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Title Author(s) Volume/Issue Date
A Parallel-Formant Speech Synthesizer in Max/MSP Ma, Michael Kexin; Fels, Sidney; Pritchard, Robert vol. 2006 2006
Antony: A Reimagining MacCallum, John; Goodheart, Matthew; Freed, Adrian vol. 2015 2015
Dynamic Message-Oriented Middleware with Open Sound Control and Odot MacCallum, John; Gottfried, Rama; Rostovtsev, Ilya; Bresson, Jean; Freed, Adrian vol. 2015 2015
New Tools for Aspect-Oriented Programming in Music and Media Programming Environments MacCallum, John; Freed, Adrian; Wessel, David vol. 2014 2014
Timewarp: A Graphical Tool For The Control Of Polyphonic Smoothly Varying Tempos Maccallum, John; Schmeder, Andrew vol. 2010 2010
Timbral Migration: Stochastic Processes for the Control of Smooth Spectral Transformation MacCallum, John; Schmeder, Andrew; Wessel, David vol. 2009 2009
REAL-TIME ANALYSIS OF SENSORY DISSONANCE MacCallum, John; Einbond, Aaron vol. 2007 2007
TIMBRE AS A PSYCHOACOUSTIC PARAMETER FOR HARMONIC ANALYSIS AND COMPOSITION MacCallum, John; Hunt, Jeremy; Einbond, Aaron vol. 2005 2005
A PEN-BASED MUSICAL SCORE EDITOR Macé, Sébastien; Anquetil, Eric; Garrivier, Elodie; Bossis, Bruno vol. 2005 2005
Phenomenology, Spatial Music and the Composer: prelude to a phenomenology of space in acousmatic music Macedo, Frederico vol. 2011 2011
A flexible and modular crosslingual voice conversion system Machado, Anderson Fraiha; Queiroz, Marcelo vol. 2014 2014
Hyperinstruments: Musically Intelligent and Interactive Performance and Creativity Systems Machover, Tod; Chung, Joe vol. 1989 1989
A Survey of Recent Compositional and Musical Research at IRCAM Machover, Tod vol. 1981 1981
Applying Balanced Model Truncation to Sound Analysis/Synthesis Models Mackenzie, J. P.; Kale, I.; Cain, vol. 1995 1995
Chaotic Predictive Modelling of Sound Mackenzie, J. P. vol. 1995 1995
A Bayesian Technique for Distinguishing Between Melody Notes and Grace Notes in Recorded Performances MacLean, W. James vol. 2002 2002
Gamera: Optical music recognition in a new shell MacMillan, Karl; Droettboom, Michael; Fujinaga, Ichiro vol. 2002 2002
A System to Port Unit Generators Between Audio DSP Systems MacMillan, Karl; Droettboom, Michael; Fujinaga, Ichiro vol. 2001 2001
Audio Latency Measurements of Desktop Operating Systems MacMillan, Karl; Droettboom, Michael; Fujinaga, Ichiro vol. 2001 2001
Preparation for Interactive Live Computer Performance in Collaboration with a Symphony Orchestra Madden, Timothy; Sith, Ronald Bruce; Wright, Matthew; Wessel, David vol. 2001 2001
Armadillo: Real Time and Non-Real Time Analysis of Musical Sounds on a Power Macintosh Madden, Timothy J.; Beauchamp, James W. vol. 1999 1999
Simple Synchronisation for Open Sound Control Madgwick, Sebastian; Mitchell, Thomas; Barreto, Carlos; Freed, Adrian vol. 2015 2015
KEY-FINDING WITH INTERVAL PROFILES Madsen, Søren Tjagvad; Widmer, Gerhard vol. 2007 2007
Ambient culture: coping musically with the environment Maeder, Marcus vol. 2014 2014
A BOWED STRING PHYSICAL MODEL INCLUDING FINITE-WIDTH THERMAL FRICTION AND HAIR DYNAMICS Maestre, Esteban; Spa, Carlos; Smith III, Julius O. vol. 2014 2014
Gesture Sampling For Instrumental Sound Synthesis: Violin Bowing As A Case Study Maestre, Esteban; Pérez, Alfonso; Ramírez, vol. 2010 2010
Data-Driven Stastical Modeling of Violin Bowing Gesture Parameter Contours Maestre, Esteban vol. 2009 2009
ACQUISITION OF VIOLIN INSTRUMENTAL GESTURES USING A COMMERCIAL EMF TRACKING DEVICE Maestre, Esteban; Bonada, Jordi; Blaauw, Merlijn; Pérez, Alfonso; Guaus, Enric vol. 2007 2007
Using Concatenative Synthesis for Expressive Performance in Jazz Saxophone Maestre, Esteban; Hazan, Amaury; Ramirez, Rafael; Perez, Alfonso vol. 2006 2006
The Evolution of the Graphic Editing Environment for the IRCAM Musical Workstation Maggi, Enzo; Dechelle, François vol. 1996 1996
The MARS Station: Algorithm Design and Real Time Performance Maggi, Enzo; Armani, Fabio vol. 1994 1994
A Platform for Real-Time Perceptually-Based Audio Data Reduction Maglione, Tom; Vercoe, Barry vol. 1991 1991
Aesthetics, Score Generation, and Sonification in a Game Piece Magnus, Cristyn vol. 2006 2006
Evolving electroacoustic music: the application of genetic algorithms to time-domain waveforms Magnus, Cristyn vol. 2004 2004
Confessions of a Live Coder Magnusson, Thor vol. 2011 2011
The IXI Lang: A SuperCollider Parasite for Live Coding Magnusson, Thor vol. 2011 2011
THE IXIQUARKS: MERGING CODE AND GUI IN ONE CREATIVE SPACE Magnusson, Thor vol. 2007 2007
The ixi Instruments as Semiotic Machines Magnusson, Thor vol. 2006 2006
IXI SOFTWARE: OPEN CONTROLLERS FOR OPEN SOURCE AUDIO SOFTWARE Magnusson, Thor vol. 2005 2005
The Ghost in the MP3 Maguire, Ryan vol. 2014 2014
The Computer-Assisted Music Classroom: A Catalyst for Creativity Mahin, Bruce P. vol. 1991 1991
The Gestures of Flowing: Using PureData as a Backbone for Interactive Sculpture Animation,Video and Sound Mahling, Andreas vol. 2003 2003
MusicTalk: A Tool Driven Approach to Computer Aided Composition Mahling, Andreas vol. 2002 2002
How to Feed Musical Gestures into Compositions Mahling, Andreas vol. 1991 1991
The GRM Digital Studio for Treating Natural Sounds Mailliard, Benedict; Geslin, Yann; Allouis, Jean-Francois vol. 1982 1982
Music Recombination Using a Genetic Algorithm Majumder, Sanjay; Smith, Benjamin D. vol. 2018 2018
VMCI, an Interface to Control Csound in Real-time Under Windows Maldonado, Gabriel vol. 1999 1999
Using Real-time Csound MIDI With Windows Maldonado, Gabriel vol. 1998 1998
Studio Report: University of York, England Malha, Dave; Orton, Richard; Hunt, Andy; Kirk, Ross vol. 1991 1991
Cutting the cord - In-circuit programmable microprocessors and RF data links free the performer from cables. Malham, D. G. vol. 2003 2003