Title |
Author(s) |
Volume/Issue |
Date |
Backhanded Compliment: International Women’s Day and Daily Blast Live
|
Greene, Doyle |
vol. 44
no. 4 |
2020 |
Bajirao Mastani: The Love Story of a Warrior (India, Sanjay Leela Bhansali, 2015)
|
Thapa, Anu |
vol. 40
no. 3 |
2016 |
Banality and Online Videos
|
Groening, Stephen |
vol. 40
no. 2 |
July 2016 |
Bernie Cook, Flood of Images: Media, Memory, and Hurricane Katrina
|
Bronstein, Phoebe |
vol. 41
no. 3 |
2017 |
Between Resistance and Affirmation: The 2017 Berlin Film Festival
|
Gemünden, Gerd |
vol. 41
no. 3 |
2017 |
Between Textuality and Materiality: Fandom and the Mediation of Action Figures
|
Keidl, Philipp Dominik |
vol. 42
no. 2 |
November 2018 |
Beyoncé’s Lemonade, Avant-Garde Aesthetics, and Music Video: “The Past and the Future Merge to Meet Us Here”
|
Vernallis, Carol |
vol. 40
no. 3 |
2016 |
Beyoncé’s Overwhelming Opus; or, the Past and Future of Music Video
|
Vernallis, Carol |
vol. 41
no. 1 |
February 2017 |
Beyoncé’s “Formation”
|
Ball, Kevin |
vol. 40
no. 3 |
2016 |
Beyond Fashion Tips and Hijab Tutorials: The Aesthetic Style of Islamic Lifestyle Videos
|
Peterson, Kristin M. |
vol. 40
no. 2 |
June 2016 |
Beyond Tautology? Audio-Visual Film Criticism
|
Grant, Catherine |
vol. 40
no. 1 |
January 2016 |
Binge-Reviews? The Shifting Temporalities of Contemporary TV Criticism
|
McNutt, Myles |
vol. 40
no. 1 |
January 2016 |
Bird Box and Apathetic Blindness
|
Küçük, Serdar |
vol. 43
no. 3 |
2019 |
Blair Davis, Movie Comics: Page to Screen, Screen to Page
|
Cunningham, Phillip Lamarr |
vol. 43
no. 3 |
2019 |
Blair Witch: An Exercise in Home Invasion Terror
|
Hestand, Zac |
vol. 41
no. 3 |
2017 |
“Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe’s 'Enter the Void'”
|
Gazi, Jeeshan |
vol. 41
no. 1 |
February 2017 |
Bohemian Normativity: Bohemian Rhapsody and the New Heteronormal
|
McCleerey, Mark |
vol. 43
no. 3 |
2019 |
Brave New Beginnings: The 70th Berlin Film Festival
|
Gemünden, Gerd |
vol. 44
no. 3 |
2020 |