Title |
Author(s) |
Music and emotion: the brain neglected side
|
Peretz, Isabelle; Gagnon, Lise; Bouchard, Bernard |
Psychophysiology of Musical Emotions
|
Krumhansl, Carol L. |
Rhythmic Paradoxes and Illusions: a Musical Illustration
|
Risset, Jean-Claude |
Preliminary Results on Spectral Shape Perceptions and Discrimination of Musical Sounds by Normal Hearing Subjects and Cochlear Implantees
|
Stainsby, Thomas H.; McDermott, Hugh J.; McKay, Colette M.; Clark, Graeme M. |
Modeling piano performance: Physics and cognition of a virtual pianist
|
Pamcutt, Richard |
Perception and Critique: Ecological Acoustics, Critical Theory and Music
|
Clarke, Eric |
A Neural Network Model of Metric Perception and Cognition in the Audition of Functional Tonal Music
|
Berger, Jonathan; Gang, Dan |
Harmonizing Melodies in Real-Time: the Connectionist Approach
|
Gang, Dan; Lehmann, Daniel; Wagner, Naftali |
Influence of phase effects on roughness modeling
|
Pressnitzer, Daniel; McAdams, Stephen |
Sinusoidal and Residual Decomposition and Residual Modeling of Musical Tones Using the QUASAR Signal Model
|
Ding, Yinong; Qian, Xiaoshu |
Statistical Modeling of Sound Aperiodicities
|
Dubnov, Schlomo; Rodet, Xavier |
Analysis and Regularization of Inharmonic Sounds via Pitch-Synchronous Frequency Warped Wavelets
|
Evangelista, Gianpaolo; Cavaliere, Sergio |
About this phasiness business
|
Laroche, Jean; Dolson, Mark |
On Acoustic Ecology and "Integral Art"
|
Gerwin, Thomas |
Towards a critical theory of (music) technology: Computer music and subversive rationalization
|
Di Scipio, Agostino |
Impact of MIDI on Electroacoustic Art Music
|
Igoudin, Alex Lane |
Computer Music Compositional Style Variation Between Genders and the Role of Education
|
Eliot-Kahn, Karen |
http://Web.La.Radia: Comments on the Social, Economic, and Political Aspects of Media Art and Art Technology
|
Pope, Stephen Travis |
Music, Media and Technology at McGill University: Studio Report
|
Pennycook, Bruce |
Open SoundControl: A New Protocol for Communicating with Sound Synthesizers
|
Wright, Matthew; Freed, Adrian |
Multimedia Environment for Sound Database System
|
Qi, Hai; Muramatsu, Taichi; Hashimoto, Shuji |
Composition of Data and Process Models: a Paralogical Approach to Human/Computer Interaction
|
Hamman, Michael |
Analysis by synthesis of the expressive intentions in musical performance
|
Canazza, Sergio; De Poli, Giovanni; Rodà, Antonio; Vidolin, Alvise |
A Structural Analysis Tool for Expressive Performance
|
Uwabu, Yuichi; Katayose, Haruhiro; Inokuchi, Seiji |
Classification in Music: A Computational Model for Paradigmatic Analysis
|
Anagnostopoulou, Christina; Westermann, Gert |
Two Highly Integrated Real-Time Music and Graphics Performance Systems
|
Rowe, Robert; Singer, Eric L. |
A Gesture Interface Controlled by the Oral Cavity
|
Orio, Nicola |
Statistical Pattern Recognition for Prediction of Solo Piano Performance
|
Chafe, Chris |
The Beast's glove: The tactile and the digital in computer music
|
Richard, Dominique |
Integrating complementary spectral models in the design of a musical synthesizer
|
Serra, Xavier; Bonada, Jordi; Herrera, Perfecto; Loureiro, Ramon |
Modeling Methods for Sound Synthesis. Network Combinations and Complex Models for Physical Modeling: Application to Modes Clustering
|
Incerti, Eric |
Transient Modeling Synthesis: a flexible analysis/synthesis tool for transient signals
|
Verma, Tony S.; Levine, Scott N.; Meng, Teresa H. Y. |
Singing Voice Analysis and Synthesis System through Glottal Excited Formant Resonators
|
Pierucci, Piero; Paladin, Andrea |
Physical model of the plucking process in the classical guitar
|
Cuzzocoli, Guiseppe; Lombardo, Vincenzo |
Comparison of Real Trumpet Playing, Latex Model of Lips and Computer Model
|
Vergez, C.; Rodet, X. |
Synthesis of Transients in Guitar Sounds
|
Duruöz, Cern I. |
On Searching the Model Parameters Of Digital Waveguide Filters By Using Error Backpropagation Methods
|
Su, Alvin W.Y. |
Digital Waveguide Modeling of Flared Acoustical Tubes
|
van Walstijn, Maarten; Vôlimôki, Vesa |
Efficient and Parametric Reverberator for Room Acoustics Modeling
|
Vôônônen, Riitta; Vôlimôki, Vesa; Huopaniem, Jyri; Karjalainen, Matti |
An HTTP Interface to Common Music
|
Taube, Heinrich; Kunze, Tobias |
Siren: Software for Music Composition and Performance in Squeak
|
Pope, Stephen Travis |
A Visual Programming Environment for Composing Interactive Performance Systems
|
Wagner, Bernhard |
The new MARS workstation
|
Andrenacci, Paolo; Armani, Fabio; Bessegato, Renato; Paladin, Andrea; Pisani, Patrizio; Prestigiacomo, Angelo; Rosata, Claudio; Sapir, Sylviane; Vetuschi, Mauro |
Real-time Image and Video Processing in GEM
|
Danks, Mark |
Pure Data
|
Puckette, Miller S. |
Introduction of Computer Music Studio of Sonology Departmen Kunitachi College of Music
|
Rai, Takayuki |
Center for New Music & Audio Technologies (CNMAT): Studio Report
|
Andrews, Richard |
Studio F at the Czech Radio in Prague: Studio Report
|
Zajicek, Libor |
Efficient models for reverberation and distance rendering in computer music and virtual audio reality
|
Jot, Jean-Marc |
Multirate Extensions for Model-Based Synthesis of Plucked String Instruments
|
Vôlimôki, Vesa; Tolonen, Tero |
Coupled Mode Synthesis
|
Van Duyne, Scott A. |
A Lossless, Click-free, Pitchbend-able Delay Line Loop Interpolation Scheme
|
Van Duyne, Scott A.; Jaffe, David A.; Scandalis, Gregory Pat; Stilson, Timothy S. |
A fractional delay application: time-varying propagation speed in waveguides
|
Tassart, S.; Msallam, R.; Depalle, Ph.; Dequidt, S. |
Digital Waveguide Modeling of Woodwind Toneholes
|
Scavone, Gary P.; Smith III, Julius O. |
Nonlinear Commuted Synthesis of Bowed Strings
|
Smith III, Julius O. |
DSP - for children
|
Rudi, Jøran |
Sample Rate Synchronization across an ATM Network
|
Robertson, George; McAuley, Derek |
Using Java to stream audio over ATM
|
Malloch, Stephen; Arnold, Stephen; Pflicke, Torsten |
Distributed Musical Rehearsal
|
Konstantas, Dimitri; Orlarey, Yann; Gibbs, Simon; Carbonel, Olivier |
TransMIDI: A System for MIDI Sessions Over the Network Using Transis
|
Gang, Dan; Chockler, Gregory V.; Anker, Tal; Kremer, Alex; Winkler, Tomas |
CCRMA Studio Report
|
Lopez Lezcano, Fernando |
(CCM)² - College-Conservatory of Music Center for Computer Music, University of Cincinnati
|
Helmuth, Mara; Barnhart, Michael; Fernandes, Carlos; Ho, Cheekong; Miksch, Bonnie |
Studio Report of Computer Music Research Group
|
Osaka, Naotoshi; Hirata, Keiji; Hikichi, Takafumi |
Psyche: University of Tsukuba, Computer Music Project
|
Hiraga, Rumi; Igarashi, Shigeru |
A Stochastic Method of Tracking a Vocal Performer
|
Grubb, Lorin; Dannenberg, Roger B. |
Sounds in Hands: A Sound Modifier Using Datagloves and Twiddle Interface
|
Sawada, Hideyuki; Onoe, Naoyuki; Hashimoto, Shuji |
The Digital Baton: a Versatile Performance Instrument
|
Teresa, Marrin; Paradiso, Joseph |
The Interactive Multi-media Computer System using SGI and NeXT/ISPW computers
|
Takashiro, Osamu; Rai, Takayuki |
Feel the Music: Narration in Touch and Sound
|
O'Modhrain, Maura Sile |
NeXTSTEP Graphical Interfaces to Control Sound Processing and Spatialization Instruments
|
Todoroff, Todor; Traube, Caroline; Ledent, Jean-Marc |
SaxEx: a case-based reasoning system for generating expressive musical performances
|
Arcos, Josep Lluís; de Mántaras, Ramon López; Serra, Xavier |
Robust Score-Performance Matching: Taking Advantage of Structural Information
|
Desain, Peter; Honing, Henkjan; Heijink, Hank |
Recognition of Isolated Musical Patterns in the context of Greek Traditional Music using Dynamic Time Warping Techniques
|
Pikrakis, Aggelos; Theodoridis, Sergios; Kamarotos, Dimitris |
A Machine Learning Approach to Musical Style Recognition
|
Dannenberg, Roger B.; Thom, Belinda; Watson, David |
Modelling Chinese Musical Instruments in Csound
|
Horner, Andrew; Ayers, Lydia |
A Physical Piano Model for Music Performance
|
Borin, Gianpaolo; Rocchesso, Davide; Scalcon, Francesco |
Flexible Sound Effects
|
Wyse, Lonce |
Recent work around Modalys and Modal Synthesis
|
Iovino, Francisco; Caussé, René; Dudas, Richard |
A web interface for a sound database and processing system
|
Loureiro, Ramon; Serra, Xavier |
An Object Oriented Visual Environment For Musical Composition
|
Assayag, Gérard; Agon, Carlos; Fineberg, Joshua; Hanappe, Peter |
Evolutionary Based Algorithmic Composition: A Demonstration of Recent Developments in GeNotator
|
Thywissen, Kurt |
Integrated Development Environment for Computer Music Composition
|
Drummond, Jon |
A Continuous Music Keyboard Controlling Polyphonic Morphing Using Bandwidth-Enhanced Oscillators
|
Haken, Lippold; Fitz, Kelly; Tellman, Ed; Wolfe, Patrick; Christensen, Paul |
A survey of agents based real-time interactive systems
|
Peter, Beyls |
CyberBand: A "Hands-On" Music Composition Program
|
Wright, James; Oppenheim, Daniel V.; Jameson, David |
New Musical Control Structures from Standard Gestural Controllers
|
Wright, Matthew; Wessel, David; Freed, Adrian |
Elody: a Java+MidiShare based Music Composition Environment
|
Orlarey, Yann; Fober, Dominique; Letz, Stéphane |
The 1997 Mathews Radio-Baton and Improvisation Modes
|
Boulanger, Richard; Mathews, Max |
RTcmix - Using CMIX in Real Time
|
Garton, Brad; Topper, Dave |
VIDI - A Voice Instrument Digital Interface for Byzantine Music
|
Politis, Dionysios V.; Tsoukalas, Ioannis A.; Linardis, Panagiotis; Bakalakos, Alexandros |
Wavetable Acceleration Using Intermediate Buffering and Program Code Trimming
|
Trautmann, Steven D. |
Synthesis of the trumpet tone based on physical models
|
Di Federico, Riccardo; Borin, Gianpaolo |
Influence of Sensory Interactions between Vision and Audition on the Perceptual Characterisation of Room Acoustics
|
Nathanail, Chrysanthy; Lavandier, Catherine; Polack, Jean-Dominique; Warusfel, Olivier |
The Diphone program: New features, new synthesis methods and experience of musical use
|
Rodet, Xavier; Lefèvre, Adrien |
Generating Musical Patterns Using Mutually Inhibited Artificial Neurons
|
Laine, Pauli |
Structural Recognition of Music by Pattern Matching
|
Hiraga, Yuzuru |
A Neural Organist improvising baroque-style melodic variations
|
Hörnel, Dominik; Degenhardt, Peter |
A New Connectionist Model for Associative Retrieval of Harmonic Tunes
|
Yeo, Seong-Won; Han, Min-Uk; Lee, Chong-Ho |
Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of musical tension and relaxation schemas
|
Paraskeva, Stella; McAdams, Stephen |
Musical Informatics: Curriculum or a New Area of Musicology?
|
Bekhtin, Yuri |
RMCP: Remote Music Control Protocol - Design and Applications
|
Goto, Masataka; Neyama, Ryo; Muraoka, Yoichi |
Networking Music Education: WWW applications in music teacher training: a praxial perspective
|
Vôkevô, Lauri; Ojala, Juha |
Physical Modeling Simulation of the ancient Greek Elgin Auloi
|
Tsahalinas, K.; Tzedaki, K.; Cook, P.; Psaroudakes, S.; Kamarotos, D.; Rikakis, T. |
High-frequency compensation of low sample-rate audio files: A wavelet-based spectral excitation algorithm
|
Cheng, Corey I. |
Applying Root-Locus Techniques to the Analysis of Coupled Modes in Piano Strings
|
Stilson, Timothy S. |
A Modal Distribution Study of Violin Vibrato
|
Mellody, Maureen; Wakefield, Gregory H. |
A Frequency-Dependent Bilinear Time-Frequency Distribution for Improved Event Detection
|
Sterian, Andrew; Wakefield, Gregory H. |
The Metabone : An interactive sensory control mechanism for virtuoso trombone
|
Bromwich, Mark A. |
A Toolkit for Interactive Digital Art
|
Katayose, Haruhiro; Shirakabe, Hirotsugu; Kanamori, Tsutomu; Inokuchi, Seiji |
Operating Systems Latency Measurement and Analysis for Sound Synthesis and Processing Applications
|
Freed, Adrian; Chaudhary, Amar; Davila, Brian |
A Realtime MIDI Library for an Inexpensive General-Purpose Microcontroller-Based Interactive Performance System
|
Leider, Colby N. |
Rhythmic Rendering
|
Lyon, Eric |
Neural net Architectures in Modeling Compositional Syntax: Prediction and Perception of Continuity in Minimalist Works by Phillip Glass and Louis Andriessen
|
Uno, Yayoi; Mozer, Michael C. |