| Title |
Author(s) |
Volume/Issue |
Date |
|
JackTrip: Under the Hood of an Engine for Network Audio
|
Cáceres, Juan-Pablo; Chafe, Chris |
vol. 2009
|
2009 |
|
PLAYING THE NETWORK: THE USE OF TIME DELAYS AS MUSICAL DEVICES
|
Cáceres, Juan-Pablo; Renaud, Alain B. |
vol. 2008
|
August 2008 |
|
OSC-NETLOGO: A TOOL FOR EXPLORING THE SONIFICATION OF COMPLEX SYSTEMS USING NETLOGO
|
Cadiz, Rodrigo; Colasso, Marco |
vol. 2012
|
2012 |
|
Sonification of Medical Images Based on Statistical Descriptors
|
Cadiz, Rodrigo F.; de la Cuadra, Patricio; Montoya, Aarón; Marín, Veronica; E. Andia, Marcelo; Tejos, Cristian; Irarrazaval, Pablo |
vol. 2015
|
2015 |
|
Kara: a BCI approach to composition
|
Cádiz, Rodrigo F.; de la Cuadra, Patricio |
vol. 2014
|
2014 |
|
Spectral Stochastic Resonance Sound Synthesis
|
Cadiz, Rodrigo F.; De La Cuadra, Patricio |
vol. 2010
|
2010 |
|
STOCHASTIC RESONANCE SOUND SYNTHESIS
|
Cádiz, Rodrigo F.; de la Cuadra, Patricio |
vol. 2008
|
August 2008 |
|
Fuzzy Logic Control Tool Kit: Real-time Fuzzy Control for Max/MSP and Pd
|
Cádiz, Rodrigo F.; Kendall, Gary S. |
vol. 2006
|
2006 |
|
A fuzzy logic model for compositional approaches to audio-visual media
|
Cádiz, Rodrigo F. |
vol. 2004
|
2004 |
|
The Physical Model as Metaphor for Musical Creation: "pico..TERA", a piece generated by physical model
|
Cadoz, Cladue |
vol. 2002
|
2002 |
|
Tangibility, Presence, Materiality, Reality in Artistic Creation with Digital Technology
|
Cadoz, Claude; Luciani, Annie; Villeneuve, Jérôme; Kontogeorgakopoulos, Alexandros; Zannos, Iannis |
vol. 2014
|
2014 |
|
"From song of birds to extended virtual reed instruments": Physical Modeling of Birds' Vocal Tracks and Application to a New Kind of Sound Sustain Virtual Instruments
|
Cadoz, Claude; Gubain, Sylvain |
vol. 1999
|
1999 |
|
Musical Sounds, Animated Images with CORDIS-ANIMA and its Multimodal Interfaces
|
Cadoz, Claude; Florens, Jean-Loup; Luciani, Annie |
vol. 1995
|
1995 |
|
Physical Models for Music and Animated Image: The Use of CORDIS-ANIMA in "ESQUISSES"; a Music Film by ACROE
|
Cadoz, Claude; Lucianni, Annie; Florens, Jean-Loup |
vol. 1994
|
1994 |
|
Modular Feedback Keyboard
|
Cadoz, Claude; Lisowski, Leszek; Florens, Jean-Loup |
vol. 1990
|
1990 |
|
Capture, Representation and "Composition" of the Instrumental Gesture
|
Cadoz, Claude; Ramstein, Christophe |
vol. 1990
|
1990 |
|
Instrumental Gestures and Musical Composition
|
Cadoz, Claude |
vol. 1988
|
1988 |
|
The Control Channels of Instrumental Playing in Computer Music - Real Time in Computer Music, Incidence on the Choice of the Basic Models
|
Cadoz, Claude; Luciani, Annie; Florens, Jean-Loup; Dars-Berberyan, Talin |
vol. 1982
|
1982 |
|
LSL.LPSR: Applying Contemporary Compositional Processes Into an Electroacoustic Improvisation Tool
|
Caers, Vincent |
vol. 2018
|
2018 |
|
A FORMAL EVALUATION FRAMEWORK FOR SOUND MORPHING
|
Caetano, Marcelo; Osaka, Naotoshi |
vol. 2012
|
2012 |
|
Automatic Timbral Morphing Of Musical Instruments Sounds By High-Level Descriptors
|
Caetano, Marcelo; Rodet, Xavier |
vol. 2010
|
2010 |
|
Evolutionary Spectral Envelope Morphing by Spectral Shape Descriptors
|
Caetano, Marcelo; Rodet, Xavier |
vol. 2009
|
2009 |
|
IRIN: Micromontage in Graphical Sound Editing and Mixing Tool
|
Caires, Carlos |
vol. 2004
|
2004 |
|
Musical Sonification of Super High Frequency Lighting
|
Çakmak, Ö. Cem; Hamilton, Rob |
vol. 2017
|
2017 |
|
Modal Synthesis Compilation of Mechanical Sub-structures and Acoustical Sub-systems
|
Calvet, Olivier; Laurens, Ronan; Adrien, |
vol. 1990
|
1990 |
|
AREM/ARMS - Reinterpretation of musical structures
|
Calzón, Miguel |
vol. 1993
|
1993 |
|
A Program for the Reinterpretation of Musical Imput Structures
|
Calzón, Miguel |
vol. 1992
|
1992 |
|
An Idiom-independent Representation of Chords for Computational Music Analysis and Generation
|
Cambouropoulos, Emilios; Kaliakatsos-Papakostas, Maximos; Tsougras, Costas |
vol. 2014
|
2014 |
|
The Local Boundary Detection Model (LBDM) and its Application in the Study of Expressive Timing
|
Cambouropoulos, Emilios |
vol. 2001
|
2001 |
|
A Web-based System for Designing Interactive Virtual Soundscapes
|
Çamcı, Anıl; Murray, Paul; Forbes, Angus G. |
vol. 2016
|
2016 |
|
Diegetic Affordances and Affect in Electronic Music
|
Çamcı, Anıl; Meelberg, Vincent |
vol. 2016
|
2016 |
|
A COGNITIVE APPROACH TO ELECTRONIC MUSIC: THEORETICAL AND EXPERIMENT-BASED PERSPECTIVES
|
Camci, Anil |
vol. 2012
|
2012 |
|
Interactive Virtual Soundscapes: A Research Report
|
Çamcı, Dr. Anıl; Özcan, Zeynep; Pehlevan, Damla |
vol. 2015
|
2015 |
|
A Computer Assisted Approach to Music Analysis
|
Campbell, Bruce B. |
vol. 1990
|
1990 |
|
Key-Music: An Expert System Environment for Music Composition
|
Camurri, A.; Giacomini, M.; Ponassi, A.; Zaccaria, R. |
vol. 1988
|
1988 |
|
THE NETWORKED PERFORMANCE PROJECT FOR LO SPECCHIO CONFUSO DALL’OMBRA OF ROBERTO GIROLIN
|
Camurri, Antonio; Canepa, Corrado; Coletta, Paolo; Ghisio, Simone; Girolin, Roberto; Volpe, Gualtiero |
vol. 2008
|
August 2008 |
|
Real-time analysis of expressive cues in human movement
|
Camurri, Antonio; Trocca, Riccardo; Volpe, Gualtiero |
vol. 2002
|
2002 |
|
Synthesis of expressive movement
|
Camurri, Antonio; Coletta, Paolo; Ricchetti, Matteo; Volpe, Gualtiero |
vol. 2000
|
2000 |
|
A real-time platform for interactive dance and music systems
|
Camurri, Antonio; Coletto, Paolo; Peri, Massimiliano; Ricchetti, Matteo; Ricci, Andrea; Trocca, Riccardo; Volpe, Gualtiero |
vol. 2000
|
2000 |
|
Interactive Dance/Music Systems
|
Camurri, Antonio |
vol. 1995
|
1995 |
|
Instruction of Computer Music for Computer Engineering Students and Professionals
|
Camurri, Antonio; de Poli, Giovanni; Dannenberg, Roger; Smith, Julius O. |
vol. 1994
|
1994 |
|
A High-Level System for Music Composition
|
Camurri, Antonio; Canepa, Corrado; Frixione, Marcello; Innocenti, Carlo; Massucco, Claudio; Zaccaria, Renato |
vol. 1991
|
1991 |
|
Digital Music Research Group (Bristol, UK) Studio Report
|
Canagarajah, Nishan; Masri, Paul; Laird, Joel |
vol. 1999
|
1999 |
|
AN SQL-BASED CONTROL SYSTEM FOR LIVE ELECTRONICS
|
Canavese, Francesco; Giomi, Francesco; Meacci, Damiano; Schwoon, Kilian |
vol. 2005
|
2005 |
|
Real Time Analysis of Expressive Contents in Piano Performances
|
Canazza, Sergio; De Poli, Giovanni; Rodà, Antonio; Soleni, Giulio; Zanon, Patrick |
vol. 2002
|
2002 |
|
Comparison of different audio restoration methods based on frequency and time domains with applications on electronic music repertoire
|
Canazza, Sergio; De Poli, Giovanni; Mian, Gian Antonio; Scarpa, Alessandro |
vol. 2002
|
2002 |
|
Real-Time Morphing Among Different Expressive Intentions in Audio Playback
|
Canazza, Sergio; De Poli, Giovanni; Drioli, Carlo; Rodà, Antonio; Zamperini, Federico |
vol. 2000
|
2000 |
|
Expressive Processing of Audio and MIDI Performances in Real Time
|
Canazza, Sergio; De Poli, Giovanni; De Federico, Riccardo; Drioli, Carlo; Rodá, Antonio |
vol. 1999
|
1999 |
|
A Parametric Model of Expressiveness in Musical Performance Based on Perceptual and Acoustic Analysis
|
Canazza, Sergio; Rodà, Antonio; Orio, Nicola |
vol. 1999
|
1999 |
|
A Model To Add Expressiveness To Automatic Musical Performance
|
Canazza, Sergio; De Poli, Giovanni; Di Sanzo, Gianni; Vidolin, Alvise |
vol. 1998
|
1998 |
