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Title Author(s)
DRUM'N'BAYES: ON-LINE VARIATIONAL INFERENCE FOR BEAT TRACKING AND RHYTHM RECOGNITION Fox, Charles; Rezek, Iead; Roberts, Stephen
DRUM CIRCLE: INTELLIGENT AGENTS IN MAX/MSP Eigenfeldt, Arne
RHYTHM INTERACTION SYSTEM BASED ON RHYTHM ASSOCIATION Kasahara, Shunichi; Yamaguchi, Tomoyuki; Saegusa, Ryo; Hashimoto, Shuji
WHERE'S THE BEAT? TOOLS FOR DYNAMIC TEMPO CALCULATIONS Schacher, Jan C.; Neukom, Martin
MOBILE IMMERSIVE MUSIC Lemordant, J.; Guerraz, A.
Automatic Notation Generators Barrett, G. Douglas; Winter, Michael; Wulfson, Harris
ABSTRACT BEHAVIORS FOR STRUCTURED MUSIC PROGRAMMING Dannenberg, Roger B.
COMBINING ANALYSIS AND SYNTHESIS IN THE CHUCK PROGRAMMING LANGUAGE Wang, Ge; Fiebrink, Rebecca; Cook, Perry R.
LIBINTEGRA: A SYSTEM FOR SOFTWARE-INDEPENDENT MULTIMEDIA MODULE DESCRIPTION AND STORAGE Bullock, Jamie; Frisk, Henrik
MUSICAL APPLICATIONS OF REAL-TIME CORPUS-BASED CONCATENATIVE SYNTHESIS Schwarz, Diemo; Britton, Sam; Cahen, Roland; Goepfer, Thomas
MACSET: A FREE VISUAL CROSS-PLATFORM PITCH-CLASS SET THEORETICAL APPLICATION Kuuskankare, Mika; Castrén, Marcus; Laurson, Mikael
DEVELOPMENT TOOLS FOR PWGLSYNTH Norilo, Vesa; Laurson, Mikaelo
THE EFFECT OF TIMBRE IN CLARINET INTERPRETATION Barthet, Mathieu; Depalle, Philippe; Kronland-Martinet, Richard; Ystad, Sølvi
THE ARTISTIC PLAY OF SPATIAL ORGANIZATION: SPATIAL ATTRIBUTES, SCENE ANALYSIS AND AUDITORY SPATIAL SCHEMATA Kendall, Gary S.
PERCEPTUAL CATEGORIZATION OF MOVING SOUNDS FOR SYNTHESIS APPLICATIONS Merer, Adrien; Ystad, Solvi; Kronland-Martinet, Richard; Aramaki, Mitsuko; Besson, Mireille; Velay, Jean-Luc
NON-LINEAR SCALING TECHNIQUES FOR UNCOVERING THE PERCEPTUAL DIMENSIONS OF TIMBRE Burgoyne, John Ashely; McAdams, Stephen
ARTABILITATION ICMC PANEL PAPER DENMARK 2007: NON-FORMAL REHABILITATION VIA IMMERSIVE INTERACTIVE MUSIC ENVIRONMENTS Brooks, Anthony; Eaglestone, Barry; Ellis, Phil; Gehlhaar, Rolf; Girão, Luis Miguel; Magee, Wendy; Miranda, Eduardo; Petersson, Eva; Rodrigues, Paulo
HOW TO BE LOST: PRINCIPLED PRIMING AND PRUNING WITH PARTICLES IN SCORE FOLLOWING Fox, Charles; Quinn, John
A GA Tool for Computer Assisted Music Composition Dimitrios, Tzimeas; Eleni, Mangina
GHI PROJECT : NEW APPROACH FOR MUSICAL INSTRUMENTS Nagashima, Yoichi
THE USABILITY OF MUSIC THEORY SOFTWARE: THE ANALYSIS OF TWELVE-TONE MUSIC AS A CASE STUDY Ilomôki, Tuukka
PETRI NETS APPLICABILITY TO MUSIC ANALYSIS AND COMPOSITION Baratè, Adriano; Haus, Goffredo; Ludovico, Luca A.
AN EXPERIMENTAL COMPARISON OF FORMAL MEASURES OF RHYTHMIC SYNCOPATION Gómez, Franciso; Thul, Eric; Toussaint, Godfried
INVENTING NEW INSTRUMENTS BASED ON A COMPUTATIONAL "HACK" TO MAKE AN OUT-OF-TUNE OR UNPITCHED INSTRUMENT PLAY IN PERFECT HARMONY Mann, Steve; Janzen, Ryan; Lo, Raymond; Aimone, Chris
INTERACTIVE MUSIC SUMMARIZATION BASED ON INTERVAL DISTANCE PROFILE Min-Joon, Yoo; In-Kwon, Lee
THE TONCOLARIUM - IMMERSIVE COLOR-MUSIC INSTRUMENT Yanagisawa, David
SAL: A SIMPLE ALGORITHMIC LANGUAGE IN COMMON MUSIC Taube, Heinrich
THE ELECTROMAGNETICALLY-PREPARED PIANO AND ITS COMPOSITIONAL IMPLICATIONS Bloland, Per
DYNAMIC LARGE-SCALE GESTURAL CONTROL IN SUPERCOLLIDER SERVER Parmenter, Joshua
ADDRESSING THE NETWORK: PERFORMATIVE STRATEGIES FOR PLAYING APART Schroeder, Franziska; Renaud, Alain B.; Rebelo, Pedro; Gualdas, Fernando
THE ELECTROACOUSTIC RESOURCE SITE (EARS) APPROACHES ITS NEXT PHASE: GOING GLOBAL AND ADDRESSING THE YOUNG Landy, Leigh
AN INTRODUCTION TO MUSICAL SEMANTICS: THE GESTURE IN MODELIZATION Kühl, Ole
FABRICATING AURAL LANDSCAPES: SOME COMPOSITIONAL IMPLICATIONS OF TROMPE L'OREILLE Batchelor, Peter
FATTA: FULL AUTOMATIC TIME-SPAN TREE ANALYZER Hamanaka, Masatoshi; Hirata, Keiji; Tojo, Satoshi
AUDIO MATCHING FOR THE PHILOLOGICAL ANALYSIS OF ELECTROACOUSTIC MUSIC Orio, Nicola; Zattra, Laura
RECONSTRUCTING STRIA Dahan, Kevin
RECOVERING GIACINTO SCELSI'S TAPES Bernardini, Nicola
CREATING VON FOERSTER'S NON-TRIVIAL MACHINE IN DIGITAL AUDIO Chandra, Arun
GENESYNTH: NOISE BAND-BASED GENETIC ALGORITHM ANALYSIS/SYNTHESIS FRAMEWORK Chinen, Michael; Osaka, Naotoshi
HOW MUSICAL ARE IMAGES? FROM SOUND REPRESENTATION TO IMAGE SONIFICATION: AN ECO SYSTEMIC APPROACH Thiebaut, Jean-Baptiste; Bello, Juan Pablo; Schwarz, Diemo
COMPUTER-AIDED ORCHESTRATION BASED ON PROBABILISTIC INSTRUMENTS MODELS AND GENETIC EXPLORATION Tardieu, Damien; Carpentier, Grégoire; Rodet, Xavier
A COMPUTER-AIDED SOUNDTRACK COMPOSITION SYSTEM DESIGNED FOR HUMANS Vane, Edwin; Cowan, William
REMEMBERING THE FUTURE : AN OVERVIEW OF CO-EVOLUTION IN MUSICAL IMPROVISATION. Plans, David; Morelli, Davide
FROM FUX TO RAGAS‒MORPHING CONTRAPUNTAL WORLDS Junod, Julien; Mazzola, Guerino
DEVELOPING CHINESE STYLE ALGORITHMIC COMPOSITION USING MARKOV CHAINS ‒ FROM THE CLASSICAL CHINESE-POETRY PERSPECTIVE Ren, Jenny; Winsor, Phil; Huang, Chih-Fang
EFFECTS OF MUSICALLY MEANINGFUL OPERATORS IN EVOLUTIONARY COMPOSITION Huddleston, John; Zhang, Jiana
REALITV Castine, Peter; Dekron, John
SHARING AND COMBINING LISTENING EXPERIENCE: A SOCIAL APPROACH TO WEB RADIO Bacciagalupo, Claudio; Plaza, Enric
SOUND CONTROLLED MUSICAL INSTRUMENTS BASED ON PHYSICAL MODELS Johnston, Andrew; Marks, Benjamin; Candy, Linda
PERFORMANCE CONTROL OF A FLUTE PHYSICAL MODEL USING FUZZY LOGIC de la Cuadra, Patricio; Cádiz, Rodrigo F.; Fabre, Benoît; Montgermont, Nicolas
PRODUCTION OF IMMERSIVE MUSICAL ARCHITECTURES BY PHYSICAL MODELLING OF SELF SUSTAINED OSCILLATING STRUCTURES Poyer, François; Cadoz, Claude
EXTENDING THE GENERALIZED REED MODEL WITH MEASURED REFLECTION FUNCTIONS Smyth, Tamara; Abel, Jonathan
MODELS AND APIs FOR AUDIO SYNTHESIS AND PROCESSING A PANEL DISCUSSION Pope, Stephen Travis; Dannenberg, Roger B.
COMPUTER ASSISTED COMPOSITION IN EQUAL TUNINGS: TONAL COGNITION AND THE THIRTEEN TONE MARCH Seymour, John Chow
INDIRECT ACQUISITION OF FINGERINGS OF HARMONIC NOTES ON THE FLUTE Kereliuk, Corey; Scherrer, Bertrand; Verfaille, Vincent; Depalle, Philippe; Wanderley, Marcelo M.
THE CREATION OF EVOLUTIONARY RHYTHMS WITHIN A MULTI-AGENT NETWORKED DRUM ENSEMBLE Eigenfeldt, Arne
INT.LIB - A GRAPHICAL PRESET INTERPOLATOR FOR MAX MSP Larkin, Oliver
SERIAL RSS SOUND INSTALLATION AS OPEN WORK: THE BABELCAST Ariza, Christopher
DIGITAL PRESERVATION OF INTERACTIVE MULTIMEDIA PERFORMANCES Ng, Kia; Pham, Tran Vu; Ong, Bee; Barthélemy, Jérôme; Bonardi, Alain; Giaretta, David
NONLINEAR FILTERS Holopainen, Risto
On timbre stamps and other frequency-domain filters Puckette, Miller
PRESERVING THE STRUCTURE OF THE MOOG VCF IN THE DIGITAL DOMAIN Fontana, Federico
LIVE CODING: AN OVERVIEW zmölnig, IOhannes m; Eckel, Gerhard
PHYSICAL AND BEHAVIORAL CIRCUIT MODELING OF THE SP-12 SAMPLER Yeh, David T.; Nolting, John; Smith, Julius O.
SOUND&MEDIA STUDIOS @ LONDONMET, COMMERCIAL RD. LONDON METROPOLITAN UNIVERSITY Garavaglia, Javier Alejandro
STUDIO REPORT: THE PROGRAM IN ELECTRONIC MUSIC COMPOSITION AND MUSICAL PRODUCTION AT THE SCHOOL OF THE ARTS OF THE POLYTECHNIC INSTITUTE OF CASTELO BRANCO Guedes, Carlos; Dias, Rui
THE ELECTRO-ACOUSTIC MUSIC CENTER AT THE UNIVERSITY OF WISCONSIN-MILWAUKEE Burns, Christopher; Schlei, Kevin; Welstead, Jon
CINCINNATI'S CENTER FOR COMPUTER MUSIC IN 2007: (CCM)² Helmuth, Mara; Merkowitz, Jennifer Bernard; McKinney, Brian; Shiota, Kazuaki; Stark, Christopher
SCRIME STUDIO REPORT Desainte-Catherine, Myriam; Marchand, Sylvain; Hanna, Pierre; Lagrange, Mathieu; Robine, Matthias; Raspaud, Martin; Strandh, Robert; Allombert, Antoine; Meurisse, Guillaume; Mouba, Joan; Di Santo, Jean Louis; Kurtag, Gyorgy
STUDIO REPORT: SOUND ARTS AND DESIGN AT LONDON COLLEGE OF COMMUNICATION Lane, Cathy
CNMAT INFORMATION INFRASTRUCTURE Schmeder, Andrew; Wright, Matthew; Freed, Adrian; Campion, Edmund; Wessel, David
CCRMA STUDIO REPORT Lopez-Lezcano, Fernando; Wilkerson, Carr
STUDIO REPORT: CENTER FOR EXPERIMENTAL MUSIC AND INTERMEDIA May, Andrew; Nelson, Jon Christopher
NEW MEDIA MUSIC AT HANYANG UNIVERSITY: STUDIO REPORT Yim, Jongwoo; Dudas, Richard
USING LUA FOR AUDIOVISUAL COMPOSTION Wakefield, Graham; Smith, Wesley
THE STRINGBALL: A BALL INTERFACE WITH STRINGS FOR COLLABORATIVE PERFORMANCE Yoo, Woon Seung; Yoon, Ji Won; Cho, Hee Young
munger1~: TOWARDS A CROSS-PLATFORM SWISSARMY KNIFE OF REAL-TIME GRANULAR SYNTHESIS Bukvic, Ivica Ico; Kim, Ji-Sun; Trueman, Dan; Grill, Thomas
{TranSpell} Shiota, Kazuaki
ELECTRIC KOTO BY VIBRATING BODY Takahashi, Naoya; Matsumoto, Mitsuharu; Hashimoto, Shuji
A PHYSICALLY INTUITIVE HAPTIC DRUMSTICK Berdahl, Edgar; Verplank, Bill; Smith III, Julius O.; Niemeyer, Günter
RASTERPIECE: A CROSS-MODAL FRAMEWORK FOR REAL-TIME IMAGE SONIFICATION, SOUND SYNTHESIS, AND MULTIMEDIA ART Yoo, Woon Seung; Berger, Jonathan
LEARNING SOUNDING GESTURES de Götzen, A.; Mion, L.; Avanzini, F.; Serafin, Stefania
A HAND DRUMMING DATASET FOR PHYSICAL MODELING Jones, Randy; Lagrange, Mattieu; Schloss, Andrew
A PLAYABLE SYNTHESIS MODEL AND CONTROLLER FOR BOWED STRING INSTRUMENTS Takala, Tapio
ACQUISITION OF VIOLIN INSTRUMENTAL GESTURES USING A COMMERCIAL EMF TRACKING DEVICE Maestre, Esteban; Bonada, Jordi; Blaauw, Merlijn; Pérez, Alfonso; Guaus, Enric
INVESTIGATING THE PERFORMANCE OF A VIOLIN PHYSICAL MODEL: RECENT REAL PLAYER STUDIES Young, Diana; Serafin, Stefania
EDITING STRATEGIES FOR BÉZIER-MODELED CONTINUOUS EXPRESSION CURVES Battey, Bret
SOUND SPATIALISATION AND COUPLED CELL NETWORKS Clark, Jonathan Owen
NAVIGATING THE ORACLE: A HEURISTIC APPROACH Assayag, Gérard; Bloch, Georges
A SCORE-BASED INTERFACE FOR INTERACTIVE COMPUTER MUSIC Litke, David; Hamel, Keith
COMPOSITION WITH SOUND WEB SERVICES ANDWORKFLOWS ffitch, John; Mitchell, James; Padget, Julian
NOISESCAPE: AN INTERACTIVE 3D AUDIOVISUAL MULTI-USER COMPOSITION ENVIRONMENT Grierson, Mick
INTERACTIVE SOUNDSCAPE DESIGN WITH EVOLUTIONARY SOUND PROCESSING Fornari, José; Maia Jr., Adolfo; Manzolli, Jônatas
SPED - A SOUND FILE EDITOR Uimonen, Jaska
SCRIPTING AND TOOLS FOR ANALYSIS/RESYNTHESIS OF AUDIO Pope, Stephen Travis
COMBINING PHYSICAL MODELING AND ADDITIVE SYNTHESIS AS A MAPPING STRATEGY FOR REALTIME CONTROL Guillemain, Philippe; Verfaille, Vincent
EXCITATION SIGNAL EXTRACTION FOR GUITAR TONES Lee, Nelson; Duan, Zhiyao; Smith III, Julius O.
DIRECT DESIGN OF PARALLEL SECOND-ORDER FILTERS FOR INSTRUMENT BODY MODELING Bank, Balázs
ARE COGNITIVE STYLES AN IMPORTANT FACTOR IN THE DESIGN OF ELECTROACOUSTIC MUSIC SOFTWARE? Eaglestone, Barry; Ford, Nigel; Holdridge, Peter; Carter, Jenny
BIOTOOLS: INTRODUCING A HARDWARE AND SOFTWARE TOOLKIT FOR FAST IMPLEMENTATION OF BIOSIGNALS FOR MUSICAL APPLICATIONS Pérez, Miguel Angel Ortiz; Knapp, R. Benjamin
USING TECHNOLOGY TO RIDE THE REFLEX/VOLITIONAL CONTINUUM IN IMPROVISED MUSICAL PERFORMANCE Sayer, Tim
ON TIMBRE BASED PERCEPTUAL FEATURE FOR SINGER IDENTIFICATION Khine, Swe Zin Kalayar; Nwe, Tin Lay; Li, Haizhou
Fractured Sounds, Fractured Meanings: A Glove-Controlled Spectral Instrument Litke, David
APPLICATIONS OF ULTRASONIC SOUND BEAMS IN PERFORMANCE AND SOUND ART Pampin, Juan; Kollin, Joel S.; Kang, Eunsu
PLACEMENT OF SOUND SOURCES IN THE STEREO FIELD USING MEASURED ROOM IMPULSE RESPONSES Haines, William D.; Vernon, Jesse R.; Dannenberg, Roger B.; Driessen, Peter F.
TRAKHUE - INTUITIVE GESTURAL CONTROL OF LIVE ELECTRONICS Peters, Nils; Evans, Megan; Britton, Eliot
Immersion : An immersive digital application for creative interaction with sound art archives Taylor, J_Milo
NN MUSIC: IMPROVISING WITH A 'LIVING' COMPUTER Young, Michael
EFFECTS OF TEMPO ON THE PERCEIVED SPEED OF HUMAN MOVEMENT Afanador, Kathleya; Ingalls, Todd; Campana, Ellen
THE INFLUENCE OF BODY MORPHOLOGY ON PREFERRED DANCE TEMPOS Dahl, Sofia; Huron, David
PSYCHOACOUSTIC MANIPULATION OF THE SOUND INDUCED ILLUSORY FLASH Wilkie, Sonia; Stevens, Catherine; Dean, Roger
Cognitive Implications of Musical Perception Lockhart, Adam
PANEL: THE NEED OF FORMATS FOR STREAMING AND STORING MUSIC-RELATED MOVEMENT AND GESTURE DATA Jensenius, Alexander Refsum; Camurri, Antonio; Castagné, Nicolas; Maestre, Esteban; Malloch, Joseph; McGilvray, Douglas; Schwarz, Diemo; Wright, Matthew
THE SOUND INSTALLATION Iturbide, Manuel Rocha
EXPRESSIVE MODIFICATIONS OF MUSICAL AUDIO RECORDINGS: PRELIMINARY RESULTS Fabiani, Marco; Friberg, Anders
LIBXTRACT: A LIGHTWEIGHT LIBRARY FOR AUDIO FEATURE EXTRACTION Bullock, Jamie
DATA JOCKEY, A TOOL FOR META-DATA ENHANCED DIGITAL DJING AND ACTIVE LISTENING Norman, Alex; Amatriain, Xavier
PHYSMISM: RE-INTRODUCING PHYSICAL MODELLING FOR ELECTRONIC MUSICAL EXPLORATION Böttcher, Niels; Gelineck, Steven; Serafin, Stefania
STIRRING, SHAKING, AND MIXING: MUSICALIZING EVERYDAY ACTIONS Kojs, Juraj; Serafin, Stefania
GAMELUNCH: A PHYSICS-BASED SONIC DINING TABLE Delle Monache, Stefano; Polotti, Pietro; Papetti, Stefano; Rocchesso, Davide
COMBINING DJ SCRATCHING, TANGIBLE INTERFACES AND A PHYSICS-BASED MODEL OF FRICTION SOUNDS Hansen, Kjetil F.; Alonso, Marcos; Dimitrov, Smilen
TEACHING DIGITAL AUDIO PROGRAMMING: NOTES ON A TWO-YEAR COURSE SEQUENCE AT UCSB Pope, Stephen Travis
THE 3D AUGMENTED MIRROR: MOTION ANALYSIS FOR STRING PRACTICE TRAINING Ng, Kia; Larkin, Oliver; Koerselman, Thijs; Ong, Bee; Schwarz, Diemo; Bevilacqua, Frederic
DESIGN AND IMPLEMENTATION OF CNMAT'S PEDAGOGICAL SOFTWARE Zbyszynski, Michael; Wright, Matthew; Campion, Edmund
A PRACTICE-BASED APPROACH TO USING ACOUSTICS AND TECHNOLOGY IN MUSICIANSHIP TRAINING Young, John Fariselli; Picinali, Lorenzo; Moraitis, Dimitris
FROM CONTROLLER TO SOUND: TOOLS FOR COLLABORATIVE DEVELOPMENT OF DIGITAL MUSICAL INSTRUMENTS Malloch, Joseph; Sinclair, Stephen; Wanderley, Marcelo M.
AN ANALYSIS OF STARTUP AND DYNAMIC LATENCY IN PHASE VOCODER-BASED TIME-STRETCHING ALGORITHMS Lee, Eric; Karrer, Thorsten; Borchers, Jan
PHYSICAL MODELLING AS A PROPOSED FRAMEWORK FOR THE CONCEPTION, THE DESIGN AND THE IMPLEMENTATION OF SOUND TRANSFORMATIONS Kontogeorgakopoulos, Alexandros; Cadoz, Claude
AN INTELLIGENT MULTI-TRACK AUDIO EDITOR Dannenberg, Roger B.
LITTER MUTATORS: MOVING MORPHOLOGICAL MUTATION INSIDE TIME Castine, Peter
REAL-TIME, LOW LATENCY AUDIO PROCESSING IN JAVA Juillerat, Nicolas; Arisona, Stefan Müller; Schubiger-Banz, Simon
REAL-TIME MUSIC SYNTHESIS IN JAVA USING THE METRONOME GARBAGE COLLECTOR Auerbach, Joshua; Bacon, David F.; Bömers, Florian; Cheng, Perry
COMPOSING WITH HYPERSCORE: AN INTUITIVE INTERFACE FOR VISUALIZING MUSICAL STRUCTURE Farbood, Morwaread; Kaufman, Henry; Jennings, Kevin
A MUSICAL FRAMEWORK WITH SWARMING ROBOTS Uozumi, Yuta; Takahashi, Masato; Kobayashi, Ryoho
SONOFUSION: DEVELOPMENT OF A MULTIMEDIA COMPOSITION FOR OVERTONE VIOLIN Thompson, John; Overholt, Dan
VScore: A Real-time Visual Application for Scoring Music, Version 1.1 Topper, David; Kojs, Juraj
BACK TO THE SEA: A SOFTWARE REALIZATION OF DEXTER MORRILL'S SEA SONGS Hamilton, Robert
HOW COMPUTER MUSIC MODELING AND RETRIEVAL INTERFACE WITH MUSIC-AND-MEANING STUDIES: OVERVIEW OF PANELISTS' SUGGESTIONS FOR DISCUSSION TOPICS Grund, Cynthia M.
UNDERSTANDING EMOTION IN RAAG: AN EMPIRICAL STUDY OF LISTENER RESPONSES Chordia, Parag; Rae, Alex
SCORE-BASED CONTROL OF GUQIN SYNTHESIS Laurson, Mikael; Kuuskankare, Mika; Penttinen, Henri; Li, Henbing
MUSICIANS OUTPERFORM NON-MUSICIANS IN A STUDY WITH SPEECH IMITATION Pastuszek-Lipińska, Barbara
REAL-TIME PROCESSING ON THE ROAD: A GUIDED TOUR OF [IKS]'S ABSTR/CNCR SETUP Tremblay, Pierre Alexandre; Boucher, Nicolas; Pohu, Sylvain
REAL-TIME ANALYSIS OF SENSORY DISSONANCE MacCallum, John; Einbond, Aaron
TOWARD A COMPLETE OPEN SOURCE SOFTWARE ENVIRONMENT FOR THE CREATION OF INTERACTIVE POLY-ARTISTIC WORKS Donikian, Stéphane; Delerue, Olivier; Bianco, Tommaso; Clenet, Gildas
HARMONIC, MELODIC, AND FUNCTIONAL AUTOMATIC ANALYSIS Illescas, Plácido R.; Rizo, David; Iñesta, José M.
FIFTY YEARS OF COMPUTER MUSIC: IDEAS OF THE PAST SPEAK TO A FUTURE‒IMMERSED IN RICH DETAIL Chowning, John
INTRODUCTION OF DIPS3 (VERSION 2) FOR MAX/MSP Rai, Takayuki; Miyama, Chikashi; Matsuda, Shu; Hamano, Takayuki; Fukuda, Takuto; Morimoto, Yota
CONTROLLING AURAL AND VISUAL PARTICLE SYSTEMS THROUGH HUMAN MOVEMENT Guedes, Carlos; Woolford, Kirk
THE FEATSYNTH FRAMEWORK FOR FEATURE-BASED SYNTHESIS: DESIGN AND APPLICATIONS Hoffman, Matthew; Cook, Perry R.
A COMPUTER-BASED IMPLEMENTATION OF BASSO CONTINUO RULES FOR FIGURED BASS REALIZATIONS Wead, Adam; Knopke, Ian
A REAL-TIME GENETIC ALGORITHM IN HUMANROBOT MUSICAL IMPROVISATION Weinberg, Gil; Godfrey, Mark; Rae, Alex; Rhoads, John
ICAST: TRIALS & TRIBULATIONS OF DEPLOYING LARGE SCALE COMPUTER-CONTROLLED SPEAKER ARRAYS Beck, Stephen David; Willkie, Brian; Patrick, Joseph
SHAMUS - A SENSOR-BASED INTEGRATED MOBILE PHONE INSTRUMENT Essl, Georg; Rohs, Michael
DECONCERT: BATHING IN THE LIGHT, SOUND, AND WATERS OF THE MUSICAL BRAINBATHS Mann, Steve; Fung, James; Garten, Ariel
KEY-FINDING WITH INTERVAL PROFILES Madsen, Søren Tjagvad; Widmer, Gerhard
A SCORE-TO-SINGING VOICE SYNTHESIS SYSTEM FOR THE GREEK LANGUAGE Kyritsi, Varvara; Georgaki, Anastasia; Kouroupetroglou, Georgios
AUDIO ORACLE: A NEW ALGORITHM FOR FAST LEARNING OF AUDIO STRUCTURES Dubnov, Shlomo; Assayag, Gérard; Cont, Arshia
EXPECTATION ALONG THE BEAT: A USE CASE FOR MUSIC EXPECTATION MODELS Hazan, Amaury; Brossier, Paul; Holonowicz, Piotr; Herrera, Perfecto; Purwins, Hendrik
AUTOMATED QUANTISATION AND TRANSCRIPTION OF ORNAMENTS FROM AUDIO RECORDINGS Boenn, Georg
NOTE-BASED SEGMENTATION AND HIERARCHY IN THE CLASSIFICATION OF DIGITAL MUSICAL INSTRUMENTS Somerville, Peter; Uitdenbogerd, Alexandra L.
SONG IDENTIFICATION THROUGH HMM-BASED MODELING OF THE MAIN MELODY Orio, Nicola; Zen, Cristiano
GUIDAGE: A FAST AUDIO QUERY GUIDED ASSEMBLAGE Cont, Arisha; Dubnov, Shlomo; Assayag, Gérard
The electric hydraulophone: A hyperacoustic instrument with acoustic feedback Mann, Steve; Janzen, Ryan; Meier, James
MUSICAL SOUNDSCAPES FOR AN ACCESSIBLE AQUARIUM: BRINGING DYNAMIC EXHIBITS TO THE VISUALLY IMPAIRED Walker, Bruce N.; Kim, Jonathan; Pendse, Anandi
IMMERSIVE AUDIO AND MUSIC IN THE ALLOSPHERE Amatriain, Xavier; Höllerer, Tobias; Kuchera-Morin, JoAnn; Pope, Stephen T.
THE DOME: A CASE STUDY FOR GENERATIVE SOUND IN PUBLIC ART Birchfield, David; Cuthbertson, Aaron; Lundquist, Laurie; Smith, Roger
aa-cell IN PRACTICE: AN APPROACH TO MUSICAL LIVE CODING Sorensen, Andrew; Brown, Andrew R.
Soundanism: Blurred by Breathing Álvarez-Fernández, Miguel; Piaścik, Asia; Kersten, Stefan
RECOGNITION OF PHYSICAL MOTION PATTERN USING STOCHASTIC PETRI NETS FOR SOUND SYNTHESIS Go, Munetatsu; Osaka, Naotoshi
USING A 3D MODELLING PROGRAM AS A MUSICAL CONTROLLER Berry, Rodney
ADAPTIVE WHITENING FOR IMPROVED REAL-TIME AUDIO ONSET DETECTION Stowell, Dan; Plumbley, Mark
FAST SOUND TEXTURE SYNTHESIS USING OVERLAP-ADD Fröjd, Martin; Horner, Andrew
MUSED: NAVIGATING THE PERSONAL SAMPLE LIBRARY Coleman, Graham
DESIGNING AND CONTROLLING A SOURCE-FILTER MODEL FOR NATURALISTIC AND EXPRESSIVE SINGING VOICE SYNTHESIS Bélanger, Olivier; Traube, Caroline; Piché, Jean
THE IXIQUARKS: MERGING CODE AND GUI IN ONE CREATIVE SPACE Magnusson, Thor
THE CARNEGIE MELLON LAPTOP ORCHESTRA Dannenberg, Roger B.; Cavaco, Sofia; Ang, Eugene; Avramovic, Igor; Aygun, Barkin; Baek, Jinwook; Barndollar, Eric; Duterte, Daniel; Grafton, Jeffrey; Hunter, Robert; Jackson, Chris; Kurokawa, Umpei; Makuck, Daren; Mierzejewski, Timothy; Rivera, Michael; Torres, Dennis; Yu, Apphia
MAPS AND LEGENDS: FPS-BASED INTERFACES FOR COMPOSITION AND IMMERSIVE PERFORMANCE Hamilton, Robert
A NEW GESTURAL CONTROL PARADIGM FOR MUSICAL EXPRESSION: REAL-TIME CONDUCTING ANALYSIS VIA TEMPORAL EXPECTANCY MODELS Swaminathan, Dilip; Thornburg, Harvey; Ingalls, Todd; James, Jodi; Rajko, Stjepan; Afanador, Kathleya
AN OVERVIEW OF THE RESEARCH APPROACHES ON MUSICAL PERFORMANCE ROBOTS Solis, Jorge; Takanishi, Atsuo
DJ SPAT: SPATIALIZED INTERACTIONS FOR DJS Marentakis, Georgios; Peters, Nils; McAdams, Stephen
A SUPPORT SYSTEM FOR BASIC PRACTICE OF PLAYING THE DRUMS Iwami, Naoki; Miura, Masanobu
FEATURE MODULATION SYNTHESIS (FMS) Park, Tae Hong; Biguenet, Jonathan; Li, Zhiye; Richardson, Conner; Scharr, Travis
META-SEQUENCING: CONTROLLING SEQUENCE VOICES AND POLYPHONY USING THE POLYMAP, SIEVE, VALVE AND MASKXOR OBJECTS IN PURE DATA Kelly, Edward
Extended Applications of the Wireless Sensor Array (WISEAR) Topper, David; Rodgers, Troy
ANALYSIS OF SAXOPHONE PERFORMANCE FOR COMPUTER-ASSISTED TUTORING Robine, Matthias; Percival, Graham; Lagrange, Mathieu
AN EXPLORATION INTO POTENTIAL RELEVANCE OF DIFFERENCES OF INDIVIDUAL SOUNDS IN DRUM PATTERNS Rath, Matthias; Wôltermann, Marcel
AUDIOVISUAL CONCATENATIVE SYNTHESIS Collins, Nick
A COMPARISON OF SOLENOID-BASED STRATEGIES FOR ROBOTIC DRUMMING Kapur, Ajay; Trimpin, Eric; Singer, Afzal; Suleman, George; Tzanetakis,
A SYSTEMATIC APPROACH TO MUSICAL VIBROTACTILE FEEDBACK Birnbaum, David M.; Wanderley, Marcelo M.
FOCUS-PLUS-CONTEXT DISPLAYS FOR AUDIO INTERACTION Gerhard, David; Ellis, Jarrod
BETWEEN MAPPING, SONIFICATION AND COMPOSITION: RESPONSIVE AUDIO ENVIRONMENTS IN LIVE PERFORMANCE Salter, Christopher L.; Baalman, Marije A. J.; Moody-Grigsby, Daniel
RTS: REAL TIME SCHEDULING IN COMMON MUSIC Taube, Heinrich; Ingalls, Todd
AUTOMATIC THOROUGH-BASS REALIZATION IN BAROQUE MUSIC Niitsuma, Masahiro; Saito, Hiroaki
MANIFOLD COMPOSITIONS: FORMAL CONTROL, INTUITION, AND THE CASE FOR COMPREHENSIVE SOFTWARE. Tipei, Sever
THE METHODOLOGY AND RESEARCH OF THE INTERACTIVE INTERMEDIA ART USING THE GYROSCOPE SENSOR FOR SOUND AND VISION Chen, Yi-Tso; Huang, Chih-Fang
EXTRACTION OF GESTURAL MEANING FROM A FABRIC-BASED INSTRUMENT Van Nort, Doug; Gauthier, David; Wei, Sha Xin; Wanderley, Marcelo M.
VIRTUAL OBJECTS AS MEDIATION BETWEEN SONIC TEXTURES AND INTERACTIVE GESTURES Filatriau, Jehan-Julien; Arfib, Daniel; Glowinski, Donald; Volpe, Gualtiero
THE SLIDING PHASE VOCODER Bradford, Russell; Dobson, Richard; ffitch, John
F0 ESTIMATION OF INHARMONIC PIANO TONES USING PARTIAL FREQUENCIES DEVIATION METHOD Rauhala, Jukka; Vôlimôki, Vesa
ON WAVE FIELD SYNTHESIS AND ELECTRO-ACOUSTIC MUSIC - STATE OF THE ART 2007 Baalman, Marije A. J.
CAUSAL/ANTICAUSAL DECOMPOSITION FOR MIXED-PHASE DESCRIPTION OF BRASS AND BOWED STRING SOUNDS d'Alessandro, Nicolas; Moinet, Alexis; Dubuisson, Thomas; Dutoit, Thierry
FEEDBACK INSTRUMENTS: GENERATING MUSICAL SOUNDS, GESTURES, AND TEXTURES IN REAL TIME WITH COMPLEX FEEDBACK SYSTEMS Morris, Jeffrey M.
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