| Title |
Author(s) |
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From Piano to Computer to Piano
|
Risset, Jean-Claude |
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An Expert System for Teaching Piano to Novices
|
Dannenberg, Roger; Sanchez, Marta; Joseph, Annabel; Capell, Peter; Joseph, Robert; Saul, Ronald |
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Computer Technology for Young Disabled Musicians
|
Drake, Adèle |
|
A Sound Design
|
Ellis, Phil |
|
Computer Assisted Music Instruction: Toward a More Viable Philosophy of Software Architecture
|
Lukasik, Joseph |
|
A Multimedia Digital Signal Processing Tutoring System
|
Pointer, Sam; Wawrzynek, John; Wessel, David |
|
Computer Music Courses Using Supercomputers: An Educational Experiment at NCSA/UIUC
|
Tipei, Sever; Bargar, Robin; Cox, Ben; Kelley, David |
|
In the Intimacy of a Sound
|
Arfib, Daniel |
|
Concurrent CSound: Parallel Execution fro High Speed Direct Synthesis
|
Bailey, Nicholas J.; Purvis, Alan; Manning, Peter; Bowler, Ian |
|
High-Level Control of Granular Synthesis Using the Concepts of Inheritance and Social Interaction
|
Bowcott, Peter |
|
Capture, Representation and "Composition" of the Instrumental Gesture
|
Cadoz, Claude; Ramstein, Christophe |
|
Modal Synthesis Compilation of Mechanical Sub-structures and Acoustical Sub-systems
|
Calvet, Olivier; Laurens, Ronan; Adrien, |
|
Disorder Sounds in Order: Theory and Practice in Instrument Simulaton
|
Comerford, Peter; Kitching, Lucy |
|
Pulsed Noise in Musical Systems, Techniques for Extraction, Analysis and Visualization
|
Cook, Perry R.; Chafe, Christopher; Smith, Julius O. |
|
Analytical Tools for Group Additive Synthesis
|
Eaglestone, Barry; Oates, Shaun |
|
A Signal Editor for the IRCAM Musical Workstation
|
Eckel, Gerhard |
|
Sound Data Base Using Spectral Analysis Reduction and an Additive Sythesis Model
|
Feiten, Bernhard; Ungvary, Tamas |
|
Modular Modelisation and Simulation of the Instrument
|
Florens, Jean-Loup; Cadoz, Claude |
|
DSP Driver Software for Performance-oriented Music Synthesis Systems
|
Freed, Adrian; Gordon, Keith |
|
An Improved Cepstral Method for Deconvolution of Source-Filter Systems with Discrete Spectra: Application to Musical Sound Signals
|
Galas, Thierry; Rodet, Xavier |
|
CESAM-A Concept Engine for Synthesis of Audio and Music
|
Holm, Frode |
|
Parameters Estimation for Non-linear Resynthesis Methods with the Help of a Time-Frequency Analysis for Real Sounds
|
Kronland-Martinet, Richard; Guillermain, Philippe; Delprat, Nathalie |
|
The Architecture and Musical Logic of Cmix
|
Lansky, Paul |
|
Synthesis of Acoustic Timbres using Principal Component Analysis
|
Laughlin, Robert; Truax, Barry; Funt, Brian |
|
Chaotic Non-linear Systems and Digital Synthesis: An Exploratory Study
|
Truax, Barry |
|
Time-shifting of Sampled Sound with a Real-time Granulation Technique
|
Truax, Barry |
|
Time Domain Computation of Three Dimensional Acoustic Field by Retarded Potential Holophonic Synthesis
|
Adrien, Jean-Marie; Eotvös, Peter |
|
An Interactive Real-time System for the Control of Sound Localization
|
Bosi, Marina |
|
Two New Approaches to the Simulation of Acoustic Spaces
|
Garton, Brad |
|
Ambisonics-A Technique for Low-Cost, High-Precision, Three-Dimensional Sound Diffusion
|
Malham, David G. |
|
Surroundsound: A B-format Soundfield Processing Program for the Composers’ Desktop Project Soundfile System
|
O’Modhrain, Sile |
|
Series Phi Digital Signal Processor
|
Casserley, Lawrence |
|
MIDAS: A Musical Instrument Digital Array Signal Processor
|
Kirk, Ross; Orton, Richard |
|
The IRCAM Musical Workstation: Hardware Overview and Signal Processing Features
|
Lindemann, Eric |
|
VLSI Parallel Processing for Musical Sound Synthesis
|
Wawrzynek, John; von Eicken, Thorsten |
|
Tracking Musical Beats in Real Time
|
Allen, Paul E.; Dannenberg, Roger B. |
|
A Computer Program for Analyzing Computer Musician’s Problem-Solving
|
Ashley, Richard |
|
A Computer Assisted Approach to Music Analysis
|
Campbell, Bruce B. |
|
Contemporary Music Analysis Package (CMAP) for Macintosh
|
Castine, Peter; Brinkman, Alexander R.; Harris, Craig R. |
|
PRISM: Pattern Recognition in Sound and Music
|
Mont-Reynaud, Bernard; Gresset, Emmanuel |
|
Musical Event Detection from Audio Signals within a Multi-resolution Framework
|
Pearson, Edward R. S.; Wilson, Ronald G. |
|
The Sonogram: A Tool for Visual Documentation of Musical Structure
|
Waters, Simon; Ungvary, Tamas |
|
ESATM: An Experimental System For Analyzing The Tonality of Melodies
|
Yin, Feng; Xiang, Xhang |
|
Autobusk: An Algorithmic Real-time Pitch and Rhythm Improvisation Programme
|
Barlow, Clarence |
|
An Highly Parallel Architecture for Real-time Music Synthesis and Digital Signal Processing Application
|
Bailey, Nicholas J.; Purvis, Alan; Bowler, Ian; Manning, Peter |
|
UniSon: A Real-time Interactive System for Digital Sound Synthesis
|
Bate, John A. |
|
The Sound Accelerator as a Real-time DSP Environment: Encoding/Decoding Audio Signals
|
Bosi, Marina |
|
New Techniques for a Real-time Phase Vocoder
|
Bowler, Ian; Purvis, Alan; Manning, Peter; Bailey, Nick |
|
On Mapping N Articulation Onto M Synthesiser-control Parameters
|
Bowler, Ian; Purvis, Alan; Manning, Peter; Bailey, Nick |
|
A Run-time System for Arctic
|
Dannenberg, Roger B. |
|
Efficient Dynamic Resource Management on Multiple DSPs as Implemented in the NeXT Music Kit
|
Jaffe, David A. |
|
A Real-time Implementation of Physical Models
|
Malouf, Frederick L.; Lentczner, Mark; Chafe, Christopher |
|
An Efficient Scheduling Algorithm for Real-time Musical Systems
|
Orlarey, Yann |
|
DSP-Sound: A Software Synthesis Package for Real-Time DPS-Based Systems
|
Pinkston, Russell F. |
|
Feature Classification and Related Response in a Real-time Interactive Music System
|
Rowe, Robert |
|
Second-Order Universal Processing Device for Real-time Music Synthesis
|
Shimony, Uri; Zarfati, Yehuda |
|
Score Input to CSound via the Midi Keyboard
|
Strasburger, Hans; Kohler, Stefan; Radauer, Irmfried |
|
Real-time CSound: Software Synthesis with Sensing and Control
|
Vercoe, Barry; Ellis, Dan |
|
E-SCAPE: An Extendable Sonic Composition and Performance Environment
|
Anderson, Tim |
|
Orpheus: A Graphical Composition Environment
|
Buckley, Paul E. J.; Lewis, Andrew |
|
The ST AMPLE Music Composition Language, an Implemenation of AMPLE for the Atari ST
|
Burden, David |
|
Variatons: A Hypermedia Project Providing Integrated Access to Music Information
|
Burroughs, Michael; Fenske, David |
|
UDI: A Unified DSP Interface for Sound Signal Analysis and Synthesis
|
Depalle, Philippe; Rodet, Xavier |
|
A Compositional Environment Based on PreFORM II, Patchwork, and Esquisse
|
Duthen, Jacques; Laurson, Mikael |
|
A Network Approach to the Problem of Sharing Music Studio Resources
|
Foss, Richard J.; Wilks, Antony |
|
Natural Selection of Musical Identities
|
Hartmann, Per |
|
A Language for Composition
|
Hitt, Dan; On Lo, Yee |
|
ANIMAL-A Rapid Prototyping Environment for Computer Music Systems
|
Lindemann, Eric |
|
Ensemble: An Extensible Real-time Music Performance Environment
|
McNabb, Michael |
|
The New UPIC System
|
Marino, Gerard; Raczinski, Jean-Michael; Serra, Marie-Hélène |
|
A Graphical Editor for Building Unit Generator Patches
|
Minnick, Michael |
|
Quill: An Interpreter for Creating Music-objects within the Dmix Environment
|
Oppenheim, Daniel V. |
|
EXPLODE: A User Interface for Sequencing and Score Following
|
Puckette, Miller |
|
Mixview: A Portable, Graphics-based Soundfile Editor and Processor
|
Scott, Douglas |
|
A Universal Recorder for the IRCAM Musical Workstation
|
Smith, Bennett K. |
|
A Real-time Operating System for Computer Music
|
Viara, Eric; Puckette, Miller |
|
Patchmix: A C++ X Graphical Interface to Cmix
|
Helmuth, Mara |
|
Algorithmic Composition: Quantum Mechanics and the Musical Domain
|
Bain, Reginald |
|
Subsymbolic Approaches to Musical Composition. A Behavioral Model
|
Beyls, Peter |
|
Beyond MIDI: Knowledge-based Support for Computer-Aided Composition
|
Bocker, Heinz-Dieter; Mahling, Andreas; Wehinger, Rainer |
|
Pattern Matching as an Engine for the Computer Simulation of Musical Style
|
Cope, David |
|
A Constraint-based Logic Program for Generating Polyphonies
|
Courtot, Francis |
|
Experience with a Harmony-Learning Program
|
Harrison, Malcolm C.; Haig, Suzanne; Horowitz, Gershon |
|
Metabolizing Music
|
Iverson, Eric; Hartley, Roger |
|
Computer-Assisted Composition by Interactive Rhythm Transformations
|
Johansson, Johannes; Molin, Bengt-Arne |
|
Algorithmic Explorations of Juxtaposition and Simultaneity in Computer-aided Composition
|
Jones, Kevin |
|
The Kansei Music System ’90
|
Katayose, Haruhio; Inokuchi, Seiji |
|
A Neural Network that Learns to Play in Different Music Styles
|
Linster, Christiane |
|
Cellular Automata Music
|
Millen, Dale |
|
Musical Composition as a Constraint Satisfaction Problem
|
Ovans, Russell |
|
One Example of How Artificial Intelligence Can Be Useful in Music Fields
|
Rousseaux, Francis |
|
Composition by Exploration of Non-linear Dynamic Systems
|
Di Scipio, Agostino |
|
Counterpoint Compositions in Non-tempered Systems: Theory and Algorithms
|
Balzer, Klaus; Streitberg, Bernd |
|
Knowledge Information Processing in Conducting Computer Music Performer
|
Morita, Hideyuki; Watanabe, Hiroshi; Harada, Tsutomu; Ohteru, Sadamu; Hashimoto, Shuji |
|
A Tuning System Laboratory for the NeXT Computer
|
Parod, Bill |
|
Godel Tune: Formal Models in Music Recognition Systems
|
Richard, Dominique |
|
The Usefulness of Qualitative Theories of Musical Perception
|
Widmer, Gerhard |
|
Problems to be faced by Developers of Computer-based Automatic Music Recognisers
|
Clarke, Alastair; Brown, Malcolm; Thorne, Michael |
|
Conceptual Integrity in a Musical Notation Program
|
Diener, Glendon R. |
|
Towards a New Paradigm for the Representation of Musical Information
|
Hull, Stephen |
|
Pathways from the Dream Spell Series
|
Bestor, Charles |
|
Autocorrelation and the Study of Musical Expression
|
Desain, Peter; de Vos, Siebe |
|
Music in Architecture / Architecture in Music
|
Dorgan, Robert Alan |
|
POCO: An Environment for Analysing, Modifying and Generating Expression in Music
|
Honing, Henkjan |
|
Is More Than Three Decades of Computer Music Reaching the Public it Deserves?
|
Landy, Leigh |
|
Computational Modeling of Musical Expression
|
Todd, Neil P. McA |
|
A Modular DSP Perfomance System for the Composer/Progammer
|
Brandt, Daniel |
|
Modular Feedback Keyboard
|
Cadoz, Claude; Lisowski, Leszek; Florens, Jean-Loup |
|
ENSEMBLE: An Object-oriented Real-time Perfomance System
|
Dyer, Lounette M. |
|
Gestural Control of Sound Synthesis
|
Gibet, Sylvie; Marteau, Pierre-François |
|
MIDIGRID: An Innovative Computer-based Performance and Composition System
|
Hunt, Andy; Kirk, Ross; Orton, Richard |
|
A Meta-Action for the Grand Piano
|
Riddell, Alistair M. |
|
Recent Advances in the Coupling of the Language MAX with the Matthews/Boie Radio Drum
|
Schloss, W. Andrew |
|
Potential Applications of MIDI Software in Improvised Musical Performance
|
Tobenfeld, Emile |
|
IRCAM: Studio Report
|
Allouis, Jean-François; Barrière, Jean-Baptiste; Battier, Marc |
|
About 605k
|
Barlow, Clarence |
|
Electronic and Computer Music at the Peabody Conservatory
|
Boyle, McGregor; Ivey, Jean Eichelberger; Pirali, Edmund; Wright, Geoffrey |
|
Studio Report: Huddersfield Polytechnic Electronic and Computer Music Studios
|
Clarke, Michael; Bromwich, Mark; Smith, Geoff |
|
Woof! The Columbia University Computer Music Facility
|
Garton, Brad; Bassett, Rick; Helmuth, |
|
EMS Studio Report
|
Lunell, Hans |
|
Studio Report, University of Durham, England
|
Manning, Peter D.; Berry, Ron; Bowler, Ian; Purvis, Alan; Bailey, Nicolas J. |
|
The Laboratorio de Informatica y Electronica Musical of CDMC Madrid
|
Nuñez, Adolfo |
|
DIEM Studio Report
|
Siegel, Wayne |
|
The Computer Music Studio at Salzburg
|
Strasburger, Hans; Radauer, Irmfried |
