| Title |
Author(s) |
Volume/Issue |
Date |
|
T-MAX: a parallel processing development system for MAX
|
Pennycook, Bruce; Lea, Chris |
vol. 1991
|
1991 |
|
TABLA GYAN: A SYSTEM FOR REALTIME TABLA RECOGNITION AND RESYNTHESIS
|
Chordia, Parag; Rae, Alex |
vol. 2008
|
August 2008 |
|
The Table is The Score: An Augmented-Reality Interface for Real-Time, Tangible, Spectrographic Performance
|
Levin, Golan |
vol. 2006
|
2006 |
|
Tabula Vigilans
|
Orton, Richard; Kirk, Ross |
vol. 1992
|
1992 |
|
Tactile Audio Feedback
|
Chafe, Chris |
vol. 1993
|
1993 |
|
TACTILE COMPOSITION SYSTEMS FOR COLLABORATIVE FREE SOUND
|
Livingstone, Dan; O'Shea, Chris |
vol. 2005
|
2005 |
|
Tactile Composition: Configurations and communications for a musical haptic chair
|
Armitage, Joanne; Ng, Kia |
vol. 2014
|
2014 |
|
Tactile Feedback Based On Acoustic Pressure Waves
|
Ciglar, Miha |
vol. 2010
|
2010 |
|
Tactile Feedback Based On Acoustic Pressure Waves
|
Ciglar, Miha |
vol. 2010
|
2010 |
|
Tactile Feedback Tool: approaching the foot pedal problem in live electronic music
|
Michailidis, Tychonas; Berweck, Sebastian |
vol. 2011
|
2011 |
|
tactile.motion: An iPad Based Performance Interface For Increased Expressivity In Diffusion Performance
|
Johnson, Bridget; Norris, Michael; Kapur, Ajay |
vol. 2014
|
2014 |
|
TACTILE SOUND AESTHETIC EXPERIENCE
|
Zubrycka, Justyna; Cyrta, Paweł |
vol. 2012
|
2012 |
|
Takt: A read-eval-play-loop interpreter for a structural/procedural score language
|
Nishimura, Satoshi |
vol. 2014
|
2014 |
|
Tangibility and Low-Level Live Coding
|
Diapoulis, Georgios; Zannos, Ioannis |
vol. 2014
|
2014 |
|
Tangibility, Presence, Materiality, Reality in Artistic Creation with Digital Technology
|
Cadoz, Claude; Luciani, Annie; Villeneuve, Jérôme; Kontogeorgakopoulos, Alexandros; Zannos, Iannis |
vol. 2014
|
2014 |
|
Tangible Sound: Musical Instrument Using Fluid Media
|
Yonezawa, Tomoko; Mase, Kenji |
vol. 2000
|
2000 |
|
Tangible Virtual Patch Cords
|
Fasciani, Stefano; Rahman, Habibur |
vol. 2018
|
2018 |
|
TAPPING INTO THE INTERNET AS AN ACOUSTICAL AND MUSICAL MEDIUM
|
Chafe, Chris |
vol. 2008
|
August 2008 |
|
A TAXONOMY OF SEQUENCER USER-INTERFACES
|
Duignan, Matthew; Noble, James; Biddle, Robert |
vol. 2005
|
2005 |
|
TBone: An Interactive WaveGuide Brass Instrument Synthesis Workbench for the NeXT Machine
|
Cook, Perry R. |
vol. 1991
|
1991 |
|
TC-Data: Extending Multi-Touch Interfaces for Generalized Relational Control
|
Schlei, Kevin |
vol. 2014
|
2014 |
|
Teabox: A Sensor Data Interface System
|
Allison, Jesse T.; Place, Timothy A. |
vol. 2004
|
2004 |
|
TEACHING COMPUTER SCIENCE TO DIGITAL ARTISTS THROUGH MUSIC AND SOUND
|
Kapur, Ajay; Cook, Perry; Bryant, Michael |
vol. 2013
|
2013 |
|
TEACHING DIGITAL AUDIO PROGRAMMING: NOTES ON A TWO-YEAR COURSE SEQUENCE AT UCSB
|
Pope, Stephen Travis |
vol. 2007
|
2007 |
|
Teaching More Students: Rethinking Studios & Classrooms at Rensselaer's iEAR Studios
|
Rolnick, Neil B. |
vol. 1998
|
1998 |
|
Teaching Robots to Conduct: Automatic Extraction of Conducting Information from Sheet Music
|
Salgian, Andrea; Agina, Lawrence; Nakra, Teresa M. |
vol. 2014
|
2014 |
|
Teaching Software Synthesis Through Csound's New Modelling Opcodes
|
Boulanger, Richard; ffitch, John |
vol. 1998
|
1998 |
|
TEATRACKS: A DEMONSTRATION OF AN AUDITORY DISPLAY OF A MULTITRACK SOUND SEQUENCER
|
d’Escriván, Julio; Trützschler von Falkenstein, Jan |
vol. 2008
|
August 2008 |
|
A Technique for Time-Variant Filter Design
|
Justice, James H. |
vol. 1977
|
1977 |
|
Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing.
|
Torchia, Ryan H.; Lippe, Cort |
vol. 2003
|
2003 |
|
Techniques for Note Identification in Polyphonic Music
|
Chafe, Chris; Jaffe, David; Kashima, Kyle; Mont-Reynaud, Bernard; Smith, Julius |
vol. 1985
|
1985 |
|
Techniques of Timbral Interpolation
|
Lo, Yee-On |
vol. 1986
|
1986 |
|
Techniques to Foster Drum Machine Expressivity
|
Bilmes, Jeff A. |
vol. 1993
|
1993 |
|
Technological Advances for Conducting a Virtual Ensemble
|
Garnett, Guy E.; Jonnalagadda, Mangesh; Elezovic, Ivan; Johnson, Timothy; Small, Kevin |
vol. 2001
|
2001 |
|
Technological Advantage For The Sound Arts: Border Politics
|
Ignacio, José; Ramirez-Gastón, López |
vol. 2010
|
2010 |
|
Technology And Creativity In The Classroom:An Opportunity Missed?
|
Mcnichol, Alistair |
vol. 2010
|
2010 |
|
TECHNOLOGY, CULTURE AND LOCATION IN A RECENT NEW ZEALAND SONIC ART PROJECT
|
Whalley, Ian |
vol. 2008
|
August 2008 |
|
TECHNOLOGY PENETRATES TRADITION: INTRODUCTION OF MUSIC TECHNOLOGY IN MACEDONIA
|
Pejoska, Katerina |
vol. 2012
|
2012 |
|
TECHNOLOGY, REAL-TIME NOTATION, AND AUDIENCE PARTICIPATION IN FLOCK
|
Freeman, Jason; Godfrey, Mark |
vol. 2008
|
August 2008 |
|
The Technophobe and the Madman: An Internet2 Distributed Musical
|
Rowe, Robert; Rolnick, Neil |
vol. 2004
|
2004 |
|
Tectonic: a Networked, Generative and Interactive, Conducting Environment for iPad
|
Vickery, Lindsay; James, Stuart |
vol. 2016
|
2016 |
|
Tele-detection and Large Dimension Gestual Control
|
Prevot, Phillipe |
vol. 1986
|
1986 |
|
Telematic Music – Restrictions and Advantages Compared to Traditional One-Site Music Events
|
Braasch, Jonas |
vol. 2008
|
August 2008 |
|
TELETAU: A Computer Music Permanent Service
|
Nencini, G.; Grossi, P.; Bertini, G.; Camilleri, C.; Tarabella, L. |
vol. 1986
|
1986 |
|
TEMA: An "Open" Support Environment for Music Composition
|
Eaglestone, Barry; Lundén, Peter |
vol. 1996
|
1996 |
|
TEMPLATE BASED KEY FINDING FROM AUDIO
|
İzmirli, Özgür |
vol. 2005
|
2005 |
|
Tempo Curves Considered Harmful
|
Desain, Peter; Honing, Henkjan |
vol. 1991
|
1991 |
|
Tempo Prediction Model for Accompaniment System
|
Wada, Shizuka; Horiuchi, Yasuo; Kuroiwa, Shingo |
vol. 2014
|
2014 |
|
Temporal Elements: A Cognitive System of Analysis for Electro-Acoustic Music
|
Frank, Robert J. |
vol. 2000
|
2000 |
|
Temporal Filtering: Framing Sonic Objects
|
Moon, Barry |
vol. 2001
|
2001 |
