| Title |
Author(s) |
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SIG~: Performance Interface for Schaefferian Sound-Object Improvisation
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Neuman, Israel |
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Building a Harmonically Ecosystemic Machine: Combining Sonic Ecosystems with Models of Contemporary Harmonic Language
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Musick, Michael; Forsyth, Jonathan P.; Bittner, Rachel |
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Using Singing Voice Vibrato as a Control Parameter in a Chamber Opera
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Einarsson, Anna; Friberg, Anders |
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Architecture in Motion: a Model for Music Composition
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Variego, Jorge |
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An Online Interactive Course on Computer Music
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Dannenberg, Roger B.; Stiles, Jesse; Li, Yuezhang; Zhang, Qiao |
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Another Take on Renovating Dated Technology for Concert Performance
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Dudas, Richard |
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The Just Intonation Automat – a Musically Adaptive Interface
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Rudi, Jøran |
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Witold Lutosławski – An Algorithmic Music Composer?
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Krupowicz, Stanisław |
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Music Programming in Gibber
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Roberts, Charles; Wright, Matthew; Kuchera-Morin, JoAnn |
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Dynamic Message-Oriented Middleware with Open Sound Control and Odot
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MacCallum, John; Gottfried, Rama; Rostovtsev, Ilya; Bresson, Jean; Freed, Adrian |
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Rhythmic Similarity Based on a Descriptor Balancing between Meter and Tempo
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Juchs, Sébastien; Hanna, Pierre; Robine, Matthias; Desainte-Catherine, Myriam |
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Genre-specific Key Profiles
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O'Brien, Cian; Lerch, Alexander |
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Sonification of Medical Images Based on Statistical Descriptors
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Cadiz, Rodrigo F.; de la Cuadra, Patricio; Montoya, Aarón; Marín, Veronica; E. Andia, Marcelo; Tejos, Cristian; Irarrazaval, Pablo |
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Generative Feedback Networks Using Time-Varying Allpass Filters
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Surges, Greg; Smyth, Tamara; Puckette, Miller |
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Audio Processing by Means of FM Synthesis Parameters: Fundamentals, Real-Time Implementation, and Preliminary Compositional Applications
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Freire, Sérgio |
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Unsampled Digital Synthesis: Computing the Output of Implicit and Non-Linear Systems
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Medine, David |
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Morphing Sound in Real Time through the Timbre Tunnel
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Kretz, Johannes |
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Haptic Control of Multistate Generative Music Systems
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Battey, Bret; Giannoukakis, Marinos; Picinali, Lorenzo |
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Feature Extraction and Expertise Analysis of Pianists’ Motion-Captured Finger Gestures
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Tits, Mickaël; Tilmanne, Joëlle; d’Alessandro, Nicolas; Wanderley, Marcelo M. |
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Audio Collage as an Instrument for Musical Expression: Combining Freehand and Tangible Controllers
|
Law, Vanissa; Paine, Garth |
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Towards an Interactive Argentine Tango Milonga
|
Brown, Courtney; Paine, Garth |
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Musical Acoustics & Instrument Design: When Engineering Meets Music
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Bertrand, Thibault; Kaczmarek, Konrad; Wilen, Larry |
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Interactive Virtual Soundscapes: A Research Report
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Çamcı, Dr. Anıl; Özcan, Zeynep; Pehlevan, Damla |
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Measuring the Effectiveness of Sonified Crossmodal Attribute Pairings Using Contour Matching, Symmetry and Perceived Similarity
|
Hamilton, Rob |
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Fuzzy Equalization of Musical Genres
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González, Marie; de la Cuadra, Patricio; F. Cadiz, Rodrigo |
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The Effects of Early-Release on Emotion Characteristics and Timbre in Non-Sustaining Musical Instrument Tones
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Chau, Chuck-jee; Wu, Bin; Horner, Andrew |
|
VizScore: An On-Screen Notation Delivery System for Live Performance
|
Shafer, Seth |
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Brooklyn College Center for Computer Music
|
Geers, Douglas; R. Nelson, Nicholas; Wierenga, Red |
|
Studio Report 2015: New York University (NYU) Music Technology Program
|
You, Jaesong; Telichan, Andrew; Musick, Michael; Hong Park, Tae |
|
Studio Report: Music Technology at the Pennsylvania State University
|
Ballora, Mark |
|
Peabody Computer Music: 46 Years of Looking to the Future
|
Wright, Dr. Geoffrey; Boyle, Dr. McGregor; Armenta, Joshua; Woodward, Ryan; Xia, Sunhuimei |
|
Studio Report: Arizona State University
|
Paine, Garth; Moon, Barry |
|
Wesleyan University Electronic Music Studios Report
|
Kuivila, Ron; Matthusen, Paula |
|
The Intrinsic Value of Timbre in Doppelganger
|
Blokkum Flø, Asbjørn; Wilmers, Hans |
|
State Space Models: Virtual World for Composition
|
Soria-Luz, Rosalia |
|
Specifying Sounding Frequency of a Voice Model during Live Interactive Saxophone Performance
|
Hsu, Jennifer; Smyth, Tamara |
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Cross-Modality in Multi-Channel Acousmatic Music: The Physical and Virtual in Music Where There Is Nothing to See
|
Mooore, Adrian |
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Low-Level Topology of Spatial Texture
|
Nyström, Erik |
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Developing a Socio-Historical Model for Electro-Acoustic Music Analysis: The Challenge from an Adornian Perspective
|
You, Jaeseong; Telichan, Andrew; Hong Park, Tae |
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Exploratory Analysis on Expressions in Two Different 4/4 Beat Patterns
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Lee, Kyungho; J. Junokas, Michael; Amanzadeh, Mohammad; E. Garnett, Guy |
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Improving the Musical Expressiveness of Tesla Coils with Software
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Long, Jason; Bailey, Josh; McVay, James; Carnegie, Dale A.; Kapur, Ajay |
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Automatic Transcription of Japanese Taiko Drumming Using the Microsoft Kinect
|
Hua, Willian; Salgian, Andrea |
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Neural Versus Symbolic Rap Battle Bots
|
Wu, Dekai; Addanki, Karteek |
|
Piece Description: Growth of the Universe (in log time)
|
Ballora, Mark |
|
Simple Synchronisation for Open Sound Control
|
Madgwick, Sebastian; Mitchell, Thomas; Barreto, Carlos; Freed, Adrian |
|
Computer Music through the Cloud: Evaluating a Cloud Service for Collaborative Computer Music Applications
|
Deusany de Carvalho Junior, Antonio; Queiroz, Marcelo; Essl, Georg |
|
iSuperColliderKit: A Toolkit for iOS Using an Internal SuperCollider Server as a Sound Engine
|
Ito, Akinori; Watanabe, Kengo; Kuroda, Genki; Ito, Ken’ichiro |
|
Flatter Frequency Response from Feedback Delay Network Reverbs
|
Anderson, Hans; Wah Edward Lin, Kin; So, Clifford; Lui, Simon |
|
Hierarchical Genomes in a Genetic Algorithm for Control of a Guitar Synthesizer
|
Walker, Timothy M. |
|
Spatial Modulation Synthesis
|
McGee, Ryan |
|
Initial Survey Results from The LilyPond Consortium
|
Solomon, Michael; Liska, Urs; Bača, Trevor |
|
Physical Modeling Synthesis of the Stone Chime Instrument “Pyeongyeong”
|
Ahn, Jae hyun; Dudas, Richard |
|
fXfD, A Digital Approach to the No-Input Practice
|
Thibault, Dominic |
|
Building the Erbe-Verb: Extending the Feedback Delay Network Reverb for Modular Synthesizer Use
|
Erbe, Tom |
|
Noisebox: Design and Prototype of a New Digital Musical Instrument
|
Sullivan, John |
|
Twenty Years of Ircam Spat: Looking Back, Looking Forward
|
Carpentier, Thibaut; Noisternig, Markus; Warusfel, Olivier |
|
Spectromorphology and Spatiomorphology of Sound Shapes: Audio-Rate AEP and DBAP Panning of Spectra
|
James, Stuart |
|
Binaural Navigation for the Visually Impaired with a Smartphone
|
Tae Hoon, Lee; Reddy Vuyyuru, Manish; Ananda Kumar, T; Lui, Simon |
|
Improving and Adapting Finite State Transducer Methods for Musical Accompaniment
|
Forsyth, Jonathan P.; Bittner, Rachel M.; Musick, Michael; Bello, Juan P. |
|
Automatic Piano Reduction from Ensemble Scores Based on Merged-Output Hidden Markov Model
|
Nakamura, Eita; Sagayama, Shigeki |
|
Composing with Kulitta
|
Quick, Donya |
|
Wearable Sound System for Dance and Music
|
Otondo, Felipe; Torres, Rodrigo |
|
The Decibel ScorePlayer: New Developments and Improved Functionality
|
Hope, Cat; Wyatt, Aaron; Vickery, Lindsay |
|
Network Gyre - Exercising the Network's Rhythmic Potential
|
Cayko, Ethan |
|
Sound Spatialisation from a Composer’s Perspective
|
Timmermans, Hans |
|
The XQIFFT: Increasing the Accuracy of Quadratic Interpolation of Spectral Peaks via Exponential Magnitude Spectrum Weighting
|
Werner, Kurt James |
|
Augmenting Room Acoustics and System Interaction for Intentional Control of Audio Feedback
|
Kim, Seunghun; Wakefield, Graham; Nam, Juhan |
|
Extending Brass & Woodwind Instruments with Acoustic-Aggregate-Synthesis
|
Clift, Paul; Mamou-Mani, Adrien; Caussé, René |
|
Antony: A Reimagining
|
MacCallum, John; Goodheart, Matthew; Freed, Adrian |
|
Notes on “Culture of Fire” for Analog Neural Network Synthesizer, Geiger Muller Counters and Computer
|
Gresham-Lancaster, Scot |
|
Audio Spray Gun 0.8 – the Generation of Large Sound-Groups and Their Use in Three-Dimensional Spatialisation
|
Garrett, Richard |
|
materialssoundmusic: a Computer-Aided Data-Driven Composition Environment for the Sonification and Dramatization of Scientific Data Streams
|
Buongiorno Nardelli, Marco |
|
An Approach to the Generation of Real-Time Notation via Audio Analysis: The Semantics of Redaction
|
Vickery, Lindsay |
|
In and Out, Over and Under: An Interactive Audio-Visual Installation Responding to Percy Grainger’s Free Music and the Grainger Museum
|
Alsop, Roger |
|
ToscA: an OSC Communication Plugin for Object-Oriented Spatialization Authoring
|
Carpentier, Thibaut |
|
The Effects of Pitch and Dynamics on the Emotional Characteristics of Piano Sounds
|
Chau, Chuck-jee; Horner, Andrew |
|
Media Modules: Intermedia Systems in a Pure Functional Paradigm
|
Santolucito, Mark; Quick, Donya; Hudak, Paul |
|
Gesture Capture, Processing, and Asynchronous Playback within Web Audio Instruments
|
Taylor, Benjamin; Allison, Jesse |
|
Rasping Music: Remodeling Early Minimalist Music through Mechatronic Sound-Sculpture
|
Zareei, Mo H.; Kapur, Ajay; Carnegie, Dale A. |
|
Mapping Tone Helixes to Cylindrical Lattices Using Chiral Angles
|
Hu, Hanlin; Park, Brett; Gerhard, David |
|
Mirror Mind: New Possibilities for Overall Interactive Design in New Music-Media Theatre
|
Qin, Yi; Fang, Da-Lei; Xu, Zhi-Bo; Da, Yan |
|
Brain-Computer Interfaces and Their Application as an Audiovisual Instrument
|
de Quay, Yago; Beira, João |
|
“There is pleasure...”: An Improvisation Using the AAIM Performance System
|
Fay, Simon |
|
RCCM Canons: Not Only a Problem of Cage
|
Francesca Battista, Alba; Maximiliano Mollo, Carlos; Monopoli, Nicola |
|
Minimal Fitness Functions in Genetic Algorithms for the Composition of Piano Music
|
Waschka II, Rodney |
|
Kinesonic Composition as Choreographed Sound: Composing Gesture in Sensor-Based Music
|
Hsu, Aurie; Kemper, Steven |
|
Adaptive Music Technology: History and Future Perspectives
|
Graham-Knight, Kimberlee; Tzanetakis, George |
|
Composition Techniques for the Ilinx Vibrotactile Garment
|
Hattwick, Ian; Franco, Ivan; Giordano, Marcello; Egloff, Deborah; Wanderley, Marcelo M.; Lamontagne, Valerie; Arawjo, Ian; Salter, Chris; Martinucci, Maurizio |
|
The New Developments in Csound 6
|
ffitch, John; Lazzarini, Victor; Yi, Steven; Gogins, Michael; Cabrera, Andrés |
