Submissions

The JCMS feature formerly known as Professional Notes is entering a new and exciting chapter. Find out more information about the New Research feature and nominate or self-submit listings for our current theme here. You can also email your submissions to the Editor of New Research Aviva Dove-Viebahn at [email protected].

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Aviva Dove-Viebahn

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    Selected List of Recently Published Books in Film and Media Studies*

    Alt-text: Book cover images for five books including Boguska's with a light brown map silhouetted on a gridded beige background; Broomfield-McHugh's with Broadway billboards and a tableau of dancers; Calhoun's with a black and white still image from Dragnet, with two male detectives and a translucent map overlaid; Cohan's with a light yellow background behind a painted woman in a fur coat and feathered hat with veil; and Contois & Kish's with a artfully arranged photo of a cutting board with a cake decorated to look like a cell phone.

    Boguska, Rebecca. Guantánamo Frames. Meson Press, 2022.

    Broomfield-McHugh, Dominic. The Oxford Handbook of the Hollywood Musical. Oxford University Press, 2022.

    Calhoun, Claudia. Only the Names Have Been Changed: Dragnet, the Police Procedural, and Postwar Culture. University of Texas Press, 2022.

    Cohan, Steven. Sunset Boulevard. Bloomsbury (BFI Film Classics), 2022.

    Contois, Emily J.H. and Zenia Kish, eds. Food Instagram: Identity, Influence, and Negotiation. University of Illinois Press, 2022.

    Book cover images for five books including Damiens' with a black and white photograph of the back of a man wearing a white shirt and operating a film camera; DeCelles' with a black and yellow cover bracketing a black and white photograph of Lotte Eisner, an elderly woman with curly hair in quirky glasses; Flew's with a red background and white text and a strip of an abstract line graph pattern; Freedman's with a bright green grass field upon which a white robot dog is playing with a pink ball; and Friedman's with a blue car on a black background with white and yellow text and a woman sitting pensively in a car.

    Damiens, Caroline, ed. Ciné-expéditions: une zone de contact cinématographique. AFRHC (Association Française de recherche sur l'histoire du cinéma), 2022.

    DeCelles, Naomi. Recollecting Lotte Eisner: Cinema, Exile, and the Archive. University of California Press, 2022.

    Flew, Terry, Jennifer Holt, and Julian Thomas, eds. The Sage Handbook of the Digital Media Economy. SAGE, 2022.

    Freedman, Eric. Artificial Intelligence and Playable Media. Routledge, 2022.

    Friedman, Seth and Amanda Keeler, eds. Prestige Television: Cultural and Artisitc Value in Twenty-First-Century America. Rutgers University Press, 2022.

    Fujuki's with a gray background and light gray text at the top and a collage of colorful block print and art deco-style images in the lower half; Hallet's with a black and white photograph of Romy Schneider, a white brunette, overlaid by peach and white text; Kies and Connor's with a white background overlaid with the black text of the title with streaks of reds, oranges, and yellows extending from it; Kozma's with a black and white profile photo of Stephanie Rothman with a film camera overlaid with white text on a red color block; and Levin's with a black background and white text framing a black and white assortment of stacked televisions showing distorted images.

    Fujiki, Hideaki. Making Audiences: A Social History of Japanese Cinema and Media. Oxford University Press, 2022.

    Hallet, Marion. Romy Schneider: A Star Across Europe. Bloomsbury, 2022.

    Kies, Bridget and Megan Connor, eds. Fandom, the Next Generation. University of Iowa Press, 2022.

    Kozma, Alicia. The Cinema of Stephanie Rothman: Radical Acts in Filmmaking. University of Mississippi Press, 2022.

    Levin, Erica. The Channeled Image: Art and Media Politics after Television. University of Chicago Press, 2022.

    Book cover images for five books including Levy's with a color block silhouette of a woman wearing sunglasses in hues of organge and yellow on a blue background; Ma's with a black background and blue text and photographs of a man sleeping and an exterior shot of leaves hanging over water; Majumdar and Mazumdar's with a color photograph of televisions stacked on a desk showing variously distorted images of a woman's face; Maurice's with a ombré black and grey top half with white text and a close-up of a woman's face in a compact mirror at the bottom; and McEwan's in the style of a silent film title card, with beige text on a dark brown background and a decorative line border.

    Levy, Yael. Chick TV: Antiheroines and Time Unbound. Syracuse University Press, 2022

    Ma, Jean. At the Edges of Sleep: Moving Images and Somnolent Spectators. University of California Press, 2022.

    Majumdar, Neepa and Ranjani Mazumdar, eds. A Companion to Indian Cinema. Wiley-Blackwell, 2022.

    Maurice, Alice, ed. Faces on Screen: New Approaches. Edinburgh University Press, 2022.

    McEwan, Paul. Cinema's Original Sin: D.W. Griffith, American Racism, and the Rise of Film Culture. University of Texas Press, 2022.

    Book cover images for four books including Selberg's with a blue background with white building schematics and a white banner with black text; Riva's with a stylized drawing of a theater stage in hues of brown overlaid with off-white text; San Fillipo's with a blue background and black text with three triangle shaped cutouts reading "Queer Film Classics" and a close-up of a pensive face; and Scheibel's with a stylized image of actress Gene Tierney: white, with auburn hair, blue eyes, and red lipstick.

    Rankin, Cortland. Decline and Reimagination in Cinematic New York. Routledge, 2022.

    Riva, Massimo. Shadow Plays: Virtual Realities in an Analog World. Stanford University Press, 2022.

    San Filippo, Maria. Appropriate Behavior. McGill-Queen's University Press (Queer Film Classics), 2022.

    Scheibel, Will. Gene Tierney: Star of Hollywood's Home Front. Wayne State University Press, 2022.

    Book cover images for four books including Selberg's with a green background, yellow and white text, a stack of polaroid photos in the center; Shaviro's with a grey background and white and black text and a photo of a woman wearing multi-colored feathers singing into a microphone; Simon's with an off-white background with black silhouettes of a crowd and a white casette tape in the foreground; Stein's with a red background and white and yellow text and a photograph of a city bus stop; and Stevens with a black background a blue and white text framing a still image from the film Parasite.

    Selberg, Scott. Mediating Alzheimer's: Cognition and Personhood. University of Minnesota, 2022.

    Shaviro, Steven. The Rhythm Image: Music Videos and New Audiovisual Forms. Bloomsbury, 2022.

    Simon, Andrew. Media of the Masses: Cassette Culture in Modern Egypt. Stanford University Press, 2022.

    Stein, Erica. Germaine R. Halegoua, and Brendan Kredell, eds., The Routledge Companion to Media and the City. Routledge, 2022.

    Stevens, Kyle. The Oxford Handbook of Film Theory. Oxford University Press, 2022.

    Book cover images for four books including de Villiers' with a close-up of a man lying face down on a beige surface with white and grey text overlaid; Weber's with a black and white image of an pre-mid-century recording studio with a small red block of color overlaid with white text; Wiedenfeld's with the image of an American flag in a stadium on a movie theater screen with white text; and Willemsen and Kiss' with a man's torso with a cloud for a head and a light cloudy background and white and black text.

    Villiers, Nicholas de. Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-liang. University of Minnesota Press, 2022.

    Weber, Anne-Katrin. Television Before TV: New Media and Exhibition Culture in Europe and the USA, 1928-1939. Amsterdam University Press, 2022.

    Wiedenfeld, Grant. Hollywood Sports Movies and the American Dream. Oxford University Press, 2022.

    Willemsen, Stephen and Miklos Kiss, eds, Puzzling Stories: The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature. Berghan Press, 2022.

    Selected List of Recently Published Journal Articles on Film, TV and Media Studies*


    Abazeri, Mariam. “A Chronology of Seeing: Subverting Gender Norms through a Long-Term Participatory Video Project with Rural Women in Iran.” Visual Anthropology Review, 38:2 (Fall 2022).

    Abbott, Traci B. “Trans Brides in the History of Trans Representations: All That Glitters (1977) and Sense8 (2015-2018).” The Journal of Popular Culture, 55:5 (October 2022): 1062-1083.

    Ahad, Waseem. “Old imaginaries in a new frame: the politics of Bollywood’s ‘social problem films’ on Kashmir.” Contemporary South Asia, 30:4 (2022): 586-600.

    Anselmo, Diana W. “The ‘Girl Suicide Epidemic’ of the 1910s: Pain & Prejudice in US Newspapers.” Journal of Women’s History, 34:3 (Fall 2022): 34-58.

    Archer, Neil. “Don’t believe in miracles: the British sports film in the era of sporting rationalization.” Sport in Society, online (October 2022).

    Barnes, Angela Marie Moewaka. "Indigenising the screen: Te Tangata Whai Rawa o Wēniti—The Māori Merchant of Venice (2002)." AlterNative: An International Journal of Indigenous Peoples, online (October 2022).

    Barnett, Chelsea. “Masculinity, victimhood and national identity in 1970s Australian ocker cinema.” History Australia (November 2022).

    Bielby, Denise. “Roger Ebert's Film Criticism.” The Journal of Popular Culture, 55:4 (2022): 777-798.

    Blacksin, Isaac. “Agitation at the Margins: War, Reportage, and their Contradiction in Iraq.” HAU: Journal of Ethnographic Theory, 12:2 (2022): 421-435.

    Bridgland, Victoria M. E., Benjamin W. Bellet, and Melanie K. T. Takarangi. "Curiosity Disturbed the Cat: Instagram’s Sensitive-Content Screens Do Not Deter Vulnerable Users From Viewing Distressing Content." Clinical Psychological Science, online (November 2022).

    Chartrand, Louise and Janelle Lazaro. “Entertainment-Education: What Are Grey’s Anatomy and Saving Hope Teaching Us About Death?” OMEGA - Journal of Death and Dying, online (December 2022).

    Conway, Kyle. "Reading oil (back) into media history: The case of postwar television." International Journal of Cultural Studies, online (October 2022).

    Cox, Nicholas and Lisa Taylor. "Brexit, ugly feelings and the power of participatory art in Grayson Perry: Divided Britain." European Journal of Cultural Studies, online (October 2022).

    Docherty, Michael. “Do Android Detectives Dream of Electric Cowboys? Western Retrofuturity in Blade Runner 2049.” Comparative American Studies An International Journal, online (November 2022).

    Dong, Jessie. "Encountering the Civil Sphere Through Cinema: The Cinematic Gap as a Pathway to Civil Evaluation and Repair." Cultural Sociology, online (December 2022).

    Falkof, Nicky. “Lovers not fighters: Afropolitan masculinity in two South African romcoms.” Safundi, online (December 2022).

    Fay, Jennifer. “Thinking on Film with Arendt and Cavell.” Critical Inquiry, 49:2 (Winter 2023): 227-250.

    Fink, Moritz. ""Cool" Media Studies: McCloud, McLuhan, and the Popification of the Humanities." Inks: The Journal of the Comics Studies Society 6:3 (2022): 250-261.

    Fornoff, Carolyn. “Adapting Race: El hombre de los hongos as Mex-blaxploitation.” Latin American and Latinx Visual Culture, 4:2 (2022): 29-44.

    Fraiman, Susan. "Realism's Gender Wars: Masculinity Effects in Late Realist Fiction and Contemporary Reality TV." American Literary History 34:4 (2022): 1414-1446.

    Hallas, Roger. "A Medium Seen Otherwise." Social Research: An International Quarterly 89:4 (2022): 971-996.

    Hallet, Marion. “Mireille Darc: 1960s Subversve Dumb Blonde?” Genre en séries, 12-13 (October 2022): https://doi.org/10.4000/ges.2864.

    Heck, Kalling. “On the Political Potential of Hating Movies.” Cultural Critique, 117 (Fall 2022): 109-142.

    Hudson, Dale. "Untangling Fact, Fiction, Fantasy—and Outright Lies: Compilation Films as Archival Piracy." Social Research: An International Quarterly 89:4 (2022): 1051-1079.

    Keetley, Dawn. “Forms of Folk Horror in Halloween III: Season of the Witch.” Journal of American Culture, 45:4 (December 2022): 373-385.

    Kocurek, Carly A. “Sparklier Worlds: Understanding Games for Girls as Style Intervention.” Conference on the Foundations of Digital Games, 2022, 13: 1-8.

    Kosonen, Heidi and Pauline Greenhill. ""My Mother, She Butchered Me, My Father, He Ate Me": Vampires, Fairy Tales, and Feminist Filmmaking in The Moth Diaries." Journal of Folklore Research 59:3 (2022): 87-114.

    Lammon, Marissa. "From Entombment to Entertainment: Death Ritual in Disney Animation.” OMEGA - Journal of Death and Dying, online (October 2022).

    Limbrick, Peter. “Reconstituting Archives: Moroccan Cinema and History in Ahmed Bouanani and Ali Essafi’s Projects of Re-collection.” Expressions Maghrébines 21:2 (2022).

    Marinelli, Alberto and Stefania Parisi. (2022). "Apps, Platforms, and Everyday Practices: How People Perceive and Care (or not) About the Digital Traces They Leave Online." American Behavioral Scientist, online (December 2022).

    Mitchell, Paul. “Mary Shelley’s ‘Hideous Progeny:’ Readaptation and (Textual) Deformity in Two Recent Frankenstein Films.” Journal of Language, Literature and Culture, online (December 2022).

    Mochel-Caballero, Anne-Frédérique ."“What happened to battles are ugly affairs?”: Fighting Girls in the Films The Chronicles of Narnia, Chapters 1, 2, and 3." Mythlore, vol 41:1 (2022): 169-185.

    Moldoveanu, Rebecca and Ashley Pearson. “Alternate Forms of Justice and Adjudicating Trauma in 13 Reasons Why.” Australian Feminist Law Journal, online (December 2022).

    Myrick, Jessica G., Jessica F. Willoughby, and Meredith D. Clark. "Racial Differences in Response to Chadwick Boseman’s Colorectal Cancer Death: Media Use as a Coping Tool for Parasocial Grief." OMEGA - Journal of Death and Dying, online (November 2022).

    Nair, Kartik. "Toward a Phenomenology of Film Production." Discourse 44:2 (2022): 158-180.

    Noonan, Catriona and Maria Brock. "Screen agencies as cultural intermediaries: Delivering gender equality in the film and television sectors?" European Journal of Cultural Studies, online (December 2022).

    O'Neill, Courtney. "The Good, the Bad, the Ambivalent: Motherhood and Maternal Ambivalence in Law and Order: Special Victims Unit." Journal of Asia-Pacific Pop Culture 7:2 (2022): 183-199.

    Raman, P. Anantha and V. Ratnamala. "#Hashtagging Caste Names: Using Facebook to Track Caste Tags Online." Journal of Social Inclusion Studies, 8:2 (2022): 203–216.

    Rampazzo Gambarato, Renira and Johannes Heuman. "Beyond fact and fiction: Cultural memory and transmedia ethics in Netflix’s The Crown.” European Journal of Cultural Studies, online (October 2022).

    Rickard, Diana. “Truth or doubt: questioning legal outcomes in true-crime documentaries.” Law and Humanities, online (November 2022).

    Samer, Rox. "Trans Comedy as Trans Care." Feminist Formations 34:3 (2022): 161-170.

    Schlipphacke, Heidi. “Lesbian Desire and the Jump Cut in Monika Treut’s Von Mädchen und Pferden.” The Germanic Review: Literature, Culture, Theory, 97:4 (2022): 359-374.

    Shahin Ghazaee, Ali Ghaderi and Paria Farhaditabar. “It’s you! It’s me! It’s us!”: The Accidental Path of Horror in Netflix’s The Haunting of Bly Manor.” Women's Studies, online (November 2022).

    Shaskevich, Helena. “Joan Logue's Newly Rediscovered and Digitized Words, 1-5.” Art Journal, vol 81:3 (2022): 88-97.

    Stupples, Polly, Maja Zonjić, Eliorah Malifa, Amber Kale, and Ayeisha Motu. “Whose lens? Gender behind the camera in Pacific filmmaking.” Cultural Trends, online (November 2022).

    Sutton, David. “The Horror/Beauty of the Harga: Midsommar as Western Imaginary of a Screen-Free Life.” Visual Anthropology, 35:4-5 (2022): 448-468.

    Thumim, Nancy and Katy Parry. "Danger, comfort, and silence at the home front: Mediating soldiers’ wives." European Journal of Cultural Studies, online (October 2022).

    Tlelima, Tiisetso. “Sexism and racism in South Africa’s TV industry.” Agenda (December 2022).

    Tschiggerl, Martin. "‘Did my grandfather storm the beaches of Normandy for this shit?’ Mnemonic wars and digital games." Memory Studies, 15:6 (2022): 1532–1543.

    Winter, Renée. “Struggle over control: Sound in home video.” International Journal of Cultural Studies, 26:1, 120–136.

    Zaman, Amal. “Consider the Aunty: The Obfuscation of Desire in My Beautiful Laundrette.” South Asia: Journal of South Asian Studies, online (November 2022).

    Selected Podcasts and Video Essays by Film & Media Scholars


    "2022 Review (w/Clarisse Loughrey)." The Cinematologist Podcast (December 2022).

    Abrams, Nathan. "Joseph McBride, 'The Whole Durn Human Comedy: Life According to the Coen Brothers' (Anthem Press, 2022)." New Books in Film (October 2022).

    Alexandre, Lily. Cinema's First Kiss Was Between Two Women (October 2022).

    Avissar, Ariel. TV Dictionary - the leftovers (November 2022).

    Binotto, Johannes. Practices of Viewing: Distance (December 2022).

    Binotto, Johannes. transitional steps [Sirk | Stahl | Stairs] (October 2022.)

    "Blood Simple (w/ Producer James Dean)." The Cinematologist Podcast (December 2022).

    Buchanan, Rebekah. "Bridget Kies and Megan Connor, 'Fandom, the Next Generation' (U Iowa Press, 2022)." New Books in Film (November 2022)

    Broomer, Stephen. "Hanging Portraits: Obsession and Resurrection in Laura." Art & Trash (November 2022).

    Broomer, Stephen. "Simultaneous Tensions: The Duo-Vision of Wicked, Wicked." Art & Trash, episode 20 (November 2022).

    Callaghan, Lara. Mr. Bean Is A Masterpiece Of Hitchcockian Suspense (October 2022).

    "Censor (w/Sarah Cleaver)." The Cinematologist Podcast (October 2022).

    Chiappetta, Jonathan. Happy Together: Adaptation as a Clash of Narrative Obligations (December 2022).

    Chou, Ying-Hsiu. "Deconstructing the Construction / Deconstruir la construcción." Tecmerin: Journal of Audiovisual Essays, no. 10 (December 2022).

    Chung, Jack H. K. The Separation of Evidence and Narrative: Zelig’s Reflection on Identity and Subjecthood (November 2022).

    Ciller, Carmen and Irene Azuaga. "L’Unique. Maria Casarès. 1922-2022." Tecmerin: Journal of Audiovisual Essays, n. 10 (December 2022).

    Copeland, Stacey. “Why Podcast?: Podcasting as Publishing, Sound-Based Scholarship, and Making Podcasts Count.” Kairos: A Journal of rhetoric, technology, and pedagogy, 27(1) (Fall 2022).

    DiGravio, Will. Film Thought 3. Godard is Dead (November 2022).

    Duarte, Alessia, Laura Fritschi and Naomi Jackson. "Personal Shopper as Vlog." Medienwissenschaft Unibas (December 2022).

    "Film Curation (Beyond Interpretation w/Chris Cassingham)." The Cinematologist Podcast (December 2022).

    Flight, Thomas. How Nope Tricks Your Ears (October 2022).

    Hofmann, Maria. "Las Marías de María / Maria’s Marias." Tecmerin: Journal of Audiovisual Essays, no. 10 (December 2022).

    Hunter, Joy. TV Dictionary - I May Destroy You (November 2022).

    "Irma Vep (w/ Dr Catherine Wheatley)." The Cinematologist Podcast (November 2022).

    Korsgaard, Mathias Bonde. "169 Seconds: Parasite – Props at the Periphery of Perception." 16:9 filmtidsskrift (November 2022).

    Laird, Colleen. Eye-Camera-Ninagawa (November 2022).

    Laird, Colleen. TV Dictionary - Sailor Moon (October 2022).

    "Licence to Queer (w/ David Lowbridge Ellis)." The Cinematologist Podcast (October 2022).

    López, Cristina Álvarez and Adrian Martin. "The Thinking Machine #65: Porch Song." De Filmkrant (January 2023).

    "Page Views Live: A Conversation with Lynn Spigel." Film Quarterly (November 2022).

    "Sight and Sound Greatest Films of All Time 2022 (Part 1 & 2)." The Cinematologist Podcast (December 2022).

    Stone, Rob. "The Lady Bird Book of Derrida. Philosophical Frameworks and Feminist Praxes / Estructuras Filosóficas y Praxis Feministas (I-III)." Tecmerin: Journal of Audiovisual Essays (December 2022).

    Stublar, Jackson and Tony Ninov. Captain Marvel as Military Propaganda (December 2022).

    Tscherne, Joel. "Diane Negra, ‘Shadow of a Doubt' (Auteur, 2021)." New Books in Film (October 2022).

    Vaude, Johanna. CONFORME (November 2022).

    Vázquez, Valentín Vía. "From one shore to the other / De una orilla a la otra." Tecmerin: Journal of Audiovisual Essays, no. 10 (December 2022.)

    Wright, Ella Victoria. A case for truth in Andrew Dominik's Blonde (November 2022).

    Zecchi, Barbara. Improbable Dialogisms or the Art of Flying (November 2022).

    Zecchi, Barbara. Breaking the silence and singing (December 2022).

    Selected Public Writing Online by Film and Media Scholars


    Barboza, Craigh. "Cooley High: Young, Gifted, and Black." Criterion, 13 December 2022.

    Bordwell, David. "Tarantino and the criticism of enthusiasm." Observations on film art, 21 November 2022.

    Bordwell, David. "You say “formalism” like it’s a bad thing." Observations on film art, 23 October 2022.

    Cayari, Christopher. "YouTube Musicians and a Pathway from Fandom to Empowerment." Pop Junction, 5 December 2022.

    Clancy, Laura. "Harry & Meghan – what the first episodes reveal about Meghan’s reputation within the royal family." The Conversation, 9 December 2022.

    Connor, J.D. "The Funnel and the Horn: On Reinventing James Cameron’s “Avatar”." Los Angeles Review of Books, 16 December 2022.

    Cunningham, Phillip Lamarr. "Resounding success of ‘Black Panther’ franchise says little about the dubious state of Black film." The Conversation, 1 December 2022.

    Foquet, Martine. "The Return of the Sacred Slacker: Television in a Post-Covid America." Pop Junction, 3 October 2022.

    Jacobson, Brian R. "Lousy Listing: On “Sight & Sound” and Taste." Los Angeles Review of Books, 2 December 2022.

    Jean-Charles, Régine. "‘Freda’ Is the Film We Need Now." Ms. magazine, 2 November 2022.

    Juhasz, Alexandra. "‘I’m This. I’m That. I’m Many Things’: Pratibha Parmar on Andrea Dworkin and ‘My Name Is Andrea’." Ms. magazine (online), 21 October 2022.

    Keeling, Kara. "Eve’s Bayou: The Gift of Sight." Criterion, 25 October 2022.

    Kelly, Nohan. "The Returned Gaze: Ukraine in the Documentaries of Sergei Loznitsa." Film Quarterly's Quorum. 7 October 2022.

    Lang, Isabelle and Laura Valenza. "Open Season on Husbands: Female Revenge Movies of the Long 1990s." Los Angeles Review of Books, 25 November 2022.

    Lanier, Allison. "The Pioneering Black Sci-Fi Writer Behind the Original Wakanda." Ms. magazine, 23 November 2022.

    Larsson, Mariah. "Mai Zetterling: Cinema Artist." Criterion, 13 December 2022.

    Lavezzo, Kathryn. "Multiculturalism in Middle-earth: On Amazon’s “The Lord of the Rings: The Rings of Power”." Los Angeles Review of Books, 7 November 2022.

    Lehman, Peter. "Why the re-release of iconic porn film ‘Deep Throat’ fizzled." The Conversation, 17 November 2022.

    Marr, Vanessa. "Disenchanted: Disney attempts to break stereotypes of motherhood only to reinforce them." The Conversation, 22 November 2022.

    Mesle, Sarah. "The Heirs and Their Hair: On HBO’s “House of the Dragon”." Los Angeles Review of Books, 24 October 2022.

    Pensis, Eva. “Not a Transition: On Andrea Pallaoro’s “Monica”." Los Angeles Review of Books, 9 December 2022.

    Resnikoff, Jason. "How Do You Know What To Shoot?: On William Wyler and John Sturges’s “Thunderbolt”." Los Angeles Review of Books, 28 December 2022.

    Shambu, Girish. "Casa Susanna: Queer history, community, and the archive." 13 December 2022.

    Shu, Alice. "Turning Red Costumes: Ming Lee and Authority." Pop Junction, 25 October 2022.

    Smith, Alison. "Jeanne Dielman: ‘greatest film of all time’ is a masterpiece of slow cinema that richly details life’s quiet intricacies." The Conversation, 5 December 2022.

    Szalay, Michael. "iPhone TV: A Conversation with Kim Jee-woon." Los Angeles Review of Books, 11 November 2022.

    Tait, R. Colin. "Jeremy Strong Theory: On Acting and Talking About Acting." Los Angeles Review of Books, 20 December 2022.

    Thompson, Kristin. "A24: the studio as auteur." Observations on film art, 10 October 2022.

    Thompson, Kristin. "The ten best films of...1932." Observations on film art, 31 December 2022.

    Torchin, Leshu. "Who Cares? The Media Industry’s Culture of Carelessness." Film Quarterly's Quorum. 16 November 2022.

    Waade, Anne Marit and Julia Leyda. "Petro-Menopause in “Borgen: Power & Glory”." Los Angeles Review of Books, 18 October 2022.

    Walker, James. "The first televised World Series spurred America’s television boom, 75 years ago." The Conversation, 27 October 2022.

    Wheatley, Catherine. "Emily in Paris: why it’s so hard to admit love for the show despite it being so popular." The Conversation, 19 December 2022.

    Wong, Anna and Susan D. Whiting. "Anna May Wong’s Legacy of Inclusion." Ms. magazine, 21 November 2022.


    * Editorial Notes:

    - While Professional Notes usually represents the last 3-4 months of publications, this installment contains a few entries outside of that timeframe submitted by SCMS members that had not been included in earlier lists.

    - The articles represented in Professional Notes include a selection of articles about film, television, and other media published in journals that are not traditionally focused on aspects of media studies. Therefore, member-submitted articles in media studies journals (such as, but not limited to, those included in SCMS’ journals resource list) will not be represented here. PN also does not include chapters in edited collections at this time, although media-focused edited collections are more than welcome as part of the books list.