Reconsidering Everyday Life Photography: Saenghwalchuŭi Sajin in South Korea in the 1950s and 1960s
|
Kaeun Park |
Article |
Review of Our Land, ed. by Anthony Hamboussi
|
Alessandra Amin |
Book Review |
Review of Trails, by Takashi Homma
|
Sebastian Charles Galbo |
Book Review |
Ten Years of the Trans Asia Photography Review
|
Sandra Matthews |
Introduction |
Wuhan’s Family Photographs
|
Laura Wexler |
Field Note |
“Film und Foto” Redux in Japan’s 2010s
|
Shota T. Ogawa |
Field Note |
Orientalism and the Politics of Photographic Representation
|
Ali Behdad |
Field Note |
A Western Bibliomania for Japanese Photobooks
|
Russet Lederman |
Field Note |
The Middle Ground of Early Chinese Photography
|
Anthony W. Lee |
Field Note |
Being in the World
|
Jamie Maxtone-Graham |
Curatorial Project |
Surface Tension: Hong Kong Photographs in Wei Leng Tay’s Abridge Project
|
Olivier Krischer |
Curatorial Project |
A Fragile Past: Exploring One Family’s Narrative Through the Photographs They Buried
|
Charles Fox |
Curatorial Project |
The Creative Distractions of Manobina Roy
|
Sabeena Gadihoke |
Curatorial Project |
Photodemos – Citizens of photography: the camera and the political imagination
|
Christopher Pinney; Sokphea Young; Vindhya Buthpitiya |
Curatorial Project |
Contemporary Photography Magazines in Korea and Taiwan: Vostok and Voices of Photography in Context
|
Jeehey Kim |
Profile |
Matca: Creating Conversations around Photography in Vietnam
|
Ha Dao |
Profile |
PannaFoto Institute: Teaching Photography and Building Communities in Indonesia
|
Wubin Zhuang |
Profile |
PIX: Photography and Critical Thought in South Asia
|
Rahaab Allana |
Profile |
Photography Institutions Burgeoning in China
|
Shuxia Chen |
Profile |
Drik Picture Library, Dhaka, Bangladesh: A Conversation with Shahidul Alam
|
Deepali Dewan |
Profile |
Review of Early Photography in Vietnam, by Terry Bennett
|
Thy Phu |
Book Review |
Review of China Dream, by Teresa Eng
|
Sebastian C. Galbo |
Book Review |
Review of Demanding Images: Democracy, Mediation, and the Image-Event in Indonesia, by Karen Strassler
|
Veronika Kusumaryati |
Book Review |
Review of Marjorie Doggett’s Singapore: A Photographic Record, by Edward Stokes
|
James McArdle |
Book Review |
The Future of the TAP Review: Call for Proposals
|
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“Trans”: An Introduction
|
Thy Phu |
Introduction |
Transpacific Rizalistas: Portrait Photography and the Filipino Becoming-Subject
|
Adrian De Leon |
Article |
Transnational Family Photographs and Adoption from Asia
|
LiLi Johnson |
Article |
Field Notes, Fluidities, and Fictional Archives: Transmedial Photography and Singapore's Altered Coastlines
|
Joanne Leow; ila ; Juria Toramae; Robert Zhao Renhui |
Article |
Photographic Rehearsal: A Still-Unfolding Narrative
|
Charan Singh |
Portfolio |
Photography at the 2020 Dhaka Art Summit: A Review
|
Akshaya Tankha |
Review |
“Asia”: An Introduction
|
Yi Gu |
Introduction |
Two Leaves and a Bud: Tea and The Body Through a Colonial Lens
|
Leila Anne Harris |
Article |
Disobedient Photobooks: Photobooks and the Protest Image in Contemporary Hong Kong
|
Wing Ki Lee |
Article |
Photojournalism and Social Movement as “Theatre”: A Critical Reading of “The Sunflower Movement” Photographs
|
Li-Hsin Kuo |
Translation |
Why Trans People Stand: The Performance of Postcoloniality and Power in Portraiture
|
Jun Zubillaga-Pow |
Critical Reflection |
The Making of “Henri Cartier-Bresson: China 1948-1949, 1958”
|
Ying-lung Su |
Curatorial Reflection |
Cartier-Bresson is Here
|
Yongquan Jin |
Translation |
Kaneko Ryūichi and the History of Japanese Photography
|
Yoshikai Kai |
Commemoration |