Redeeming Grandfather: Aging Masculinity in Colombian Films

by Marcelo Carosi

Writing Film History without Films: Song Booklets and an Archival Hermeneutic of Speculation

by Usha Iyer

Too English? Voice, Gender, and Race from Murder! to Mary

by Olivia Landry

From Extraction to Wilderness: Australian Film History, Environmental History, and The Last Wild River

by Belinda Smaill

When a Format (Almost) Becomes an Instrument: Eurorack in a Logistical World

by Jonathan Sterne and Andy Kelleher Stuhl

Late Slasher: Remediation to Premediation in Urban Legend, Gossip, and Final Destination

by William Stevenson

“The House in That Film Was Very Real”: Aging and Verisimilitude in Hindi Film Set Construction

by Clare M. Wilkinson

The Voice Within: Chinese Muslims, Ethnic Identity, and Self-Representation in Hui Microfilms

by Li Zeng

The Queer Art of Feeling: Futurity, Fin de siglo, and New Queer Realism

by Geoffrey Maguire

Sister Night, Hooded Justice, and Racial Reckoning in Watchmen

by Diana Adesola Mafe

Daoism and Diaspora in Post-millennial Taiwanese Martial Arts Films

by Lin Feng

Afterlife and Reclamation: Rodney King, Black Trauma, and the Televisual Archive of Self in Celebrity Rehab

by Wendy Sung

Stardom, Cinephilia, and the Affective Contours of Bollywood’s Soft Power in China

by Swapnil Rai

Transnational Metacinemas

by Wyatt Moss-Wellington

The Ethnographic Pastoral Re-imagined: Embodiment and Inhabitation in Aboio and Sweetgrass

by Ashley Brock

Domestic Advice and Its Shadowy Double: Domestic Satire in At Home with Amy Sedaris

by Caroline N. Bayne

Is Kingdom Hearts a JRPG? The Racialized Labor of a Japanese Anti-auteur’s Disney-Licensed Videogame

by K. T. Wong

Holding onto Power: The Film Industry’s Stratification in the Digital Age

by Hamidreza Nassiri

Legitimate Transgression: Home Video Culture and Screen Translation(s) in the Late Soviet Union

by Iuliia Glushneva

Neurotic Stars and Spellbound Viewers: Louis Bisch and Psychoanalytic Film Theory in Silent-Era Photoplay

by Doron Galili

“As the Cyber World Turns”: Web Soaps and the History of TV Storytelling Online

by Elana Levine

“Anyone Can Wear the Mask”: The Marginalization of Miles Morales in Spider-Man: Into the Spider-Verse

by Dru Jeffries

Archives in Blue: Visual Registers for the Police Siege and Surveillance of Jaguar Productions in the 1970s

by Finley Freibert

Remediating Antebellum Laughter: Sheppard Lee, Bert Williams, and the Subversion of Blackface in Get Out

by Sami H Atassi

Surviving “Certain Death”: Narrational Reliability in American Motion Picture Serial Cliffhangers of the Golden Age

by Deborah Allison

A Diachronic, Scale-Flexible, Relational, Perspectival Operation: In Defense of (Always-Reforming) Medium Specificity

by Jordan Sjol

A Rural Georgia for White Men, Like Brian Kemp: The Midcentury Films and Nontheatrical Legacy of Georgia Agricultural Extension

by Loren Pilcher

Happy Trees in a Black Box: Elevated Escapism as Comfort Television in The Joy of Painting with Bob Ross

by Charlotte E. Howell and Joyce B. Howell

Literature, Print Culture, and the Indian New Wave

by Vikrant Dadawala

Digital Reincarnation: The Mediated Bodies and Multiple Lives of The Mummy

by Hye Jean Chung

Looking Back, Thinking Forward: A Digital Humanities Assessment of Equity, Diversity, and Representation in Twenty Years of Publishing in Cinema Journal and JCMS

by Yelana Sims and Nina Lorenz

"What’s Happened to Chorus Girls?": Domesticity and the Postwar Backstage Musical

by Desirée J. Garcia

Do the Loud Thing: The Boombox and Urban Space in 1980s American Cinema

by Landon Palmer

Cultural Programming and the Early History of HBO’s Signature Style, 1978–1988

by Shayne Pepper

Unruly Excess: Labor, Race, and The Pajama Game

by Rebecca Burditt

Revisiting the Blacklist Western: A Reception Study of High Noon

by Austin Fisher

Franchising the Past: Transmedia Historiography, Cultural Memory Management, and the Fanboy Historian

by Philipp Dominik Keidl

Altered States: Psychedelic Experimental Cinema as Border Crossing in Bruce Conner’s LOOKING FOR MUSHROOMS

by Johanna Gosse

Retroframing the Future: Digital De-aging Technologies in Contemporary Hollywood Cinema

by Christopher Holliday

Varda’s Backdrops

by Daniel Siegel

Selling Sonic Girlhood: Feminizing Indie Rock through Music Supervision on MTV's Awkward

by Alyxandra Vesey

Painful Games, Sporting Practices, and Enduring Masculinities

by Josef Nguyen

Reach Out and Watch Someone: Televisuality, Gender, and the Short Life of the Picturephone

by Hannah Spaulding

The Bonneville Power Administration Film Archives: Ecologies of Infrastructural Media from 1939 to the Present

by Adam Diller

Black Panther Transmedia: The Revolution Will Not Be Streamed

by Niels Niessen

Observational Secular: Religion and Documentary Film in the United States

by Kathryn Lofton

Re-imagining a Queer Indigenous Past: Affective Archives and Minor Gestures in the Sámi Documentary Sparrooabbán

by Katariina Kyrölä and Tuija Huuki

Female Desire, Pop Rock, and the Tiananmen Generation: The Synergy of Sexual and Political Revolutions in the Banned Chinese-German Film Summer Palace (2006)

by Qinna Shen

Unique Doubles: Ornamental Sisters and Dual Roles in the Transitional Era Cinema

by Ruth Mayer

"The Scientist of the Holy Ghost": Sunspring and Reading Nonsense

by Jonathan Cohn