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Title Author(s) Volume/Issue Date
BACH: AN ENVIRONMENT FOR COMPUTER-AIDED COMPOSITION IN MAX Agostini, Andrea; Ghisi, Daniele vol. 2012 2012
BACK TO THE SEA: A SOFTWARE REALIZATION OF DEXTER MORRILL'S SEA SONGS Hamilton, Robert vol. 2007 2007
Background Music Generaton Based on Scene Analysis Onoe, Naoyuki; Hashimoto, Shuji; Chang, Dingding vol. 1996 1996
Balancing Defiance and Cooperation: The Design and Human Critique of a Virtual Free Improviser Banerji, Ritwik vol. 2016 2016
THE BALLANCER ‒GESTURALLY CONTROLLED PHYSICS-BASED SOUND Rath, Matthias vol. 2005 2005
a Band is Born: a digital learning game for Max/MSP Hancock, Oliver vol. 2016 2016
Banded Waveguides on Circular Topologies and of Beating Modes: Tibetan Singing Bowls and Glass Harmonicas Essel, Georg; Cook, Perry R. vol. 2002 2002
Banded Waveguides: Towards Physical Modeling of Bowed Bar Percussion Instruments Essl, Georg; Cook, Perry R. vol. 1999 1999
Bandwidth Enhanced Sinusoidal Modeling in Lemur Fitz, Kelly; Haken, Lippold vol. 1995 1995
The Banff Centre Media Arts Program: Studio Report and Artistic Retrospective Centruy, Michael vol. 1989 1989
Bassline Pitch Prediction for Real-Time Performance Systems Robertson, Andrew vol. 2014 2014
Bayesian Real-time Adaptation for Interactive Performance Systems Cemgil, Ali Taylan; Kappen, Bert vol. 2001 2001
Bayesian Spectral Matching: Turning Young MC into MC Hammer via MCMC Sampling Hoffman, Matthew D.; Cook, Perry R.; Blei, David M. vol. 2009 2009
A Bayesian Technique for Distinguishing Between Melody Notes and Grace Notes in Recorded Performances MacLean, W. James vol. 2002 2002
The BBCut Library Collins, Nick vol. 2002 2002
The Beast's glove: The tactile and the digital in computer music Richard, Dominique vol. 1997 1997
Because We Are Falling Down. Physics, Gesture And Relative Realities Klien, Volkmar; Grill, Thomas vol. 2010 2010
BEGINNER'S MIND: AN ENVIRONMENT FOR SONIC IMPROVISATION Ciufo, Thomas vol. 2005 2005
Behave: a Heatmap-based Audiovisual Representation of Personal Data Park, Sihwa vol. 2018 2018
A Behavioral or Actor-Based Paradigm of Sound Production and Studio Composition Elliot, Kevin vol. 1993 1993
Being There & Being With: The Philosophical and Cognitive Notions of Presence and Embodiment in Virtual Instruments Luciani, Annie vol. 2014 2014
BESSIE: A Real Time Interactive Computer Tutorial on Frequency Modulation Synthesis for the NeXT Computer Holland, Anthony G. vol. 1991 1991
BETWEEN MAPPING, SONIFICATION AND COMPOSITION: RESPONSIVE AUDIO ENVIRONMENTS IN LIVE PERFORMANCE Salter, Christopher L.; Baalman, Marije A. J.; Moody-Grigsby, Daniel vol. 2007 2007
Between Technology and Creativity, Challenges and Opportunity for Music Technology in Higher Education Boehm, Carola vol. 2002 2002
Beyond Concatenation: Some Ideas for the Creative Use of Corpus-Based Sonic Material Stoll, Thomas M. vol. 2009 2009
Beyond MIDI: Knowledge-based Support for Computer-Aided Composition Bocker, Heinz-Dieter; Mahling, Andreas; Wehinger, Rainer vol. 1990 1990
BEYOND PYTHAGORAS Sundin, Paulina; Adkins, Monty; Gierakowski, Adrian vol. 2013 2013
Beyond the Beat: Towards Metre, Rhythm and Melody Modelling with Hybrid Oscillator Networks Lambert, Andrew; Weyde, Tillman; Armstrong, Newton vol. 2014 2014
Beyond the Query-By-Example Paradigm: New Query Interfaces for Music Information Retrieval Tzanetakis, George; Ermolinskyi, Andreye; Cook, Perry vol. 2002 2002
Big Tent: A Portable Immersive Intermedia Environment Smith, Benjamin D.; Cox, Robin vol. 2016 2016
THE BIGBANG RUBETTE: GESTURAL MUSIC COMPOSITION WITH RUBATO COMPOSER Thalmann, Florian; Mazzola, Guerino vol. 2008 August 2008
Binary Decision Tree Classification of Musical Sounds Jensen, Kristoffer; Arnspang, Jens vol. 1999 1999
Binaural Navigation for the Visually Impaired with a Smartphone Tae Hoon, Lee; Reddy Vuyyuru, Manish; Ananda Kumar, T; Lui, Simon vol. 2015 2015
A Binaural Recording and Playback System for the Reproduction of Virtual Concert Halls Soulodre, Gilbert A.; Stammen, Dale R. vol. 1993 1993
The Biniou Machine Barbaud, P.; Brown, F.; Lengagne, R. vol. 1986 1986
A Binomial Representation of the Pitch Parameter for Computer Processing of Musical Data Brinkman, Alexander R. vol. 1980 1980
Bio-Sensing and Bio-Feedback Instruments --- DoubleMyo, MuseOSC and MRTI2015 --- Nagashima, Yoichi vol. 2016 2016
Bioinformatic Response Data as a Compositional Driver Hamilton, Robert vol. 2006 2006
Biomimicry: Analysis Of A Corpus-Based Interactive Improvisational System Bradbury, James vol. 2017 2017
Biosensorfusion: New Interfaces for Interactive Multimedia Art Nagashima, Yoichi vol. 1998 1998
BIOSPHERE SOUNDSCAPES: THE RAINFORESTS OF BRAZIL TO THE COASTLINES OF AUSTRALIA Barclay, Leah vol. 2013 2013
BIOTOOLS: INTRODUCING A HARDWARE AND SOFTWARE TOOLKIT FOR FAST IMPLEMENTATION OF BIOSIGNALS FOR MUSICAL APPLICATIONS Pérez, Miguel Angel Ortiz; Knapp, R. Benjamin vol. 2007 2007
The Black Swan: Probable and Improbable Communcation Over Local and Geographically Displaced Networked Connections as a Musical Performance System Aska, Alyssa vol. 2014 2014
Blending "Traditional" off-line Algorithmic Textual Input with Realtime Interaction and Graphics Oppenheim, Daniel vol. 1994 1994
Blind Decomposition of Concurrent Sounds Ueda, Mamoru; Hashimoto, Shuji vol. 1994 1994
"Blip, Buzz, Blurp": The Challenge of Teaching New Ways to Listen Miksch, Bonnie; Couch III, Leon W. vol. 1999 1999
BLOCK-BASED PHYSICAL MODELING FOR DIGITAL SOUND SYNTHESIS OF MEMBRANES AND PLATES Petrausch, Stefan; Rabenstein, Rudolf vol. 2005 2005
The ’Blues-o-Matic’ Real-time Interactive Performance Model Garton, Brad; Horowitz, Damon vol. 1993 1993
The Bluetooth Radio Ball Interface (BRBI): A Wireless Interface for Music/Sound Control And Motion Sonification Yeo, Woon Seung vol. 2006 2006
Body Modeling Techniques for String Instrument Synthesis Karjalainen, Matti; Smith, Julius vol. 1996 1996