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Title Author(s)
Thirty Two Short Films About Glenn Gould at 25 Towns, Ethan
Complicity in Darren Aronofsky's mother! (2017) Bandonis, Molly
"The Uses of Cinema:" SSAAANZ 2018 Conference Review Comerford, Chris
Roma: Another word for Amor Harrison, J. Henry ("Jim")
Cobra Kai: Franchise Generationality in the Contemporary Reboot McIntyre, Anthony P.
Pooja Rangan, Immediations: The Humanitarian Impulse in Documentary Wynter, Kevin
Jans B. Wager, Jazz and Cocktails: Rethinking Race and the Sound of Film Noir Berke, Annie
Blair Davis, Movie Comics: Page to Screen, Screen to Page Cunningham, Phillip Lamarr
Return to the Self: Agnès Varda’s Cleo from 5 to 7 Zeric, Arijana
Bohemian Normativity: Bohemian Rhapsody and the New Heteronormal McCleerey, Mark
Dieter Kosslick Takes a Bow: The 69th Berlin Film Festival Gemünden, Gerd
Starpower, Industry-Building and Regional Cinema: IFF Panama 2019 Vanhaelemeesch, Jasper
History and Myth in Clint Eastwood's Flags of Our Fathers Curnow, James
Bird Box and Apathetic Blindness Küçük, Serdar
The Extraordinary Women of the Lido: The 76th Venice International Film Festival Gemünden, Gerd
Lisa Bode, Making Believe: Screen Performance and Special Effects in Popular Cinema Chen, Shaopeng
Jennifer Fay, Inhospitable World: Cinema in the Time of the Anthropocene Duncan, Phillip D.
Jennifer Malkowski, Dying in Full Detail: Mortality and Digital Documentary de Vries, Nadia
New York Film Festival 57 — Scorsese, Baumbach, Norton: A Tryptic Nochimson, Martha P.
Defending Irony in the Face of the Inevitable: Jim Jarmusch and Friends Hanes, Jay Michael; Weisman, Eleanor
Shell Shocked: On The Laundromat’s Welcome Abrasiveness Sherwood, Ryan
“What If They Are Just Actors Playing Roles?” Family Romance, LLC and the Limits of Imagination Goto, Miyabi