| Title |
Author(s) |
|
Imaginary Miles: Modeling Musebots After Musicians
|
Eigenfeldt, Arne |
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The Effects of Mode, Pitch, and Dynamics on Valence in Piano Scales and Chord Progressions
|
Hong, Yu; Mo, Ronald; Horner, Andrew |
|
Using Recurrent Neural Networks to Dream Sequences of Audio
|
Pfalz, Andrew; Berdahl, Edgar; Allison, Jesse |
|
Deep Neural Network Based Music Source Conducting System
|
Lee, Myungin |
|
An Expressive Brain-computer Music Interface for Musical Neurofeedback
|
Ramirez, Rafael; Giraldo, Sergio; Vamvakousis, Zacharias |
|
The Lure Towards the Performative in Nonlinear Audiovisual Installations
|
Connors, Teresa Marie |
|
Spatial Organization in Musical Form
|
Boren, Braxton; Musick, Michael |
|
Is This How It Sounded? The Idea of ‘Historic Informed Performance Practice’ in Early Mixed Music
|
Akkermann, Miriam |
|
Populous Oscillation: Variety in Interactive Evolutionary Computation for Music Improvisation
|
Pedersen, Anders Bach |
|
A Study on the Audiovisual Art of Nam June Paik in the Context of Multimodality and Synesthesia
|
Yoon, Ji Won; Yeo, Woon Seung |
|
Accessible Digital Musical Instruments - a Survey of Inclusive Instruments Presented at the NIME, SMC and ICMC Conferences
|
Frid, Emma |
|
Gestural Envelopes: Aesthetic Considerations for Mapping Physical Gestures Using Wireless Motion Sensors
|
Lough, Alex; Micchelli, Mark; Kimura, Mari |
|
Mugeetion: Musical Interface Using Facial Gesture and Emotion
|
Koh, Eunjeong Stella; Yadegari, Shahrokh |
|
LSL.LPSR: Applying Contemporary Compositional Processes Into an Electroacoustic Improvisation Tool
|
Caers, Vincent |
|
Displaced Light: a Composition for Six Instruments and Electronics Mediated Through the Application of Microsound
|
Estibeiro, Marc |
|
The Murmurator: a Flocking Simulation-driven Multi-channel Software Instrument for Collaborative Improvisation
|
Stine, Eli; Davis, Kevin |
|
AMAI: Adaptive Music for Affect Improvement
|
Su, David; Picard, Rosalind; Liu, Yan |
|
Coding With a Piano: the First Phase of the Codeklavier's Development
|
Veinberg, Anne; Noriega, Felipe Ignacio |
|
Spectral Granular Synthesis
|
Fasciani, Stefano |
|
UGG: a Unit Generator Generator
|
Dannenberg, Roger B. |
|
Audioworklet: the Future of Web Audio
|
Choi, Hongchan |
|
Topographic Synthesis: Parameter Distribution in Spatial Texture
|
Nyström, Erik |
|
Electronic Music Documentations, Practices and Models
|
Lemouton, Serge; Bonardi, Alain; Pottier, Laurent; Warnier, Jacques |
|
Compel: a Crowdsourced Community-building Repository for Reproducible Computer Music
|
Bukvic, Ivica Ico; Ogier, Andrea L. |
|
(Re)discovering Sounds of CCRMA - Towards Computer Music Preservation
|
Dahan, Kevin |
|
The Electro-acoustic Music Mine (EAMM): an Initiative for the Archival Preservation of Electro-acoustic Music
|
Park, Tae Hong; Underwood, Kent |
|
Sustainability of Compositions Involving Electronic Technology: Part I – in Conversation With Alcides Lanza
|
Garbet, Brian |
|
Behave: a Heatmap-based Audiovisual Representation of Personal Data
|
Park, Sihwa |
|
Philosophical Underpinnings of Environmental Music
|
Carson, Tate |
|
Urban Soundscape: Analyzing Spatiotemporal Patterns of Acoustic Events and Soundscape Components, and Its Influence on the Socioeconomic Status of New York City Neighborhoods
|
Faruqi, Shuraifa Asmah Shad Saleem; Park, Tae Hong |
|
Citygram One: Seven Years Later
|
Park, Tae Hong; Yoo, Minjoon |
|
Sonode; a Collaborative Sound Map of Mexico City
|
Garcia, Hugo Solis |
|
The Tuning and Synthesis Issue of the Ancient Chinese Chime-bells Instrument From the Tomb of Marquis Yi of the Zeng State
|
Liu, Tsung-Ching; Lin, Wan Tin |
|
The Contributions of Computer Music Pioneer Knut Wiggen
|
Rudi, Jøran |
|
The Aesthetics of Robot Opera: Human-centric or Mechanized Eccentric?
|
Sigman, Alexander |
|
Voice in Electronic Music: Handling Limitations in Stockhausen’s Gesang Der Jünglinge and Lansky’s Six Fantasies
|
Volker, Mark |
|
Inherent Meanings From the Environmental Impacts of the Production and Performance of Electronic Music
|
Blandino, Michael |
|
University of Oregon – Future Music Oregon 2018 Studio Report
|
Stolet, Jeffrey |
|
Harvestworks Digital Media Arts Center
|
Parkinson, Carol |
|
Center for Arts and Technologies at Seoul National University
|
Nam, Sangbong; Lee, Gang Seong; Ko, Pyoung Ryang; Ko, Byongoh; Cho, Jinok; Lee, Donoung |
|
Studio Report: KEAMS
|
Cho, Jinok; Lee, Donoung |
|
Do People With Absolute Pitch Really Produce the P300 Response When Processing Tones?
|
Park, Jonghwa; Lee, Sungeun |
|
Investigating How Convolution Reverberation Effects the Space of Instrument Emotional Characteristics
|
Mo, Ronald K.; So, Richard H. Y.; Horner, Andrew |
|
The Effects of Pitch, Dynamics, and Vowel on the Emotional Characteristics of The Soprano Voice
|
Chang, Bing Yen; Horner, Andrew |
|
Vocal Distortion and Real-Time Processing of Roughness
|
Gentilucci, Marta; Ardaillon, Luc; Liuni, Marco |
|
OBOEJS: a Constraint-based Approach to Instrument-specific Algorithmic Composition
|
Döbereiner, Luc |
|
Phil Winsor's Myst: Research and Art – a Technical and Aesthetic Consideration
|
Paoli, Ken |
|
Chordscanner: Browsing Chord Progressions Based on Musical Typicality and Intra-composer Consistency
|
Nakamura, Hiromi; Nakano, Tomoyasu; Fukayama, Satoru; Goto, Masataka |
|
Music Recombination Using a Genetic Algorithm
|
Majumder, Sanjay; Smith, Benjamin D. |
|
Structured Cell: a Work in Space
|
Rafferty, David |
|
Digital Ensemble Skills in a Laptop Orchestra
|
Lee, Cheng |
|
Locustream Open Microphone Project
|
Sinclair, Peter |
|
A Physically-distinct, Multi-agent, Sonic Space Ecosystem
|
Musick, Michael |
|
Music Making Mobile Application Using Geometry
|
Villée, Guillaume; Le Vaillant, Gwendal |
|
Music Production Mobile App with Voice-to-MIDI Feature
|
Au, Chun-Ming; Horner, Andrew |
|
SPATGRIS/SERVERGRIS, Creative Tools for 2D and 3D Sound Spatialization
|
Normandeau, Robert; Bélanger, Olivier; Lengelé, Christophe; Ledoux, David |
|
Live 4 Life - A Spatial Performance Tool Focused On Rhythm And Parameter Loops
|
Lengelé, Christophe |
|
Nething: An Educational Open-source Web-based Graphical User Interface for Controlling Ambisonic And Wave Field Speaker Arrays
|
Rios, Ian; Hamilton, Rob |
|
Data Visualization and Analysis for Stage Monitoring Systems
|
Stillwell, Austin; Park, Tae Hong |
|
Tangible Virtual Patch Cords
|
Fasciani, Stefano; Rahman, Habibur |
|
ENOBIO2OSC: Brain-computer Interface for Musical Creation
|
Levicán, Constanza; Belaúnde, Vernon; Vega, Alberto; Aparicio, Andrés; Cádiz, Rodrigo F. |
|
Rainbow Blob: Augmented Handpan Using Leap Motion and Oculus Rift
|
Steinmeier, Christine; Becking, Dominic |
|
“Chorale” Violin Harmonization: A Practical, Compositionally-based System for Generating Live Harmonies
|
Tignor, Christopher |
|
Dipole Instruments for Sketching in Hardware with Embedded Acoustics
|
Berdahl, Edgar |
|
The Emotional Characteristics of Rain Sound Effects
|
Sin, Wing Lam; Ma, Xiaojuan; Horner, Andrew |
|
The Emotional Characteristics of Section String Instruments with Different Pitch and Dynamics
|
Chan, Hiu Ting; Mo, Ronald; Chau, Chuck Jee; Horner, Andrew |
