| Title |
Author(s) |
|
Digital Synthesis of Complex Spectra by Means of Non-linear Distortion of Sine Waves and Amplitude Modulation
|
Arfib, Daniel |
|
Towards Improved Analysis-Synthesis Using Cepstral and Pole-Zero Techniques
|
Cann, Richard; Steiglitz, Kenneth |
|
Envelope Control with an Optical Keyboard
|
Dworak, Paul E.; Parker, Alice C. |
|
Nuances in the Synthesis of “Live Sounds”
|
Ferretti, Ercolino |
|
Computer Facilities for Music at IRCAM
|
Gardner, John K.; Harvey, Brian; Lawson, James R.; Risset, Jean-Claude |
|
Interactive Compositional Algorithms
|
Ghent, Emmanuel |
|
Computer Music: Studies and Research at CNUCE, Institute of the National Research Council (CNR), Pisa
|
Grossi, P. |
|
A Technique for Time-Variant Filter Design
|
Justice, James H. |
|
The Carnegie-Mellon Computer Music System Digital Hardware
|
Parker, Alice C.; Blum, Richard D.; Dworak, Paul E. |
|
The Composer as Surgeon: Performing Phase Transplants
|
Petersen, Tracy Lind |
|
Composing Grammars
|
Roads, C. |
|
A Fuzzy Hierarchical System Model for Real-time Visual Interpretation in Musical Experiences
|
Schwede, Gary W. |
|
New Developments in Stochastic Computer Music
|
Siddall, Jon C.; Siddall, James N. |
|
Design Considerations for Computer Music Systems
|
Walsh, John P. |
|
Psychoacoustic Aids for the Musician's Exploration of New Material
|
Wessel, David L.; Smith, Bennett |
|
A Microprocessor Based Live-Performance Instrument
|
Yantis, Michael A. |
