| Title |
Author(s) |
Volume/Issue |
Date |
|
Real-Time Implementation Techniques for a Continuously Variable Digital Delay in Modeling Musical Instruments
|
Laakso, Timo I.; Välimäki, Vesa; Karjalainen, Matti; Laine, Unto K. |
vol. 1992
|
1992 |
|
The Quest for Low Latency
|
Lago, Nelson Posse; Kon, Fabio |
vol. 2004
|
2004 |
|
A NEW DISSIMILARITY METRIC FOR THE CLUSTERING OF PARTIALS USING THE COMMON VARIATION CUE
|
Lagrange, Mathieu |
vol. 2005
|
2005 |
|
Composing for an Orchestra of Sonic Objects: The Shake-ousmonium Project
|
Lähdeoja, Otso |
vol. 2016
|
2016 |
|
Sonic Scenography - Equalized Structure-borne Sound for Aurally Active Set Design
|
Lähdeoja, Otso; Haapaniemi, Aki; Välimäki, Vesa |
vol. 2014
|
2014 |
|
Feedback in Musical Computer Applications
|
Laine, Pauli; Lassfolk, Kai |
vol. 1999
|
1999 |
|
Motor neuron Based Virtual Drummer
|
Laine, Pauli |
vol. 1999
|
1999 |
|
Generating Musical Patterns Using Mutually Inhibited Artificial Neurons
|
Laine, Pauli |
vol. 1997
|
1997 |
|
SIbelius Academy Computer Music Studio
|
Laine, Pauli |
vol. 1993
|
1993 |
|
WaRM: A Framework for Modelling Resonant Acoustic Environments
|
Laird, Joel; Huns, Tom; Masri, Paul; Canagarajah, Nishan |
vol. 1999
|
1999 |
|
Modelling Diffusion at the Boundary of a Digital Waveguide Mesh
|
Laird, Joel; Masri, Paul; Canagarajah, Nishan |
vol. 1999
|
1999 |
|
Orthogonal Transforms for Sound Synthesis
|
Lake, R. B.; Cherubini, R. |
vol. 1975
|
1975 |
|
Auralization of a Constraint Solver: The music of n-queens
|
Lallouet, Arnaud; Vautard, Jérémie |
vol. 2006
|
2006 |
|
Computer Games for Developing Musical Skills
|
Lamb, Martin |
vol. 1981
|
1981 |
|
Beyond the Beat: Towards Metre, Rhythm and Melody Modelling with Hybrid Oscillator Networks
|
Lambert, Andrew; Weyde, Tillman; Armstrong, Newton |
vol. 2014
|
2014 |
|
A STIGMERGIC MODEL FOR OSCILLATOR SYNCHRONISATION AND ITS APPLICATION IN MUSIC SYSTEMS
|
Lambert, Andrew |
vol. 2012
|
2012 |
|
THE ELECTROACOUSTIC RESOURCE SITE (EARS) APPROACHES ITS NEXT PHASE: GOING GLOBAL AND ADDRESSING THE YOUNG
|
Landy, Leigh |
vol. 2007
|
2007 |
|
THE MUSIC, TECHNOLOGY AND INNOVATION RESEARCH CENTRE (MTI) AT DE MONTFORT UNIVERSITY - STUDIO REPORT
|
Landy, Leigh |
vol. 2005
|
2005 |
|
Introducing the ElectroAcoustic Resource Site (EARS)
|
Landy, Leigh; Atkinson, Simon |
vol. 2003
|
2003 |
|
Measuring Intention against Reception in Electroacoustic Music: A new opportunity for analysis
|
Landy, Leigh |
vol. 2001
|
2001 |
|
Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarship
|
Landy, Leigh |
vol. 1999
|
1999 |
|
University College Bretton Hall - Studio Report
|
Landy, Leigh; de Paor, Paschall |
vol. 1994
|
1994 |
|
Is More Than Three Decades of Computer Music Reaching the Public it Deserves?
|
Landy, Leigh |
vol. 1990
|
1990 |
|
STUDIO REPORT: SOUND ARTS AND DESIGN AT LONDON COLLEGE OF COMMUNICATION
|
Lane, Cathy |
vol. 2007
|
2007 |
|
Sound Analysis, Comparison and Modification Based on Perceptual Model of Timbre
|
Langmead, Christopher James |
vol. 1995
|
1995 |
|
Six Techniques for Algorithmic Music Composition (Extend Abstract)
|
Langston, Peter S. |
vol. 1989
|
1989 |
|
Reflections on Spent Time
|
Lansky, Paul |
vol. 2009
|
2009 |
|
Reflections on Spent Time (abstract; full paper is on page 561)
|
Lansky, Paul |
vol. 2009
|
2009 |
|
The Architecture and Musical Logic of Cmix
|
Lansky, Paul |
vol. 1990
|
1990 |
|
Imagination and Linear Prediction
|
Lansky, Paul |
vol. 1980
|
1980 |
|
Exploring Language
|
Lanza, Alcides |
vol. 1985
|
1985 |
|
The Resonant Dynamics of Beat Tracking and Meter Pereception
|
Large, Edward W. |
vol. 1994
|
1994 |
|
INT.LIB - A GRAPHICAL PRESET INTERPOLATOR FOR MAX MSP
|
Larkin, Oliver |
vol. 2007
|
2007 |
|
About this phasiness business
|
Laroche, Jean; Dolson, Mark |
vol. 1997
|
1997 |
|
The use of Prony's Method for the Analysis of Musical Sounds. Application to Percussive Sounds
|
Laroche, Jean; Rodet, Xavier |
vol. 1989
|
1989 |
|
Automatic Modeling of Musical Style
|
Lartillot, O.; Dubnov, S.; Assayag, G.; Bejerano, G. |
vol. 2001
|
2001 |
|
Perception-Based Musical Pattern Discovery
|
Lartillot, Olivier |
vol. 2003
|
2003 |
|
Musical Analysis by Computer Following Cognitive Model of Induction Analogies
|
Lartillot, Olivier |
vol. 2002
|
2002 |
|
Subscore Manipulation as a Tool for Compositional and Sonic Design
|
Laske, Otto |
vol. 1980
|
1980 |
|
Understanding Music with AI
|
Laske, Otto E. |
vol. 1991
|
1991 |
|
Toward a Definition of Computer Music
|
Laske, Otto E. |
vol. 1981
|
1981 |
|
University of Helsinki Music Research Laboratory and Electronic Music Studio – The first 50 years and beyond
|
Lassfolk, Kai; Ojanen, Mikko |
vol. 2014
|
2014 |
|
DIMI-6000: An Early Musical Microcomputer by Erkki Kurenniemi
|
Lassfolk, Kai; Suominen, Jari; Ojanen, Mikko |
vol. 2014
|
2014 |
|
University of Helsinki Music Research Laboratory and Electronic Music Studio - A Studio Report
|
Lassfolk, Kai |
vol. 2002
|
2002 |
|
Sound Processing Kit: An Object-Oriented Signal Processing Framework
|
Lassfolk, Kai |
vol. 1999
|
1999 |
|
Simulation of Electron Tube Audio Circuits
|
Lassfolk, Kai |
vol. 1996
|
1996 |
|
Sound Processing Kit
|
Lassfolk, Kai |
vol. 1995
|
1995 |
|
University of Helsinki Electronic Music Studio
|
Lassfolk, Kai; Tiits, Kalev |
vol. 1994
|
1994 |
|
Synthesis of Acoustic Timbres using Principal Component Analysis
|
Laughlin, Robert; Truax, Barry; Funt, Brian |
vol. 1990
|
1990 |
|
SCORE-BASED CONTROL OF GUQIN SYNTHESIS
|
Laurson, Mikael; Kuuskankare, Mika; Penttinen, Henri; Li, Henbing |
vol. 2007
|
2007 |
