Title |
Author(s) |
Volume/Issue |
Date |
The Kansei Music System ’90
|
Katayose, Haruhio; Inokuchi, Seiji |
vol. 1990
|
1990 |
Kant: a Critique of Pure Quantification
|
Agon, Carlos; Assayag, Gérard; Fineberg, Joshua; Rueda, Camilo |
vol. 1994
|
1994 |
Kara: a BCI approach to composition
|
Cádiz, Rodrigo F.; de la Cuadra, Patricio |
vol. 2014
|
2014 |
KARAOKE SYSTEM WITH SPATIAL ACOUSTICS ESTIMATION FOR VOCAL OR INSTRUMENTAL REMOVAL
|
Xiang, Pei; Dubnov, Shlomo |
vol. 2005
|
2005 |
Karlax Performance Techniques: It Feels Like…
|
Stewart, D. Andrew |
vol. 2016
|
2016 |
KEY-FINDING WITH INTERVAL PROFILES
|
Madsen, Søren Tjagvad; Widmer, Gerhard |
vol. 2007
|
2007 |
Key-Music: An Expert System Environment for Music Composition
|
Camurri, A.; Giacomini, M.; Ponassi, A.; Zaccaria, R. |
vol. 1988
|
1988 |
Key Word Index
|
— |
vol. 1995
|
1995 |
Keyboard Interface with Shape-Distortion Expression for Interactive Performance
|
Ogata, Masa; Goto, Masataka |
vol. 2017
|
2017 |
KEYed user interface: Tools for expressive music production
|
Mohamed, Farhan; Fels, Sidney |
vol. 2002
|
2002 |
Khorwa: A musical experience with « autonomous agents »
|
Malt, Mikhail |
vol. 2004
|
2004 |
Kinesonic Composition as Choreographed Sound: Composing Gesture in Sensor-Based Music
|
Hsu, Aurie; Kemper, Steven |
vol. 2015
|
2015 |
Kinetic Sound Sculptures: Stele and Viola Spezzata
|
Eckel, Gerhard |
vol. 1999
|
1999 |
The KiOm: A Paradigm for Collaborative Controller Design
|
Kapur, Ajay; Tindale, Adam R.; Benning, Manjinder S.; Driessen, Peter F. |
vol. 2006
|
2006 |
KITTy: A PACKAGE FOR EXTERNAL PATCHES COMMUNICATION MANAGEMENT IN MAX/MSP - A PROGRESS REPORT
|
de Sousa Dias, António; Lopes, Paulo Ferreira |
vol. 2005
|
2005 |
Kiwi: A Parallel System for Software Sound Synthesis
|
Walker, Wiliam Franklin |
vol. 1989
|
1989 |
KLANGPILOT - a new interface for “writing” (not only) synthetic sounds
|
Kretz, Johannes |
vol. 2011
|
2011 |
A Knowledge-Based Approach to Assistance in Timbral Design
|
Ashley, Richard D. |
vol. 1986
|
1986 |
A Knowledge Based System for Recognition and Transcription of XVIth Century Guitar Tablatures
|
Derrien-Péden, D. |
vol. 1993
|
1993 |
Knowledge Information Processing in Conducting Computer Music Performer
|
Morita, Hideyuki; Watanabe, Hiroshi; Harada, Tsutomu; Ohteru, Sadamu; Hashimoto, Shuji |
vol. 1990
|
1990 |
Knowledge Representation of Sounds and Sonic-Structures Based on Constraints and Mulitple Inheritance
|
Lundén, Peter |
vol. 1993
|
1993 |
Kopavogur Computer Music Center (KCMC)
|
Thordarson, Hilmar; Fridriksson, Rikhardur H. |
vol. 2001
|
2001 |
Krayola: A Flexible, Robust, and User-friendly Precompositional Sketching Environment
|
Skries, Dale; Hallstrom, Jonathan |
vol. 1993
|
1993 |
KRONOS AS A VISUAL DEVELOPMENT TOOL FOR MOBILE APPLICATIONS
|
Norilo, Vesa |
vol. 2012
|
2012 |
Kronos Meta-Sequencer – From Ugens to Orchestra, Score and Beyond
|
Norilo, Vesa |
vol. 2016
|
2016 |
KSM: An Essay in Knowledge Representation in Music
|
Ashley, Richard D. |
vol. 1985
|
1985 |
Kuatro: A Motion-Based Framework for Interactive Music Installations
|
Johnson, David; Manaris, Bill; Vassilandonakis, Yiorgos; Stoudenmier, Seth |
vol. 2014
|
2014 |
Kyma: An Object-oriented Language for Music Composition
|
Scaletti, Carla |
vol. 1987
|
1987 |