Title |
Author(s) |
Volume/Issue |
Date |
A Parallel-Formant Speech Synthesizer in Max/MSP
|
Ma, Michael Kexin; Fels, Sidney; Pritchard, Robert |
vol. 2006
|
2006 |
Antony: A Reimagining
|
MacCallum, John; Goodheart, Matthew; Freed, Adrian |
vol. 2015
|
2015 |
Dynamic Message-Oriented Middleware with Open Sound Control and Odot
|
MacCallum, John; Gottfried, Rama; Rostovtsev, Ilya; Bresson, Jean; Freed, Adrian |
vol. 2015
|
2015 |
New Tools for Aspect-Oriented Programming in Music and Media Programming Environments
|
MacCallum, John; Freed, Adrian; Wessel, David |
vol. 2014
|
2014 |
Timewarp: A Graphical Tool For The Control Of Polyphonic Smoothly Varying Tempos
|
Maccallum, John; Schmeder, Andrew |
vol. 2010
|
2010 |
Timbral Migration: Stochastic Processes for the Control of Smooth Spectral Transformation
|
MacCallum, John; Schmeder, Andrew; Wessel, David |
vol. 2009
|
2009 |
REAL-TIME ANALYSIS OF SENSORY DISSONANCE
|
MacCallum, John; Einbond, Aaron |
vol. 2007
|
2007 |
TIMBRE AS A PSYCHOACOUSTIC PARAMETER FOR HARMONIC ANALYSIS AND COMPOSITION
|
MacCallum, John; Hunt, Jeremy; Einbond, Aaron |
vol. 2005
|
2005 |
A PEN-BASED MUSICAL SCORE EDITOR
|
Macé, Sébastien; Anquetil, Eric; Garrivier, Elodie; Bossis, Bruno |
vol. 2005
|
2005 |
Phenomenology, Spatial Music and the Composer: prelude to a phenomenology of space in acousmatic music
|
Macedo, Frederico |
vol. 2011
|
2011 |
A flexible and modular crosslingual voice conversion system
|
Machado, Anderson Fraiha; Queiroz, Marcelo |
vol. 2014
|
2014 |
Hyperinstruments: Musically Intelligent and Interactive Performance and Creativity Systems
|
Machover, Tod; Chung, Joe |
vol. 1989
|
1989 |
A Survey of Recent Compositional and Musical Research at IRCAM
|
Machover, Tod |
vol. 1981
|
1981 |
Applying Balanced Model Truncation to Sound Analysis/Synthesis Models
|
Mackenzie, J. P.; Kale, I.; Cain, |
vol. 1995
|
1995 |
Chaotic Predictive Modelling of Sound
|
Mackenzie, J. P. |
vol. 1995
|
1995 |
A Bayesian Technique for Distinguishing Between Melody Notes and Grace Notes in Recorded Performances
|
MacLean, W. James |
vol. 2002
|
2002 |
Gamera: Optical music recognition in a new shell
|
MacMillan, Karl; Droettboom, Michael; Fujinaga, Ichiro |
vol. 2002
|
2002 |
A System to Port Unit Generators Between Audio DSP Systems
|
MacMillan, Karl; Droettboom, Michael; Fujinaga, Ichiro |
vol. 2001
|
2001 |
Audio Latency Measurements of Desktop Operating Systems
|
MacMillan, Karl; Droettboom, Michael; Fujinaga, Ichiro |
vol. 2001
|
2001 |
Preparation for Interactive Live Computer Performance in Collaboration with a Symphony Orchestra
|
Madden, Timothy; Sith, Ronald Bruce; Wright, Matthew; Wessel, David |
vol. 2001
|
2001 |
Armadillo: Real Time and Non-Real Time Analysis of Musical Sounds on a Power Macintosh
|
Madden, Timothy J.; Beauchamp, James W. |
vol. 1999
|
1999 |
Simple Synchronisation for Open Sound Control
|
Madgwick, Sebastian; Mitchell, Thomas; Barreto, Carlos; Freed, Adrian |
vol. 2015
|
2015 |
KEY-FINDING WITH INTERVAL PROFILES
|
Madsen, Søren Tjagvad; Widmer, Gerhard |
vol. 2007
|
2007 |
Ambient culture: coping musically with the environment
|
Maeder, Marcus |
vol. 2014
|
2014 |
A BOWED STRING PHYSICAL MODEL INCLUDING FINITE-WIDTH THERMAL FRICTION AND HAIR DYNAMICS
|
Maestre, Esteban; Spa, Carlos; Smith III, Julius O. |
vol. 2014
|
2014 |
Gesture Sampling For Instrumental Sound Synthesis: Violin Bowing As A Case Study
|
Maestre, Esteban; Pérez, Alfonso; Ramírez, |
vol. 2010
|
2010 |
Data-Driven Stastical Modeling of Violin Bowing Gesture Parameter Contours
|
Maestre, Esteban |
vol. 2009
|
2009 |
ACQUISITION OF VIOLIN INSTRUMENTAL GESTURES USING A COMMERCIAL EMF TRACKING DEVICE
|
Maestre, Esteban; Bonada, Jordi; Blaauw, Merlijn; Pérez, Alfonso; Guaus, Enric |
vol. 2007
|
2007 |
Using Concatenative Synthesis for Expressive Performance in Jazz Saxophone
|
Maestre, Esteban; Hazan, Amaury; Ramirez, Rafael; Perez, Alfonso |
vol. 2006
|
2006 |
The Evolution of the Graphic Editing Environment for the IRCAM Musical Workstation
|
Maggi, Enzo; Dechelle, François |
vol. 1996
|
1996 |
The MARS Station: Algorithm Design and Real Time Performance
|
Maggi, Enzo; Armani, Fabio |
vol. 1994
|
1994 |
A Platform for Real-Time Perceptually-Based Audio Data Reduction
|
Maglione, Tom; Vercoe, Barry |
vol. 1991
|
1991 |
Aesthetics, Score Generation, and Sonification in a Game Piece
|
Magnus, Cristyn |
vol. 2006
|
2006 |
Evolving electroacoustic music: the application of genetic algorithms to time-domain waveforms
|
Magnus, Cristyn |
vol. 2004
|
2004 |
Confessions of a Live Coder
|
Magnusson, Thor |
vol. 2011
|
2011 |
The IXI Lang: A SuperCollider Parasite for Live Coding
|
Magnusson, Thor |
vol. 2011
|
2011 |
THE IXIQUARKS: MERGING CODE AND GUI IN ONE CREATIVE SPACE
|
Magnusson, Thor |
vol. 2007
|
2007 |
The ixi Instruments as Semiotic Machines
|
Magnusson, Thor |
vol. 2006
|
2006 |
IXI SOFTWARE: OPEN CONTROLLERS FOR OPEN SOURCE AUDIO SOFTWARE
|
Magnusson, Thor |
vol. 2005
|
2005 |
The Ghost in the MP3
|
Maguire, Ryan |
vol. 2014
|
2014 |
The Computer-Assisted Music Classroom: A Catalyst for Creativity
|
Mahin, Bruce P. |
vol. 1991
|
1991 |
The Gestures of Flowing: Using PureData as a Backbone for Interactive Sculpture Animation,Video and Sound
|
Mahling, Andreas |
vol. 2003
|
2003 |
MusicTalk: A Tool Driven Approach to Computer Aided Composition
|
Mahling, Andreas |
vol. 2002
|
2002 |
How to Feed Musical Gestures into Compositions
|
Mahling, Andreas |
vol. 1991
|
1991 |
The GRM Digital Studio for Treating Natural Sounds
|
Mailliard, Benedict; Geslin, Yann; Allouis, Jean-Francois |
vol. 1982
|
1982 |
Music Recombination Using a Genetic Algorithm
|
Majumder, Sanjay; Smith, Benjamin D. |
vol. 2018
|
2018 |
VMCI, an Interface to Control Csound in Real-time Under Windows
|
Maldonado, Gabriel |
vol. 1999
|
1999 |
Using Real-time Csound MIDI With Windows
|
Maldonado, Gabriel |
vol. 1998
|
1998 |
Studio Report: University of York, England
|
Malha, Dave; Orton, Richard; Hunt, Andy; Kirk, Ross |
vol. 1991
|
1991 |
Cutting the cord - In-circuit programmable microprocessors and RF data links free the performer from cables.
|
Malham, D. G. |
vol. 2003
|
2003 |