| Title |
Author(s) |
Volume/Issue |
Date |
|
Additive Synthesis with Band-Limited Oscillator Sections
|
Pabon, Peter; Oishi, So |
vol. 2016
|
2016 |
|
Real-time Spectrum/cepstrum games
|
Pabon, Peter |
vol. 1994
|
1994 |
|
A real time singing voice analysis/synthesis system
|
Pabon, Peter |
vol. 1994
|
1994 |
|
The Continuator: Musical Interaction with Style
|
Pachet, François |
vol. 2002
|
2002 |
|
Rhythms as emerging structures
|
Pachet, François |
vol. 2000
|
2000 |
|
Dynamic Audio Mixing
|
Pachet, François; Delerue, Olivier; Hanappe, Peter |
vol. 2000
|
2000 |
|
MusicSpace: a Constraint-Based Control System for Music Spatialization
|
Pachet, François; Delerue, Olivier |
vol. 1999
|
1999 |
|
Representing Knowledge Used by Jazz Muscians
|
Pachet, Francois |
vol. 1991
|
1991 |
|
A Meta-level Architecture for the Analysis of Jazz Chord Sequences
|
Pachet, Francois |
vol. 1991
|
1991 |
|
Towards Synthia II: An Assessment of Design Strategies for Computer Assisted Learning of Sound Synthesis
|
Padden, Matthew; Clarke, Michael; Diz, Alan; Kirby, Mark |
vol. 1996
|
1996 |
|
The Musical Expectations of Self-Organizing Neural Networks
|
Page, Michael |
vol. 1991
|
1991 |
|
Studio Report: Arizona State University
|
Paine, Garth; Moon, Barry |
vol. 2015
|
2015 |
|
EXPLOITING MELODIC SMOOTHNESS FOR MELODY DETECTION IN POLYPHONIC AUDIO
|
Paiva, Rui Pedro; Mendes, Teresa; Cardoso, Amílcar |
vol. 2005
|
2005 |
|
INTERACTIVE COMPOSITION AND IMPROVISATION ON THE HYPER-FLUTE
|
Palacio-Quintin, Cléo; Zadel, Mark |
vol. 2008
|
August 2008 |
|
A Dispersive Resonator in Real Time on MARS Workstation
|
Paladin, Andrea; Rocchesso, Davide |
vol. 1992
|
1992 |
|
MARS: Musical Applications
|
Palmieri, Giuliano; Sapir, Silbyane |
vol. 1992
|
1992 |
|
Physical Modeling by Directly Solving Wave PDE
|
Palumbi, Marco; Seno, Lorenzo |
vol. 1999
|
1999 |
|
Modeling piano performance: Physics and cognition of a virtual pianist
|
Pamcutt, Richard |
vol. 1997
|
1997 |
|
APPLICATIONS OF ULTRASONIC SOUND BEAMS IN PERFORMANCE AND SOUND ART
|
Pampin, Juan; Kollin, Joel S.; Kang, Eunsu |
vol. 2007
|
2007 |
|
ATS User Interfaces
|
Pampin, Juan; di Liscia, Oscar Pablo; Moss, William 'Pete'; Norman, Alex |
vol. 2004
|
2004 |
|
ATS: A System for Sound Analysis Transformation and Synthesis Based on a Sinusoidal plus Critical-Band Noise Model and Psychoacoustics
|
Pampin, Juan |
vol. 2004
|
2004 |
|
ATS: a Lisp Environment for Spectral Modeling
|
Pampin, Juan |
vol. 1999
|
1999 |
|
OWT: A REAL-TIME OPTIMAL TUNING APPLICATION
|
Pan, Wei; Johnson, Micah K.; Polansky, Larry; Rockmore, Daniel; Repetto, Douglas |
vol. 2008
|
August 2008 |
|
Macrostructure and Transition in an Algorithmic Composition Environment
|
Paoli, Ken |
vol. 2017
|
2017 |
|
Phil Winsor's Myst: Research and Art – a Technical and Aesthetic Consideration
|
Paoli, Ken |
vol. 2018
|
2018 |
|
Creativity Through Technology And Science In Xenakis
|
Paparrigopoulos, Kostas |
vol. 2014
|
2014 |
|
UPIC Special Session
|
Pape, Gerard; Rocton, Didier |
vol. 1993
|
1993 |
|
Musical Creation at Ateliers UPIC and CEMAMu
|
Pape, Gerard; Raczinski, Jean-Michel; Marino, Gerard; Serra, Marie Helene |
vol. 1992
|
1992 |
|
Interactive Music for Instrumented Dancing Shoes
|
Paradiso, Joseph; Hsaio, Kai-Yuh; Hu, Eric |
vol. 1999
|
1999 |
|
New Sensor and Music Systems for Large Interactive Surfaces
|
Paradiso, Joseph A.; Hsiao, Kai-Yuh; Strickon, Joshua; Rice, Peter |
vol. 2000
|
2000 |
|
An Expandable Real-Time Transputer Sound Generator
|
Parash, Avi; Shimony, Uri |
vol. 1991
|
1991 |
|
Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of musical tension and relaxation schemas
|
Paraskeva, Stella; McAdams, Stephen |
vol. 1997
|
1997 |
|
Improved Score Following for Acoustic Performances
|
Pardo, Bryan; Birmingham, William |
vol. 2002
|
2002 |
|
Parametric Spectrumization
|
Parent, Nil |
vol. 1991
|
1991 |
|
Do People With Absolute Pitch Really Produce the P300 Response When Processing Tones?
|
Park, Jonghwa; Lee, Sungeun |
vol. 2018
|
2018 |
|
Composition With Path : Musical Sonification Of Geo- Referenced Data With Online Map Interface
|
Park, Si Hwa; Kim, Seunghung; Lee, Samuel |
vol. 2010
|
2010 |
|
FormSound: A Particle Formation-Based Audiovisual Interface
|
Park, Sihwa; Joo, Woohun |
vol. 2017
|
2017 |
|
Behave: a Heatmap-based Audiovisual Representation of Personal Data
|
Park, Sihwa |
vol. 2018
|
2018 |
|
The Sound Analysis Toolbox (SATB)
|
Park, Tae Hong; Srinivasan, Sumanth |
vol. 2016
|
2016 |
|
Towards Soundscape Information Retrieval (SIR)
|
Park, Tae Hong; Lee, Jun Hee; You, Jaeseong; Yoo, Min-Joon; Turner, John |
vol. 2014
|
2014 |
|
Citygram One: One Year Later …
|
Park, Tae Hong; Musick, Michael; Turner, John; Mydlarz, Charlie; Lee, Jun Hee; You, Jaeseong; DuBois, Luke |
vol. 2014
|
2014 |
|
LOCATIVE SONIFICATION: PLAYING THE WORLD THROUGH CITYGRAM
|
Park, Tae Hong; Turner, Johnathan; Jacoby, Christopher; Marse, Alex; Musick, Michael; Kapur, Ajay; He, Jingyin |
vol. 2013
|
2013 |
|
GEORGIA STATE UNIVERSITY MUSIC TECHNOLOGY STUDIO REPORT
|
Park, Tae Hong; Thompson, Robert Scott; Marse, Alex; Turner, Jonathan |
vol. 2012
|
2012 |
|
Systematic And Quantative Electro-Acoustic Music Analysis (Sqema)
|
Park, Tae Hong; Hyman, David; Leonard, Peter; Wu, Wen |
vol. 2010
|
2010 |
|
Not Just Prettier: FMS Marches On
|
Park, Tae Hong; Li, Zhiye |
vol. 2009
|
2009 |
|
NOT JUST MORE FMS: TAKING IT TO THE NEXT LEVEL
|
Park, Tae Hong; Li, Zhiye; Biguenet, Jonathan |
vol. 2008
|
August 2008 |
|
FEATURE MODULATION SYNTHESIS (FMS)
|
Park, Tae Hong; Biguenet, Jonathan; Li, Zhiye; Richardson, Conner; Scharr, Travis |
vol. 2007
|
2007 |
|
NEAREST CENTROID ERROR CLUSTERING FOR RADIAL/ELLIPTICAL BASIS FUNCTION NEURAL NETWORKS IN TIMBRE CLASSIFICATION
|
Park, Tae Hong; Cook, Perry |
vol. 2005
|
2005 |
|
The Electro-acoustic Music Mine (EAMM): an Initiative for the Archival Preservation of Electro-acoustic Music
|
Park, Tae Hong; Underwood, Kent |
vol. 2018
|
2018 |
|
Citygram One: Seven Years Later
|
Park, Tae Hong; Yoo, Minjoon |
vol. 2018
|
2018 |
