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Title Author(s)
A COGNITIVE APPROACH TO ELECTRONIC MUSIC: THEORETICAL AND EXPERIMENT-BASED PERSPECTIVES Camci, Anil
MUSICAL EXPERIENCE BEYOND AUDIBLE SOUND AND ITS RELEVANCE FOR ELECTRO-ACOUSTIC COMPOSITION Ciciliani, Marko
ON THE NON-COCHLEARITY OF THE SOUNDS THEMSELVES Riddoch, Malcolm
GENERATIVE SOUND ART AS POEITIC POETRY FOR AN INFORMATION SOCIETY Eldridge, Alice
THE ELECTRONIC MUSIC OF ROBERTO GERHARD Adkins, Monty; Duque, Carlos; Karman, Gregorio Garcia
TOWARDS A TYPOLOGY OF FEEDBACK SYSTEMS Valle, Andrea; Sanfilippo, Dario
THE PRESENCE OF A TRI-POLAR DYNAMIC IN SONIC ART INSTALLATION Horseman, Samantha
A TURING TEST FOR THE SINGING VOICE AS AN ANTHROPOLOGICAL TOOL: EPISTEMOLOGICAL AND TECHNICAL ISSUES Georgaki, Anastasia; Kosteletos, George
STRANGE LOOPS IN CFML: A LIVECODER’S RIDDLE Smith, Adam M.
CHUGENS, CHUBGRAPHS, CHUGINS: 3 TIERS FOR EXTENDING CHUCK Salazar, Spencer; Wang, Ge
GIBBER: LIVE CODING AUDIO IN THE BROWSER Roberts, Charlie; Kuchera-Morin, Joann
LIVE NOTATION: ACOUSTIC RESONANCE? Mclean, Alex; Reeve, Hester
PLAYING WITH TIME: MANIPULATION OF TIME AND RATE IN A MULTI-RATE SIGNAL PROCESSING PIPELINE Essl, Georg
“WARM CHORUS”: RE-THINKING THE CHORUS EFFECT USING AN ORCHESTRAL SECTION MODEL Dudas, Richard
A SPECTROGRAPHIC ANALYSIS OF VOCAL TECHNIQUES IN EXTREME METAL FOR MUSICOLOGICAL ANALYSIS Smialek, Eric; Depalle, Philippe; Brackett, David
SOUND SYNTHESIS WITH AUDITORY DISTORTION PRODUCTS Kendall, Gary; Haworth, Christopher; Cadiz, Rodrigo
CONTROLLING DYNAMIC STOCHASTIC SYNTHESIS WITH AN AUDIO SIGNAL Kreković, Gordan; Brkić, Igor
A FORMAL EVALUATION FRAMEWORK FOR SOUND MORPHING Caetano, Marcelo; Osaka, Naotoshi
REAL-TIME SIMULATION OF PREHISPANIC ANTARAS FROM SOUTH AMERICA de La Cuadra, Patricio; Fabre, Benoit; Pérez de Arce, José; Gérard, Arnaud
TIME/PITCH MODIFICATION USING NARROWBAND AM-FM SIGNALS Osaka, Naotoshi; Mita, Atsushi
THE SUM TOOL AS A VISUAL CONTROLLER FOR IMAGE-BASED SOUND SYNTHESIS Kuuskankare, Mika; Adhitya, Sara
ACOUSTIC-AGGREGATE-SYNTHESIS Clift, Paul
MEASURING THE PERFORMANCE OF REALTIME DSP USING PURE DATA AND GPU Bianchi, André J.; Queiroz, Marcelo
A SYSTEM FOR RECORDING ANALOG SYNTHESIZERS WITH THE WEB Johann, Marcelo; Zawacki, Lucas
TOWARDS INTERACTIVE SONIFICATION BASED ON REAL-TIME PHYSICS SIMULATIONS Perkins, Rhys
SUAC STUDIO REPORT Nagashima, Yoichi
PRESENTING ‘COSMOSF’ AS A CASE STUDY OF AUDIO APPLICATION DESIGN IN OPENFRAMEWORKS Bokesoy, Sinan
KRONOS AS A VISUAL DEVELOPMENT TOOL FOR MOBILE APPLICATIONS Norilo, Vesa
THE HISSTOOLS IMPULSE RESPONSE TOOLBOX: CONVOLUTION FOR THE MASSES Harker, Alexander; Tremblay, Pierre Alexandre
MAXSCORE: CURRENT STATE OF THE ART Hajdu, Georg; Didkovsky, Nick
THE MOBILE CSOUND PLATFORM Yi, Steven; Lazzarini, Victor; Timoney, Joe; Keller, Damian; Pimenta, Marcelo
ENABLING LIVE PRESENCE: DYNAMIC VIDEO COMPRESSION FOR THE TELEMATIC ARTS Smith, Benjamin
SONIFYING ANIMATED GRAPHICAL SCORES AND VISUALISING SOUND IN THE HEARIMPROV PERFORMANCE van ‘T Klooster, Adinda
IMPROTEK: INTEGRATING HARMONIC CONTROLS INTO IMPROVISATION IN THE FILIATION OF OMAX Nika, Jérôme; Chemillier, Marc
CALDER’S VIOLIN: REAL-TIME NOTATION AND PERFORMANCE THROUGH MUSICALLY EXPRESSIVE ALGORITHMS Hoadley, Richard
CORRECT AUTOMATIC ACCOMPANIMENT DESPITE MACHINE LISTENING OR HUMAN ERRORS IN ANTESCOFO Cont, Arshia; Jose, Echeveste; Giavitto, Jean-Louis; Jacquemard, Florent
IMAGE-BASED SPATIALIZATION Lyon, Eric
MCONDUCT: TRANSCENDING DOMAINS AND DISTRIBUTED PERFORMANCE Ng, Kia; Armitage, Joanne; Halpin, Paul; Hudspeth, Kyle; Bakanas, Phoebe; Balmer, Joel
SOUND SIMILARITY AS INTERFACE BETWEEN HUMAN AND MACHINE IN ELECTROACOUSTIC COMPOSITION Rutz, Hanns Holger
HETEROGENEOUSLY-COUPLED FEEDBACK SYSTEMS: THE |. (BAR DOT) PROJECT Sanfilippo, Dario; Valle, Andrea
SNAPSHOTS: NEW POSSIBILITIES FOR SOCIAL DIGITAL MUSIC-MAKING ARISING FROM THE STORAGE OF HISTORY Aaron, Samuel; Judge, Jenny
DESIGNING INTERACTIVE AUDIENCE PARTICIPATION USING SMART PHONES IN A MUSICAL PERFORMANCE Hödl, Oliver; Kayali, Fares; Fitzpatrick, Geraldine
FOUNDATIONS OF INTERACTIVE SOUND DESIGN FOR TRADITIONAL STORYTELLING Wyse, Lonce; Subramanian, Srikumar
A STIGMERGIC MODEL FOR OSCILLATOR SYNCHRONISATION AND ITS APPLICATION IN MUSIC SYSTEMS Lambert, Andrew
WALK WITH ME: A WORK OF POINTLESS CURIOSITY van Rijswijk, Rob; Strijbos, Jeroen; Bogaards, Niels
THE AUGMENTED DRUM KIT: AN INTUITIVE APPROACH TO LIVE ELECTRONIC PERCUSSION PERFORMANCE Michalakos, Christos
‘SOUNDEXPLORE:LEEDS’: TOWARDS A GREATER ENGAGEMENT WITH SOUNDSCAPES Holland, Luca
PROCEEDING FROM PERFORMANCE: AN ETHNOGRAPHY OF THE BIRMINGHAM LAPTOP ENSEMBLE Booth, Graham; Gurevich, Michael
A SYSTEM FOR MEMORIZING SONGS BY PRESENTING MUSICAL STRUCTURES BASED ON PHRASE SIMILARITY Ito, Yuma; Takegawa, Yoshinari; Terada, Tsutomu; Tsukamoto, Masahiko
A WIRELESS, REAL-TIME CONTROLLER FOR THE ENSEMBLE AUDIO-VISUAL SYSTEM Jidkov, Anton; Gibson, Ian; Hildred, Mark
MODERN TECHNOLOGY AND CREATIVITY: AN APPROACH TO COMPOSING AT 11-14 YEARS McNichol, Alistair
GEORGIA STATE UNIVERSITY MUSIC TECHNOLOGY STUDIO REPORT Park, Tae Hong; Thompson, Robert Scott; Marse, Alex; Turner, Jonathan
CENTER FOR COMPUTER MUSIC AT THE COLLEGE-CONSERVATORY OF MUSIC, UNIVERSITY OF CINCINNATI Helmuth, Mara; Matthys, Joel; Schuette, Paul; Nam, Sangbong; Martinson, Benny
PROBADO MUSIC: A MULTIMODAL ONLINE MUSIC LIBRARY Thomas, Verena; Damm, David; Fremerey, Christian; Clausen, Michael; Kurth, Frank; Müller, Meinard
CONTROLLING MOZART’S DICE MUSIC USING ACCELERATION SENSORS Bohak, Ciril; Niitsuma, Masahiro; Marolt, Matija
TOOLS AND ABSTRACTIONS FOR SWARM BASED MUSIC AND ART Bisig, Daniel; Kocher, Philippe
SOURCENODE: A NETWORK SOURCED APPROACH TO NETWORK MUSIC PERFORMANCE (NMP) Renwick, Robin
OSCTHULHU: APPLYING VIDEO GAME STATE-BASED SYNCHRONIZATION TO NETWORK COMPUTER MUSIC McKinney, Curtis; McKinney, Chad
REAL-TIME WEB TECHNOLOGIES IN THE NETWORKED PERFORMANCE ENVIRONMENT Canning, Rob
SECURITY IN NETWORK CONNECTED PERFORMANCE ENVIRONMENTS Hewitt, Scott; Harker, Alexander
A PIANO LEARNING SUPPORT SYSTEM CONSIDERING RHYTHM Takegawa, Yoshinari; Terada, Tsutomu; Tsukamoto, Masahiko
MAESTRO: USING TECHNOLOGY TO IMPROVE KINESTHETIC SKILL LEARNING OF MUSIC CONDUCTORS Brown, Andrea; Sasson, Yonatan
NUANCE: A SOFTWARE TOOL FOR CAPTURING SYNCHRONOUS DATA STREAMS FROM MULTIMODAL MUSICAL SYSTEMS Hochenbaum, Jordan; Kapur, Ajay
TECHNOLOGY PENETRATES TRADITION: INTRODUCTION OF MUSIC TECHNOLOGY IN MACEDONIA Pejoska, Katerina
AN INTRODUCTION TO SLIPPERY CHICKEN Edwards, Michael
MANUSCORE: MUSIC NOTATION-BASED COMPUTER ASSISTED COMPOSITION Maxwell, James B.; Eigenfeldt, Arne; Pasquier, Philippe
THE SMUSE: AN EMBODIED COGNITION APPROACH TO INTERACTIVE MUSIC COMPOSITION Le Groux, Sylvain; Verschure, Paul
BACH: AN ENVIRONMENT FOR COMPUTER-AIDED COMPOSITION IN MAX Agostini, Andrea; Ghisi, Daniele
OSC-NETLOGO: A TOOL FOR EXPLORING THE SONIFICATION OF COMPLEX SYSTEMS USING NETLOGO Cadiz, Rodrigo; Colasso, Marco
SCORES LEVEL COMPOSITION BASED ON THE GUIDO MUSIC NOTATION Fober, Dominique; Orlarey, Yann; Letz, Stéphane
ENGRAVING–HAMMERING–CASTING: EXPLORING THE SONIC-ERGOTIC MEDIUM FOR LIVE MUSICAL PERFORMANCE Berdahl, Edgar; Kontogeorgakopoulos, Alexandros
INTERFACING THE NETWORK: AN EMBEDDED APROACH TO NETWORK INSTRUMENT CREATION Davis, Tom; Geistweidt, Jason; Renaud, Alain; Dixon, Jason
REAL-TIME AUDIO SYNTHESIS IN A WIRELESS INTERACTIVE SENSOR PLATFORM Fang, Dalei; Qin, Yi; Chen, Qiangbin; Lu, Jialiang
PERFORMING ARTICULATION AND EXPRESSION THROUGH A HAPTIC INTERFACE Hayes, Lauren
PLAYING WITH LIGHTS: MUSIC GENERATION USING THE LED CUBE Jackowski, Dariusz; Stępniewicz, Jakub
SABRE: AFFORDANCES, REALIZATIONS AND PERSPECTIVES Schiesser, Sébastien; Schache, Jan C.
VARIANCE IN REPETITIVE GAMES MUSIC Berndt, Axel
MUSIC AS A MEDIATOR OF EMOTION van ‘T Klooster, Adinda
AIRDUINO: AN INEXPENSIVE DIY MIDI WIND CONTROLLER Anderson, Timothy
TACTILE SOUND AESTHETIC EXPERIENCE Zubrycka, Justyna; Cyrta, Paweł
DIGITAL ADAPTIONS OF THE SCORES FOR CAGE VARIATIONS I, II AND III Vickery, Lindsay
COMPUTING WITH CHORD SPACES Quick, Donya; Hudak, Paul
ASSISTANCE FOR NOVICE USERS ON CREATING SONGS FROM JAPANESE LYRICS Fukayama, Satoru; Saito, Daisuke; Sagayama, Shigeki
SOUND TO SCALE TO SOUND: A SETUP FOR MICROTONAL EXPLORATION AND COMPOSITION Cornelis, Olmo; Six, Joren
THE XYOLIN: A 10-OCTAVE CONTINUOUS-PITCH XYLOPHONE, AND OTHER EXISTEMOLOGICAL INSTRUMENTS Mann, Steve; Janzen, Ryan
THE INVESTMENT OF PLAY: EXPRESSION AND AFFORDANCES IN DIGITAL MUSICAL INSTRUMENT DESIGN Cannon, Joanne; Favilla, Stuart
ADAPTING GENERAL PURPOSE INTERFACES TO SYNTHESIS ENGINES USING UNSUPERVISED DIMENSIONALITY REDUCTION TECHNIQUES AND INVERSE MAPPING FROM FEATURES TO PARAMETERS Fasciani, Stefano; Wyse, Lonce
A MICROPHONE ARRAY INTERFACE FOR REAL-TIME INTERACTIVE MUSIC PERFORMANCE Salvati, Daniele; Canazza, Sergio; Foresti, Gian Luca
STATISTICAL PARSING FOR HARMONIC ANALYSIS OF JAZZ CHORD SEQUENCES Granroth-Wilding, Mark; Steedman, Mark
A NEW APPROACH FOR CONSTRAINT PROGRAMMING IN MUSIC USING RELATION DOMAINS Van Cauwelaert, Sascha; Gutiérrez, Gustavo; Van Roy, Peter
A METHOD FOR COMPUTER CHARACTERIZATION OF “GESTURE” IN MUSICAL IMPROVISATION Dobrian, Christopher
DEVELOPING AND COMPOSING FOR A ROBOTIC MUSICIAN USING DIFFERENT MODES OF INTERACTION Bretan, Mason; Cicconet, Marcelo; Nikolaidis, Ryan; Weinberg, Gil
A FRAMEWORK FOR THE CHOREOGRAPHY OF SOUND Eckel, Gerhard; Rumori, Martin; Pirrò, David; González-Arroyo, Ramón
SPATOSC: PROVIDING ABSTRACTION FOR THE AUTHORING OF INTERACTIVE SPATIAL SUDIO EXPERIENCES Wozniewski, Mike; Settel, Zack; Quessy, Alexandre; Matthews, Tristan; Courchesne, Luc
CYCLICAL FLOW: SPATIAL SYNTHESIS SOUND TOY AS MULTICHANNEL COMPOSITION TOOL Dolphin, Andrew
SOUNDS OF SIMULATIONS: DATA LISTENING SPACE Vogt, Katharina; Pirro, David; Rumori, Martin; Hoeldrich, Robert
SEMANTIC MOVIE SCENE ANNOTATION FOR RAPID PROTOTYPING OF SCORE MUSIC Rubisch, Julian; Doppler, Jakob; Schuster, Stefan; Raffaseder, Hannes
PHRASE BOUNDARY ESTIMATION IN MUSIC PERFORMANCE WITH HMM-BASED UNSUPERVISED LEARNING Kim, Tae Hun; Weinzierl, Stefan
AUDIO-TO-AUDIO ALIGNMENT USING PARTICLE FILTERS TO HANDLE SMALL AND LARGE SCALE PERFORMANCE DISCREPANCIES Xiong, Bo; Izmirll, Ozgur
BROWSING MUSIC AND SOUND USING GESTURES IN A SELF-ORGANIZED 3D SPACE Odowichuk, Gabrielle; Tzanetakis, George
ADVANCING EXPERT HUMAN-COMPUTER INTERACTION THROUGH MUSIC Smith, Benjamin; Garnett, Guy E.
SURRSOUND Tsai, Kun-Ting; Liu, Che-Wei; Tseng, Yu-Chung
MOTIFVIEWER: HIERARCHICAL PATTERN DETECTION Thomas, Verena; Clausen, Michael
PARTIAL TRACKING IN TWO STEPS Siska, Ádám
COMPUTER AIDED MELODIC ANALYSIS USING SUFFIX TREE Jekovec, Matevž; Demšar, Janez; Brodnik, Andrej
ALLOTROPE: WORKS FOR SOLO TRUMPET, LAPTOP, PEDALS AND GUITAR AMPLIFIER Knight, Peter
ITERATIVE SYNAESTHETIC COMPOSING WITH MULTIMEDIA SIGNALS Forbes, Angus; Odai, Kiyomitsu
VUZIK: A PAINTING GRAPHIC SCORE INTERFACE FOR COMPOSING AND CONTROL OF SOUND GENERATION Pon, Aura; Ichino, Junko; Eagle, David; Sharlin, Ehud; D’Alessandro, Nicolas; Carpendale, Sheelagh
PRECISE PITCH CONTROL IN REAL TIME CORPUS-BASED CONCATENATIVE SYNTHESIS Einbond, Aaron; Trapani, Christopher; Schwarz, Diemo
VISUALIZATION OF PERCEPTUAL QUALITIES IN TEXTURAL SOUNDS Grill, Thomas; Flexer, Arthur
THE YIN YANG THEORY IN SOUND AND MUSIC: A FIRST EXPLORATION Gabrielli, Leonardo; Gabrielli, Daniele
NAVIGATING VARIATION: COMPOSING FOR AUDIO MOSAICING Schwarz, Diemo; Hackbarth, Benjamin
COMPRESSED MULTIDIMENSIONAL TREES FOR EVOLUTIONARY MUSIC REPRESENTATION Pirnia, Abbas; McCormack, Jon
FLEXIBILITY, SUBTLETY AND SPONTANEITY IN NEW INSTRUMENT DESIGN: THE FEEDBACK JOYPAD Mudd, Tom