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Showing results for "social science concepts" in Secondary Keywords.
- Title
- From a Day of Grief, Kerch, Crimea, January 1942
- Artist
- Dmitri Baltermants
- Physical Description
- A woman grieving while standing over dead bodies of young men in Kerch, Crimea.
- Artist Life Dates
- Russian, 1912-1990
- Object Creation Date
- 2003
- Accession Number
- 2012/2.68
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 13.33606
- Secondary Keywords
- associated concepts
- emotion
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by state or condition
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- positives
- psychological concepts
- social science concepts
- visual works
- visual works by medium or technique
- Title
- The Mendicant
- Artist
- Jean-François Millet
- Artist Life Dates
- 1814-1875
- Century
- 19th century
- Object Creation Date
- circa 1857-1858
- Accession Number
- 1955/1.107
- Medium and Support
- black chalk on off-white paper
- relevance
- rank 13.27058
- Secondary Keywords
- architecture
- associated concepts
- building divisions
- components
- components and systems
- components by specific context
- descriptors
- family
- food
- genres
- how we live
- materials
- materials by function
- objects
- people and culture
- people and occupations
- relationships
- religious figures
- rooms and spaces
- rooms and spaces by function
- social science concepts
- sociological concepts
- work and instructional spaces
- Title
- Le Capaitaine, from "Dreyfus Affair"
- Artist
- Ben Shahn
- Physical Description
- A portrait of Captain Dreyfus: The bust of a man in uniform stands pivoted to the right. His expression is neutral and his likeness is painted with bold colors in a watercolor-like texture. Below the bust reads "Le Capitaine Dreyfus", or The Captain Dreyfus.
- Artist Life Dates
- 1898-1969
- Object Creation Date
- 1968
- Accession Number
- 2011/1.112.1
- Medium and Support
- pochoir print on paper
- relevance
- rank 13.25503
- Secondary Keywords
- associated concepts
- costume
- costume by function
- objects we use
- officers (military officers)
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- social science concepts
- sociological concepts
- uniforms
- visual works
- visual works by subject type
- Title
- The Lamentation
- Artist
- Hans Baldung Grien
- Physical Description
- Three grief-striken figures lament over the body of a dead man lying on the ground before them. One of these figures, a robed woman who clasps her hands in agony, leans forward to peer into the face of the dead man, who is rendered with dramatic foreshortening. To the left of this woman sits a long-haired man wiping his eyes while another woman with wild unkempt hair seated next to him raises her arms in abject sorrow. Three nails and a pair of vessels sit in the immediate foreground next to the artist's initials "HGB."
- Artist Life Dates
- 1484/85-1545
- Century
- 16th century
- Object Creation Date
- 1515-1517
- Accession Number
- 1960/1.168
- Medium and Support
- woodcut on paper
- relevance
- rank 13.20219
- Secondary Keywords
- transfer method
- associated concepts
- emotion
- equipment
- equipment by process
- events
- executions
- objects we use
- people and culture
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions
- religions and religious concepts
- social science concepts
- supporting equipment
- tools and equipment
- visual works
- visual works by medium or technique
- Title
- Mask (Kifwebe)
- Artist
- Artist Unknown, African, Luba or Songye Peoples Democratic Republic of the Congo
- Physical Description
- Wood carved face with geometric, pseudo-human facial features, grooved, bilaterial striations of surface, protruding, square pursed mouth and horizontal slit eyes with protruding eyebrows. Faint traces of white kaolin in grooves; a flat wooden crest extends from the nose along the curve of the forehead, terminating in feathered headdress; thick raffia fiber beard attached around face. mask shows much wear with nicks and scraptes on wood surface; feathered headdress and fiber beard are brittle.
- Century
- 20th century
- Object Creation Date
- circa 1940
- Accession Number
- 2005/1.219
- Medium and Support
- wood, raffia, feathers, kaolin
- relevance
- rank 13.20215
- Secondary Keywords
- associated concepts
- costume
- costume by function
- descriptors
- events
- masks (costume)
- object genres
- object genres by material
- objects we use
- people and culture
- sculpture
- sculpture by material
- social science concepts
- sociological concepts
- visual works
- visual works by medium or technique
- Title
- Georges Picquart, from "Dreyfus Affair"
- Artist
- Ben Shahn
- Physical Description
- A portrait of a man in decorated uniform. The man faces the viewer directly, and is painted in bold colors with a watercolor-like effect. Beneath the portrait reads "Georges Picquart", who was an investigator on the Dreyfus trial.
- Object Creation Date
- 1968
- Accession Number
- 2011/1.112.5
- Medium and Support
- pochoir print on paper
- relevance
- rank 13.20215
- Secondary Keywords
- associated concepts
- costume
- costume by function
- objects we use
- officers (military officers)
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in military occupations
- social science concepts
- sociological concepts
- uniforms
- visual works
- visual works by subject type
- Title
- Diptych on Vietnam (one of two)
- Artist
- Michael Joseph
- Physical Description
- Copies of men's high school portraits from yearbook pages collaged onto board. There are words written across in red, blue, orange and purple crayon "The Class of 65...."
- Object Creation Date
- 2nd half of the 20th century
- Accession Number
- 2013/2.308A
- Medium and Support
- collage on panel
- relevance
- rank 13.13744
- Secondary Keywords
- associated concepts
- buildings and the land
- memorials
- objects we use
- people and culture
- political concepts
- single built works
- single built works by function
- single built works by specific type
- social science concepts
- visual works
- visual works by subject type
- Title
- Marilyn
- Artist
- Andy Warhol
- Physical Description
- Portrait of Hollywood actress Marilyn Monroe.
- Artist Life Dates
- 1928 - 1987
- Century
- 20th century
- Object Creation Date
- 1967
- Accession Number
- 1969/1.85
- Medium and Support
- screenprint on paper
- relevance
- rank 13.00918
- Secondary Keywords
- transfer method
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- concepts in the arts
- deaths
- events
- historical, theoretical and critical concepts
- international post-1945 styles and movements
- modern and contemporary art
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing artists
- personal life events
- post-1945 fine arts styles and movements
- prints
- prints by process
- prints by process or technique
- social science concepts
- social status
- sociological concepts
- styles and periods
- styles and periods by region
- the human body
- upper body
- visual works
- visual works by medium or technique
- women
- Title
- Marilyn
- Artist
- Andy Warhol
- Physical Description
- Portrait of Hollywood actress Marilyn Monroe.
- Artist Life Dates
- 1928 - 1987
- Century
- 20th century
- Object Creation Date
- 1967
- Accession Number
- 1969/1.86
- Medium and Support
- screenprint on paper
- relevance
- rank 13.00918
- Secondary Keywords
- transfer method
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- concepts in the arts
- deaths
- events
- historical, theoretical and critical concepts
- international post-1945 styles and movements
- modern and contemporary art
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing artists
- personal life events
- post-1945 fine arts styles and movements
- prints
- prints by process
- prints by process or technique
- social science concepts
- social status
- sociological concepts
- styles and periods
- styles and periods by region
- the human body
- upper body
- visual works
- visual works by medium or technique
- women
- Title
- Thou Shalt Not Stand Idly By
- Artist
- Ben Shahn
- Physical Description
- A colored print of a white hand holding onto a brown hand. Above their grasp is both Hebrew block and English lettering that translates/reads: "'Thou Shalt Not Stand Idly By...". The painting illustrates the need for diversity during the Civil Rights Movement of the 1960's.
- Artist Life Dates
- 1898-1969
- Object Creation Date
- 1965
- Accession Number
- 2011/1.102
- Medium and Support
- photo-offset reproduction on paper
- relevance
- rank 12.96640
- Secondary Keywords
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- descriptors
- image-making processes and techniques
- object genres
- object genres by location, context or origin
- people and culture
- political concepts
- processes and techniques
- processes and techniques by specific type
- social science concepts
- sociological concepts
- the human body
- upper body
- writing (processes)
- Title
- Staff
- Artist
- Artist Unknown, African, Yaka Peoples, Democratic Republic of the Congo
- Physical Description
- A stylized human head with an elaborate coiffure, sitting atop a larger animal head with scarification marks below the eyes, tops a well-carved staff with angular handle and a zig-zag carved pattern below the handle. The eyes of both figures are set in shallow cavities and appear squinted or closed.
- Object Creation Date
- mid 20th century
- Accession Number
- 2001/2.19
- Medium and Support
- wood
- relevance
- rank 12.96315
- Secondary Keywords
- associated concepts
- biological components
- ceremonial weapons
- components
- components and systems
- components by specific context
- equipment
- equipment by context
- equipment for personal use
- head
- objects
- objects we use
- people and culture
- political concepts
- social science concepts
- the human body
- tools and equipment
- upper body
- walking sticks
- weapons
- weapons and ammunition
- Title
- James Chaney
- Artist
- Ben Shahn
- Physical Description
- A portrait of James Chaney. His eyes are enlarged and brows thick. His hair is made up of many thick brush strokes. His gaze is centered at the viewer. Above his head is his name written in brown-orange ink.
- Artist Life Dates
- 1898-1969
- Object Creation Date
- 1965
- Accession Number
- 2011/1.105
- Medium and Support
- offset photolithograph on paper
- relevance
- rank 12.86384
- Secondary Keywords
- associated concepts
- descriptors
- image-making processes and techniques
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- processes and techniques
- processes and techniques by specific type
- social science concepts
- sociological concepts
- visual works
- visual works by subject type
- writing (processes)
- Title
- Chief’s Caryatid Stool (citwamo ka kaponya)
- Artist
- Artist Unknown, African, Chokwe Peoples Angola
- Physical Description
- This hour-glass shaped stool is supported by two caryatid figures who sit in a pose of lamentation—crouched with head in hands. Scarified patterned abstracted tears spill from their lower eyelids. Brass studs adorn the perimeter of the stool’s seat, base, and figures. Both figures wear strings of black, red and white beads around their necks.
- Century
- Late 19th century
- Object Creation Date
- 2nd half of 19th century
- Accession Number
- 2005/1.204
- Medium and Support
- wood, glass beads, and brass tacks
- relevance
- rank 12.75189
- Secondary Keywords
- associated concepts
- descriptors
- metalwork
- object genres
- object genres by material
- objects we use
- people and culture
- political concepts
- sculpture
- sculpture by material
- sculpture by technique
- social science concepts
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Ogboni staff
- Artist
- Artist Unknown, African, Yoruba Peoples Nigeria
- Physical Description
- Brass female figure, kneeling with buttocks on the heels, atop an iron staff. The protruding eyes, nose, and mouth convey a serene, dignified and somewhat withdrawn look. The figure has a beard around the face; she wears ornamentation in small holes atop the ears, cone-shaped headgear, and an elaborate necklace; there is a small spiral motif on the forehead, and two larger spiral motifs on the sides of the body. The hands are held in closed fists in front of the body, the left hand on top of the right.
- Object Creation Date
- 1900-1970
- Accession Number
- 2001/2.39
- Medium and Support
- brass, iron
- relevance
- rank 12.68072
- Secondary Keywords
- associated concepts
- ceremonial weapons
- descriptors
- inorganic material
- iron and iron alloy
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- objects we use
- people and culture
- political concepts
- sculpture
- sculpture by subject type
- social science concepts
- statues
- visual works
- visual works by medium or technique
- weapons
- weapons and ammunition
- Title
- Untitled (March 5th) #2
- Artist
- Felix Gonzalez-Torres
- Physical Description
- Two forty-watt light bulbs in simple porcelain light sockets hang together by their extension cords from a nail on the wall.
- Artist Life Dates
- 1957-1996
- Century
- 20th century
- Object Creation Date
- 1991
- Accession Number
- 1999/2.17
- Medium and Support
- 40-watt light bulbs, extension cords, porcelain light sockets
- relevance
- rank 12.47332
- Secondary Keywords
- associated concepts
- biological concepts
- components
- components and systems
- components by specific context
- events
- found object sculpture
- found objects
- furnishings components
- genres
- health and related concepts
- health-related concepts
- illness
- international post-1945 styles and movements
- lighting device components
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- personal life events
- physical sciences concepts
- physics concepts
- post-1945 fine arts styles and movements
- psychological concepts
- scientific concepts
- sculpture
- sculpture by form
- sculpture by material
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Andrew Goodman
- Artist
- Ben Shahn
- Physical Description
- A portrait of Andrew Goodman. His face is oval-shaped and expression slightly worried. His hair looks swept to the side via a series of long brush strokes. Above his portrait is his name written in orange-brown ink.
- Artist Life Dates
- 1898-1969
- Object Creation Date
- 1965
- Accession Number
- 2011/1.107
- Medium and Support
- serigraph on paper
- relevance
- rank 12.42755
- Secondary Keywords
- associated concepts
- coating (material)
- coating by form
- descriptors
- image-making processes and techniques
- materials
- materials by function
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- processes and techniques
- processes and techniques by specific type
- social science concepts
- sociological concepts
- visual works
- visual works by subject type
- writing (processes)
- Title
- Monument to the Lycée Chases
- Artist
- Christian Boltanski
- Physical Description
- Three black and white photographs of young people's faces are vertically arranged. Above each and below the center image are smaller versions of similar portrait photographs. Four of these smaller photos are also arranged in the line of the large photographs, one on each end, and two separating the larger pictues. All the photos are surrounded by an arrangement of light bulbs, which are connected by a network of electrical cables that snake along the walls and over the photos.
- Artist Life Dates
- Born 1944
- Century
- 20th century
- Object Creation Date
- 1989
- Accession Number
- 2006/1.154
- Medium and Support
- gelatin silver prints, biscuit tins, electric cables, and sixty-eight lightbulbs
- relevance
- rank 12.36963
- Secondary Keywords
- associated concepts
- austria (nation)
- biological concepts
- components
- components and systems
- components by specific context
- constructions (sculpture)
- europe (continent)
- events
- furnishings components
- geographic and political locations
- lighting device components
- objects we use
- people
- people (agents)
- people and culture
- people by age group
- personal life events
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- positives
- psychological concepts
- scientific concepts
- sculpture
- sculpture by technique
- social science concepts
- vienna state (state)
- visual works
- visual works by medium or technique
- Title
- The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
- Artist
- Max Pechstein
- Physical Description
- A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.432
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 12.14611
- Secondary Keywords
- transfer method
- animals
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- figures
- groups of people
- information forms
- kinship groups
- mammals
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social groups
- social science concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Happiness
- Artist
- Jacques Lipchitz
- Artist Life Dates
- 1891-1973
- Century
- 20th century
- Object Creation Date
- 1947
- Accession Number
- 1948/1.98
- Medium and Support
- bronze
- relevance
- rank 11.83977
- Secondary Keywords
- associated concepts
- european
- european styles and periods
- figures
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people and culture
- people and occupations
- psychological concepts
- social science concepts
- studies (visual works)
- styles and periods
- styles and periods by region
- visual works
- visual works by function
- Title
- Chair
- Artist
- Artist Unknown, African, Chokwe Peoples Angola
- Physical Description
- Two squatting figures decorate the finials; one is elderly, bearded, and scarified, while the other is fresh-faced and young. At the lower left rung, two men carry a slit drum; between the caryatid figures supporting the chair’s front legs appear three men; the central splat has incised diagonal patterns called fuliko. At the center, what is possibly a pointy-nosed European’s face replaces the more habitual chikungu masker.
- Century
- 20th century
- Object Creation Date
- 1900-1925
- Accession Number
- 1992/1.136
- Medium and Support
- wood (dyed with vegetal infusion or stained with castor oil), animal hide
- relevance
- rank 11.78152
- Secondary Keywords
- associated concepts
- chairs
- chairs by function
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- objects we use
- people and culture
- political concepts
- sculpture
- sculpture by material
- sculpture by technique
- seating furniture
- single seating furniture
- social science concepts
- visual works
- visual works by medium or technique
- Title
- We Shall Overcome
- Artist
- Ben Shahn
- Physical Description
- Black line representation of a human head and face, facing the viewer. The head is oval-shaped with vertical parallel lines. The short hair of the person is represented by thick dots and fine curved lines. The nose is formed by straight, vertical lines. Eyebrows are drawn with thick, black lines. "We shall Overcome" is printed in a brown-orange ink across the top of the sheet.
- Artist Life Dates
- Lithuania, 1898-1969
- Object Creation Date
- 1965
- Accession Number
- 2011/1.104
- Medium and Support
- offset photolithograph on paper
- relevance
- rank 11.74226
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- descriptors
- drawings
- drawings by technique
- heads
- image-making processes and techniques
- objects we use
- people and culture
- processes and techniques
- processes and techniques by specific type
- social science concepts
- sociological concepts
- the human body
- upper body
- visual works
- visual works by medium or technique
- visual works by subject type
- writing (processes)
- Title
- Manet's Olympia
- Artist
- Mel Ramos
- Physical Description
- A female nude reclining on a bed wearing one yellow slipper on her left foot, a gold bracelet on her right arm and a black ribbon tied in a bow around her neck. An African American woman in a blue dress stands behind her holding a bouquet of yellow and white flowers. A small monkey sits at the foot of the bed. All subjects look directly at the viewer.
- Artist Life Dates
- born 1935
- Century
- 20th century
- Object Creation Date
- 1974
- Accession Number
- 1991/2.102.1
- Medium and Support
- collotype on wove paper
- relevance
- rank 11.47398
- Secondary Keywords
- aesthetic concepts
- animals and creatures
- artistic concepts
- associated concepts
- buildings and the land
- child
- concepts in the arts
- family
- forms of expression
- herbaceous plants
- historical, theoretical and critical concepts
- how we live
- international post-1945 styles and movements
- landscapes (environments)
- mammals
- modern american styles and periods
- modern and contemporary art
- modern north american styles and movements
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by activity
- people by gender
- people by occupation
- people in service occupations
- philosophical concepts
- plants
- post-1945 fine arts styles and movements
- psychological concepts
- relationships
- settlements and landscapes
- social science concepts
- styles and periods
- styles and periods by region
- the americas
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- woody plants
- Title
- A Monument in Rouen
- Artist
- Hughie O'Donoghue
- Physical Description
- A collection of abstract landscape and figure with a photographic image. The figure, Christlike in its pose, runs up roughly the middle of the painting, looking also like a road or a path across the bleak landscape. In the upper left is a photographic image of some military trucks and a scaffold tower. Along the left half of the landscape, names of towns are written in the paint.
- Artist Life Dates
- born 1953
- Century
- 20th century
- Object Creation Date
- 1999-2000
- Accession Number
- 2001/2.80
- Medium and Support
- oil and inkjet on gampi tissue on linen
- relevance
- rank 10.88266
- Secondary Keywords
- armed conflicts
- associated concepts
- buildings and the land
- descriptors
- europe (continent)
- events
- france (nation)
- geographic and political locations
- haute-normandie (region)
- image-making processes and techniques
- landscapes (environments)
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- people and culture
- processes and techniques
- processes and techniques by specific type
- psychological concepts
- seine-maritime, dèpartement de la (department)
- settlements and landscapes
- social science concepts
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- visual works by subject type
- wars
- world wars
- Title
- The Lord's Prayer, sheet 9 - But Deliver Us from Evil (Das Vaterunser - Sondern erlöse uns von dem Übel)
- Artist
- Max Pechstein
- Physical Description
- At viewer's left, two reclining figures lie side-by-side in a bed, covered by a sheet up to their chins. At the foot of the bed at the viewer's right, a man sits with his eyes closed and his hands on his head. To the viewer's left, in the foreground , a woman sits, crying, wiping her eyes with the back of her left hand.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.431
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 10.42334
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- events
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by state or condition
- personal life events
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 7 - As We Forgive Them that Sin Against Us (Das Vaterunser - Wie wir vergeben unsern Schuldigern)
- Artist
- Max Pechstein
- Physical Description
- A male figure in profile seen at viewer's right rests his head on the shoulder of a woman. The figures grasp hands in the center of the composition; the female figure's proper left hand rests upon the neck of the male figure; both figures are dressed in dark clothes and illuiminated from behind by a bright white light; text runs along the uppermost edge of the composition, at the viewer's right mid-center, and along the bottom proper.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.429
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 10.23675
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- sets (groups)
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings