Articles on Film and TV

(compiled by Paul Flaig, University of St. Andrews)

Callahan, Vicki. “Where There’s Smoke and the Generative Documentary: A Conversation with Lance Weiler.” Afterimage 49:1 (March 2022): 14–25.

Chen, Thomas. “Remade in China: Rule of Law, Democracy, and the Chinese 12 Angry Men.” positions: asia critique 30:1 (February 2022): 137–158.

Ellis, Robin. "Intimate Exchanges: Interpreting Borders in Hans-Christian Schmid's Lichter." German Studies Review 45:1 (2022): 105-127.

Finn, Stephen Marcus. "Beyond the Fence: A Farmed Animal Rights Manifesto for Film." Journal of Animal Ethics 12:1 (2022): 63-75.

Galloway, Alexander R. “The Origin of Geometry.” Grey Room 86 (2022): 6–27.

Gunning, Tom. “Michel Mourlet’s ‘On a Misunderstood Art (1959)’: Plunging Back into the Screen.” Critical Inquiry 48:3 (Spring 2022): 475–482.

Huesken, Gerald G., Jr. "The Fight to Ban The Birth of a Nation in Lancaster, Pennsylvania." Pennsylvania History: A Journal of Mid-Atlantic Studies 89:1, (2022): 102-128.

Hutchison, Phillip J. “Celebrating a carnival of insults: Don Rickles meets Mikhail Bakhtin.” Comedy Studies 13:1 (2022): 2-14.

Kincaid, Andrew. “Samuel Beckett's Radio Geographies.” Modernist Cultures 17:1 (2022): 54-73.

Khotimsky, Maria. “From Internationalism to Postcolonialism: Literature and Cinema Between the Second and Third Worlds.” Comparative Literature 74:1 (March 2022): 144–146.

Kim, Jihoon. "The Audiovisual Turn of Recent Korean Documentary Cinema: The Time-Image, Place, and Landscape." positions: asia critique 30:1 (2022): 189-216.

Labayen, Miguel Fernández & Alejandro Melero. “Naked weekends, white sheets, and masked erotica: The changing limits of decency in the Spanish sexy comedies of the transition to democracy.” Comedy Studies 13:1 (2022): 28-40.

Mann, Daniel. “Red Planets: Cinema, Deserts, and Extraction.” Afterimage 49:1 (March 2022): 88–109.

Mauss, Nick. “On Werner Schroeter.” October 179 (2022): 132–136.

Miller, J. Reid. "The Ethical Turn in Cinema." Diacritics 49:1 (2021): 42-61.

Mourlet, Michel and Gila Walker. “On a Misunderstood Art (1959).” Critical Inquiry 48:3 (Spring 2022): 483–498.

Rancière, Jacques et al. “Does Communist Art Exist?” Critical Inquiry 48:3 (Spring 2022): 459–474.

O'Rawe, Des. “Plays and Fragments: Antigone, Film, Modernity.” Modernist Cultures 17:1 (2022): 1-26.

Schröter, Jens et al. “Quantum Computing and the Analog/Digital Distinction.” Grey Room 86 (2022): 28–49.

Special Issue. “Decolonial Feminisms.” Feminist Media Histories 8:1 (Winter 2022).

Special Issue. “Media Climates.” Representations 157:1 (Winter 2022).

Special Issue. “Fifty Years of The Logic of Sense.” Deleuze and Guattari Studies 16:1 (February 2022).

Special Issue. “Media Archaeology.” Early Popular Visual Culture 18:4 (2020).

Special Issue. “New Formulations of the Otaku.” Mechademia 14:2 (Spring 2022).

Special Issue. “Globalized Media Archaeologies.” boundary 2 49:1 (February 2022).

Special Issue. “Queer Fire: Liberation and Abolition.” GLQ 28:2 (April 2022).

Special Issue. “The t4t Issue.” TSQ 9:1 (February 2022).

Special Issue. “Hans Blumenberg at 101.” New German Critique 49:1 (February 2022).

Velasco, Gina. “‘That’s My Tomboy’: Queer Filipinx Diasporic Transmasculinities.” Alon: Journal for Filipinx American and Diasporic Studies 2:1 (2022): 67–73.

White, Jerry. “Pasolini in/and Catalonia: Translation, Minority Languages, and Internationalism.” Comparative Literature 74:1 (March 2022): 99–118.

AVPN: Audio-Visual Professional Notes

Film & Media Scholars on Podcasts, Blogs, and Video Essays

(compiled by Paul Flaig, University of St. Andrews)

Abrams, Nathan. ‘Anthony Shaw and Giora Goodman, "Hollywood and Israel: A History’,” New Books in Film Podcast (April 2022).

Abrams, Nathan. Robert P. Kolker, Triumph Over Containment: American Film in the 1950s,” New Books in Film Podcast (March 2022).

Álvarez López, Cristina and Martin, Adrian. “The Thinking Machine #55: The Unbreakable Frame.” De Filmkrant (January 2022).

Álvarez López, Cristina and Martin, Adrian. “The Thinking Machine #56: Smile.” De Filmkrant (March 2022).

Baker, Sarah. “Blair Witch, Cloverfield and Archive 81: horror’s love affair with the ‘found footage’ technique,” The Conversation (April 2022).

Binotto, Johannes. “close by. Georges Franju and the moving frame” (February 2022).

Bordwell, David. “Lau Kar-leung: The dragon still dances,” Observations on Film Art (March 2022).

Bordwell, David. “When the image ruled: Julien Duvivier in the silent era,” Observations on Film Art (February 2022).

O’Brien, David. “Annie Berke, ‘Their Own Best Creations: Women Writers in Postwar Television’,” New Books in Film Podcast (March 2022).

Di Gravio, Will. “Episode 30: Jordan Schonig,” The Video Essay Podcast (February 2022).

Foster, Gwendolyn Audrey. “Dreaming of Monica Vitti” (February 2022).

Friedman, Yale and Shaw, Deborah. “Flee: animation is a powerful medium for documentaries about conflict and refugees,” The Conversation (February 2022).

Gorfinkel, Elena. “Adoption: Wayward Faces,” Criterion Collection Essays (March 2022).

Grant, Catherine. “Kindergeister” (March 2022).

Hallam, Lindsay. “Nosferatu at 100: how the seminal vampire film shaped the horror genre,” The Conversation (March 2022).

Korsgaard, Matthias. “The End...or Is It?” (March 2022).

Lim, Shirley J. “After Hollywood thwarted Anna May Wong, the actress took matters into her own hands,” The Conversation (March 2022).

Linares, Dario and Neil Fox. “Episode 136: Michel Chion in Conversation (Parts 1 & 2).” The Cinematologists (February 2022).

Mihailova, Mihaela. “Studio LAIKA and the Ghosts of Invisible Labor” (March 2022).

Oyallon-Koloski, Jenny. “America is (definitely not) Cool: A sequel” (March 2022).

Rutherford, Anne. “Ripple rustle shimmer shake” (January 2022).

Sekar, Sureshkumar P. “Film-with-Live-Orchestra Concerts: A New Hope” (January 2022).

Book List

Selected List of Recently Published Books in Film and Media Studies

Compiled by: Colleen Glenn, College of Charleston

Allen, Julie K. Screening Europe in Australasia: Transnational Silent Film Before and After the Rise of Hollywood. University of Exeter Press, 2022.

Badley, Linda. Lars Von Trier Beyond Depression: Contexts and Collaborations. Wallflower Press, 2022.

Boggs, Johnny D. American Newspaper Journalists on Film: Portrayals of the Press During the Sound Era. McFarland, 2022.

D'Argenio, Maria Chiara. Indigenous Plots in Twenty-First Century Latin American Cinema. Palgrave Macmillan, 2022.

Doane, Mary Anne. Bigger Than Life: The Close-Up and Scale in the Cinema. Duke University Press, 2022.

Driskell, Jonathan, ed. Film Stardom in South East Asia. Edinburgh University Press, 2022.

Fallows, Tom. George A. Romero's Independent Cinema: Horror, Industry, Economics. Edinburgh University Press, 2022.

Giappone, Krista Bonello R., Tomasz Z. Majkowski and Jaroslav Švelch, eds. Video Games and Comedy. Palgrave Macmillan, 2022.

Grainge, Paul. TV and Cars. Edinburgh University Press, 2022.

Horlock, Douglas. The Films of Delmer Daves: Visions of Progress in Mid-Twentieth-Century America. University Press of Mississippi, 2022.

Horton, Andrew, and Stuart Y. McDougal. Play It Again, Sam: Retakes on Remakes. University of California Press, 2022.

Kapsis, Robert E. Hitchcock: The Making of a Reputation. University of Chicago Press, 2022.

Malthête-Méliès, Madeleine. Magnificent Méliès: The Authorized Biography. Translated by Kel Pero. Edited by Matthew Solomon. University of Michigan Press, 2022.

Manning, Brandon J. Played Out: The Race Man in Twenty-First-Century Satire. Rutgers University Press, 2022.

Mayer, So, and Corinn Columpar, eds. Mothers of Invention: Film, Media, and Caregiving Labor. Wayne State University Press, 2022.

McNally, Karen, ed. American Television during a Television Presidency. Wayne State University Press, 2022.

Melnick, Ross. Hollywood's Embassies: How Movie Theaters Projected American Power Around the World. Columbia University Press, 2022.

Neal, Mark Anthony. Black Ephemera: The Crisis and Challenge of the Musical Archive. New York University Press, 2022.

O'Meara, Jennifer. Women's Voices in Digital Media: The Sonic Screen from Film to Memes. University of Texas Press, 2022.

Packer, Sharon, ed. Lenses on Blindness: Essays on Vision Loss in Media, Culture, Religion and Experience. McFarland, 2022.

Palis, Eleni. Classical Projections: The Practice and Politics of Film Quotation. Oxford University Press, 2022.

Payne, Robert. L'homme Blessé. McGill-Queen's University Press, 2022.

Pomerance, Murray, and R. Barton Palmer, eds. Autism in Film and Television: On the Island. University of Texas Press, 2022.

Rivera, Takeo. Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity. Oxford University Press, 2022.

Rowan, Paul Benedict. Ryan's Daughter: The Making of an Irish Epic. The University Press of Kentucky, 2022.

Ryynänen, Max. Bodily Engagements with Film, Images, and Technology. Routledge, 2022.

Saldarriaga, Patricia, and Emy Manini. Infected Empires: Decolonizing Zombies. Rutgers University Press, 2022.

Shaw, Tony, and Giora Goodman. Hollywood and Israel: A History. Columbia University Press, 2022.

Sperb, Jason. The Hard Sell of Paradise: Hawai'i, Hollywood, Tourism. SUNY Press, 2022.

Talijan, Emilija. Resonant Bodies in Contemporary European Art Cinema. Edinburgh University Press, 2022.

Tedde, Adriano A. Marginalisation and Utopia in Paul Auster, Jim Jarmusch, and Tom Waits: The Other America. Routledge, 2022.

Thiess, Derek J. Sport and Monstrosity in Science Fiction. Liverpool University Press, 2022.

Tyler, Tom. Game: Animals, Video Games, and Humanity. University of Minnesota Press, 2022.

Whittaker, Jason, and Elizabeth Potter, eds. Bodies, Noise and Power in Industrial Music. Palgrave Macmillan, 2022.

Wilson, Sean. The Sound of Cinema: Hollywood Film Music from the Silents to the Present. McFarland, 2022.

Zein, Rand El. Between Violence, Vulnerability, Resilience and Resistance: Arab Television News on the Experiences of Syrian Women during the Syrian Conf. Transcript Publishing, 2022.