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Showing results for "associated concepts" in Secondary Keywords.
- Title
- Dvarapala (temple guardian; pair with 1980/2.291)
- Artist
- Artist Unknown, India, Kerala Workshop
- Physical Description
- The two-armed figure dances with his right leg raised and wrapped around a club. His left arm crosses his body and rests above the club and his right hand is raised almost to his ear. Tassels hang from him hips and under his armpits adding a great sense of movement to the whole figure. Multi-hooded snakes are at the base and also around the bottom of the club. He wears much of jewelry including bracelets, anklets, necklaces with should loops and an elaborate belt. His stomach protrudes over the belt. He also has large earrings and a jewel encrusted crown. His eyes bulge out and his mouth is open showing his teeth. He is a pair with 1980/2.291.
- Century
- 15th century
- Object Creation Date
- 15th century
- Accession Number
- 1980/2.290
- Medium and Support
- wood
- relevance
- rank 3.66996
- Secondary Keywords
- associated concepts
- buildings and the land
- figures
- hinduism
- people
- people (agents)
- people and culture
- people and occupations
- people by activity
- religions
- religions and religious concepts
- religious buildings
- religious structures
- single built works
- single built works by function
- single built works by specific type
- Title
- Royal Attendant for a Buddhist Shrine (one of a pair)
- Artist
- Artist Unknown, Burma
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 2005/1.448.2
- Medium and Support
- gilt and lacquered wood with glass and tin inlay
- relevance
- rank 3.66124
- Secondary Keywords
- aristocracy
- associated concepts
- groups of people
- nobility
- objects we use
- people
- people (agents)
- people and culture
- religions
- religions and religious concepts
- religious visual works
- social classes
- social classes by specific type
- social groups
- upper class
- visual works
- visual works by function
- Title
- Seated Buddha in Bhumisparsa Mudrâ
- Artist
- Artist Unknown, Thailand
- Physical Description
- Gilt bronze Buddha with glass inlay in bhumisparsa mudra (the gesture of touching the earth with his right hand, palm inward), signaling his victory over Mara. He has elongated earlobes, wears a crown and tight-fitting intricate robes, and is seated on a pedesal.
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 2005/1.454
- Medium and Support
- gilt bronze with glass inlay
- relevance
- rank 3.65418
- Secondary Keywords
- associated concepts
- copper alloy
- copper and copper alloy
- descriptors
- glass and glassmaking mixtures
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- objects we use
- people and culture
- physical activities
- physical activities by general context
- religions
- religions and religious concepts
- visual works
- visual works by subject type
- Title
- Buddha, seated in the padmasana pose, in bhumisparsa mudra
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A hollow cast bronze sculpture of the Buddha, including a lotus base. The bronze has a dark, shiny patina over most of its surface.
- The Buddha sits with his legs crossed in the padmasana pose; his right hand reaches down, palm inwards, to touch the earth, in an elegant gesture with just the tip of his third finger making contact, while his right hand rests in his lap. His torso is tall and erect. His dhoti (a skirt-like garment) is tied high on his torso, while his outer robe covers his left shoulder completely and just brushes against his right shoulder. His face is shaped like a tall and narrow "U," with wide, gently arching brows, downcast eyes under swelling lids, a long and high nose, and full, cupid's-bow lips. The urna, an auspicious mark on his forehead, is indicated here by a small bump with an incised outline. His hair is arranged in rows of snail-shell curls, which are repeated in a larger size on his ushnisha, culminating in a lotus bud.
- The upward-pointing lotus petals on the dais are in high relief, with curling tips.
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1995/1.58
- Medium and Support
- bronze
- relevance
- rank 3.64697
- Secondary Keywords
- asian
- associated concepts
- descriptors
- design elements
- devotional images
- figures (representations)
- motifs
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- plant-derived motifs
- religions
- religions and religious concepts
- religious visual works
- south asian
- styles and periods
- styles and periods by region
- visual works
- visual works by function
- visual works by subject type
- Title
- Standing Buddha, in double abhaya mudrâ
- Artist
- Artist Unknown, Thailand
- Physical Description
- Standing gilt bronze Buddha with glass inlay in royal costume. Stands on a lotus pedestal with both hands raised in abhaya mudra.
- Century
- 19th-20th century
- Object Creation Date
- early 20th century
- Accession Number
- 2005/1.475
- Medium and Support
- gilt bronze with glass inlay
- relevance
- rank 3.64670
- Secondary Keywords
- associated concepts
- copper alloy
- copper and copper alloy
- descriptors
- figures (representations)
- glass and glassmaking mixtures
- hinayana
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- objects we use
- people and culture
- physical activities
- physical activities by general context
- religions
- religions and religious concepts
- visual works
- visual works by subject type
- Title
- "The Sound of Rustling Leaves" (Chinese poem, calligraphy)
- Artist
- Rai San'yô
- Physical Description
- This is a hanging scroll. It is mounted on olive green fabric and includes a poem in Chinese calligraphic text about nature. Has three red seals: two in the lower left side, one in the upper right corner.
- Artist Life Dates
- 1780-1832
- Century
- 19th century
- Object Creation Date
- circa 1811-1832
- Accession Number
- 2002/1.164
- Medium and Support
- ink on paper
- relevance
- rank 3.64482
- Secondary Keywords
- associated concepts
- descriptors
- document genres
- document genres by form
- document genres for literary works
- image-making processes and techniques
- information forms
- objects we use
- paintings
- paintings by form
- people and culture
- philosophical concepts
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- visual works
- visual works by medium or technique
- writing (processes)
- Title
- Dakini
- Artist
- Artist Unknown, Nepal
- Physical Description
- A small stone sculpture in bas-relief, depicting a tantric goddess. The back of the image is carved in a stylized petal shape, while the figure is crudely carved in relief on the front.
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1983/1.111
- Medium and Support
- stone
- relevance
- rank 3.64284
- Secondary Keywords
- animal material
- animal material by form or function
- asian
- associated concepts
- descriptors
- materials
- materials by origin
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- skeleton and skeleton components
- skeleton components
- south asian
- styles and periods
- styles and periods by region
- Title
- Christ Healing the Deaf-Mute
- Artist
- Philippe de Champaigne
- Physical Description
- This painting depicts a river passing through a wooded landscape as human figures, dwarfed by the towering trees, move along its banks. The majestic landscape dominates the painting, but a group of four men in the right foreground also competes for attention since the bright, saturated primary colors of their robes stand out sharply against the muted tonalities of their surroundings. One of the men, wearing a blue cloak, places his left finger in the mouth of a man kneeling before him and touches the side of his head with his right hand. A third man leans forward to touch the kneeling figure's shoulder while the fourth, in a magnificent red cloak, raises his hands in astonishment.
- Artist Life Dates
- 1602-1674
- Century
- 17th century
- Object Creation Date
- circa 1650-1660
- Accession Number
- 1960/2.93
- Medium and Support
- oil on canvas
- relevance
- rank 3.64187
- Secondary Keywords
- animals and creatures
- associated concepts
- birds
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- events
- landscapes (environments)
- natural landscapes
- objects we use
- paintings
- paintings by material or technique
- people and culture
- religions
- religions and religious concepts
- riverine bodies
- settlements and landscapes
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Bodhisattva Tara (Tibetan, Jetsun Dolma)
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A suberply cast hollow bronze figure of Tara, a Buddhist goddess, shown leated in the lalitasana pose ("royal ease," with one knee bent and the other relaxed), her right hand extended to her right knee in vara mudra (the gesture of charity), and her left hand in vitarka mudra (the gesture of teaching, with the thumb and third finger brought together). She wears a dhoti and jewelry, including an elaborate tiara and enormous lotus-petal design ear plugs. Her face has a broad, open forehead, with wide, slightly arching brows; her eyes are downcast with "s"-shaped upper lids; her nose is straight and long, and her mouth, in a curved Cupid's bow shape, is small but full. Her torso leans slightly to her left, which is balanced by the right tilt of her head. She sits on a double lotus dais with beaded upper and lower rims. The image and the base were case in one piece in the lost-wax method. There are traces of red paint for her mouth and blue paint for her hair.
- Century
- 18th century
- Object Creation Date
- 18th century
- Accession Number
- 1972/2.40
- Medium and Support
- gilt bronze with inlaid semi-precious stones and traces of polychrome
- relevance
- rank 3.62754
- Secondary Keywords
- asian
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- form attributes
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- south asian
- styles and periods
- styles and periods by region
- Title
- Unidentified Buddhist Goddess with eight arms and three heads, with base
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A miniature figure of a tantric goddess, very finely cast by the cire perdue (lost wax) method. The goddess is shown seated in lalitasana pose ("royal ease," one knee bent and the other relaxes) on a lotus dais, which is separately cast. She has 8 arms which are in variants of vitarka mudra (the gesture of teaching). She has three heads, with the two lateral heads seen here as partial profiles; each wears the five-petal tiara of Tibetan Buddhist ritual. Her skirt is unusual, looking to be made of leaves, instead of the usual dhoti. Her hair is painted blue and her lips red.
- Accession Number
- 2006/2.64A&B
- Medium and Support
- copper? with blue paint for hair and red for lips
- relevance
- rank 3.62754
- Secondary Keywords
- asian
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- form attributes
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- south asian
- styles and periods
- styles and periods by region
- Title
- Buddha, seated in the padmasana pose, with left hand in abhaya mudra
- Artist
- Artist Unknown, China
- Physical Description
- Small gilt bronze seated Buddha in style of China’s cosmopolitan Tang Dynasty. It has a full figure, artfully draped robes, and a plump, rounded face with arched eyebrows. Hand is raised in abhaya mudra.
- Century
- 8th century
- Object Creation Date
- 700-799
- Accession Number
- 1964/2.91
- Medium and Support
- gilt bronze
- relevance
- rank 3.62667
- Secondary Keywords
- asia (continent)
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- figures (representations)
- form attributes
- geographic and political locations
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious visual works
- size (extent)
- size by specific type
- visual works
- visual works by function
- visual works by subject type
- Title
- The Lord's Prayer, sheet 1 (Das Vaterunser)
- Artist
- Max Pechstein
- Physical Description
- This title sheet from Pechstein's "The Lord's Prayer" portfolio has the title of the series in large letters and an attribution to Pechstein at the bottom. Beneath the word "Vater," a man leans over a table, his hands folded in prayer. Two other praying men in profile bracket the word "Unser" near the bottom. All three wear plain, long-sleeved blue shirts.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.423
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 3.62600
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- , sheet 3 - Hallowed Be Thy Name (Das Vaterunser - Geheiligt werde Dein Name)
- Artist
- Max Pechstein
- Physical Description
- Three dark female figures are suspended in purgatory, with clasped hands in front of a triangular shaft of light that projects down from the top.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.425
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 3.62576
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Buddha or Maitreya, seated in cross-legged pose, on dias with incised incense burner and figures of two donors
- Artist
- Artist Unknown, China
- Century
- Late 6th century
- Object Creation Date
- late 6th century
- Accession Number
- 1961/2.75
- Medium and Support
- gilt bronze
- relevance
- rank 3.62285
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- form attributes
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- visual works
- visual works by subject type
- Title
- The Lord's Prayer, sheet 2 - Our Father Who Art in Heaven (Das Vaterunser - Vater Unser Der Du bist im Himmel)
- Artist
- Max Pechstein
- Physical Description
- A large central figure represents God towers seen in the radiating rays of light and clouds that surround him.. On the forehead of his blocky, totemic head is a third eye. His left arm crosses over his middle and holds fire. His right hand extends down to the lower right corner as reaching down. The words "Vater Unser" are at the very top; "Der Du Bist" across God's waistline; "im Himmel" along the bottom.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.424
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 3.61808
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Celestial Musician (Japanese, Hiten; Sanskrit, Apsara)
- Artist
- Artist Unknown, Japan
- Physical Description
- The figure is kneeling musician on lotus seat, made of separately carved petals. Below the seat, there is a base, which consists of two lotus-shaped half-sphere, connected up-side-down. The head has two buns, elongated ears, simplified facial parts; the figure wears a pink robe with wide sleeves, holding a sort of instrument with hands.
- Century
- 7th century
- Object Creation Date
- circa 670-700
- Accession Number
- 1999/2.14
- Medium and Support
- polychromed camphor wood on lacquered wood base
- relevance
- rank 3.61322
- Secondary Keywords
- arts
- arts and related disciplines
- associated concepts
- descriptors
- design elements
- disciplines
- humanities
- motifs
- people
- people (agents)
- people and culture
- people by occupation
- people by state or condition
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing arts
- plant-derived motifs
- religions
- religions and religious concepts
- Title
- Scene from the Life of the Buddha: Conception (architectural fragment)
- Artist
- Gandhara (ancient Pakistan and Afghanistan)
- Physical Description
- A curved stone, originally a facing on the drum of a small stupa, carved with a narrative scene.
- Century
- 2nd-3rd century
- Object Creation Date
- 2nd century - 3rd century
- Accession Number
- 1997/2.37
- Medium and Support
- stone
- relevance
- rank 3.61273
- Secondary Keywords
- animals and creatures
- associated concepts
- buildings and the land
- descriptors
- events
- mammals
- object genres
- object genres by form
- objects we use
- people and culture
- personal life events
- religions
- religions and religious concepts
- religious structures
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by subject type
- Title
- Busts of Saints Jerome and Gregory
- Artist
- Atelier of Jörg Syrlin the Younger
- Physical Description
- This pair of finely carved bust-length figures depicts two men in ecclesiastical garb. On the right appears an older figure who wears elaborate vestments and a papal tiara with a book in his left hand. His deeply lined and wrinkled face conveys a patient wisdom and authority as he stares directly ahead. His more youthful companion, dressed in a simpler collared robe and brimless cap, glances introspectively aside. He grasps an unfurled scroll in his left hand and a diminutive lion stares out from its perch on his left shoulder.
- Century
- late 15th/early 16th-century
- Object Creation Date
- circa1500
- Accession Number
- 1958/1.59
- Medium and Support
- lindenwood with polychromy
- relevance
- rank 3.60403
- Secondary Keywords
- animals and creatures
- associated concepts
- christian clergy
- clergy
- information artifacts
- information artifacts by physical form
- information forms
- mammals
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- prelates
- religions
- religions and religious concepts
- religious visual works
- visual works
- visual works by function
- Title
- Kubera, god of wealth, seated in lalitasana on double lotus dais
- Artist
- Nepal
- Century
- 10th century
- Object Creation Date
- 10th century
- Accession Number
- 2000/2.156
- Medium and Support
- bronze
- relevance
- rank 3.60243
- Secondary Keywords
- asian
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- design elements
- form attributes
- motifs
- people
- people (agents)
- people and culture
- people by state or condition
- plant-derived motifs
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- south asian
- styles and periods
- styles and periods by region
- Title
- Fresia
- Artist
- Donald Sultan
- Artist Life Dates
- b. 1951
- Century
- 20th century
- Object Creation Date
- 1987
- Accession Number
- 2000/2.263
- Medium and Support
- aquatint on Arches paper
- relevance
- rank 3.59923
- Secondary Keywords
- branches
- concepts
- the natural world
- Title
- Buddha, standing, in vitarka mudra
- Artist
- Artist Unknown, China
- Physical Description
- A small, solid gilt bronze image of the Budddha, shown standing in a slighly swayback pose with both right and left hands in vitarka mudra, the gesture ot teaching. His robe is draped over both shoulders and falls in large, symmentrical V-shaped folds in shallow relief over his torso. His head is small, with the canonical snail-shell curls suggested by tiny knobs of bronze. He has full cheeks, a well-defined mouth, and incised slits for his eyes. There are two incised rings at his neck (instead of the canonical three). He stands on a pedestal of upward, double-petal lotus petals, raised on a hollow base. Some turquoise patina is visible on tthe base and head.
- Century
- 7th century
- Object Creation Date
- 7th century
- Accession Number
- 1964/2.97
- Medium and Support
- gilt bronze
- relevance
- rank 3.59745
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- design elements
- educating
- educational functions
- figures (representations)
- form attributes
- functions
- functions (activities)
- functions by specific context
- motifs
- objects we use
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- visual works
- visual works by subject type
- Title
- St. John the Evangelist on Patmos
- Artist
- Joos van Cleve
- Physical Description
- St. John the Evangelist sits in the foreground with a book open on his knee and quill pen poised over its pages. Two books rest next to him and an eagle has alighted on an adjacent rock. St. John looks up and to his right to see a standing figure of the Virgin Mary holding the infant Christ, who appear in a glowing mandorla hovering in the sky. A vast panoramic view of a bustling harbor and formidable mountains unfolds behind St. John and extends into the distance.
- Artist Life Dates
- active 1511 - 1540/1541
- Century
- 16th century
- Object Creation Date
- circa 1525
- Accession Number
- 1958/2.77
- Medium and Support
- oil on panel, mounted on panel
- relevance
- rank 3.59549
- Secondary Keywords
- animals and creatures
- associated concepts
- birds
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by location
- buildings and the land
- coastline bodies of water
- europe (continent)
- flanders (former nation/state/empire)
- geographic and political locations
- information artifacts
- information artifacts by physical form
- information forms
- landscapes (environments)
- natural landscapes
- objects we use
- people and culture
- religions
- religions and religious concepts
- settlements and landscapes
- visual works
- visual works by subject type
- Title
- Tasza-Szalka, from "Hungarian Memories"
- Artist
- André Kertész
- Physical Description
- A woman is shown seated, bowl in her lap and ducks at her feet. She sits on what appears to be a stone bench and is covered by the shade of a tree.
- Artist Life Dates
- 1894-1985
- Century
- 20th century
- Object Creation Date
- July 6, 1924; printed 1981
- Accession Number
- 1985/1.125.2
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 3.58571
- Secondary Keywords
- agricultural structures
- animals and creatures
- associated concepts
- birds
- buildings and the land
- landscapes (environments)
- natural landscapes
- people
- people (agents)
- people and culture
- people by gender
- plants
- religions
- religions and religious concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Honor Thy Father and Mother
- Artist
- Paul Baldung
- Physical Description
- Paper overlay on lower right. Print cut to frame of image. Paper size: lh 10 1/2cm & rh 10 2/5cm x tw 13 3/5cm & bw 13 1/2cm.
- Artist Life Dates
- (1484 - 1545)
- Accession Number
- 2008/2.373
- Medium and Support
- wood cut on beige laid paper
- relevance
- rank 3.58409
- Secondary Keywords
- image form
- transfer method
- associated concepts
- groups of people
- kinship groups
- objects we use
- people
- people (agents)
- people and culture
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- social groups
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by medium or technique
- Title
- Head of a Buddha (Mon-Dvaravati style)
- Artist
- Thailand, Mon-Dvaravati
- Physical Description
- Buddha head carved from grey limestone with serene expression, elongated earlobes and ushnisha, a proturbance on the top of his head indicating his expanded wisdom.
- Century
- 8th-9th century
- Object Creation Date
- 700-899
- Accession Number
- 1993/2.35
- Medium and Support
- grey limestone
- relevance
- rank 3.58075
- Secondary Keywords
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- descriptors
- devotional images
- object genres
- object genres by form
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Head of a Buddha, sheltered by Mucalinda (Lopburi style; fragment)
- Artist
- Artist Unknown, Thailand
- Century
- 13th century
- Object Creation Date
- 13th century
- Accession Number
- 1993/2.40
- Medium and Support
- sandstone
- relevance
- rank 3.57882
- Secondary Keywords
- animals and creatures
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- descriptors
- devotional images
- object genres
- object genres by form
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- reptiles
- the human body
- upper body
- visual works
- visual works by function
- visual works by subject type
- Title
- Kadampa Stupa
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A miniature stupa, cast of bronze in several parts, consisting of a bell-shaped base; an inverted cone-shaped tower, capped by an "umbrella" with pendant, fringe-like decoration, inlaid with semi-percious stone, surmounted by a lotus bud. Atop the whole structure is a half-moon and sun disk motif, supported by intertwined ribbons and culminating in another lotus bud.
- Century
- 13th century
- Object Creation Date
- 13th century
- Accession Number
- 2003/1.386
- Medium and Support
- bronze with inlaid turquoise and coral
- relevance
- rank 3.57527
- Secondary Keywords
- asian
- associated concepts
- buildings and the land
- ceremonial containers
- containers
- containers by function or context
- liturgical containers
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious structures
- single built works
- single built works by function
- single built works by specific type
- south asian
- styles and periods
- styles and periods by region
- Title
- Buddha, seated in the padmasana pose, in bhumisparsa mudra, on a double lotus dais
- Artist
- Nepal
- Century
- 16th century
- Object Creation Date
- 16th century
- Accession Number
- 2000/2.154
- Medium and Support
- gilt bronze
- relevance
- rank 3.57079
- Secondary Keywords
- asian
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- design elements
- figures (representations)
- form attributes
- motifs
- objects we use
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- south asian
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type
- Title
- The Mourning Virgin and holy women (fragment of a Crucifixion from a portable altarpiece)
- Artist
- Embriachi Workshop, Venice, Italy
- Physical Description
- This carved bone sculpture depicts the Virgin Mary raising her right hand in a gesture of grief while her head is bent in mourning. A similar female figure, holding her hands clasped before her, appears in profile behind the Virgin, and another female figure stands to the left. Behind the mourning women the pointed helmets worn by two soldiers may be discerned.
- Century
- 14th-15th century
- Object Creation Date
- circa 1400
- Accession Number
- 1976/2.102
- Medium and Support
- bone
- relevance
- rank 3.57074
- Secondary Keywords
- associated concepts
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- europe (continent)
- events
- executions
- geographic and political locations
- italy (nation)
- materials
- materials by composition
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious visual works
- sculpture
- sculpture by technique
- veneto (region)
- venezia (province)
- visual works
- visual works by function
- visual works by medium or technique
- Title
- Polycandelon for six oil lamps
- Artist
- Artist Unknown, Coptic, Egypt
- Physical Description
- This bronze light fixture consists of a central circular celestial motif from which extend twelve arms in a radial pattern. Six of these arms, embellished with maltese crosses, end in omega-shaped terminals. These decorated arms alternate with six unadorned arms that terminate in rings designed to hold glass oil lamps. The entire disk is suspended from three bronze chains joined to a large hook.
- Century
- 6th century
- Object Creation Date
- 500-599
- Accession Number
- 1965/2.54
- Medium and Support
- bronze
- relevance
- rank 3.57032
- Secondary Keywords
- associated concepts
- christianity
- copper alloy
- copper and copper alloy
- crosses (motifs)
- descriptors
- design elements
- furnishings
- furnishings by form or function
- geographic and political locations
- inorganic material
- lighting devices
- lighting devices by form
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- middle east (general region)
- motifs
- nonferrous metal
- objects we use
- people and culture
- religions
- religions and religious concepts
- Title
- Ornament Print from a series: 'Grottesco in diversche manieren'
- Artist
- Hans Vries
- Physical Description
- Within an elaborate decorative framework consisting of griffins, birds, dogs, and fantastic half man-half beast creatures is a central panel with the image of a nude woman standing on a column holding a victor's wreath in either hand. Approaching for either side is a man in a quadriga holding a banner; each also holds a line that extends up to the wreath in the woman's hand.
- Artist Life Dates
- 1527-1604(or 1623?)
- Century
- 16th century
- Object Creation Date
- 1555-1560
- Accession Number
- 1960/1.118
- Medium and Support
- engraving on paper
- relevance
- rank 3.56662
- Secondary Keywords
- animals and creatures
- associated concepts
- concepts in the arts
- descriptors
- engraving (printing process)
- genres in the arts
- image-making processes and techniques
- intaglio printing processes
- literary, oral and motion picture genres
- mammals
- object genres
- object genres by function
- people
- people (agents)
- people and culture
- people by activity
- printing
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- Title
- Tianwang (Heavenly King; a Buddhist protective deity)
- Artist
- Artist Unknown, China
- Physical Description
- A small, thin, molded clay plaque with a bas-relief figure.
- Century
- 7th-9th century
- Object Creation Date
- 9th century - 10th century
- Accession Number
- 1964/2.22
- Medium and Support
- terracotta, molded
- relevance
- rank 3.56247
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- costume
- costume by function
- descriptors
- form attributes
- object genres
- object genres by form
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- protective wear
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- Title
- Buddha, seated, with mandorla and dais; inscription
- Artist
- Artist Unknown, China
- Century
- 6th century
- Object Creation Date
- 515
- Accession Number
- 1964/2.96
- Medium and Support
- bronze
- relevance
- rank 3.56165
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- design elements
- document genres
- document genres by form
- form attributes
- information forms
- motifs
- natural element motifs
- objects we use
- people and culture
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- visual works
- visual works by subject type
- Title
- Buddha, seated in the pralambapadasana pose (with legs pendant), in abhaya mudra
- Artist
- Artist Unknown, China
- Century
- 7th-8th century
- Object Creation Date
- 7th century - 8th century
- Accession Number
- 1964/2.92
- Medium and Support
- bronze
- relevance
- rank 3.55827
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- figures (representations)
- form attributes
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious visual works
- size (extent)
- size by specific type
- visual works
- visual works by function
- visual works by subject type
- Title
- Buddha, seated in the padmasana pose, in dhyana mudra; probably part of a larger altarpiece
- Artist
- Artist Unknown, China
- Century
- 5th century
- Object Creation Date
- circa 5th century
- Accession Number
- 1964/2.93
- Medium and Support
- gilt bronze
- relevance
- rank 3.55827
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- figures (representations)
- form attributes
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious visual works
- size (extent)
- size by specific type
- visual works
- visual works by function
- visual works by subject type
- Title
- Annunciation
- Artist
- Artist Unknown, Antwerp School, Belgium
- Physical Description
- An angel, holding a scepter in his left hand and making a gesture of speech with his right, interrupts the Virgin at her reading. She kneels on the floor and rests her left hand on an open book placed atop a lectern. A vase with a flowering lily sits on the floor between the angel and the Virgin and a small white dove encircled by a halo hovers between them. The scene unfolds within an elaborate and richly decorated interior that includes a chair and canopied bed in the background.
- Century
- 16th century
- Object Creation Date
- circa 1520
- Accession Number
- 1992/1.135
- Medium and Support
- oil on panel
- relevance
- rank 3.55529
- Secondary Keywords
- animals and creatures
- antwerpen (province)
- associated concepts
- belgium (nation)
- birds
- descriptors
- europe (continent)
- flanders (region)
- geographic and political locations
- image-making processes and techniques
- legendary creatures
- objects we use
- painting (image-making)
- painting and painting techniques
- people and culture
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- religious visual works
- visual works
- visual works by function
- Title
- Untitled (Structural Constellation drawing)
- Artist
- Josef Albers
- Physical Description
- pen and ink drawing on half inch grid graph paper ruled in blue
- Artist Life Dates
- American, born Germany, 1888-1976
- Century
- 20th century
- Object Creation Date
- circa 1955
- Accession Number
- 2007/2.5
- Medium and Support
- pen and ink on half inch grid graph paper ruled in blue
- relevance
- rank 3.55093
- Secondary Keywords
- visual arts
- abstraction
- artistic concepts
- associated concepts
- coating (material)
- coating by form
- concepts in the arts
- descriptors
- diagrams
- document genres
- document genres by form
- drawings
- drawings by technique
- european
- european styles and periods
- forms of expression
- image-making processes and techniques
- information forms
- international post-1945 styles and movements
- materials
- materials by function
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people and culture
- post-1945 fine arts styles and movements
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Bowl with figure holding goblet and flask
- Artist
- Iraq
- Century
- 9th-10th century
- Object Creation Date
- late 9th century - 10th century
- Accession Number
- 1961/1.187
- Medium and Support
- earthenware with opaque white glaze with white luster
- relevance
- rank 3.53734
- Secondary Keywords
- associated concepts
- bottles
- bottles by form
- containers
- containers by form
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- drinking glasses
- drinking vessels
- object genres
- object genres by material
- objects we use
- people and culture
- religions
- religions and religious concepts
- vessels
- vessels for serving and consuming food
- Title
- Tibetan monk-scholar: print from inside conch trumpet
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A woodblock print on paper, with large tears at the upper right hand and lower left hand corners, much abraded. Formerly placed insite the conch trumpet 1982/2.42 as a talisman.
- Century
- late 18th-early 19th century
- Object Creation Date
- late 18th century - early 19th century
- Accession Number
- 1982/2.42B
- Medium and Support
- woodblock print on paper
- relevance
- rank 3.53185
- Secondary Keywords
- transfer method
- asian
- associated concepts
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- prints
- prints by process
- prints by process or technique
- relief prints
- religions
- religions and religious concepts
- sage (people)
- south asian
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Female Buddhist Deity?
- Artist
- Artist Unknown, China
- Century
- 14th-15th century
- Object Creation Date
- circa 1350-1450
- Accession Number
- 1961/2.54
- Medium and Support
- wall painting (fragment): ink and color on plaster
- relevance
- rank 3.53174
- Secondary Keywords
- animals and creatures
- associated concepts
- descriptors
- design elements
- edged weapons
- image-making processes and techniques
- legendary creatures
- motifs
- natural element motifs
- objects we use
- painting (image-making)
- painting and painting techniques
- people
- people (agents)
- people and culture
- people by state or condition
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- weapons
- weapons and ammunition
- Title
- The Lord's Prayer, sheet 5 - Give Us this Day Our Daily Bread (Das Vaterunser - Unser täglich Brot gieb uns heute)
- Artist
- Max Pechstein
- Physical Description
- Four men in plain, dark clothing sit, with hands folded in prayer, around a rectangular table, in the center of which is a fish on an oval platter. The man at the far end has his eyes closed. The other three raise their faces to heaven.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.427
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 3.52394
- Secondary Keywords
- transfer method
- animals
- associated concepts
- components and systems
- descriptors
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- events
- information forms
- materials
- materials by function
- mental activities
- modern and contemporary art
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Attack on an Emigrant Train
- Artist
- Charles Ferdinand Wimar
- Physical Description
- The painting depicts a group of American settlers attempting to defend themselves against attack by a band of Native Americans. A covered wagon pulled by two horses is at the center of the composition; at left, two Native Americans attack the wagon with war clubs and tomahawks; a figure on the lead horse points a pistol directly at the head of one of his attackers, while a figure at the rear of the wagon shoots another attacker. At right other warriors on horseback ride past the train shooting arrows and wielding tomahawks.
- Artist Life Dates
- 1828-1862
- Century
- 19th century
- Object Creation Date
- 1856
- Accession Number
- 1895.80
- Medium and Support
- oil on canvas
- relevance
- rank 3.52306
- Secondary Keywords
- american regions
- americas
- animals
- animals and creatures
- armed conflicts
- associated concepts
- atmospheric effects
- buildings and the land
- cargo vehicles
- cargo vehicles by form
- cutting equipment
- cutting tools
- earth sciences concepts
- edged weapons
- equipment
- equipment by process
- events
- fights
- firearms
- freewheeled vehicles
- freewheeled vehicles by form or function
- grassland
- how we live
- land vehicles
- land vehicles by form
- landscapes (environments)
- locality
- long guns
- mammals
- natural landscapes
- north & central america
- north american
- objects
- objects we use
- passenger vehicles
- people
- people (agents)
- people and culture
- people by activity
- physical activities
- physical activities by general context
- physical sciences concepts
- plant communities
- projectile launchers with nonexplosive propellant
- projectile weapons
- projectile weapons with explosive propellant
- projectile weapons with nonexplosive propellant
- projectiles with nonexplosive propellant
- scientific concepts
- settlements and landscapes
- small arms by form
- styles and periods
- styles and periods by region
- the americas
- the natural world
- tools and equipment
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- war
- weaponry
- weapons
- weapons and ammunition
- Title
- One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
- Artist
- Kara Walker
- Artist Life Dates
- Born 1969
- Century
- 20th century
- Object Creation Date
- 1995
- Accession Number
- 1996/2.4.3
- Medium and Support
- aquatint and etching on light cream Somerset Satin wove paper
- relevance
- rank 3.52179
- Secondary Keywords
- concepts
- modern and contemporary art
- people and occupations
- Title
- Leaf from a book of hours with a funeral mass
- Artist
- Gold Scrolls Group
- Physical Description
- This miniature painting depicts a group of male figures gathered around a coffin draped with a blue cloth. Two pairs of candles set on tall candlesticks are placed at the head and foot of the coffin. To the left of the coffin stand four mourners wearing long gray robes with hoods. Facing them from the other side of the coffin are three tonsured clergymen dressed in white, who look at an open book placed before them. The group stands upon a green tiled floor next to a pink wall. The background is painted red and decorated with an exuberant pattern of gold scrolling foliage motifs.
- Artist Life Dates
- active circa 1415-1450
- Century
- 15th century
- Object Creation Date
- 1415-1455
- Accession Number
- 1993/2.8
- Medium and Support
- ink, tempera, gold, and silver alloy on parchment
- relevance
- rank 3.51952
- Secondary Keywords
- associated concepts
- candleholders
- candles and candleholders
- ceremonial containers
- ceremonies
- containers
- containers by function or context
- cultural ceremonies
- document genres
- document genres by conditions of production
- events
- funerary containers
- furnishings
- furnishings by form or function
- information forms
- lighting devices
- lighting devices by form
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- religions
- religions and religious concepts
- rites of passage
- Title
- Dorje Legpa Votive Plaque
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A bas-relief carving made of bone and in the shape of a lotus petal, depicting Pehar, a guardian of the Tibetan Buddhist faith, in wrathful form. At the base of the "petal" are the tops of mountains, with the waves of the sea visible between them; in the rounded part of the "petal," a border of flames encircles a dynamic image of Pehar, his garments flowing in the wind as he rides on a snow lion. The background behind Pehar is incised with closely spaced wavy lines, again suggesting flames.
- Century
- 18th century
- Object Creation Date
- 18th century
- Accession Number
- 1985/2.50
- Medium and Support
- bone
- relevance
- rank 3.51205
- Secondary Keywords
- animals and creatures
- asia (continent)
- asian
- associated concepts
- china (nation)
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- design elements
- geographic and political locations
- legendary creatures
- materials
- materials by composition
- motifs
- natural element motifs
- people
- people (agents)
- people and culture
- people by activity
- plant-derived motifs
- religions
- religions and religious concepts
- south asian
- styles and periods
- styles and periods by region
- Title
- Bencharong Ware Spitton with Buddhist dieties Thapanom and Norasingh, and Chinese fire patterns
- Artist
- Artist Unknown, China, Bencharong ware
- Physical Description
- Bencharong ware spittoon made in a private kiln in Jingdezhen, China, for Thai market. Probably ordered from Thai royalty, under the reign of Rama II (r. 1809-1824). It is the porcelain ware enameled with multiple colors, in the style called “five colors” (“bencharong” refers to five colors in Sanskrit). It has a large mouth and bulbous shape, with design of minor Buddhist deities Thepanom and Norasingh, and Chinese fire patterns.
- Century
- 19th century
- Object Creation Date
- early 19th century
- Accession Number
- 2005/1.464
- Medium and Support
- porcelain with overglaze enamel painting
- relevance
- rank 3.51124
- Secondary Keywords
- asian
- associated concepts
- chinese
- chinese ceramics styles
- chinese styles
- chinese styles and periods
- containers
- containers by form
- containers by function or context
- containers for personal use
- containers for smoking and tobacco use
- east asian
- objects we use
- people and culture
- religions
- religions and religious concepts
- southeast asian
- styles and periods
- styles and periods by region
- thai
- thai pottery styles
- vessels
- visual works
- visual works by medium or technique
- Title
- Leaf from a Book of Hours
- Artist
- Artist Unknown, France
- Physical Description
- This manuscript page contains a column of Latin text surrounded by generous margins. A pair of slender flowers with small green leaves run the length of the text along the left margin. Three decorated initials appear on the left edge of the text block. Each initial is painted gold on a pink and blue ground with white scrollwork and enclosed within a frame. Two rectangular line-fillers, colored pink and blue with white scrollwork, appear in the right half of the text column.
- Century
- 15th century
- Object Creation Date
- 1400-1425
- Accession Number
- 1993/2.9
- Medium and Support
- ink, tempera and gold on parchment
- relevance
- rank 3.50536
- Secondary Keywords
- layout features
- associated concepts
- components
- components and systems
- components by specific context
- descriptors
- design elements
- document genres
- document genres by conditions of production
- document genres by function
- images and ornament
- information form components
- information forms
- layout features
- objects we use
- patterns (design elements)
- patterns by specific type
- people and culture
- religions
- religions and religious concepts
- religious texts
- Title
- Madonna by the Wall
- Artist
- Albrecht Dürer
- Physical Description
- A young woman, dressed in long robes with her veil drawn over her head, sits next to a wall holding an infant in her lap. She is turned slightly to her right and gazes sweetly upon the child who twists to face the viewer and holds an apple in his left hand. A stream meanders through the landscape of trees and city walls behind them.
- Artist Life Dates
- Nüremberg, 1471-1528
- Century
- 16th century
- Object Creation Date
- 1514
- Accession Number
- 1958/1.95
- Medium and Support
- engraving on laid paper
- relevance
- rank 3.50373
- Secondary Keywords
- associated concepts
- bavaria (state)
- descriptors
- europe (continent)
- food
- fruit
- geographic and political locations
- germany (nation)
- image-making processes and techniques
- intaglio printing processes
- materials
- materials by function
- mittelfranken (national district)
- objects we use
- parents
- people
- people (agents)
- people and culture
- people by family relationship
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- visual works
- visual works by subject type
- Title
- St. Christopher carrying the Christ Child
- Artist
- Artist Unknown, England
- Physical Description
- A standing, bearded figure of St. Christopher, broken off at the knees, holds the Christ child on his right shoulder while leaning upon a staff in his left hand. The child, whose head is encircled by a halo, wears a long cloak over his robe and rests his left hand upon an orb in his lap. The red and brown polychromy is a later addition.
- Century
- 15th century
- Object Creation Date
- circa 15th century
- Accession Number
- 1961/1.178
- Medium and Support
- alabaster with polychrome and gilding
- relevance
- rank 3.50329
- Secondary Keywords
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- descriptors
- equipment
- equipment by context
- equipment for personal use
- europe (continent)
- geographic and political locations
- gypsum
- information artifacts
- information artifacts by physical form
- information forms
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- mineral
- natural landscapes
- objects we use
- people and culture
- religions
- religions and religious concepts
- riverine bodies
- settlements and landscapes
- tools and equipment
- united kingdom (nation)
- walking sticks
- Title
- Buddhist altar ornament: lotus bud supported by two dvarapala
- Artist
- Artist Unknown, China
- Century
- 7th-8th century
- Object Creation Date
- 618-907
- Accession Number
- 1961/2.74
- Medium and Support
- gilt bronze with blue-green patina
- relevance
- rank 3.50286
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- design elements
- form attributes
- motifs
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- plant-derived motifs
- religions
- religions and religious concepts
- religious visual works
- size (extent)
- size by specific type
- visual works
- visual works by function