Title |
Author(s) |
Volume/Issue |
Date |
BACH: AN ENVIRONMENT FOR COMPUTER-AIDED COMPOSITION IN MAX
|
Agostini, Andrea; Ghisi, Daniele |
vol. 2012
|
2012 |
BACK TO THE SEA: A SOFTWARE REALIZATION OF DEXTER MORRILL'S SEA SONGS
|
Hamilton, Robert |
vol. 2007
|
2007 |
Background Music Generaton Based on Scene Analysis
|
Onoe, Naoyuki; Hashimoto, Shuji; Chang, Dingding |
vol. 1996
|
1996 |
Balancing Defiance and Cooperation: The Design and Human Critique of a Virtual Free Improviser
|
Banerji, Ritwik |
vol. 2016
|
2016 |
THE BALLANCER ‒GESTURALLY CONTROLLED PHYSICS-BASED SOUND
|
Rath, Matthias |
vol. 2005
|
2005 |
a Band is Born: a digital learning game for Max/MSP
|
Hancock, Oliver |
vol. 2016
|
2016 |
Banded Waveguides on Circular Topologies and of Beating Modes: Tibetan Singing Bowls and Glass Harmonicas
|
Essel, Georg; Cook, Perry R. |
vol. 2002
|
2002 |
Banded Waveguides: Towards Physical Modeling of Bowed Bar Percussion Instruments
|
Essl, Georg; Cook, Perry R. |
vol. 1999
|
1999 |
Bandwidth Enhanced Sinusoidal Modeling in Lemur
|
Fitz, Kelly; Haken, Lippold |
vol. 1995
|
1995 |
The Banff Centre Media Arts Program: Studio Report and Artistic Retrospective
|
Centruy, Michael |
vol. 1989
|
1989 |
Bassline Pitch Prediction for Real-Time Performance Systems
|
Robertson, Andrew |
vol. 2014
|
2014 |
Bayesian Real-time Adaptation for Interactive Performance Systems
|
Cemgil, Ali Taylan; Kappen, Bert |
vol. 2001
|
2001 |
Bayesian Spectral Matching: Turning Young MC into MC Hammer via MCMC Sampling
|
Hoffman, Matthew D.; Cook, Perry R.; Blei, David M. |
vol. 2009
|
2009 |
A Bayesian Technique for Distinguishing Between Melody Notes and Grace Notes in Recorded Performances
|
MacLean, W. James |
vol. 2002
|
2002 |
The BBCut Library
|
Collins, Nick |
vol. 2002
|
2002 |
The Beast's glove: The tactile and the digital in computer music
|
Richard, Dominique |
vol. 1997
|
1997 |
Because We Are Falling Down. Physics, Gesture And Relative Realities
|
Klien, Volkmar; Grill, Thomas |
vol. 2010
|
2010 |
BEGINNER'S MIND: AN ENVIRONMENT FOR SONIC IMPROVISATION
|
Ciufo, Thomas |
vol. 2005
|
2005 |
Behave: a Heatmap-based Audiovisual Representation of Personal Data
|
Park, Sihwa |
vol. 2018
|
2018 |
A Behavioral or Actor-Based Paradigm of Sound Production and Studio Composition
|
Elliot, Kevin |
vol. 1993
|
1993 |
Being There & Being With: The Philosophical and Cognitive Notions of Presence and Embodiment in Virtual Instruments
|
Luciani, Annie |
vol. 2014
|
2014 |
BESSIE: A Real Time Interactive Computer Tutorial on Frequency Modulation Synthesis for the NeXT Computer
|
Holland, Anthony G. |
vol. 1991
|
1991 |
BETWEEN MAPPING, SONIFICATION AND COMPOSITION: RESPONSIVE AUDIO ENVIRONMENTS IN LIVE PERFORMANCE
|
Salter, Christopher L.; Baalman, Marije A. J.; Moody-Grigsby, Daniel |
vol. 2007
|
2007 |
Between Technology and Creativity, Challenges and Opportunity for Music Technology in Higher Education
|
Boehm, Carola |
vol. 2002
|
2002 |
Beyond Concatenation: Some Ideas for the Creative Use of Corpus-Based Sonic Material
|
Stoll, Thomas M. |
vol. 2009
|
2009 |
Beyond MIDI: Knowledge-based Support for Computer-Aided Composition
|
Bocker, Heinz-Dieter; Mahling, Andreas; Wehinger, Rainer |
vol. 1990
|
1990 |
BEYOND PYTHAGORAS
|
Sundin, Paulina; Adkins, Monty; Gierakowski, Adrian |
vol. 2013
|
2013 |
Beyond the Beat: Towards Metre, Rhythm and Melody Modelling with Hybrid Oscillator Networks
|
Lambert, Andrew; Weyde, Tillman; Armstrong, Newton |
vol. 2014
|
2014 |
Beyond the Query-By-Example Paradigm: New Query Interfaces for Music Information Retrieval
|
Tzanetakis, George; Ermolinskyi, Andreye; Cook, Perry |
vol. 2002
|
2002 |
Big Tent: A Portable Immersive Intermedia Environment
|
Smith, Benjamin D.; Cox, Robin |
vol. 2016
|
2016 |
THE BIGBANG RUBETTE: GESTURAL MUSIC COMPOSITION WITH RUBATO COMPOSER
|
Thalmann, Florian; Mazzola, Guerino |
vol. 2008
|
August 2008 |
Binary Decision Tree Classification of Musical Sounds
|
Jensen, Kristoffer; Arnspang, Jens |
vol. 1999
|
1999 |
Binaural Navigation for the Visually Impaired with a Smartphone
|
Tae Hoon, Lee; Reddy Vuyyuru, Manish; Ananda Kumar, T; Lui, Simon |
vol. 2015
|
2015 |
A Binaural Recording and Playback System for the Reproduction of Virtual Concert Halls
|
Soulodre, Gilbert A.; Stammen, Dale R. |
vol. 1993
|
1993 |
The Biniou Machine
|
Barbaud, P.; Brown, F.; Lengagne, R. |
vol. 1986
|
1986 |
A Binomial Representation of the Pitch Parameter for Computer Processing of Musical Data
|
Brinkman, Alexander R. |
vol. 1980
|
1980 |
Bio-Sensing and Bio-Feedback Instruments --- DoubleMyo, MuseOSC and MRTI2015 ---
|
Nagashima, Yoichi |
vol. 2016
|
2016 |
Bioinformatic Response Data as a Compositional Driver
|
Hamilton, Robert |
vol. 2006
|
2006 |
Biomimicry: Analysis Of A Corpus-Based Interactive Improvisational System
|
Bradbury, James |
vol. 2017
|
2017 |
Biosensorfusion: New Interfaces for Interactive Multimedia Art
|
Nagashima, Yoichi |
vol. 1998
|
1998 |
BIOSPHERE SOUNDSCAPES: THE RAINFORESTS OF BRAZIL TO THE COASTLINES OF AUSTRALIA
|
Barclay, Leah |
vol. 2013
|
2013 |
BIOTOOLS: INTRODUCING A HARDWARE AND SOFTWARE TOOLKIT FOR FAST IMPLEMENTATION OF BIOSIGNALS FOR MUSICAL APPLICATIONS
|
Pérez, Miguel Angel Ortiz; Knapp, R. Benjamin |
vol. 2007
|
2007 |
The Black Swan: Probable and Improbable Communcation Over Local and Geographically Displaced Networked Connections as a Musical Performance System
|
Aska, Alyssa |
vol. 2014
|
2014 |
Blending "Traditional" off-line Algorithmic Textual Input with Realtime Interaction and Graphics
|
Oppenheim, Daniel |
vol. 1994
|
1994 |
Blind Decomposition of Concurrent Sounds
|
Ueda, Mamoru; Hashimoto, Shuji |
vol. 1994
|
1994 |
"Blip, Buzz, Blurp": The Challenge of Teaching New Ways to Listen
|
Miksch, Bonnie; Couch III, Leon W. |
vol. 1999
|
1999 |
BLOCK-BASED PHYSICAL MODELING FOR DIGITAL SOUND SYNTHESIS OF MEMBRANES AND PLATES
|
Petrausch, Stefan; Rabenstein, Rudolf |
vol. 2005
|
2005 |
The ’Blues-o-Matic’ Real-time Interactive Performance Model
|
Garton, Brad; Horowitz, Damon |
vol. 1993
|
1993 |
The Bluetooth Radio Ball Interface (BRBI): A Wireless Interface for Music/Sound Control And Motion Sonification
|
Yeo, Woon Seung |
vol. 2006
|
2006 |
Body Modeling Techniques for String Instrument Synthesis
|
Karjalainen, Matti; Smith, Julius |
vol. 1996
|
1996 |