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Title Author(s) Volume/Issue Date
F0 ESTIMATION OF INHARMONIC PIANO TONES USING PARTIAL FREQUENCIES DEVIATION METHOD Rauhala, Jukka; Vôlimôki, Vesa vol. 2007 2007
FABRICATING AURAL LANDSCAPES: SOME COMPOSITIONAL IMPLICATIONS OF TROMPE L'OREILLE Batchelor, Peter vol. 2007 2007
A Factored Language Model of Quantized Pitch and Duration Li, Xiao; Ji, Gang; Bilmes, Jeff vol. 2006 2006
The Fairlight CMI and Its Uses in Advanced Laser Graphics McLean, Barton vol. 1981 1981
The Fairlight Computer Musical Instrument Levine, Steve; Mauchly, J. William vol. 1980 1980
Fantasy Birds in Yazi's Dream Ayers, Lydia vol. 2006 2006
A Fast Communication-Interface to the CAMP-DSP-Subsystem for general purpose Sound-Synthesis, Analysis and Processing Nieberle, Rupert C. vol. 1991 1991
A Fast Data Structure for Disk-Based Audio Editing Mazzoni, Dominic; Dannenberg, Roger B. vol. 2001 2001
FAST SOUND TEXTURE SYNTHESIS USING OVERLAP-ADD Fröjd, Martin; Horner, Andrew vol. 2007 2007
FATTA: FULL AUTOMATIC TIME-SPAN TREE ANALYZER Hamanaka, Masatoshi; Hirata, Keiji; Tojo, Satoshi vol. 2007 2007
fcremap'dB: Audiovisual Re-mapping, Animated Notation, and Embodied Electronics Sigman, Alexander vol. 2017 2017
The FCurve Sound Generator with Granular Synthesis Helmuth, Mara; Ibrahim, Aladin vol. 1995 1995
THE FEATSYNTH FRAMEWORK FOR FEATURE-BASED SYNTHESIS: DESIGN AND APPLICATIONS Hoffman, Matthew; Cook, Perry R. vol. 2007 2007
Feature-Based Synthesis: Mapping Acoustic and Perceptual Features onto Synthesis Parameters Hoffman, Matt; Cook, Perry R. vol. 2006 2006
Feature Classification and Related Response in a Real-time Interactive Music System Rowe, Robert vol. 1990 1990
Feature Extraction and Database Design for Music Software Pope, Stephen Travis; Holm, Frode; Kouznetsov, Alexandre vol. 2004 2004
Feature Extraction and Expertise Analysis of Pianists’ Motion-Captured Finger Gestures Tits, Mickaël; Tilmanne, Joëlle; d’Alessandro, Nicolas; Wanderley, Marcelo M. vol. 2015 2015
The feature extraction based hypersampler in Il grifo nelle perle nere: a bridge between player and instrument paradigm Marinoni, Marco vol. 2014 2014
FEATURE MODULATION SYNTHESIS (FMS) Park, Tae Hong; Biguenet, Jonathan; Li, Zhiye; Richardson, Conner; Scharr, Travis vol. 2007 2007
Features extraction and temporal segmentation of acoustic signals Rossignol, S.; Rodet, X.; Soumagne, J.; Collete, J.-L.; Depalle, P. vol. 1998 1998
Federazione CEMAT and Centres of Computer Music Research and Production in Italy Belgeri, Gisella; Di Giugno, Guiseppe vol. 1999 1999
Feedback in Musical Computer Applications Laine, Pauli; Lassfolk, Kai vol. 1999 1999
FEEDBACK INSTRUMENTS: GENERATING MUSICAL SOUNDS, GESTURES, AND TEXTURES IN REAL TIME WITH COMPLEX FEEDBACK SYSTEMS Morris, Jeffrey M. vol. 2007 2007
Feel the Music: Narration in Touch and Sound O'Modhrain, Maura Sile vol. 1997 1997
Feeping Creatures Berry, Rodney vol. 1999 1999
Felix-The DIEM Multiple DSP Box - Still in Progress Brandorff, Steffen; Caprani, Ole; Møller-Nielson, Peter; Lave, Morton vol. 1995 1995
FFTease: a collection of spectral signal processors for Max/MSP Penrose, Christopher; Lyon, Eric vol. 2000 2000
FIFTY YEARS OF COMPUTER MUSIC: IDEAS OF THE PAST SPEAK TO A FUTURE‒IMMERSED IN RICH DETAIL Chowning, John vol. 2007 2007
Filter Design Using Second-Order Peaking and Shelving Sections Abel, Jonathan S.; Berners, David P. vol. 2004 2004
FINDING SUBSEQUENCES OF MELODIES IN MUSICAL PIECES Adiloğlu, Kamil; Obermayer, Klaus vol. 2005 2005
Fine-tuned Control of Concatenative Synthesis with CATART Using the BACH Library for MAX Einbond, Aaron; Trapani, Christopher; Agostini, Andrea; Ghisi, Daniele; Schwarz, Diemo vol. 2014 2014
“The Fingers” – A Tribute to “The Hands” Overholt, Dan vol. 2009 2009
A FINITE DIFFERENCE PLATE MODEL Bilbao, Stefan; van Walstijn, Maarten vol. 2005 2005
The First Buchla 300 Series Electronic Music Box Millen, Dale vol. 1998 1998
The First Retrospective of Mexican Electroacustic Music Rocha Iturbide, Manuel vol. 2004 2004
Flatter Frequency Response from Feedback Delay Network Reverbs Anderson, Hans; Wah Edward Lin, Kin; So, Clifford; Lui, Simon vol. 2015 2015
Flavors Band: Beyond Computer Improvisation and/or A Meta-Composition Language Fry, Christopher vol. 1983 1983
Fleece: Graphical 3-D Trajectory Specification Software for Spatialization in Live Performance Castle, Harry D. vol. 2000 2000
FLEXIBILITY, SUBTLETY AND SPONTANEITY IN NEW INSTRUMENT DESIGN: THE FEEDBACK JOYPAD Mudd, Tom vol. 2012 2012
A Flexible Acoustic Ambience Simulator Stautner, J. P.; Hale, R. L. vol. 1982 1982
A Flexible Analysis-Synthesis Method for Transients Thornburg, Harvey; Gouyon, Fabien vol. 2000 2000
A Flexible And Dynamic C++ Framework And Library For Digital Audio Signal Processing Place, Timothy; Lossius, Trond; Peters, Nils vol. 2010 2010
A flexible and modular crosslingual voice conversion system Machado, Anderson Fraiha; Queiroz, Marcelo vol. 2014 2014
A FLEXIBLE AUTHORING TOOL FOR WAVE FIELD SYNTHESIS Bleda, S.; López, J.J.; Escolano, J.; Pueo, B. vol. 2005 2005
FLEXIBLE CONTROL OF COMPOSITE PARAMETERS IN MAX/MSP Place, Timothy; Lossius, Trond; Jensenius, Alexander Refsum; Peters, Nils vol. 2008 August 2008
A Flexible Real-Time Software Synthesis System Dannenberg, Roger; Brandt, Eli vol. 1996 1996
Flexible Scheduling for DataFlow Audio Processing Burroughs, Neil; Parkin, Adam; Tzanetakis, George vol. 2006 2006
Flexible Sound Effects Wyse, Lonce vol. 1997 1997
Flexible spatial design for dance performance Otondo, Felipe vol. 2011 2011
Flexible Yet Controllable Physical Models: A Nonlinear Dynamics Approach Rodet, Xavier vol. 1993 1993