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Title Author(s)
InMuSIC: an Interactive Multimodal System for Electroacoustic Improvisation Lepri, Giacomo
Molecular Sonification of Nuclear Magnetic ResonanceData as a Novel Tool for Sound Creation Morawitz, Falk
The Effects of Reverberation Time and Amount on the EmotionalCharacteristics Mo, Ronald; Wu, Bin; Horner, Andrew
General Characteristics Analysis of Chinese Folk Songs based on LayeredStabilities Detection(LSD) Audio Segmentation Algorithm Li, Juan; Wang, Yinrui; Yang, Xinyu
Additive Synthesis with Band-Limited Oscillator Sections Pabon, Peter; Oishi, So
Granular Spatialisation, a new method for sound diffusionin high-density arrays of speakers and its applicationat the Spatial Audio Workshops residency at VirginiaTech (August 2015) for the composition of the acousmaticpiece Spatial Grains - Soundscape No 1, for 138 speakers Garavaglia, Javier Alejandro
Motivic Through-Composition Applied to a Network of Intelligent Agents Vasquez, Juan Carlos; Tahiro˘glu, Koray; Kildal, Johan
Exploiting Mimetic Theory for Instrument Design Wigham, Philip; Boehm, Carola
Viewing the Wrong Side of the Screen inExperimental Electronica Performances Hofer, Sonya
Balancing Defiance and Cooperation: The Design andHuman Critique of a Virtual Free Improviser Banerji, Ritwik
Bio-Sensing and Bio-Feedback Instruments--- DoubleMyo, MuseOSC and MRTI2015 --- Nagashima, Yoichi
FLUID CONTROL – MEDIA EVOLUTION IN WATER Theiler, Christoph; Pittroff, Renate
Electro Contra: Innovation for Tradition Smith, Benjamin D.
LR.step, an Algorithmic Drum Sequencer Jenks, Morgan
EVALUATION OF A SKETCHING INTERFACE TOCONTROL A CONCATENATIVE SYNTHESISER Tsiros, Augoustinos; Leplâtre, Grégory
Recorderology - development of a web based instrumentation tool concerning recorder instruments Mayer-Spohn, Ulrike; Takahashi, Keitaro
Karlax Performance Techniques: It Feels Like… Stewart, D. Andrew
Music Industry, Academia and the Public) Boehm, Carola
A cross-genres (ec)static perspective on contemporary experimental music Wanke, Riccardo
Diegetic Affordances and Affect in Electronic Music Çamcı, Anıl; Meelberg, Vincent
The Effect of DJs’ Social Network on Music Popularity Wi, Hyeongseok; Hyun, Kyung Hoon; Lee, Jongpil; Lee, Wonjae
Kronos Meta-Sequencer – From Ugens to Orchestra, Score and Beyond Norilo, Vesa
Panoramix: 3D mixing and post-production workstation Carpentier, Thibaut
Multi-Point Nonlinear Spatial Distribution of Effectsacross the Soundfield James, Stuart
A Permissive Graphical Patcherfor SuperCollider Synths Dufeu, Frédéric
Introducing CatOracle: Corpus-based concatenative improvisation with the Audio Oracle algorithm Einbond, Aaron; Schwarz, Diemo; Borghesi, Riccardo; Schnell, Norbert
workshop SMARTER MUSIC Wagenaar, Arthur
Granular Wall: Approaches to sonifying fluid motion Kirk, Jonathon; Weisert, Lee
The Computer Realization of John Cage’s Williams Mix Erbe, Tom
Computer-Based Tutoring for Conducting Students Salgian, Andrea; Vickerman, David
a Band is Born: a digital learning game for Max/MSP Hancock, Oliver
Detecting Pianist Hand Posture Mistakes for Virtual Piano Tutoring Johnson, David; Dufour, Isabelle; Damian, Daniela; Tzanetakis, George
A Fluid Chord Voicing Generator Scanteianu, Daniel; Jackson, Errick; Keller, Robert M.
How To Play the Piano Hoadley, Richard
Markov Networks for Free Improvisers Kalonaris, Stefano
Opensemble: A framework for collaborative algorithmic music Zabaljáuregui, Matías; Dorado, Diego
Designing a Digital Gamelan L’ Honoré Naber, Adrien
Wavefolding: Modulation of Adjustable Symmetry in Sawtooth and Triangular Waveforms Kelly, Dr Edward
Towards an Aesthetic of Instrumental Plausibility for Mixed Electronic Music Dudas, Richard; Furniss, Pete
Noise in the Clouds Sjuve, Eva
Musical Style Modification as an Optimization Problem Zalkow, Frank; Brand, Stephan; Graf, Bejamin
Synchronization of van der Pol Oscillators with Delayed Coupling Henrici, Andreas; Neukom, Martin
Using Software Emulation to Explore the Creativeand Technical Processes in Computer Music: John Chowning’s Stria, a case study from the TaCEM project Clarke, Michael; Dufeu, Frédéric; Manning, Peter
CONCATENATIVE SYNTHESIS VIA CHORD-BASED SEGMENTATIONFOR AN EXPERIMENT WITH TIME Ghisi, Daniele; Bergomi, Mattia
Spatiotemporal Granulation Wan Rosli, Muhammad Hafiz; Roads, Curtis
The Sound Analysis Toolbox (SATB) Park, Tae Hong; Srinivasan, Sumanth
Short overview in parametric loudspeakers arraytechnology and its implications in spatialization in electronic Reis, Jaime
Extended Convolution Techniques for Cross-Synthesis Donahue, Chris; Erbe, Tom; Puckette, Miller
Algorithmic Composition in Abjad: Workshop Proposal for ICMC 2016 Bača, Trevor; Treviño, Jeffrey; Oberholtzer, Josiah
CREATE Studio Report 2016 Roads, Curtis; Cabrera, Andres; Kuchera-Morin, JoAnn; Barlow, Clarence
Computer Music Studio and Sonic Lab at Anton Bruckner University Studio Report Weixler, Andreas; Chuang, Se-Lien
Design Considerations of HKBU’s Laboratory for Immersive Arts and Technology: a Studio Report Keyes, Prof. Christopher; Coleman, Dr. Christopher; Wing Lun, Vanissa LAW
Computer Music as Born-Digital Heritage Bosma, Hannah
COMPUTER MUSIC INTERPRETATION IN PRACTICE Lemouton, Serge
New Roles for Computer Musicians in S.T.E.A.M. Baguyos, Jeremy C.
The Things of Shapes: Waveform Generation using 3D Vertex Data Schlei, Kevin; Yoshikane, Rebecca
Sound vest for dance performance Otondo, Felipe; Torres, Rodrigo
WebHexIso: A CustomizableWeb-based Hexagonal Isomorphic Musical Keyboard Interface Hu, Hanlin; Gerhard, David
Roulette: A Customized Circular Sequencer for Generative Music McNamara, Daniel; Kapur, Ajay
MusicBox: creating a musical space with mobile devices Milde, Jan-Torsten
Frequency Domain Spatial Mapping with the LEAP Motion Controller Kim-Boyle, David
Zirkonium 3.1 - a toolkit for spatial composition and performance Miyama, Chikashi; Dipper, Gotz; Brummer, Ludger
A 3D Future for Loudspeaker Orchestras Emulated in Higher-Order Ambisonics Barrett, Natasha
Extending the Piano through Spatial Transformation of Motion Capture Data Ritter, Martin; Aska, Alyssa
Approaches to Real Time Ambisonic Spatialization and Sound Diffusion using Motion Capture Aska, Alyssa; Ritter, Martin
Big Tent: A Portable Immersive Intermedia Environment Smith, Benjamin D.; Cox, Robin
Gesture-based Collaborative Virtual Reality Performance in Carillon Hamilton, Rob; Platz, Chris
Emphasizing Form in Virtual Reality-Based Music Performance Berkowitz, Zachary; Berdahl, Edgar; Beck, Stephen David
Description of Chord Progressions by Minimal Transport Graphs Using the System & Contrast Model Louboutin, Corentin; Bimbot, Frederic
Do Nested Dichotomies Help in Automatic Music Genre Classification? AnEmpirical Study Arjannikov, Tom; Zhang, John Z.
Algorithmic Composition Parameter as Intercultural and Cross-level MIR Feature: The Susceptibility of Melodic Pitch Contour Lin, Hsin-Ming; Dubnov, Shlomo
The GiantSteps Project: A Second-Year Intermediate Report Knees, Peter; Andersen, Kristina; Jorda, Sergi; Hlatky, Michael; Bucci, Andres; Gaebele, Wulf; Kaurson, Roman
A Supervised Approach for Rhythm Transcription Based on Tree SeriesEnumeration Ycart, Adrien; Jacquemard, Florent; Bresson, Jean; Staworko, Sławek
Graphical Temporal Structured Programming for Interactive Music Celerier, Jean-Michael; Desainte-Catherine, Myriam; Couturier, Jean-Michel
Introducing a Context-based Model and Language for Representation, Transformation, Visualization, Analysis and Generation of Music Hofmann, David M.
Sound, Electronics and Music: an evaluation of early embodied education Hayes, Lauren
Performing Computer Network Music. Well-known challenges and new possibilities. Akkermann, Miriam
The Emotional Characteristics of Mallet Percussion Instruments with Different Pitches and Mallet Hardness Chau, Chuck-jee; Horner, Andrew
The Effects of Pitch and Dynamics on the Emotional Characteristics of Bowed String Instruments Gilburt, Samuel J. M.; Chau,, Chuck-jee; Horner, Andrew
The Effects of MP3 Compression on Emotional Characteristics Mo, Ronald; Choi, Ga Lam; Lee, Chung; Horner, Andrew
COMPOSITION as an EVOLVING ENTITY an EXPERIMENT in PROGRESS Tipei, Sever
Nodewebba: Software for Composing with Networked Iterated Maps Battey, Bret
Relative Sound Localization for Sources in a Haphazard Speaker Array Andersen, Neal; Smith, Benjamin D.
AIIS: An Intelligent Improvisational System Leffue, Steven; Kestler, Grady
RackFX: A Cloud-Based Solution for Analog Signal Processing Peuquet, Sean; Jones, David
Composing and Performing Digital Voice Using Microphone-Centric Gesture and Control Data Warren, Kristina
Composing for an Orchestra of Sonic Objects: The Shake-ousmonium Project Lähdeoja, Otso
Hand Gestures in Music Production Berndt, Axel; Waloschek,, Simon; Hadjakos, Aristotelis
GRAB-AND-PLAY MAPPING: CREATIVE MACHINE LEARNING APPROACHES FOR MUSICAL INCLUSION AND EXPLORATION Scurto, Hugo; Fiebrink, Rebecca
The problem of musical gesture continuation and a baseline system Bascou, Charles; Emiya, Valentin; Lauriere, Mathieu
RECONSTRUCTING ANTHÈMES 2: ADDRESSING THE PERFORMABILITY OF LIVE-ELECTRONIC MUSIC van der Wee, MMus, Laurens; van Doorn, MA, Roel; Zwaanenburg, Jos
Stride: A Declarative and Reactive Language for Sound Synthesis and Beyond Tilbian, Joseph; Cabrera, Andres
Embedding native audio-processing in a score following system with quasi sample accuracy Donat-Bouillud, Pierre; Giavitto, Jean-Louis; Cont, Arshia; Schmidt, Nicolas; Orlarey, Yann
A Review of Interactive Conducting Systems: 1970-2015 Lee, Kyungho; Junokas, Michael J.; Garnett, Guy E.
O2: Rethinking Open Sound Control Dannenberg, Roger B.; Chi, Zhang
Introducing D4: An Interactive 3D Audio Rapid Prototyping and Transportable Rendering Environment Using High Density Loudspeaker Arrays Bukvic, Ivica Ico
Improvements of iSuperColliderKit and its Applications Ito, Akinori; Watanabe, Kengo; Kuroda, Genki; Ito, Ken’ichiro
The Sky’s the Limit: Composition with Massive Replication and Time-shifting Coleman, Christopher
SCATLAVA: Software for Computer-Assisted Transcription Learning through Algorithmic Variation and Analysis Su, David
Effects of Test Duration in Subjective Listening Tests Schwarz, Diemo; Lemaitre, Guillaume; Aramaki, Mitsuko; Kronland-Martinet, Richard
The Ear Tone Toolbox for Auditory Distortion Product Synthesis Chechile, Alex
Sonification of Optically-Ordered Brownian Motion McKell, Chad
Cybernetic Principles and Sonic Ecosystems Pickles, Daren; Collis, Adam
Continuous Order PolygonalWaveform Synthesis Hohnerlein, Christoph; Rest, Maximilian; Smith III, Julius O.
Textual and Sonic Feedback Loops: Simultaneous conversations as a collaborative process in cmetq Jette, Christopher; Krueger, Nathan
Tectonic: a Networked, Generative and Interactive, Conducting Environment for iPad Vickery, Lindsay; James, Stuart
AVA: A Graphical User Interface for Automatic Vibrato and Portamento Detection and Analysis Yang, Luwei; Rajab, Khalid Z.; Chew, Elaine
Spectrorhythmic evolutions: towards semantically enhanced algorave systems Allik, Alo
A Differential Equation Based Approach to Sound Synthesis and Sequencing Jacobs, B. A.
Music Poet: A Performance-Driven Composing System Rongfeng, Li; Xinyun, Zhang; Minghui, Bi
Multiple Single-Dimension Mappings of the Henon Attractor as a Compositional Algorithm Kurepa, Alexandra; Waschka II, Rodney
From live to interactive electronics. Symbiosis: a study on sonic human-computer synergy. Gioti, Artemi - Maria
A Web-based System for Designing Interactive Virtual Soundscapes Çamcı, Anıl; Murray, Paul; Forbes, Angus G.
The Paradox of Random Order Jung, Jeyong; Pabon, Peter; Flett, Graham
Recreating Gerard Grisey’s Vortex Temporum with cage Ghisi, Daniele; Agostini, Andrea; Maestri, Eric
Composing in Bohlen–Pierce and Carlos Alpha scales for solo clarinet Harrop, Todd; Muller, Nora-Louise