Title |
Author(s) |
Preface
|
Howe, Jr., Hubert S. |
Subscore Manipulation as a Tool for Compositional and Sonic Design
|
Laske, Otto |
A Space Grammar for the Stochastic Generation of Multi-Dimensional Structures
|
Jones, Kevin |
Timbral Construction as a Stochastic Process
|
Truax, Barry |
Instructional Applications of Computer Music
|
Peelle, Howard A.; Smith, Stuart |
“OBJED” and the Design of Timbral Resources
|
Buxton, W.; Patel, S.; Reeves, W.; Baecker, R. |
On the Specification of Scope in Interactive Score Editors
|
Buxton, W.; Patel, S.; Reeves, W.; Baecker, R. |
A Microprocessor Controlled Clavier
|
Federkow, G.; Buxton, W.; Patel, S.; Smith, K. C. |
A Microprocessor-based Conducting System
|
Buxton, W.; Reeves, W.; Fedorkow, G.; Smith, K.C.; Baecker, R. |
PROD: A Grammar Based Computer Composition System
|
Green, M. |
Using the SSSP System: Reflections on One Composer's Experience
|
Montgomery, James |
Approximation and Syntactic Analysis of Amplitude and Frequency Functions for Digital Sound Synthesis
|
Strawn, John |
Sonic Transliteration Applied to Descriptive Music Notation
|
Potter, Charles E.; Teaney, Dale |
SYCOM's Studio A, an Integrated Environment for Electronic and Computer Music
|
Albers, Brad |
Computer Audio Research Laboratory Report
|
Moore, F. Richard |
Computer Music at the Institute of Cybernetics of the University of Milan
|
Haus, Goffredo |
Composer-Centered Development -- A Studio Report from Pittsburgh
|
Slawson, Wayne |
Computer Studio Report: Tri-College Group for Electronic Music and Related Research
|
Fuller, Wesley |
The SCORE Program for Musical Input to Computers
|
Smith, Leland |
Musical Data Structures in a Multi-Use Environment
|
Clements, Peter J. |
A Binomial Representation of the Pitch Parameter for Computer Processing of Musical Data
|
Brinkman, Alexander R. |
The Design of a Portable Translator for DARMS
|
McLean, Bruce |
Musicbox in C: An Interactive, Graphic Digital Sound Editor
|
Glassner, Andrew S. |
The 4CED Program
|
Abbott, Curtis |
Printing Music by Computer: A 16 Millimeter Sound Film
|
Smith, Leland |
Human Engineering in a Portable Music Notation System
|
Byrd, Donald |
Microprocessor-Supervised Digital Synthesizers
|
McKay, Blair D.; Wills, Barry L. |
Algorithmic Music Language
|
Jurgens, Raymond F. |
Optrix: A New Method of Human Coupling with Electronic Media in Live Performance
|
Vance, Scott |
VLSI and the Design of Real-Time Digital Sound Processors
|
Kahrs, Mark |
Imagination and Linear Prediction
|
Lansky, Paul |
Composing from a Geometric Model: Five-Leaf Rose
|
Kendall, Gary S. |
Music-Time and Clock-Time Similarities under Tempo Change
|
Rogers, John; Rockstroh, John |
A Vector Field Model of Compositional Creativity
|
Dworak, Paul E.; Baczewski, Philip C. |
Computer Improvisation
|
Fry, Christopher |
A Rhythm Composing Program for Percussion Ensemble
|
Nerheim, Rosalee; England, Wilber T. |
Sound Image Synthesis
|
Ungvary, Tamas |
The Musical Use of Non Linear Distortion
|
Arfib, Daniel |
Computer Music: Some Problems and Objectives in Applied Aesthetics
|
Keane, David |
A Computer Project in Harmonic Analysis
|
Gross, Dorothy |
Computer Counterpoint
|
Ebcioğlu, Kemal |
Computer Assisted Analysis of Tonal Structure in the Classical Symphony
|
Marillier, C. G. |
The Fairlight Computer Musical Instrument
|
Levine, Steve; Mauchly, J. William |
SBASS-1 Features
|
Yantis, Michael |
The ADS 200 Advanced Digital Synthesizer
|
Lieberman, Don |
Polyphonic Velocity-Sensitive Keyboard Interface
|
McKay, Blair D.; Wills, Barry L.; Carr, Davd W. |
A Microcomputer-Based Keyboard Music System
|
Steele, Douglas J.; Wills, Barry L. |
Music-11 and ST-10: Classic Stochastic Concepts Revisited
|
Stickney, Kimball P. |
Inexpensive Computer Music Scoring: newly available hardware
|
Stickney, Kimball P. |
Crystals: Recursive Structures in Computer Music Composition
|
Ames, Charles |
Towards a Data Base in Musicology: The Computer Processing of the Bridgman File
|
Charnassé, Hélène |
Computer Applications in Music: A Bibliography
|
Davis, Deta S. |
Index
|
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