| Title |
Author(s) |
|
Bajirao Mastani: The Love Story of a Warrior (India, Sanjay Leela Bhansali, 2015)
|
Thapa, Anu |
|
The Walking Dead: Season 6 (AMC, 2015-2016)
|
Young Kim, Se |
|
“Far From Toy Trains”
|
Metz, Walter |
|
Scream Queens: Season 1
|
Marra, Peter |
|
The Digital Dreams Its Rivals: The Man in the High Castle (Amazon, 2015)
|
Yu, Chang-Min |
|
“New Englanders, Out of Their Minds”
|
Metz, Walter |
|
Over the Fence, Across the Water: The 66th Berlin Film Festival
|
Gemünden, Gerd |
|
“Eddie, the Ski-Jumping Socialist”
|
Wiedenfeld, Grant |
|
Beyoncé’s “Formation”
|
Ball, Kevin |
|
Son of Saul and the Crisis of Holocaust Film
|
Carr, Steven Alan |
|
Crazy Ex-Girlfriend
|
Newman, Michael Z. |
|
Kore-eda’s Our Little Sister: A Return to Japanese Classicism
|
Centeno, Marcos |
|
A Tale of Two Pools
|
Becque, Simone |
|
“Too Much in the Sun”
|
Pfeifer, Moritz |
|
Beyoncé’s Lemonade, Avant-Garde Aesthetics, and Music Video: “The Past and the Future Merge to Meet Us Here”
|
Vernallis, Carol |
|
Ellen C. Scott, Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era (Rutgers University Press, 2015)
|
Macek, Steve |
|
Sarah Keller, Maya Deren: Incomplete Control (Columbia University Press, 2015)
|
Finch, Zach |
|
Catherine Zimmer, Surveillance Cinema (New York University, 2015)
|
Wessels, Emanuelle |
|
Chuck Tryon, On-Demand Culture: Digital Delivery and the Future of Movies (Rutgers University Press, 2013)
|
Murphy, Ian |
|
The Hotel Wants What the Hotel Wants: A Review of The Leftovers, “International Assassin” (Craig Zobel, 2015)
|
Becque, Simone |
|
Women at Work: Money Monster’s Elegant Critique of Men & Media
|
McCleerey, Mark |
|
How Accurate is Selma in Portraying the African American Women Activists of the Civil Rights Movement?
|
Lott, Martha |
|
Lights, Not Out, but Colored
|
Metz, Walter |
|
Cinema of Enduring Connection in a Brutal World: The 54th New York Film Festival (2016)
|
Nochimson, Martha P. |
|
The Lobster, A Dystopian Sci-Fi Love Story
|
Hestand, Zac |
|
“Goodnight Mommy: Radical Loss and Desperate Measures”
|
Waring, Dabney Tyler |
