Title |
Author(s) |
Sound in Context: Soundscape Research and Composition at Simon Fraser University
|
Truax, Barry |
Towards an Electroacoustic Tradition
|
Cipriani, Alessandro |
For an Intelligent Use of Computers in Music Composition
|
Tipei, Sever |
A Survey of Gender Issues Related to Computer Music and Strategies for Change
|
Simoni, Mary |
The Algorithmic Muse: New Listening Paradigms and the Harmonies of Chaos
|
Jones, Kevin |
CCRMA Studio Report
|
Lopez-Lezcano, Fernando |
The International Digital Electroacoustic Music Archive
|
Bauman, Marcia L.; Gerwin, Thomas |
The Institute of Electroacoustics and Experimental Music at the Vienna University of Music
|
Ungvary, Tamas; Mechtler, Peter |
The Electro-acoustic Music Studio at the Royal Academy of Music, Copenhagen
|
Frounberg, Ivar |
Computer Music Studios at Michigan State University
|
Sullivan, Mark |
Computer Music at the University of Bradford
|
Katrami, Anna I.; Comerford, Peter J.; Eaglestone, Barry M. |
Audio Game Interactive Performance
|
Matheus, Silvia; Keller, Tom |
A Physical Model of Recorder-Like Instruments
|
Verge, M. P.; Caussé, R.; Hischberg, A. |
Experiments with Chaotic Oscillators
|
Dobson, Richard; Fitch, John |
Chaotic Predictive Modelling of Sound
|
Mackenzie, J. P. |
Adding Vortex Noise to Wind Instrument Physical Models
|
Chafe, Chris |
SynthBuilder Demonstration - A Graphical Real-Time Synthesis, Processing and Performance System
|
Porcaro, Nick; Scandalis, Pat; Smith, Julius; Jaffe, David; Stilson, Tim |
The FCurve Sound Generator with Granular Synthesis
|
Helmuth, Mara; Ibrahim, Aladin |
Toward Modular, Portable, Real-Time Software
|
Dannenberg, Roger B.; Rubine, Dean |
Visual Programming in Music
|
Assayag, Gérard |
The IRCAM Real-Time Platform and Applications
|
Déchelle, François; de Cecco, Maurizio |
Score Views - An Object-Oriented Approach to a Graphical Computer Music Synthesis Environment
|
Terry, Brett |
State Space Sound Synthesis and a State Space Sythensiser Builder
|
Depalle, P.; Tassart, S. |
Topology, Geometry, Matter of Vibrating Structures Simulated with CORDIS-ANIMA. Sound Synthesis Methods
|
Incerti, Eric; Cadoz, Claude |
PadMaster: An Improvisation Environment for Real Time Performance
|
Lopez-Lezcano, Fernando |
An Improvisational Accompaniment System Observing Performer's Musical Gesture
|
Aono, Yushi; Katayose, Haruhiro; Inokuchi, Seiji |
A Hierarchical System for Controlling Synthesis by Phyical Modeling
|
Cook, Perry R. |
General Wierdness with the Karplus-Strong String
|
Stilson, Tim |
Super-Spherical Wave Simulation in Flaring Horns
|
Berners, David; Smith, III, Julius O. |
A Physical String Model with a Twist
|
Trautmann, Steven D. |
MIDIVERSO: A Virtual Reality Music Installation
|
Lleó, Juan Antonio; Lazarte, Andrés Loiseau; Gilabert, Roger |
A New Algorithm for Horizontal Spacing of Printed Music
|
Haken, Lippold; Blostein, Dorothea |
Vertically Read Notation
|
Dunkelman, Stephan |
A Computer Music System for Hierarchical Sound Construction
|
Chapman, David P. |
A Software Compressor for Computer Music Applications
|
Netherton, Steve; Kendall, Gary S. |
Computer Music Workstations I Have Known and Loved
|
Pope, Stephen Travis |
On Perfoming a Listener: What is Missing, Paganini?
|
Choi, Insook |
Male and Female Voices in Computer Music
|
Bosma, Hannah |
Music, Sculpture, Light and Text: A Study in Installation Art
|
Bestor, Charles |
Computer Music Across Disciplines in an Undergraduate Curriculum
|
Evans, Brian |
The Cincinnati Conservatory of Music, Computer Music Studio
|
Garton, Brad; Pender, Terence; Geers, Doug |
NoTAM Studio Report
|
Rudi, Jǿran |
The Centro Tempo Reale
|
Bernardini, Nicola |
The POOLman Project
|
Bernardini, Nicola; Tisato, Graziano; Manfrin, Michele |
Bandwidth Enhanced Sinusoidal Modeling in Lemur
|
Fitz, Kelly; Haken, Lippold |
Lemur - A Tool for Timbre Manipulation
|
Fitz, Kelly; Haken, Lippold; Holloway, Bryan |
Real-Time Timbre Modificiations Using Sinusoidal Parameter Streams
|
Haken, Lippold |
Interactive Works: New Problems and Potentials
|
Horenstein, Stephen |
An Automatic Jazz Accompaniment System Reacting to Solo
|
Hidaka, Isao; Goto, Masataka; Muraoka, |
A Real-Time Beat Tracking System for Audio Signals
|
Goto, Masataka; Muraoka, Yoichi |
Score Following Using the Sung Voice
|
Puckette, Miller |
Real-Time Sound Hybridization
|
Bernardini, Nicola; Vidolin, Alvise |
A Demonstration of the aXiǿ Controller
|
Cariou, Brad |
Conductor Following
|
Brecht, Bennett; Garnett, Guy E. |
Using a Grammar for a Reliable Full Score Recognition System
|
Coüasnon, Bertrand; Rétif, Bernard |
Music Library of the Future: A Pilot Project
|
Pennycook, Bruce |
Audio Analysis for Content-Based Retrieval
|
Keislar, Douglas; Blum, Thom; Wheaton, James; Wold, Erling |
PrediBase - Controlling Semantics of Symbolic Structures in Music
|
Zahorka, Oliver |
One and Two Mass Model Oscillations for Voice and Instruments
|
Rodet, X. |
Genetic Algorithm Optimization of Additive Synthesis Envelope Breakpoints and Group Synthesis Parameters
|
Horner, Andrew; Cheung, Ngai-Man; Beauchamp, James |
The Clavette: A Generalized Microtonal MIDI Keyboard Controller
|
Fortuin, Harold |
A Touch Sensitive Dance Floor/MIDI Controller
|
Pinkston, Russell; Kerkhoff, Jim; McQuilken, Mark |
Partial-Balancing Instruments with Dynamically Refreshed Wavetables
|
Orton, Richard; Kirk, Ross; Hunt, Andy |
Intuitive and Dynamic Control of Synthesized Sounds by Voice
|
Gibson, I.S.; Howard, D.M. |
CSOUND Granular Synthesis Unit Generator
|
Lee, Allan S. C. |
Cellular Automata Synthesis of Acoustic Particles
|
Miranda, Eduardo Reck |
Optimizing Software Synthesis Performance
|
Thompson, Nicholas; Dannenberg, Roger B. |
Predicting Chords in Jazz
|
Thom, Belinda; Dannenberg, Roger |
Composing Interactive Music: A Pedagogical Approach to Teaching Interactive Composition
|
Winkler, Todd |
The Infinite Delay Line: Granulation as an In-Line Effect
|
Ovans, Russell; Murphy, David; Bartoo, Timothy |
Toward a CLM Sound Localization Instrument Employing Modified Wavefront Reconstruction
|
Trautmann, Steven D. |
Interactive Dance/Music Systems
|
Camurri, Antonio |
The Sentograph: Input Devices and the Communication of Bodily Expression
|
Vertegaal, Roel; Ungvary, Tamas |
Gesture Analysis Using 3D Acceleration Sensor for Music Control
|
Sawada, Hideyuki; Ohkura, Shin’Ya; Hashimoto, Shuji |
Making Motion Musical: Gesture Mapping Strategies for Interactive Computer Music
|
Winkler, Todd |
Sensor Integration for Interactive Digital Art
|
Kanamori, Tsutomu; Katayose, Haruhiro; Aono, Yushi; Inokuchi, Seiji; Sakaguchi, Takashi |
Department of Music, University of California, San Diego
|
Otto, Peter; Puckette, Miller |
An Integrated Environment for Music Education
|
Arnold, Stephen; Duffy, Celia |
iEAR Studios Rensselaer Polytechnic Institute
|
Dobrian, Christopher |
Multi-Participant Interactive Music Services
|
Arnold, S.; Mcauley, D. R.; Sharman, K. C. |
3-D Sound Demonstration: "Sex/Windows"
|
Kendall, Gary S. |
Aspects of Pitch-Tracking and Timbre Separation: Feature Detection in Digital Audio Using Adapted Local Trigonometric Bases and Wavelet Packages
|
Popovic, Igor; Coifman, Ronald; Berger, Jonathan |
A Least-Square Algorithm for Fundamental Frequency Estimation
|
Choi, Andrew |
A Two-Stage Automatic Adaptive Process to Remove Noise from an Audio Signal
|
Berger, Jonathan; Goldberg, Maxim J.; Coifman, Ronald R. |
IANA: A Real-Time Environment for Analysis and Extraction of Frequency Components of Complex Orchestral Sounds and its Application within a Musical Realization
|
Todoroff, Todor; Daubresse, Eric; Fineberg, Joshua |
A Real-Time Spatial Sound Processor for Music and Virtual Reality Applications
|
Jot, Jean-Marc; Warusfel, Olivier |
The Development of GiST, a Granular Synthesis Toolkit Based on an Extension of the FOF Generator
|
Eckel, Gerhard; Iturbide, Manuel Rocha |
Bring Your Own Control to Additive Synthesis
|
Freed, Adrian |
Spectral Mutation in Soundhack: A Brief Description
|
Polansky, Larry; Erbe, Tom |
QUICKMQ: A Software Tool for the Modification of Time-Varying Spectrum Analysis Files
|
Berkley, Stephen William |
Real-Time Granular Morphing and Spatialisation of Sounds with Gestual Control within MAX/FTS
|
Todoroff, Todor |
Developments for the Commuted Piano
|
Van Duyne, Scott A.; Smith, III, Julius O. |
Elimination of Transients in Time-Varying Allpass Fractional Delay Filteres with Applications to Digital Waveguide Modeling
|
Välimäki, Vesa; Laakso, Timo I.; MacKenzie, Jonathan |
Commuted Piano Synthesis
|
Smith, III, Julius O.; Van Duyne, Scott A. |
Performance Expression in Commuted Waveguide Synthesis of Bowed Strings
|
Jaffe, David A.; Smith, III, Julius O. |
GenJam Populi: Training an IGA via Audience-Mediated Performance
|
Biles, John A.; Eign, William G. |
Gabor Synthesis of Recurrent Iterated Function Systems
|
Gogins, Michael |
Additive Synthesis with DIASS_M4C on Argonne National Laboratory’s IBM POWERparallel System (SP)
|
Kaper, Hans; Ralley, David; Restrepo, Juan; Tipei, Sever |
An Extendible Tool for CAC
|
Lunell, Hans |
Overlap-Add Synthesis of NonStationary Sinusoids
|
Goodwin, Michael; Kogon, Alex |
A Multimedia Environment for Computer Music
|
Katrami, Anna I.; Ingall, Tom |
Radiation of Musical Instruments and Improvement of the Sound Diffusion Techniques for Synthesized, Recorded, or Amplified Sounds (Revisited)
|
Caussé, R.; Dérogis, P. |
Music Generation from Moving Image
|
Hashimoto, Shuji; Chang, Dingding |
Circularity in Neural Computation and its Application to Musical Composition
|
Hajdu, Georg |
Customisable Frameworks for Compositional Activity
|
Anderson, Tim; Kirk, Ross |
A Compositional Environment with Intersection and Interaction between Musical Model and Graphical Model: "Listen to the Graphics, Watch the Music"
|
Nagashima, Yoichi; Katayose, Haruhiro; Inokuchi, Seiji |
The GRID Musical-Signal Processing System
|
Taylor, I. J.; Schultz, B. F. |
Defining Spectral Surfaces
|
Bargar, Robin; Holloway, Bryan; Rodet, Xavier; Hartman, Chris |
Capella: A Graphical Interface for Algorithmic Composition
|
Taube, Heinrich; Kunze, Tobias |
A Human Factors Approach to Computer Music Systems User-Interface Design
|
Polfreman, Richard; Sapsford-Francis, John |
A Manifold Interface for a High Dimensional Control Space
|
Choi, Insook; Bargar, Robin; Goudeseune, Camille |
Towards Algorithmic Descriptions of Continuous Modulations of Musical Parameters
|
Desain, Peter; Honing, Henkjan |
Preprocessing for the Automated Transcription of Polyphonic Music: Linking Wavelet Theory and Auditory Filtering
|
Wöhrmann, Rolf; Solbach, Ludger |
Applying Balanced Model Truncation to Sound Analysis/Synthesis Models
|
Mackenzie, J. P.; Kale, I.; Cain, |
Voice Pitch Changing by Linear Predictive Coding Method to Keep the Singer’s Personal Timbre
|
Sasahira, Yoshinari; Hashimoto, Shuji |
Timbre Interpolation of Sounds Using a Sinusoidal Model
|
Osaka, Naotoshi |
Rhythmic Pattern Processing Using a Self-Organising Neural Network
|
Roberts, Simon C.; Greenhough, Michael |
A Sound Synthesis by Recurrent Neural Network
|
Ohya, Ken’Ichi |
Neural Networks for Modeling Time Series of Musical Instruments
|
Röbel, Axel |
A Neural Network for Triad Classification
|
Shuttleworth, Tim; Wilson, Roland |
Neural Network Pitch Tracking Over the Pitch Continuum
|
Taylor, I. J.; Greenhough, M. |
CSound Tutorial
|
Irwin, Linda; Alcorn, Michael |
The Distributed Real-Time Groove Network: A System for Real-Time Musical Collaboration on the Internet
|
Moller, Matthew; Zicarelli, David |
The Application of Differential Equations to the Modeling of Musical Change
|
Leach, J. L.; Fitch, J. P. |
An Artificial Neural Net for Harmonizing Melodies
|
Gang, Dan; Lehmann, Daniel |
A Process Algebra for Stochastic Music Composition
|
Ross, Brian J. |
Composing with Genetic Algorithms
|
Jacob, Bruce L. |
Algorithmic Generation of Temporal Forms: Hierarchical Organization of Stasis and Transition
|
Dobrian, Christopher |
Clustering Musical Sounds Using Polyspectral Distance Measures
|
Dubnov, Shlomo; Tishby, naftali |
A Systematic Approach to the Analysis of Music for Tape
|
Fischman, Rajmil |
Sound Analysis, Comparison and Modification Based on Perceptual Model of Timbre
|
Langmead, Christopher James |
Demonstrating MMorph: A System for Morphing Music in Real-Time
|
Oppenheim, Daniel V. |
The Sound of Fruits and Vegetables: Scientific Visualization with Auditory Tokens
|
Kendall, Gary S.; Chu, Lonny |
Harmonization of Musical Progressions with Genetic Algorithms
|
Horner, Andrew; Ayers, Lydia |
Felix-The DIEM Multiple DSP Box - Still in Progress
|
Brandorff, Steffen; Caprani, Ole; Møller-Nielson, Peter; Lave, Morton |
Multimedia System for Shakuhachi Tablature
|
Matsushima, Toshiaki; Nagasawa, Rie |
Accurate Computer Simulation of Acoustic space
|
Manzara, Leonard |
A Single Performer Controlled Interface for Electronic Dance/Music Theatre
|
Bromwich, Mark A. |
An Implementation of Real-time Granular Synthesis on a Multi-Processor Network
|
Itagaki, Takebumi; Manning, Peter D.; Purvis, Alan |
A MAX Counterpoint Generator for Simulating Stylistic Traits of Stravinsky, Bartok, and other Composers
|
Bell, Malcolm E. |
PPP - A Framework or Algorithmic Composition
|
Neuhaus, Thomas |
Graphical Control of Unit Generator Processes on the MIDAS System: A Digital VCS-3 Demonstrator
|
Kirk, Ross; Whittington, Paul; Hunt, Andy; Orton, Richard |
Genetic Algorithms as a Tool for Melodic Development
|
Ralley, David |
Sound Processing Kit
|
Lassfolk, Kai |
A Model of Pattern Processing for Music
|
Katayose, Haruhiro; Inokuchi, Seiji |
Fractal Structures and Formalized Composition
|
Eldénius, Magnus |
Explorations of Wind Instruments Using Digital Signal Processing and Physical Modeling Techniques
|
Karjalainen, Matti; Välimäki, Vesa; Hernoux, Bertrand; Huopaniemi, Jyri |
Forward-Going Wave Extraction in Acoustic Tubes
|
Stilson, Tim |
Digital Waveguide Modeling of the Non-Linear Excitation of Single-Reed Woodwind Instruments
|
Scavone, Gary P. |
Integration of Physical Modeling for Synthesis and Animation
|
Cook, Perry R. |
The Ensemble Member and the Conducted Computer
|
Tobey, Forrest |
Musical Sounds, Animated Images with CORDIS-ANIMA and its Multimodal Interfaces
|
Cadoz, Claude; Florens, Jean-Loup; Luciani, Annie |
Inverse Performance Theory
|
Mazzola, Guerino |
A Model Performance, Interaction and Improvisation
|
Hudak, Paul; Berger, Jonathan |
Real Time Functional Languages
|
Letz, Stéphane; Orlarey, Yann; Fober, Dominique |
Whose Playground, Which Games and What Rules?: Women Composers in the Digital Playground
|
McCartney, Andra |
Music Engineering Technology: An Undergraduate Curriculum
|
Scott, Cleve L. |
The Residents: Musical Deconstruction of Popular Culture
|
Harley, James; Couroux, Marc |
Computer Music and the Pre(Anti(Post(Non(Modern))))
|
Richard, Dominique M. |
The Standard Instrument Space Libraries: Demonstrating the Power of ISEE
|
Vertegaal, Roel |
Spatial Sound Effects in a Software Effects Processor
|
Kendall, Gary S.; Moller, Mathew D. |
A Musicians Approach to Physical Modeling
|
Pearson, Mark; Howard, David M. |
The CDP Composing Environment
|
Atkins, Martin; Endrich, Tom |
A Semiotic Approach to Music Interaction
|
Iazzetta, Fernando |
An Introduction of Musical Structure Using Correlation
|
Vantomme, Jason D. |
A Consonance Dissonance Algorithm for Intervals
|
Foster, Campbell D. |
Interactive Performance
|
Chadabe, Joel |
Audio Analysis for Rhythmic Structure
|
Tait, Crawford |
An Accurate Signal Representation for Sound Resynthesis Utilizing a Time-Frequency Mapping of the DFT-Magnitude
|
Hölderich, Robert R. |
Audio-Visual Instruments in Live Performance
|
Kirk, Ross; Hunt, Andy; Orton, Richard |
Fractal Depth Structure of Tonal Harmony
|
Noll, Thomas |
A Visual-to-Sound Interactive Computer Performance System ’Edge’
|
Matsuda, Shu; Rai, Takayuki |
Author Index
|
— |
Key Word Index
|
— |