| Title |
Author(s) |
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Robot-Assisted Playing With Fingering Support For A Saxophone
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Kurosawa, Yoshifumi; Suzuki, Kenji |
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Composition With Path : Musical Sonification Of Geo- Referenced Data With Online Map Interface
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Park, Si Hwa; Kim, Seunghung; Lee, Samuel |
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Perception Based Multi-Genre Labeling On Music Data
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Sanden, Chris; Befus, Chad R. |
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On Bimodal Guitar-Chord Recognition
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Cicconet, Marcelo; Carvalho, Paolo Cezar; Velho, Luiz |
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Pyschoacoustic Feature Based Perceptual Segmentation
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Befus, Chad; Sanden, Chris; Zhang, John Z. |
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Business Model, For Violin, Cello And Live Electronic
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Nuono, Gilbert |
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System Of Shadows, An Interactive Performance Environment For Trumpet/Flugelhorn And Kyma
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Belet, Brian; Ruppenthal, Stephan |
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Clapping Machine Music Variations: A Composition For Acoustic/Laptop Ensemble
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Trueman, Daniel |
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Gestural Shaping And Transformation In A Universal Space Of Structure And Sound
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Thalmann, Florian; Mazzola, Guerino |
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An Embedded Hardware Platform For Fungible Interfaces
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Hollinger, Avrum; Thibodeau, Joseph; Wanderley, Marcelo M. |
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Forest Fire Dynamics In Sonic Organisation
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Jones, Daniel; D'inverno, Mark |
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Gesture Sampling For Instrumental Sound Synthesis: Violin Bowing As A Case Study
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Maestre, Esteban; Pérez, Alfonso; Ramírez, |
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Spectralconway: Cellular Automata Off The Grid
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Mclaughlin, Dr. Scott; Tremblay, Dr. Pierre Alexandra |
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Spatializing Timbre With Corpus-Based Concatenative Synthesis
|
Einbond, Aaron; Schwarz, Diemo |
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A Modular Sound Descriptor Analysis Framework For Relaxed-Real-Time Applications
|
Schwarz, Diemo; Schnell, Norbert |
|
The Arcontinuo: A Performed-Centered Electronic Musical Instrument
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Bertin, Claudio; Cadiz, Rodrigo; De La Cuadra, Patricio; De Ioannes, Gabriel; Sylleros, Alvaro |
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Argos: An Open Source Application For Building Multi- Touch Musical Interfaces
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Diakopoulos, Dimitri; Kapur, Ajay |
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A Wireless, Real-Time, Social Music Performance System For Mobile Phones
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Gibson, Dr. Ian; Davey, Mr. Matthew |
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A Real-Time Human Body Skeletonization Algorithm For Max/Msp/Jitter
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Baltazar, Andrés; Guedes, Carlo; Pennycook, Bruce; Gouyon, Fabien |
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Soundcatcher: Explorations In Audio-Looping And Time-Freezing Using An Open-Air Gestural Controller
|
Vigliensoni, Gabriel; Wanderley, Marcelo M. |
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Eye.Breathe.Music: A Multimeadia Controller That Uses Eye Movement And Breathing
|
Bailey, Sam; Scott, Adam; Wright, Harry; Symonds, Ian; Ng, Kia |
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Developing Systems For Improvisation Based On Listening
|
Van Nort, Doug; Oliveros, Pauline; Braasch, Jonas |
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Vigorous Music-Making: The Inherent “Liveliness” Of A T-Stick Instrumentalist
|
Stewart, D. Andrew |
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Grainstick: A Collaborative, Interactive Sound Installation
|
Leslie, Grace; Schwarz, Diemo; Warusfel, Olivier; Bevilacqua, Frederic; Zambolin, Bruno; Jodlowski, Pierre; Schnell, Norbert |
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The Lattice Harp: A New Hybrid Instrument And Controller
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Raffel, Colin; Kruge, Nick; Douglas, Diane; Berdahl, Edgar; Ju, Wendy |
|
The Timestruct Toolkit: Imposing Temporal Structure In Max
|
Glennon, Aron; Didkovski, Nick |
|
Toward Understanding Human-Computer Interaction In Composing The Instrument
|
Fiebrink, Rebecca; Trueman, Daniel; Britt, Cameron; Nagai, Michelle; Kaczmarek, Konrad; Early, Michael; Daniel, MR; Hege, Anne; Cook, |
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Tactile Feedback Based On Acoustic Pressure Waves
|
Ciglar, Miha |
|
Aurafx: A Simple And Flexible Approach To Interactive Audio Effect-Based Composition And Performance
|
Dannenberg, Roger; Kotcher, Robert |
|
User-Guided Evolution Of Granular Synthesis
|
Coia, Corrado; Ross, Brian |
|
A Flexible And Dynamic C++ Framework And Library For Digital Audio Signal Processing
|
Place, Timothy; Lossius, Trond; Peters, Nils |
|
A Semi-Virtual Violin For Investigations Into Sound Quality And Musician-Instrument Interaction
|
Türkheim, Friedrich V.; Smit, Thorsten; Mores, Robert |
|
Dynamic Playlist Generation: A Case Study
|
Wagner, Chad |
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Rhythmic Similarity Using Metrical Profile Matching
|
Smith, Leigh |
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Exploring “Artist Image” Using Content-Based Analysis Of Promotional Photos
|
Libeks, Janis; Turnbull, Douglas |
|
A Survey Of Chord Distances With Comparison For Chord Analysis
|
Rocher, Thomas; Robine, Matthias; Hanna, Pierre |
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Piano Arrangement System Based On Composers' Arrangement Processes
|
Onuma, Sho; Hamanaka, Masatoshi |
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Spectral Synthesis Of Rhythms
|
Loviscach, Joern |
|
Systematic And Quantative Electro-Acoustic Music Analysis (Sqema)
|
Park, Tae Hong; Hyman, David; Leonard, Peter; Wu, Wen |
|
The Mobile Ambisonics Equiptment Of The ICST
|
Faerber, Peter; Kocher, Philippe |
|
Wireless Sensor Networks And Computer Music, Dance And Installation Implementations
|
Helmuth, Mara; Hyun Jun, Jung; Oliveira, Talmai; Mostafa, Mhmad; Shiota, Kazuaki; Mishra, Amitabh; Agrawal, Dharma |
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The Show Must Go On: Dependable Audio Computing
|
Loviscach, Joern |
|
Modeling Beats, Accents, Beams, And Time Signatures Hierarchically With Music21 Meter Objects
|
Ariza, Christopher; Cuthbert, Michael Scott |
|
A Timbre Analysis And Classification Toolkit For Pure Data
|
Brent, William |
|
Improving Upon Musical Analyses Of Conducting Gestures Using Computer Vision
|
Nakra, Teresa; Tilden, Daniel; Salgian, Andrea |
|
Yasunao Tone And MP3 Deviation
|
Blake, Thom; Fell, Mark; Myatt, Tony; Worth, Peter |
|
Technological Advantage For The Sound Arts: Border Politics
|
Ignacio, José; Ramirez-Gastón, López |
|
Sense/Stage - Low Cost, Open Source Wireless Sensor Infrastructure For Live Performance And Interactive, Real-Time Environments
|
Baalman, Marije A.J.; De Belleval, Vincent; Malloch, Joseph; Thibodeau, Joseph |
|
Grafting Synthesis Patches Onto Live Musical Instruments
|
Puckette, Miller |
|
Automatic Timbral Morphing Of Musical Instruments Sounds By High-Level Descriptors
|
Caetano, Marcelo; Rodet, Xavier |
|
Structured IIR Models For HRTF Interpolation
|
Queiroz, Marcelo; De Sousa, Gustavo H. M. |
|
Urmus - An Environment For Mobile Instrument Design And Performance
|
Essl, Georg |
|
Studio Report: Music Research Centre, Department Of Music, University Of York
|
Myatt, Tony; Larkin, Oliver; Malham, Dave |
|
The 'C' Of IRCAM: Coordinating Musical Research At IRCAM
|
Cont, Arshia; Gerzso, Andrew |
|
Studio Report: Music Technology At Penn State University
|
Ballora, Mark; Craig, Curtis |
|
Fourms, University Of Oslo - Lab Report
|
Jensenius, Alexander Refsum; Glette, Kyrre; Godøy, Rolf Inge; Hovin, Mats; Nymoen, Kristian; Skogstad, Ståle A.; Torresen, Jim |
|
Georgia Southern University Studio Report
|
Thompson, John; Olson, Michael |
|
The Brooklyn College Center For Computer Music, City University Of New York
|
Geers, Douglas; Brumner, George; Cohen, Douglas; Nelson, Nicholas |
|
Education On Music And Technology, A Program For A Professional Education
|
Timmermans, Hans; Ijzermans, Jan; Machielse, Rens; Van Wolferen, Gerard |
|
HELO: The Laptop Ensemble As An Incubator For Individual Laptop Performance
|
Hewitt, Scott; Tremblay, Pierre Alexander; Freeman, Samuel; Booth, Graham |
|
Algorithmic Musical Improvisation From 2d Board Games
|
Parson, Dale |
|
Ml-Maquette / Musique Lab 2
|
Bresson, Jean |
|
Otoacoustic Emissions As A Compositional Tool
|
Kirk, Jonathon |
|
Anchoring In Ubiquitous Musical Activities
|
Keller, Damián; Barreiro, Daniel Luis; Queiroz, Marcelo; Pimenta, Marcelo Soares |
|
Exploring Meaning And Intention In Music Conducting
|
Dannenberg, Roger D.; Siewiorek, Daniel P.; Zahler, Noel |
|
Petrol: Reactive Pattern Language For Improvised Music
|
Mclean, Alex; Wiggins, Geraint |
|
Abstraction In A Unit-Based Audio Processing System
|
Stoll, Thomas |
|
Because We Are Falling Down. Physics, Gesture And Relative Realities
|
Klien, Volkmar; Grill, Thomas |
|
Idiosyncrasies Of Spatial Perception In Multi- Loudspeaker Reproduction
|
Kendall, Gary |
|
Advances In The Parallelization Of Music And Audio Applications
|
Battenberg, Eric; Freed, Adrian; Wessel, David |
|
Spectral Stochastic Resonance Sound Synthesis
|
Cadiz, Rodrigo F.; De La Cuadra, Patricio |
|
Combining Audiovisual Mappings For 3D Musical Interaction
|
Berthaut, Florent; Desainte-Catherine, Myriam; Hachet, Martin |
|
Generetive, Emergent, Self-Similar Structures: Construction In Self
|
Ikeshiro, Ryo |
|
Toward An Organology Of Virtual Instruments In Computer Music
|
Barthelemy, Jerome; Orlarey, Yann; Bonardi, Alain; Lemouton, Serge; Ciavarella, Raffaele; Barkati, Karim |
|
Timewarp: A Graphical Tool For The Control Of Polyphonic Smoothly Varying Tempos
|
Maccallum, John; Schmeder, Andrew |
|
Automatically Generating Syntactically Correct Audio Effects In Max
|
Glennon, Aron; Rowe, Robert; Bello, |
|
Decentralizing Music, Its Performance, And Processing
|
Berndt, Axel |
|
Creating And Inhabiting A Space: Real-Time Algorithms And Performance Issues In Roger Reynolds's Angelspace (2008-2009)
|
Sudol, Jacob David; Reynolds, Roger |
|
An Unconference Unsession On Computer Music Performance
|
Baguyos, Jeremy C; Nanou, Chryssie; Wetzel, David; Boyle, Mcgregor |
|
Dissemination Of Computer Music Theory Outside Academia
|
Porres, Alexandre T. |
|
New Languages For Physical Modeling Synthesis
|
Schroeder, Benjamin; Ainger, Marc; Parent, Richard |
|
How To Conduct A Laptop Orchestra: Issues Of Coordination In Computer Music
|
Reinecke, David |
|
Jack And Jill Project In Autonomous Music Composition
|
Handelman, Eliot |
|
Is The Laptop A Musical Instrument? Or, What's Old Is New Again, And Vice Versa
|
Marlow, Eugene |
|
Electroacoustic Movies - Towards A Post-Acousmatic Music
|
Cope, Nick; Howle, Tim |
|
How To Articulate A Regional Space For Research And Creation In Latin America
|
Oliver, Jamie E. |
|
Towards A Performance Practice Of Computer Music: A Journey
|
Cancino, Juan P. |
|
Neuroacoustics: Intergrating The Strengths Of Computer Technology And Human Biology Through Music
|
— |
|
Interactive Video In Performance
|
Martyne, Krista; Salvail, Julien- Robert L. |
|
Using Streetlights To Generate Sound: Hidden And The Use Of Non-Incandescent Light Sources For Sound Generation
|
Goeringer, Lyn |
|
The Medium Is The App.
|
Spicer, Michael |
|
Tactile Feedback Based On Acoustic Pressure Waves
|
Ciglar, Miha |
|
Radical Computer Music
|
Vester, Parl K. B. |
|
Pure Data Barcamp
|
Puckette, Miller; Steiner, Hans-Christoph; Porres, |
|
Gelie - Investigations In Expression Through Mapping
|
Tarakajian, Sam |
|
Reception Of Intellectual Property Issues In Computer Music
|
Mclaughlin, Scott |
|
Founding Of The Asia Computer Music Project
|
Osaka, Naotoshi; Shin, Seongah; Wyse, Lonce |
|
Sonic Beams / Acoustic Shadows
|
Ciglar, Miha |
|
Decomposing Autumn: A Component-Wise Recomposition
|
Casal, David Plans |
|
A Database System For Organising Musique Concrete
|
Bailey, Christopher |
|
Virtual Bass-Clarinet In Modalys
|
Teglbjaerg, Hans Peter Stubbe; Goepfer, Thomas |
|
Analysis And Resynthesis Of Anemic Cinema
|
Girol, Paolo |
|
Peacock: A Non-Haptic 3D Performance Interface
|
Miyama, Chikashi |
|
Mobile Sound Sources In Two Music Theatre Works
|
Otondo, Felipe |
|
Hrtfearly and Hrtfreverb: Flexible Binaural Reverberation Processing
|
Carty, Brian; Lazzarini, Victor |
|
A Multilevel Symbolic Music Alignment Algorithm
|
England, Robert |
|
Time Synchronization In Graphic Domain - A New Paradigm For Augmented Music Scores
|
Fober, Dominique |
|
Source Separation By Score Synthesis
|
Ganseman, Joachim; Scheunders, Paul; Mysore, Gautham J.; Abel, Jonathan S. |
|
Plane Tessellation With Musical Scale Tiles And Bidimensional Automatic Composition
|
Cicconet, Marcelo; Franco, Tertuliano; Carvalho, Paulo Cezar |
|
Virage : Designing An Interactive Intermedia Sequencer From Users Requirements And Theorical Background
|
Allombert, Antoine; Marczak, Raphael; Desainte-Catherine, Myriam; Baltazar, Pascal; Allombert, Laurent Garnier |
|
Introducing Fuzzy Logic And Computing With Words Paradigms In Realtime Processes For Performance Arts
|
Bonardi, Alain; Truck, Isis |
|
Arcsyn: An Expressive And Efficient Additive Synthesis Architecture
|
Romblom, David |
|
Introducing Belle, Bonne, Sage
|
Burnson, William |
|
An Auditory Twist On Visual Search Using Head Movement Controlled Ambisonics
|
Agres, Kat; Topel, Spencer; Spivey, Michael; Moseson, Stephen |
|
Zero-Discount Partially Observable Markov Decision Processes For Computational Improvising Agents
|
Martin, Aengus; Jin, Craig; Van Schaik, Andre; Martens, William L. |
|
Head Tracking For 3d Audio Using The Nintendo Wii Remote
|
Ubilla, Mauricio; Mery, Domingo; Cadiz, |
|
Sonification Of Web Log Data
|
Ballora, Mark; Panulla, Brian; Gourley, Matthew; Hall, David L. |
|
Www.Lovelyweather.Com: A Web-Based Interactive Audio-Visual Environment
|
Bakht, Salman; Jette, Christopher |
|
The Mobile Phone Ensemble As Classroom
|
Essl, Georg |
|
Synthesizing The Dynamic Spectra Of The Didgeridoo
|
Ayers, Lydia; Horner, Andrew |
|
Automatic Notation Of Computer-Generated Scores For Instruments, Voices And Electro-Acoustic Sounds
|
Burnson, William A.; Kaper, Hans G. |
|
An Algorithmic Composition Method Of Monophonic Pitches Based On The Frequency Relationship Of Melody Motion
|
Lin, Hsin-Ming; Huang, Chih-Fang |
|
Technology And Creativity In The Classroom:An Opportunity Missed?
|
Mcnichol, Alistair |
|
Computer-Controlled Video As A Multimodal Interface In Live Acousmatic Music
|
Stefani, Ewan; De Bézenac, Christophe |
|
A Distributed Memory For Networked Livecoding Performance
|
Sorensen, Andrew |
|
Ursound -- Live Patching Of Audio And Multimedia Using A Multi-Rate Normed Single-Stream Data-Flow Engine
|
Essl, Georg |
|
Unruhige Räume - Spatial Electro-Acoustic Composition Through A Collaborative Artistic Research Process
|
Baltazar, Pascal; Habbestad, Bjørnar |
|
Perception And Interpretation Of Concurrent Aural Shapes Using Dream Interface
|
Bukvic, Ivica Ico; Kim, Ji-Sun |
|
Processing Sound And Music Description Data Using Openmusic
|
Bresson, Jean; Agon, Carlos |
|
Composition Of Sound Mixtures With Spectral Maquettes
|
Esling, Philippe; Agon, Carlos |
|
The Machine Orchestra
|
Kapur, Ajay; Darling, Michael; Wiley, Meason; Vallis, Owen; Hochenbaum, Jordan; Murphy, Jim; Diakopoulos, Dimitri; Burgin, Carl; Yamin, Tyler |
