Selected List of Recently Published Articles on Film and TV
(compiled by Paul Flaig, University of St. Andrews)
Bailey, Constance. “Signifying Sistas: Black Women's Humor and Intersectional Poetics.” Meridians: feminism, race, transnationalism 21:1 (2022): 185-205.
Bellow, Juliet. "Fernand Léger’s Mechanical Ballets: On Dance and the Machine Aesthetic." Modernism/modernity 29:2 (2022): 399-430.
Betancourt, Michael. “Stan VanDerBeek’s Danse Macabre: Found Sound, Appropriated Music, and Rehearing.” Found Footage Magazine 8 (2022): 64-75.
Callender, Brandon S. “The Devil Finds Use: Black Queers Do The Exorcist.” Qui Parle; 31:1: 67–98.
Castronova, Edward. "Echoes of Purgatory in World of Warcraft: Shadowlands." Logos: A Journal of Catholic Thought and Culture 25:4 (2022): 122-139.
Conty, Arianne. “Animism in the Anthropocene.” Theory, Culture & Society, 39:5 (2022): 127–153.
Class, Claire M. "Scrutable Monstrousness in Alex Garland’s Men (2022)." Studies in the Fantastic 13 (2022): 85-90.
Clayton, Michelle. "Dancing Returns: Recovering Modernism’s Movements." Modernism/modernity 29:2 (2022): 307-331.
Ranjodh Singh Dhaliwal. “On Addressability, or What Even Is Computation?” Critical Inquiry 49:1 (Autumn 2022) 1-27.
Donald, Stephanie Hemelryk. "Under My Skin: Critical Art and Its Impact." new formations: a journal of culture/theory/politics 106 (2022): 79-99.
Duffy, Andrea. "The Margins of Empire: Gender, Nationalism, and Space in British Exploration." Environment, Space, Place 14:2 (2022): 1-27.
Dutton, James. “Objective Breathing: Peter Sloterdijk's Atmospheric Mediation” Cultural Politics 18:2 (July 2022): 151–172.
Elias, Amy J. "Chemical Inscription as the New Nature Writing." ASAP/Journal 7:2 (2022): 282-289.
Esquivel-King, Reyna. "Unions: Foundation of the Mexican Film Industry." Mexican Studies 38:2 (2022): 331-360.
Hart, Roderick P. “Communication & Media Arts: Of the Humanities & the Future.” Daedalus 151:3 (2022): 153–65.
Heneks, Grace. “‘We cool?’: Satirizing Whiteness in Obama-Era Black Satire." Studies in American Humor 8:2 (2022): 275-296.
Henkel, Brook. “Mabuse Returns: Fritz Lang, 1950s Berlin, and the Afterlife of Nazi Television.” New German Critique 49:2 (August 2022): 161–186.
Grochowski, Piotr. "Miracles and Visionaries in the Digital Age." Journal of American Folklore 538 (2022): 383-411.
Ingraham, Natalie. “‘Mend this fractured family’: sin, redemption, and familial citizenship on NBC’s The Biggest Loser.” Media, Culture & Society, 44:7 (2022): 1255–1271.
İpek Ek, Fatma. "Augmented Aesthetics in the Representation of Spatial Atmosphere." Environment, Space, Place 14: 2 (2022): 83-103.
Joyce, Stephen. "The Centenary on Screen: Transnational Productions of the Easter Rising." Éire-Ireland 57:1 (2022): 87-109.
Watroba, Karolina. “Guy Maddin’s Careful and the Mountain Film: A Transnational Approach to German Film History.” New German Critique 146 (August 2022): 133–160.
Kovačević, Nataša. "Guest Workers and Non-Aligned Friends: Postsocialist and Postcolonial Solidarity in Želimir Žilnik's Recent Films About Migration." Comparative Literature Studies 59:3 (2022): 506-526.
Krimper, Michael. "Nonsovereign: Inoperativity from Bataille to Agamben." Diacritics 49:3 (2021): 30-56.
Latsis, Dimitrios. "Films at the Fairs: Cinema at the San Francisco and San Diego International Expositions of 1915." Canadian Review of American Studies 52:2 (2022): 141-152.
Leonzini, Alexandra, and Peter Moody. "From McArthur's Landing to Trump's Fire and Fury: Sonic Depictions of Struggle and Sacrifice in a North Korean Short Story, Film, and Opera." Korean Studies 46 (2022): 73-106.
Lee, Luqman. “Binary Inversions and Gender Fluidity in the Malay Sitcom Senario.” Bijdragen Tot de Taal-, Land- En Volkenkunde 178:2/3 (2022): 306–29.
Lonac, Susan. "The Mainstreaming of American Queer Cinema." Canadian Review of American Studies 52:2 (2022): 153-168.
Lydon, Jane. "An Australian Politics of Indistinction: Making Refugees Visible." new formations: a journal of culture/theory/politics 106 (2022): 100-117.
Maika, Kierra Catherine, and Angela D. Weaver. "Women's perceptions of, and emotional responses to, sexual violence depicted in film or series." The Canadian Journal of Human Sexuality 31:2 (2022): 280-292.
Mathew, Shaj. "Global Autofictional Flânerie." Modernism/modernity 29:2 (2022): 219-239.
Marini, Alessandro. "The Education of an Author: Gavino Ledda in Paolo and Vittorio Taviani’s Padre Padrone." Modern Language Review 117:4 (2022): 608-621.
Massol de Rebetz, Clara de. "Purple, by John Akomfrah: Confronting Human Histories with Deep Time in the Anthropocene." Resilience: A Journal of the Environmental Humanities 9:3 (2022): 1-18.
Miyao, Daisuke. "After The Cheat: The Birth of the Japanese American Film Audience." Reception: Texts, Readers, Audiences, History 14 (2022): 42-60.
Moallem, Minoo. "The Figure of the Martyr in Iran-Iraq Postwar Movies: The Case of Safar be Chazzabeh." Comparative Studies of South Asia, Africa and the Middle East 42:1 (2022): 196-205.
Osborne, Dora. "Undoing the Human in the Films of Maren Ade." Seminar: A Journal of Germanic Studies 58:3 (2022): 308-327.
Peng, Hsin-Yuan. “Intervals in Relief: Abe Masanao’s Stereoscopic Clouds.” Representations 159 (2022): 90–121.
Pohl, Ethan. "‘Stop Resisting or You're Gonna Get It Again’: Police Use of Force in a Canadian Crime Reality Television Show." Canadian Journal of Criminology and Criminal Justice 64:3 (2022): 92-115.
Potts, George. "The Stoic Comedy of Elizabeth Bishop and Buster Keaton." ELH, 89:3 (2022): 807-832.
Rangwala, Shama. "Liberal Containment in Marvel Movies of the Trump Era." Canadian Review of American Studies 52:2 (2022): 169-189.
Rodi-Risberg, Marinella and Helen Mäntymäki. “Perpetrator Trauma in Television Crime Series We Hunt Together Crime Fiction Studies 3:2 (2022): 175-193.
Russell, Eric-John. “Gu Debord, an Untimely Aristocrat. Theory, Culture & Society 39:5 (2022): 103–125.
Russell, Robert James. "The Women West of Here: Reckoning Their Place in the Western, Pop Culture, and History." Great Plains Quarterly 42:1 (2022): 127-145.
Sadowski-Smith, Claudia. "The Rise of the Nostalgic Spy Thriller: Globalizing the Neo-Cold War Narrative of Totalitarian State Socialism in the TV Series Deutschland (2015–2020)." Comparative Literature Studies 59:3 (2022): 590-611.
Sandu, Oana Popescu. "New Cold War Nostalgia in Recent U.S. Cultural Productions: Retro and Irony in the Transnational Postsocialist World." Comparative Literature Studies 59:3 (2022): 612-630.
Sharrock, Beth. "Framing Shakespeare in New Digital Canons: Paratextual Conventions of RSC Live and NT Live." Shakespeare Bulletin 40:2 (2022): 239-265.
Shield, Alix. "‘You Must Unlearn What You Have Learned’: Or, How Yoda, Decolonization, and Indigenous Digital Media Fit Together." Studies in American Indian Literatures 34:1 (2022): 75-91.
Special Issue. “Radio Cultures of the Global South.” The Global South 15:2 (Spring 2022).
Special Issue. “Comic Improv.” Comedy Studies 13:2 (2022).
Special Issue. “Centering Women on Post-2010 Chinese TV.” Communication, Culture and Critique 15: 3 (September 2022).
Stiegler, Bernard and Daniel Ross. “The National Front and Ultraliberalism (Extract from Pharmacologie du Front National, 2013).” Cultural Politics 18:2 (July 2022): 130–150.
Tebbutt, Melanie. "Crying for Flicka: Boys, Young Men, and Emotion at the Cinema in Britain in the 1930s and 1940s." Journal of Social History 56:1 (2022): 144-167.
Tembo, Kwasu D. "Bi-Lal Kaifa for the Weirding Way: An Encomium of Denis Villeneuve’s Adaptation of Frank Herbert’s Dune." Studies in the Fantastic 13 (2022): 62-84.
Tion, Lucian. "The Socialist Leader in Film: Sergiu Nicolaescu's Hot Days in Romania and Post-Maoist China." Comparative Literature Studies 59:3 (2022): 468-486.
Turvey, Malcolm. “Theory, Philosophy, Film Studies, and Science: A Response to D. N. Rodowick's Philosophy's Artful Conversation and Murray Smith's Film, Art and the Third Culture.” October 181 (2022): 7–60.
Vatulescu, Cristina. "The Mug Shot and the Close-Up: Identification and Visual Pedagogy in Secret Police Film." Kritika: Explorations in Russian and Eurasian History 23:3 (2022): 523-551.
Velasco, Gina K. “Queering the Global Filipina Body: Conquested Nationalisms in the Filipina/o Diaspora.” Alon: Journal for Filipinx American and Diasporic Studies 2:2 (2022): 105–10.
Velásquez, Juan C. “Herculean Unproductivity in Pasolini's La ricotta and Teorema.” Cultural Politics 18:2 (2022): 208–226.
Walther, Sundhya. "Wild/Life in the Age of Environmental Crisis: Planet Earth II's Aesthetic of Resilience." Resilience: A Journal of the Environmental Humanities 9:3 (2022): 67-88.
Watchman, Renae. "Teaching Indigenous Film through an Indigenous Epistemic Lens." Studies in American Indian Literatures 34:1 (2022): 112-134.
Wu, Yi. "Mimesis as Poiesis: The Production and Reproduction of Likeness in an Extra-Moral Sense." The Journal of Speculative Philosophy 36:3 (2022): 378-398.
Zaborskis, Mary, and Elizabeth Reich. "A Queer Dig: Kanaka Maoli Gendered and Temporal (Archaeo)logics in Kumu Hina." Feminist Formations 34:2 (2022): 19-42.
Zambrana, Rocío. "Sensorial Errancy in Decolonial Key." Small Axe 26:2 (2022): 144-153.
Zitzelsberger, Florian, and Melanie Kreitler. "Making (Narrative) Sense: Introspection and Retrospection in Crazy Ex-Girlfriend." Journal of Narrative Theory 52:2 (2022): 240-264.
Zhou, Qingyang Freya. "Queering the Screen: Spectral Figures and German-Taiwanese Encounters in Monika Treut’s Ghosted." Seminar: A Journal of Germanic Studies 58:3 (2022): 251-270.
AVPN: Audio-Visual Professional Notes
Film & Media Scholars on Podcasts, Blogs, and Video Essays
(compiled by Paul Flaig, University of St. Andrews)
Ahmed, Sara. “Feminism as Lifework: A dedication to bell hooks,” feministkilljoys (September 2022).
Berke, Annie. “Cinema’s First Nasty Women,” New Books in Film (October 2022).
Binotto, Johannes. Practices of Viewing: Dubbing (September 2022).
Bordwell, David. “Godard: The power of imperfection,” Observations on Film Art (September 2022).
Grant, Catherine. Letters Across Oceans—To Tiziana Panizza (July 2022).
Hudelet, Ariane. TV Dictionary – Succession (October 2022).
Karush, Matthew B. “Prisioneros de la tierra: Tropical Oppression,” Criterion Collection Essays (September 2022).
Kunze, Peter C. “Pamela Robertson Wojcik, ‘Gidget: Origins of a Teen Girl Transmedia Franchise’.” New Books in Film (October 2022).
López, Cristina Álvarez and Adrian Martin. The Thinking Machine #61: Rose/Eros (May 2022).
Priyambada, Pratichi. “Usha Iyer, ‘Dancing Women: Choreographing Corporeal Histories of Hindi Cinema’.” New Books in Film (September 2022).
Sanogo, Aboubakar. “‘I Am Muna moto’,” Criterion Collection Essays (September 2022).
Shambu, Girish. “Ecosystems: From Sable Island to Documentary Platforms,” Film Quarterly Quorum (August 2022).
Shaviro, Steven. “Jean-Luc Godard, 1930-2022),” The Pinocchio Theory (September 2022).
Smith, Alison. “Jean-Luc Godard: how his prickly fragmented filmmaking asked all the right questions.” The Conversation (September 2022).
Stone, Rob. The Lady Bird Book of Derrida (August 2020).
Tscherne, Joel. “Julie A. Turnock, ‘The Empire of Effects: Industrial Light and Magic and the Rendering of Realism’.” New Books in Film (August 2022).
Turk, Edward Baron. “Hôtel du Nord: The Atmosphere in Question,” Criterion Collection Essays (August 2022).
Zecchi, Barbara. Queering Gentlemen (September 2022).
Selected List of Recently Published Books in Film and Media Studies
Compiled by: Colleen Glenn, College of Charleston
Andresen, Christer Bakke. Norwegian Nightmares: The Horror Cinema of a Nordic Country. Edinburgh University Press, 2022.
Bailey, Moya. Misogynoir Transformed: Black Women's Digital Resistance. New York University Press, 2022.
Beeler, Karin, and Stan Beeler, eds. Animals in Narrative Film and Television: Strange and Familiar Creatures. Rowman & Littlefield, 2022.
Bell, Natalie, Dan Kidner and Milan Ther, eds. Leslie Thornton. The MIT Press, 2022.
Broomfield-McHugh, Dominic, ed. The Oxford Handbook of the Hollywood Musical. Oxford University Press, 2022.
Calhoun, Claudia. Only the Names Have Been Changed: Dragnet, the Police Procedural, and Postwar Culture. University of Texas Press, 2022.
Ceplair, Larry. The Hollywood Motion Picture Blacklist: Seventy-Five Years Later. University Press of Kentucky, 2022.
Clancy, Martin, ed. Artificial Intelligence and Music Ecosystem. Routledge, 2022.
Cullen, Jim. 1980: America's Pivotal Year. Rutgers University Press, 2022.
Davis, Bruce. The Academy and the Award: The Coming of Age of Oscar and the Academy of Motion Picture Arts and Sciences. Chicago University Press, 2022.
Decker, Christof. Imaging the Scenes of War: Aesthetic Crossovers in American Visual Culture. Columbia University Press, 2022.
Draper, Jack A., and Cacilda M. Rêgo, eds. Woman-Centered Brazilian Cinema: Filmmakers and Protagonists of the Twenty-First Century. SUNY Press, 2022.
Dymond, Erica Joan, ed. Grief in Contemporary Horror Cinema: Screening Loss. Rowman & Littlefield, 2022.
Egan, Kate, and Jeffrey Andrew Weinstock, eds. And Now for Something Completely Different: Critical Approaches to Monty Python. Edinburgh University Press, 2022.
Fisher, Jaimey. German Ways of War: The Affective Geographies and Generic Transformations of German War Films. Rutgers University Press, 2022.
Fizek, Sonia. Playing at a Distance: Borderlands of Video Game Aesthetic. The MIT Press, 2022.
Gabrielle, Lara. Captain of Her Soul: The Life of Marion Davies. University of California Press, 2022.
Haberman, Steve. The Masque of the Red Death. Oxford University Press, 2022.
Jacobsen, Helen. Inspiring Walt Disney: The Animation of French Decorative Arts at the Wallace Collection. Bloomsbury, 2022.
Kagen, Melissa. Wandering Games. The MIT Press, 2022.
Klinger, Barbara. Immortal Films: Casablanca and the Afterlife of a Hollywood Classic. University of California Press, 2022.
Kääpä, Pietari, and Hunter Vaughan, eds. Film and Television Production in the Age of Climate Crisis: Towards a Greener Screen. Palgrave Macmillan, 2022.
Lescher, Mary E. The Disney Animation Renaissance: Behind the Glass at the Florida Studio. University of Illinois Press, 2022.
Maddox, Jessica. The Internet Is for Cats: How Animal Images Shape Our Digital Lives. Rutgers University Press, 2022.
Maury, Corinne. Sense of Place in Contemporary Cinema. Translated by Francis Guevremont, Edinburgh University Press, 2022.
McDonough, Christopher M. Pontius Pilate on Screen: Soldier, Sinner, Superstar. Edinburgh University Press, 2022.
McKernan, Luke. Picturegoers: A Critical Anthology of Eyewitness Experiences. University of Exeter Press, 2022.
Meuel, David. Silent Film’s Last Hurrah: the Remarkable Movies of the Long 1928. McFarland, 2022.
Morton, Drew, ed. After Midnight: Watchmen after Watchmen. University Press of Mississippi, 2022.
Oliver-Powell, Melissa. Pepsi and the Pill: Motherhood, Politics and Film in Britain and France, 1958-1969. Berghahn Books, 2022.
Puhr, Thomas M. Fate in Film: A Deterministic Approach to Cinema. Columbia University Press, 2022.
Redmon, Allen H. Rewatching on the Point of the Cinematic Index. University Press of Mississippi, 2022.
Richardson, Niall, and Frances Smith. Trans Representations in Contemporary Popular Cinema: The Transgender Tipping Point. Routledge, 2022.
Rona, Jeff. The Reel World: Scoring for Pictures, Television, and Video Games. Rowman & Littlefield, 2022.
Scheibel, Will. Gene Tierney: Star of Hollywood's Home Front. Wayne State University Press, 2022.
Sheaffer, Russell. Orlando. McGill-Queen's University Press, 2022.
Yeh, Emilie Yueh-Yu, Darrell William Davis, and Wenchi Lin, eds. Thirty-Two New Takes on Taiwan Cinema. University of Michigan Press, 2022.
Öztürkmen, Arzu. The Delight of Turkish Dizi: Memory, Genre and Politics of Television in Turkey. Chicago University Press, 2022.
