Title |
Author(s) |
An Interactive Cellular Automata Music Application in Cocoa
|
Millen, Dale |
Some recent actions to preserve, document and disseminate electroacoustic music by Latin American composers
|
Dal Farra, Ricardo |
Sounds of a Community: An Interactive Sound Installation
|
Gluck, Robert J. |
SDIF sound description data representation and manipulation in computer assisted composition
|
Bresson, Jean; Agon, Carlos |
M2 Diffusion - The live diffusion of sound in space
|
Moore, Adrian; Moore, Dave; Mooney, James |
Proposal for a Roundtable Discussion on the Role of Abstract Mathematics in Computer Music
|
Fritts, Lawrence; Mazzola, Guerino; Morris, Robert; Rahn, John; Andreatta, Moreno |
Cellular Automata Mapping Procedures
|
Beyls, Peter |
A New Efficient Approach to Query by Humming
|
Fu, Leon; Xue, Xiang-yang |
Khorwa: A musical experience with « autonomous agents »
|
Malt, Mikhail |
Learning to Play the Flute with an Anthropomorphic Robot
|
Solis, J.; Bergamasco, M.; Isoda, S.; Chida, K.; Takanishi, A. |
Adaptive High-level Classification of Vocal Gestures Within a Networked Sound Instrument
|
Freeman, Jason; Ramakrishnan, C.; Varnik, Kristjan; Neuhaus, Max; Burk, Phil; Birchfield, David |
Harmonizations of time with non periodic ordered structures in discrete geometry and astronomy
|
Escudero, Juan García |
Stochastic Estimation of Bsf
|
Ilomôki, Tuukka; Kortesniemi, Yki |
Predicting Reinforcement of Pitch Sequences via LSTM and TD
|
Franklin, Judy A. |
Spectral Tuning
|
Lyon, Eric |
MATConcat: An Application for Exploring Concatenative Sound Synthesis Using MATLAB
|
Sturm, Bob L. |
Spectral Characteristics of the Musical Iced Tea Can
|
Sturm, Bob L.; Pope, Stephen T. |
DIEM: Studio Report
|
Siegel, Wayne |
The Sonic Scanner and the Graphonic Interface
|
Overholt, Dan |
Interactive Paths Through Tree Music
|
Shatin, Judith |
Gem for pd - recent progress
|
Zmölnig, Johannes M. |
Signals and Systems Using MATLAB: An Effective Application for Exploring and Teaching Media Signal Processing
|
Sturm, Bob L.; Gibson, Jerry |
A Comparison between Local Search and Genetic Algorithm Methods forWavetable Matching
|
Wun, Simon; Horner, Andrew; Ayers, Lydia |
Understanding the Mathematics of the Frequency Transform: An Interactive Tutorial for Computer Musicians
|
Pietrusko, R. Gerard; Boulanger, Richard C. |
Searching for Sounds: A Demonstration of FindSounds.com and FindSounds Palette
|
Rice, Stephen V.; Bailey, Stephen M. |
Latency Tolerance for Gesture Controlled Continuous Sound Instrument without Tactile Feedback
|
Môki-Patola, Teemu; Hômôlôinen, Perttu |
University of Leeds Interdisciplinary Centre for Scientific Research in Music
|
Ng, Kia |
An Object-Oriented Model of the Xenakis Sieve for Algorithmic Pitch, Rhythm, and Parameter Generation
|
Ariza, Christopher |
Evolving electroacoustic music: the application of genetic algorithms to time-domain waveforms
|
Magnus, Cristyn |
A Search for Best Error Metrics to Predict Discrimination of Original and Spectrally Altered Musical Instrument Sounds
|
Horner, Andrew; Beauchamp, James; So, Richard |
Synthesizing Timbre Tremolos and Flutter Tonguing on Wind Instruments
|
Ayers, Lydia |
Copy-synth-patch: A Tool for Visual Instrument Design
|
Laurson, Mikael; Norilo, Vesa |
Polyphonic Pitch Identification and Bayesian Inference
|
Cemgil, Ali Taylan |
WONDER - a software interface for the application of Wave Field Synthesis in electronic music and interactive sound installations
|
Baalman, M. A. J.; Plewe, Daniel |
A Performer's Musicological Research in Performing Interactive Computer Music ‒ The performance of Jean-Claude Risset: Duet for One Pianist‒Eight Sketches for MIDI Piano and Computer (Max program) (1989)
|
Li, Wuan-chin |
Designing for Emergent Behavior: a John Cage realization
|
Burns, Christopher |
IRIN: Micromontage in Graphical Sound Editing and Mixing Tool
|
Caires, Carlos |
AALIVENET: An agent based distributed interactive composition environment.
|
Spicer, Michael |
Cellular Automata in MIDI based Computer Music
|
Burraston, Dave; Edmonds, Ernest; Livingstone, Dan; Miranda, Eduardo Reck |
Analysis and Reconstruction of Interactive Electroacoustic Works for Obsolete Technology: Thea Musgrave's Narcissus
|
Wetzel, David Brooke |
Pitch Perception of Time-Varying Notched Noise - Hearing the absent frequencies
|
Oishi, Satoshi; Hashimoto, Shuji |
A Hierarchical Approach to Onset Detection
|
Kapanci, Emir; Pfeffer, Avi |
Linux as a Mature Digital Audio Workstation in Academic Electroacoustic Studios - Is Linux Ready for Prime Time?
|
Bukvic, Ivica Ico |
Adding Machine Cognition to a Web-based interactive composition
|
Whalley, Ian |
Optimal Filtering of an Instrument Sound in a Mixed Recording Given Approximate Pitch Prior
|
Ben-Shalom, Adiel; Dubnov, Shlomo |
Real-time Pitched/Unpitched Separation of Monophonic Timbre Components
|
Sarlo, Joseph A. |
Automatic Generation of Grouping Structure based on the GTTM
|
Hamanaka, Masatoshi; Hirata, Keiji; Tojo, Satoshi |
pmpd : Physical modelling for Pure Data
|
Henry, Cyrille |
MEDIATE: Key Sonic Developments in an Interactive Installation for Children with Autism
|
Timmerman, Hans; van Wolferen, Gerard; Newland, Paul; Kunath, Simon |
Cybersongosse 7Mi
|
Clozier, Christian; Le Duc, Jean-Claude; Mihalic, Alexander |
Robust Polyphonic Midi Score Following with Hidden Markov Models
|
Schwarz, Diemo; Orio, Nicola; Schnell, Norbert |
Enhancing Musical Experience through Proximal Interaction
|
Tanaka, Atau; Authier, Antoine; Valadon, Guillaume; Violette, Laurent |
Learning Expressive Performance Rules in Jazz
|
Ramirez, Rafael; Hazan, Amaury |
Centre for Digital Music: Studio Report
|
Bello, Juan P.; Sandler, Mark |
Musical Genre Classification by Instrumental Features
|
Zhu, Jiajun; Xue, Xiangyang; Lu, Hong |
Loop-based Composition with RTcmix and Hula
|
Gibson, John |
Introducing and Analyzing the Electro-Acoustic Bottle
|
Penttinen, Henri |
Composition for Ubiquitous Responsive Sound Environments
|
Livingstone, Dan; Miranda, Eduardo |
Sybil: Synthesis by Interactive Learning
|
Clarke, Michael; Watkins, Ashley; Adkins, Mathew; Bokowiec, Mark |
Three Approaches to the Dynamic Multi-channel Spatialization of Stereo Signals
|
Keyes, Christopher J. |
Automatic Genre Classification as a Study of the Viability of High-Level Features for Music Classification
|
McKay, Cory |
MidiTron MIDI to Real-World Interface
|
Singer, Eric |
GAIA: Graphical Audio Interface Application
|
Topper, David |
Phase Models to Control Roughness in Additive Synthesis
|
Tind, Erling; Jensen, Kristoffer |
Interactive Performance withWireless PDAs
|
McAllister, Graham; Alcorn, Michael; Strain, Philip |
PTL, a new sequencer dedicated to graphical scores
|
Henry, Damien |
Musical Time in Visual Space
|
Evans, Brian |
Automatic Discovery of Right Hand Fingering in Guitar Accompaniment
|
Trajano, Ernesto; Dahia, Márcio; Sanatana, Hugo; Ramalho, Geber |
From the visualization of sound to real-time sonification: different prototypes in the Max/MSP/Jitter environment
|
Sedes, Anne; Courribet, Benoit; Thiébaut, Jean-Baptiste |
Teabox: A Sensor Data Interface System
|
Allison, Jesse T.; Place, Timothy A. |
Annotated Music for Retrieval, Reproduction, and Sharing
|
Hirata, Keiji; Matsuda, Shu; Kaji, Katsuhiko; Nagao, Katashi |
Re-coupling: the uBlotar synthesis instrument and the sHowl speaker-feedback controller
|
Stiefel, Van; Trueman, Dan; Cook, Perry |
A Pragmatic Approach to Set-Based Algorithmic Composition
|
Ricks, Steven L.; Quigley, Morgan L. |
Timbre Representation of a Single Musical Instrument
|
de Paula, Hugo B.; Loureiro, Mauricio A.; Yehia, Hani C. |
SCREAM - SuperCollider Resource for Electro-Acoustic Music
|
Leahy, Michael |
The Transformation Engine
|
Degazio, B. Graziano |
Toward Construction of a Timbre Theory for Music Composition
|
Osaka, Naotoshi |
Combining Visual and Textual Representations for Flexible Interactive Audio Signal Processing
|
Dannenberg, Roger B. |
Crossing the Divide
|
Appleton, Jon; Lansky, Paul; Schaaff, Tim; Risset, Jean-Claude; Miwa, Masahiro; Smirnov, Andre |
Rock Music: Granular and Stochastic Synthesis based on the Matanuska Glacier
|
Helmuth, Mara; Davis, Teresa |
Georgia Tech Music Department - Studio Report
|
Weinberg, Gil; Clark, Frank |
"Voice Networks" - Exploring the Human Voice as a Creative Medium for Musical Collaboration
|
Weinberg, Gil |
IMP-CAM: Improvising with Cellular Automata Music
|
Wong, Kam Wah |
Loudness Scaling in a Digital Synthesis Library
|
Guessford, Jesse; Kaper, Hans; Tipei, Sever |
Simulation of Networked Ensemble Performance with Varying Time Delays: Characterization of Ensemble Accuracy
|
Gurevish, Michael; Chafe, Chris; Leslie, Grace; Tyan, Sean |
ATS: A System for Sound Analysis Transformation and Synthesis Based on a Sinusoidal plus Critical-Band Noise Model and Psychoacoustics
|
Pampin, Juan |
ATS User Interfaces
|
Pampin, Juan; di Liscia, Oscar Pablo; Moss, William 'Pete'; Norman, Alex |
Signal decomposition by means of classification of spectral peaks
|
Roebel, Axel; Zivanovic, Miroslav; Rodet, Xavier |
The Technophobe and the Madman: An Internet2 Distributed Musical
|
Rowe, Robert; Rolnick, Neil |
Inductive Logic Programming and Music
|
Ramirez, Rafael |
Evolving Decentralized Musical Instruments Using Genetic Algorithms
|
Talmudi, Assaf K. |
Intelligent Scripting in ENP using PWConstraints
|
Kuuskankare, Mika; Laurson, Mikael |
Computer Music at the Peabody Conservatory of the Johns Hopkins University
|
Boyle, McGregor; Wright, Geoffrey |
Trends on the synthesis of the singing voice: technical problems and perspectives
|
Georgaki, Anastasia |
Instrument Recognition Beyond Separate Notes - Indexing Continuous Recordings
|
Livshin, Arie A.; Rodet, Xavier |
Re-realizing Philippe Boesmans' Daydreams: A Performative Approach to Live Electro-Acoustic Music
|
Esler, Robert |
Digitizing North Indian Performance
|
Kapur, Ajay; Davidson, Philip; Cook, Perry R.; Driessen, Peter F.; Schloss, W. Andrew |
comp-i: A System for Visual Exploration and Editing of MIDI Datasets
|
Miyazaki, R.; Fujishiro, I.; Hiraga, R. |
Cancellation of Unwanted Audio to Support Interactive Computer Music
|
Lee, Jonghyun; Dannenberg, Roger B.; Chun, Joohwan |
The Shamanic Object as a Model for New Multimedia Computer Performance Interfaces
|
Burtner, Matthew |
Studio Report: The Music Technology Program at Ball State University, Muncie, Indiana
|
Kothman, Keith; Pounds, Michael; Seitz, Jeffrey |
Java Music Specification Language, v103 update
|
Didkovsky, Nick |
Recent compositions and performance instruments realized in Java Music Specification Language
|
Didkovsky, Nick |
Real Time Sonification of Stock Market Data with sMax
|
Cifariello Ciardi, Fabio |
Spectromorphology Hits Hollywood: Black Hawk Down-A Case Study
|
Rudy, Paul |
Spectral Anticipations
|
Dubnov, Shlomo |
Improving score to audio alignment: Percussion alignment and Precise Onset Estimation
|
Rodet, Xavier; Escribe, Joseph; Durigon, Sébastien |
SonART: A framework for data sonification, visualization and networked multimedia applications
|
Yeo, Woon Seung; Berger, Jonathan; Lee, Zune |
Implementation of a Highly Diffusing 2-D DigitalWaveguide Mesh with a Quadratic Residue Diffuser
|
Lee, Kyogu; Smith, Julius O. |
CsoundXML: a meta-language in XML for sound synthesis
|
Kröger, Pedro |
Sound Analysis and Processing with AudioSculpt 2
|
Bogaards, Niels; Röbel, Axel; Rodet, Xavier |
Music Structural Analysis via Novelty Shape Detection
|
Nam, Unjung; Berger, Jonathan |
A Dynamic Model of Metric Rhythm in Electroacoustic Music
|
Morris, Jeff |
Towards a Model of Parallelism
|
Smeenk, Ralph G. W. |
A fuzzy logic model for compositional approaches to audio-visual media
|
Cádiz, Rodrigo F. |
Statistical description models for melody analysis and characterization
|
Ponce de León, Pedro J.; Iñesta, José M. |
Andante: Composition and Performance with Mobile Musical Agents
|
Ueda, Leo Kazuhiro; Kon, Fabio |
Sound and musical representation: the Acousmographe software
|
Geslin, Yann; Lefevre, Adrien |
Recognition, Analysis and Performance with Expressive Conducting Gestures
|
Kolesnik, Paul; Wanderley, Marcelo |
The Music Technology Program at McGill University
|
Scavone, Gary P.; Wanderley, Marcelo M. |
Path Difference Learning for Guitar Fingering Problem
|
Radisavljevic, Aleksander; Driessen, Peter |
The Quest for Low Latency
|
Lago, Nelson Posse; Kon, Fabio |
Low-dimensional parameter mapping using spectral envelopes
|
Puckette, Miller |
Audio Segmentation by Singular Value Clustering
|
Dubnov, Shlomo; Apel, Ted |
CCRMA Studio Report
|
Wright, Matthew; Berger, Jonathan; Burns, Christopher; Chafe, Chris; Lopez-Lezcano, Fernando; Smith, Julius |
Waiting and Uncertainty in Computer Music Networks
|
Rohrhuber, Julian; de Campo, Alberto |
The First Retrospective of Mexican Electroacustic Music
|
Rocha Iturbide, Manuel |
Designing a Generalized Sonification Environment
|
de Campo, Alberto; Frauenberger, Christopher; Höldrich, Robert |
University of Cincinnati, College-Conservatory of Music Center for Computer Music - (ccm)² in 2004
|
Helmuth, Mara; Schedel, Margaret; Bernard, Jennifer; Bukvic, Ivica Ico; Ding, Shiau-uen |
Mapping Spectral Frames to Pitch with the Support Vector Machine
|
Schmeder, Andrew W. |
Filter Design Using Second-Order Peaking and Shelving Sections
|
Abel, Jonathan S.; Berners, David P. |
Cross-Modal Parametric Composition
|
Gerhard, David; Hepting, Daryl H. |
Mixing with Mozart
|
Basu, Sumit |
The Audicle: A Context-Sensitive, On-the-fly Audio Programming Environ/mentality
|
Wang, Ge; Cook, Perry R. |
A New Beatbug: Revisions, Simplifications, and New Directions
|
Aimi, Robeto; Young, Diana |
Towards Timbre Recognition of Percussive Sounds
|
Tindale, Adam; Kapur, Ajay; Fujinaga, Ichiro |
Loudness-Based Display and Analysis Applied to Artificial Reverberation
|
Huang, Patty; Smith III, Julius O. |
Audio and Gesture Latency Measurements on Linux and OSX
|
Wright, Matthew; Cassidy, Ryan J.; Zbyszyński, Michael F. |
Examining Synthetic Databases in Melodic Retrieval Testing
|
Parker, Charles |
From Kafka to K...: Documenting an Electronic Opera
|
Ramstrum, Momilani |
Interactive Immersive Environments: A Composer's Journey
|
Deane Berman, Anne |
An In-Depth Analysis of Real-Time MIDI Performance
|
Thom, Belinda; Nelson, Mark |
Contour Hierarchies, Tied Parameters, Sound Models and Music
|
Wyse, Lonce |
AROOOGA: An Audio Search Engine for theWorldWideWeb
|
Knopke, Ian |
An Internet Browser Plug-in for Real-time Sound Synthesis using Pure Data
|
Alonso, Marcos; Geiger, Günter; Jordà, Sergi |
A physically informed model of a musical toy: the singing tube
|
Serafin, Stefania; Kojs, Juraj |
Medialogy: a bridge between technology and creativity based on the Aalborg model
|
Nordahl, Rolf; Serafin, Stefania |
Studio Report: the GRM - Groupe de Recherches Musicales, Institut National de l'Audiovisuel
|
Teruggi, Daniel; Geslin, Yann |
Pocket Gamelan: a J2ME environment for just intonation
|
Schiemer, Greg; Sabir, Kenny; Havryliv, Mark |
Electronic Music: An Interactive CD-ROM for Yong People
|
Chen, Chia-Chun |
Current Research in Music Technology at the Audiovisual Institute of the Pompeu Fabra University
|
Serra, Xavier |
Automatic rag classification using spectrally derived tone profiles
|
Chordia, Parag |
Real-time temporal segmentation of note objects in music signals
|
Brossier, Paul; Bello, Juan Pablo; Plumbley, Mark D. |
Feature Extraction and Database Design for Music Software
|
Pope, Stephen Travis; Holm, Frode; Kouznetsov, Alexandre |
Panel: Standards from the Computer Music Community
|
Wright, Matthew; Dannenberg, Roger; Pope, Stephen; Rodet, Xavier; Serra, Xavier; Wessel, David |
Aligning Polyphonic Musical Scores with Audio using a Latent Tempo Process
|
Raphael, Christopher |
Digital Instruments and Players: Part II-Diversity, Freedom and Control
|
Jordà, Sergi |
Understanding Supersaturation: A Musical Phenomenon Affecting Perceived Time
|
Horenstein, Stephen |