“As the Cyber World Turns”: Web Soaps and the History of TV Storytelling Online

by Elana Levine

“Anyone Can Wear the Mask”: The Marginalization of Miles Morales in Spider-Man: Into the Spider-Verse

by Dru Jeffries

Archives in Blue: Visual Registers for the Police Siege and Surveillance of Jaguar Productions in the 1970s

by Finley Freibert

Remediating Antebellum Laughter: Sheppard Lee, Bert Williams, and the Subversion of Blackface in Get Out

by Sami H Atassi

Surviving “Certain Death”: Narrational Reliability in American Motion Picture Serial Cliffhangers of the Golden Age

by Deborah Allison

A Diachronic, Scale-Flexible, Relational, Perspectival Operation: In Defense of (Always-Reforming) Medium Specificity

by Jordan Sjol

A Rural Georgia for White Men, Like Brian Kemp: The Midcentury Films and Nontheatrical Legacy of Georgia Agricultural Extension

by Loren Pilcher

Happy Trees in a Black Box: Elevated Escapism as Comfort Television in The Joy of Painting with Bob Ross

by Charlotte E. Howell and Joyce B. Howell

Literature, Print Culture, and the Indian New Wave

by Vikrant Dadawala

Digital Reincarnation: The Mediated Bodies and Multiple Lives of The Mummy

by Hye Jean Chung