| Title |
Author(s) |
Volume/Issue |
Date |
|
A.A.S. Acoustic Ambience Simulator System
|
Galante, Francesco |
vol. 1986
|
1986 |
|
aa-cell IN PRACTICE: AN APPROACH TO MUSICAL LIVE CODING
|
Sorensen, Andrew; Brown, Andrew R. |
vol. 2007
|
2007 |
|
AALIVENET: An agent based distributed interactive composition environment.
|
Spicer, Michael |
vol. 2004
|
2004 |
|
About 605k
|
Barlow, Clarence |
vol. 1990
|
1990 |
|
About GRADIENT
|
Ames, Charles |
vol. 1982
|
1982 |
|
About the Different Types of Listeners for Rating the Overall Listening Experience
|
Schoeffler, Michael; Herre, Jürgen |
vol. 2014
|
2014 |
|
About this phasiness business
|
Laroche, Jean; Dolson, Mark |
vol. 1997
|
1997 |
|
ABSTRACT BEHAVIORS FOR STRUCTURED MUSIC PROGRAMMING
|
Dannenberg, Roger B. |
vol. 2007
|
2007 |
|
Abstract Time Warping of Compound Events and Signals
|
Dannenberg, Roger B. |
vol. 1994
|
1994 |
|
Abstraction In A Unit-Based Audio Processing System
|
Stoll, Thomas |
vol. 2010
|
2010 |
|
The Accelerando Project
|
Pinkston, Russell F. |
vol. 1989
|
1989 |
|
Acceleration Sensor as an Input Device for Musical Environment
|
Sawada, Hideyuki; Onoe, Naoyuki; Hashimoto, Shuji |
vol. 1996
|
1996 |
|
Accessible Digital Musical Instruments - a Survey of Inclusive Instruments Presented at the NIME, SMC and ICMC Conferences
|
Frid, Emma |
vol. 2018
|
2018 |
|
The Accordiatron: A Gestural Interface for Interactive Music
|
Gurevich, Michael; von Muehlen, Stephan |
vol. 2001
|
2001 |
|
Accurate Computer Simulation of Acoustic space
|
Manzara, Leonard |
vol. 1995
|
1995 |
|
An Accurate Signal Representation for Sound Resynthesis Utilizing a Time-Frequency Mapping of the DFT-Magnitude
|
Hölderich, Robert R. |
vol. 1995
|
1995 |
|
ACE: A GENERAL-PURPOSE CLASSIFICATION ENSEMBLE OPTIMIZATION FRAMEWORK
|
McKay, Cory; McEnnis, Daniel; Fiebrink, Rebecca; Fujinaga, Ichiro |
vol. 2005
|
2005 |
|
An Acousmatic Composition Environment
|
Breinbjerg, Morten; Caprani, Ole; Lunding, Rasmus B.; Kramhøft, Line |
vol. 2006
|
2006 |
|
The Acousmographe, a Macintosh software for the graphical representation of sounds
|
Koechlin, Olivier; Vinet, Hugues |
vol. 1991
|
1991 |
|
ACOUSTIC-AGGREGATE-SYNTHESIS
|
Clift, Paul |
vol. 2012
|
2012 |
|
Acoustic Cues from Shapes between Spheres and Cubes
|
Fontana, Federico; Rocchesso, Davide; Apollonio, Enzo |
vol. 2001
|
2001 |
|
Acoustic Quanta
|
Nunn, Douglas; Purvis, Alan; Manning, Peter |
vol. 1996
|
1996 |
|
ACQUISITION OF VIOLIN INSTRUMENTAL GESTURES USING A COMMERCIAL EMF TRACKING DEVICE
|
Maestre, Esteban; Bonada, Jordi; Blaauw, Merlijn; Pérez, Alfonso; Guaus, Enric |
vol. 2007
|
2007 |
|
Active Music Representations
|
Roads, Curtis |
vol. 1989
|
1989 |
|
The Activities of CRM (Centro Ricerche Musicali)
|
de Vitis, Alessandra |
vol. 1992
|
1992 |
|
ADAPTING GENERAL PURPOSE INTERFACES TO SYNTHESIS ENGINES USING UNSUPERVISED DIMENSIONALITY REDUCTION TECHNIQUES AND INVERSE MAPPING FROM FEATURES TO PARAMETERS
|
Fasciani, Stefano; Wyse, Lonce |
vol. 2012
|
2012 |
|
ADAPTING POLYPHONIC PICKUP TECHNOLOGY FOR SPATIAL MUSIC PERFORMANCE
|
Bates, Enda; Furlong, Dermot; Dennehy, Donnacha |
vol. 2008
|
August 2008 |
|
Adaptive Additive Synthesis of Sound
|
Röbel, Axel |
vol. 1999
|
1999 |
|
Adaptive additive synthesis using spline based parameter trajectory models
|
Röbel, Axel |
vol. 2001
|
2001 |
|
ADAPTIVE BOTTLE
|
Adilôglu, K.; Anniés, R.; Obermayer, K.; Visell, Y.; Drioli, C. |
vol. 2008
|
August 2008 |
|
Adaptive Control of a Vocal Cord and Vocal Tract for Computerized Mechanical Singing Instruments
|
Sawada, Hideyuki; Hashimoto, Shuji |
vol. 1996
|
1996 |
|
Adaptive High-level Classification of Vocal Gestures Within a Networked Sound Instrument
|
Freeman, Jason; Ramakrishnan, C.; Varnik, Kristjan; Neuhaus, Max; Burk, Phil; Birchfield, David |
vol. 2004
|
2004 |
|
Adaptive Karaoke System: Human Singing Accompaniment Based on Speech Recognition
|
Inoue, Wataru; Hashimoto, Shuji; Ohteru, Sadamu |
vol. 1994
|
1994 |
|
ADAPTIVE MELODIC SEGMENTATION AND MOTIVIC IDENTIFICATION
|
Wilder, Greg |
vol. 2008
|
August 2008 |
|
Adaptive Music Technology: History and Future Perspectives
|
Graham-Knight, Kimberlee; Tzanetakis, George |
vol. 2015
|
2015 |
|
Adaptive oscillator networks for partial tracking and piano music transcription
|
Marolt, Matija |
vol. 2000
|
2000 |
|
Adaptive Pitch Compensation of Singing and Its Application
|
Sasahira, Yoshinari; Hashimoto, Shuji |
vol. 1996
|
1996 |
|
Adaptive Timbre Control System Using Gesture
|
Hartono, Pitoyo; Asano, Kazumi; Inoue, Wataru; Hashimoko, Shuji |
vol. 1994
|
1994 |
|
ADAPTIVE WHITENING FOR IMPROVED REAL-TIME AUDIO ONSET DETECTION
|
Stowell, Dan; Plumbley, Mark |
vol. 2007
|
2007 |
|
Adding a Graphical User Interface to FORMES
|
Boynton, Lee; Duthen, Jacques; Potard, Yves; Rodet, X. |
vol. 1986
|
1986 |
|
Adding Machine Cognition to a Web-based interactive composition
|
Whalley, Ian |
vol. 2004
|
2004 |
|
Adding Vortex Noise to Wind Instrument Physical Models
|
Chafe, Chris |
vol. 1995
|
1995 |
|
Additive Resynthesis of Sounds Using Continous Time-Frequency Analysis Techniques
|
Guillemain, Philippe; Kronland-Martinet, R. |
vol. 1992
|
1992 |
|
The Additive Sinusoidal Plus Residual Model: A Statistical Analysis
|
Irizarry, Rafael A. |
vol. 1998
|
1998 |
|
Additive Synthesis and Resynthesis: A Tentatively Objective Evaluation
|
Bélanger, Louis N. |
vol. 1991
|
1991 |
|
Additive Synthesis with Band-Limited Oscillator Sections
|
Pabon, Peter; Oishi, So |
vol. 2016
|
2016 |
|
Additive Synthesis with DIASS_M4C on Argonne National Laboratory’s IBM POWERparallel System (SP)
|
Kaper, Hans; Ralley, David; Restrepo, Juan; Tipei, Sever |
vol. 1995
|
1995 |
|
ADDRESSING THE NETWORK: PERFORMATIVE STRATEGIES FOR PLAYING APART
|
Schroeder, Franziska; Renaud, Alain B.; Rebelo, Pedro; Gualdas, Fernando |
vol. 2007
|
2007 |
|
The ADS 200 Advanced Digital Synthesizer
|
Lieberman, Don |
vol. 1980
|
1980 |
|
Advanced issues in beat induction modeling: syncopation, tempo and timing
|
Desain, Peter; Honing, Henkjan |
vol. 1994
|
1994 |
