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Showing results for "concepts" in Secondary Keywords.

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Title
Leaf from a Gradual with St. Lawrence
Artist
Ludovico de Gaci
Physical Description
This leaf from a manuscript contains seven lines of Latin text with musical notation. The initial letter, "C," of the opening word "Confessio" is made from a curved vegetal form. The text is preceded by a painted miniature in a circular frame that is, in turn, enclosed by a golden square. The miniature depicts a man with a tonsure and a golden halo standing in a verdant landscape. He holds a palm leaf in his left hand and rests his right hand on a grill. The left and upper margins of the page are decorated with green and pink leaves and flowers and small gold circles.
Century
15th century
Object Creation Date
1489
Accession Number
1986/2.85
Medium and Support
ink, tempera and gold on parchment
relevance
rank 3.74076
Secondary Keywords
architectural elements
associated concepts
barrier elements
barriers and barrier elements
components
components and systems
components by specific context
document genres
document genres by conditions of production
document genres by function
europe (continent)
geographic and political locations
information forms
italy (nation)
liturgical texts
lombardy (region)
objects we use
people and culture
religions
religions and religious concepts
religious texts
Title
Lamp
Artist
Artist Unknown, Syria
Century
12th-13th century
Object Creation Date
12th century - 13th century
Accession Number
1961/1.191
Medium and Support
glass with enameled decoration
relevance
rank 3.73763
Secondary Keywords
associated concepts
components
components and systems
components by specific context
containers
containers by function or context
containers for serving and consuming food
culinary containers
drinking vessels
furnishings components
lighting device components
objects we use
people and culture
religions
religions and religious concepts
vessels for serving and consuming food
Access to media is restricted to U-M users.
Title
Boaz and the Elders. from the Story from Ruth in Gerard de Jode's "Thesaurus Sacrarum historiarum Veteris et Novi Testamenti"
Artist
Artist Unknown
Physical Description
A group of men in an outdoor setting of a stone structure all seated having a conversation. Towards the one side you can see two houses in the distance. The men are all wearing cloaks.
Century
16th century
Accession Number
2013/2.534
Medium and Support
engraving on laid paper
relevance
rank 3.73608
Secondary Keywords
accessories worn on the legs or feet
associated concepts
costume
costume accessories
costume accessories worn
footwear
footwear by form
objects we use
people
people (agents)
people and culture
people by gender
people by occupation
people in religion
people in religion and related occupations
people in the humanities
religions
religions and religious concepts
Access to media is restricted to U-M users.
Title
Progress of Beauty 3
Artist
Mark Kostabi
Physical Description
Line drawing in felt tip marker on ivory ~ 10x13” paper with shading. Woman’s arm and dress and the cash register are partially filled in with black, as well as a pane of the stained glass window that she holds. The wall, pitcher, parts of the woman’s head and shoulder covering and bodice, and cash register have been modeled in stylized “half tone” of zigzag separating white and black; shadows take the form of dense curlicues. The tablecloth bears a “pattern” of crosses and eye-shaped forms. The map has been filled in with fingerprints.
Artist Life Dates
born 1960
Century
20th century
Object Creation Date
1988
Accession Number
2008/2.239
Medium and Support
ink on paper
relevance
rank 3.73523
Secondary Keywords
architectural elements
art genres
artistic concepts
associated concepts
business and related functions
components
components and systems
components by specific context
concepts in the arts
containers
containers by form
derivative objects
descriptors
european
european regions
functions
functions (activities)
functions by specific context
image-making processes and techniques
netherlandish
object genres
objects we use
openings (architectural elements)
openings and opening components
openings by form
originals and derivative objects
people
people (agents)
people and culture
people by gender
processes and techniques
processes and techniques by specific type
styles and periods
styles and periods by region
vessels
windows and window components
Access to media is restricted to U-M users.
Title
Progress of Beauty 2
Artist
Mark Kostabi
Physical Description
Line drawing in felt tip marker on ivory ~ 10x13” paper with shading. Woman’s arm and dress filled in completely with black, as well as a pane of the stained glass window that she holds. The wall, pitcher, parts of the woman’s head and shoulder covering and bodice, and cash register have been modeled in stylized “half tone” of zigzag separating white and black; shadows take the form of dense curlicues. The tablecloth bears splotches of black ink that were possibly made by blowing air on wet ink through a straw. The map has been filled in with ink drips and splatters.
Artist Life Dates
born 1960
Century
20th century
Object Creation Date
1988
Accession Number
2008/2.238
Medium and Support
ink on paper
relevance
rank 3.73523
Secondary Keywords
architectural elements
art genres
artistic concepts
associated concepts
business and related functions
components
components and systems
components by specific context
concepts in the arts
containers
containers by form
derivative objects
descriptors
european
european regions
functions
functions (activities)
functions by specific context
image-making processes and techniques
netherlandish
object genres
objects we use
openings (architectural elements)
openings and opening components
openings by form
originals and derivative objects
people
people (agents)
people and culture
people by gender
processes and techniques
processes and techniques by specific type
styles and periods
styles and periods by region
vessels
windows and window components
Access to media is restricted to U-M users.
Title
Progress of Beauty 1
Artist
Mark Kostabi
Physical Description
Line drawing in felt tip marker on ivory ~ 10x13” paper.
Artist Life Dates
born 1960
Century
20th century
Object Creation Date
1988
Accession Number
2008/2.241
Medium and Support
ink on paper
relevance
rank 3.73523
Secondary Keywords
architectural elements
art genres
artistic concepts
associated concepts
business and related functions
components
components and systems
components by specific context
concepts in the arts
containers
containers by form
derivative objects
descriptors
european
european regions
functions
functions (activities)
functions by specific context
image-making processes and techniques
netherlandish
object genres
objects we use
openings (architectural elements)
openings and opening components
openings by form
originals and derivative objects
people
people (agents)
people and culture
people by gender
processes and techniques
processes and techniques by specific type
styles and periods
styles and periods by region
vessels
windows and window components
Access to media is restricted to U-M users.
Title
Preacher on the Street, New York City, USA
Artist
Leonard Freed
Physical Description
A man preaching on a public street. There are people passing by him. He is holding a bible in one hand.
Object Creation Date
1980
Accession Number
2014/2.340
Medium and Support
vintage gelatin silver print on paper
relevance
rank 3.72944
Secondary Keywords
associated concepts
buildings and the land
document genres
document genres by form
document genres for literary works
information forms
objects we use
open spaces
open spaces and site elements
open spaces by function
people
people (agents)
people and culture
people by gender
religions and religious concepts
roads
roads by form
transportation spaces
Access to media is restricted to U-M users.
Title
Napoleon Standing Next to Chair
Artist
Larry Rivers
Physical Description
Sketch of a standing male figure outlined in dark blue spray paint to the left of a color rendering of the same male figure outlined in light blue standing next to a chair. The name “DAVID” stenciled at bottom left of center. Composed of various materials, including patent leather, felt, plastic, wool and spray paint on canvas.
Artist Life Dates
1923 - 2002
Century
20th century
Object Creation Date
1970
Accession Number
1997/1.135
Medium and Support
patent leather, felt, plastic, wool and spray paint on canvas
relevance
rank 3.72711
Secondary Keywords
associated concepts
concepts in the arts
descriptors
emperor
furnishings
furnishings by form or function
furniture
furniture by form or function
historical, theoretical and critical concepts
international post-1945 styles and movements
modern and contemporary art
needleworking
needleworking and needleworking techniques
objects we use
people and culture
people and occupations
post-1945 fine arts styles and movements
processes and techniques
processes and techniques by material
processes and techniques by specific type
seating furniture
single seating furniture
styles and periods
styles and periods by region
textile processes and techniques
textile working processes and techniques
visual works
visual works by subject type
Title
Tile fragment with inscription, Molded calligraphy in depressed band in the tile, glazed in bluish-turquoise, slight incrustation and iridescence.
Artist
Artist Unknown, Iran
Century
12th-13th century
Object Creation Date
12th century - 13th century
Accession Number
1972/2.153
Medium and Support
molded fritware with turquoise glaze
relevance
rank 3.72234
Secondary Keywords
associated concepts
components
components and systems
components by specific context
descriptors
forming
image-making processes and techniques
information form components
layout features
materials
materials by form
materials by physical form
people and culture
processes and techniques
processes and techniques by specific type
religions
religions and religious concepts
writing (processes)
Access to media is restricted to U-M users.
Title
Nuwa Repairing the Columns that Support the Earth
Artist
Ren Yi (Jen I)
Artist Life Dates
1840 - 1896
Century
19th century
Object Creation Date
1877
Accession Number
2006/2.15
Medium and Support
ink and color on paper
relevance
rank 3.72215
Secondary Keywords
associated concepts
concepts in the arts
descriptors
genres in the arts
image-making processes and techniques
literary, oral and motion picture genres
objects we use
people
people (agents)
people and culture
people by gender
people by state or condition
processes and techniques
processes and techniques by specific type
visual works
visual works by subject type
writing (processes)
Title
Buddha, seated in the ardha padmasana pose, in bhumisparsa mudra (Chieng Sen style)
Artist
Artist Unknown, Thailand
Physical Description
The Buddha in bhumisparsa mudra (the gesture of touching the earth with his right hand, palm inward), signaling his victory over Mara. In Southeast Asian contexts, this hand gesture is often referred to as Maravijaya mudra, or "victory over Mara." The Buddha’s elongated earlobes refer to his early life as a prince, when he wore heavy earrings. Texts that describe how a Buddha’s face should look often use comparisons to natural forms such as eyes like lotus petals, eyebrows like an archer’s bow, and a chin like a mango stone. The artist who created this sculpture clearly followed similar instructions.
Century
16th century
Object Creation Date
1500-1599
Accession Number
1993/2.48
Medium and Support
bronze
relevance
rank 3.71743
Secondary Keywords
associated concepts
descriptors
design elements
devotional images
figures (representations)
motifs
objects we use
people
people (agents)
people and culture
people by state or condition
physical activities
physical activities by general context
plant-derived motifs
religions
religions and religious concepts
religious visual works
visual works
visual works by function
visual works by subject type
Title
Head of a Buddha, with flaming topknot
Artist
Artist Unknown, Thailand
Century
20th century
Object Creation Date
circa 17th century - 18th century
Accession Number
1978/2.46
Medium and Support
bronze
relevance
rank 3.70984
Secondary Keywords
associated concepts
biological components
components
components and systems
components by specific context
devotional images
objects we use
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
religious visual works
the human body
upper body
visual works
visual works by function
visual works by subject type
Title
Head of a Buddha (Sukhothai style)
Artist
Artist Unknown, Thailand
Century
15th century
Object Creation Date
15th Century
Accession Number
1993/2.53
Medium and Support
bronze
relevance
rank 3.70984
Secondary Keywords
associated concepts
biological components
components
components and systems
components by specific context
devotional images
objects we use
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
religious visual works
the human body
upper body
visual works
visual works by function
visual works by subject type
Title
Head of a Buddha
Artist
Indonesia
Century
16th century
Object Creation Date
16th century
Accession Number
2000/1.26
Medium and Support
stone
relevance
rank 3.70984
Secondary Keywords
associated concepts
biological components
components
components and systems
components by specific context
devotional images
objects we use
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
religious visual works
the human body
upper body
visual works
visual works by function
visual works by subject type
Title
Head of a Buddha
Artist
Artist Unknown, Thailand
Century
16th century
Object Creation Date
16th century
Accession Number
1993/2.42
Medium and Support
sandstone
relevance
rank 3.70984
Secondary Keywords
associated concepts
biological components
components
components and systems
components by specific context
devotional images
objects we use
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
religious visual works
the human body
upper body
visual works
visual works by function
visual works by subject type
Title
Head of a Buddha (Ayutthaya style)
Artist
Artist Unknown, Thailand
Century
16th century
Object Creation Date
16th century
Accession Number
1993/2.41
Medium and Support
stone
relevance
rank 3.70984
Secondary Keywords
associated concepts
biological components
components
components and systems
components by specific context
devotional images
objects we use
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
religious visual works
the human body
upper body
visual works
visual works by function
visual works by subject type
Title
Head of a Buddha
Artist
Artist Unknown, Thailand
Century
15th century
Object Creation Date
circa 15th century
Accession Number
1977/2.27
Medium and Support
sandstone
relevance
rank 3.70984
Secondary Keywords
associated concepts
biological components
components
components and systems
components by specific context
devotional images
objects we use
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
religious visual works
the human body
upper body
visual works
visual works by function
visual works by subject type
Title
Head of a Buddha
Artist
Gandhara (ancient Pakistan and Afghanistan)
Century
2nd-3rd century
Object Creation Date
2nd century - 3rd century
Accession Number
1996/2.32
Medium and Support
gray schist
relevance
rank 3.70984
Secondary Keywords
associated concepts
biological components
components
components and systems
components by specific context
devotional images
objects we use
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
religious visual works
the human body
upper body
visual works
visual works by function
visual works by subject type
Title
Head of a Buddha
Artist
Artist Unknown, Indonesia, Java
Century
10th century
Object Creation Date
10th century
Accession Number
2001/2.129
Medium and Support
andesite stone
relevance
rank 3.70984
Secondary Keywords
associated concepts
biological components
components
components and systems
components by specific context
devotional images
objects we use
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
religious visual works
the human body
upper body
visual works
visual works by function
visual works by subject type
Title
Head of a Buddha, adorned with a crown
Artist
Artist Unknown, Thailand
Century
16th century
Object Creation Date
circa 16th century
Accession Number
1978/2.47
Medium and Support
bronze
relevance
rank 3.70984
Secondary Keywords
associated concepts
biological components
components
components and systems
components by specific context
devotional images
objects we use
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
religious visual works
the human body
upper body
visual works
visual works by function
visual works by subject type
Title
Head of a Buddha, Lopburi Style (fake)
Artist
Artist Unknown, Thailand
Century
12th century
Object Creation Date
12th century
Accession Number
1993/2.39
Medium and Support
sandstone
relevance
rank 3.70984
Secondary Keywords
associated concepts
biological components
components
components and systems
components by specific context
devotional images
objects we use
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
religious visual works
the human body
upper body
visual works
visual works by function
visual works by subject type
Title
Head of a Buddha
Artist
Gandhara (ancient Pakistan and Afghanistan)
Century
3rd century
Object Creation Date
3rd century
Accession Number
1981/2.67
Medium and Support
stone
relevance
rank 3.70984
Secondary Keywords
associated concepts
biological components
components
components and systems
components by specific context
devotional images
objects we use
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
religious visual works
the human body
upper body
visual works
visual works by function
visual works by subject type
Title
Head of a Buddha
Artist
Artist Unknown, Thailand
Century
14th-15th century
Object Creation Date
14th century - 15th century
Accession Number
1974/2.6
Medium and Support
bronze
relevance
rank 3.70984
Secondary Keywords
associated concepts
biological components
components
components and systems
components by specific context
devotional images
objects we use
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
religious visual works
the human body
upper body
visual works
visual works by function
visual works by subject type
Title
Head of a Buddha
Artist
Artist Unknown, Thailand
Century
17th-18th century
Object Creation Date
17th century - 18th century
Accession Number
2005/1.452
Medium and Support
gilt bronze
relevance
rank 3.70984
Secondary Keywords
associated concepts
biological components
components
components and systems
components by specific context
devotional images
objects we use
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
religious visual works
the human body
upper body
visual works
visual works by function
visual works by subject type
Title
Head of a Buddha
Artist
Artist Unknown, Thailand
Century
15th century
Object Creation Date
15th century
Accession Number
1975/1.67
Medium and Support
bronze
relevance
rank 3.70984
Secondary Keywords
associated concepts
biological components
components
components and systems
components by specific context
devotional images
objects we use
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
religious visual works
the human body
upper body
visual works
visual works by function
visual works by subject type
Title
Yungdron Dorje Pal (1284–1365) subduing a wrathful demon while attended by a meditation deity, Mahakala and other monks.
Artist
Workshop Unknown, Tibet or Nepal
Physical Description
A portable painting done in ink and gouache on loose-weave, primed cotton, surround by two strips of fabric. This painting has suffered greatly from water damage, running the pigments together.
Century
18th-20th century
Object Creation Date
1700-1750
Accession Number
1973/1.719
Medium and Support
ink and gouache on cotton
relevance
rank 3.70615
Secondary Keywords
asian
associated concepts
buddhism
conditions and effects
descriptors
objects we use
people
people (agents)
people and culture
people by occupation
people by state or condition
people in religion
people in religion and related occupations
people in the humanities
religions
religions and religious concepts
religious (people)
south asian
styles and periods
styles and periods by region
visual works
visual works by subject type
Title
Teacher and adept in a garden, with a yab-yum figure
Artist
Artist Unknown, Tibet or China
Physical Description
A painting in ink, gouache, and gold pigment on cotton, with considerable damage.
Century
18th-19th century
Object Creation Date
18th century - 19th century
Accession Number
1955/1.94
Medium and Support
ink, gouache, and gold on cotton
relevance
rank 3.70504
Secondary Keywords
asian
associated concepts
buildings and the land
educating
educational functions
functions
functions (activities)
functions by specific context
open spaces
open spaces and site elements
open spaces by form
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
south asian
styles and periods
styles and periods by region
Title
Tosyodaiji (Tôshôdai-ji)
Artist
Saitô Kiyoshi
Artist Life Dates
(active 1907 - 1997)
Century
20th century
Object Creation Date
1955
Accession Number
1958/2.31
Medium and Support
color woodblock print on paper
relevance
rank 3.70205
Secondary Keywords
associated concepts
buildings and the land
objects we use
people and culture
religions
religions and religious concepts
religious buildings
religious structures
single built works
single built works by function
single built works by specific type
visual works
visual works by medium or technique
Title
Tôto Meisho Series: White Rain on Nihon Bridge (Nihonbashi no shirazame)
Artist
Andô Hiroshige
Physical Description
Rainy scene in a village. There is a bridge in the foreground, with several figures walking across with umbrellas. Houses and mountains appear in the distance.
Artist Life Dates
1797-1858
Century
19th century
Object Creation Date
circa 1840-1841
Accession Number
1948/1.139
Medium and Support
color woodblock print on paper
relevance
rank 3.70045
Secondary Keywords
layout features
transfer method
upward
associated concepts
buildings and the land
components
components and systems
components by specific context
costume
costume accessories
costume accessories carried
descriptors
dwellings
earth sciences concepts
illustrations
illustrations by form
images and ornament
information form components
inorganic material
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
layout features
materials
materials by composition
natural landscapes
objects we use
people and culture
physical sciences concepts
precipitation
prints
prints by process
prints by process or technique
relief prints
residential structures
scientific concepts
settlements and landscapes
single built works
single built works by function
single built works by specific type
transportation structures
transportation structures by form
transportation vehicles
vehicles
visual works
visual works by medium or technique
watercraft
watercraft by general type
weather and related phenomena
weather-related phenomena
Title
Journey of the Soul to the Paradise of the Queen Mother of the West
Artist
Artist Unknown, China
Physical Description
Limestone slab carved bas-relief with six registers. The lower register depicts a chariot procession above fish-inhabited waters. The central three registers depict figures carrying out funerary rites. The top register shows a winged creature with a human face flanked by two writhing dragons and other animals, including two rabbits and a nine-tailed fox.
Century
2nd century
Object Creation Date
2nd century
Accession Number
2000/2.1
Medium and Support
carved limestone slab
relevance
rank 3.69980
Secondary Keywords
agricultural equipment
animals and creatures
associated concepts
buildings and the land
ceremonial objects
death
descriptors
earth sciences concepts
equipment
equipment by process
freewheeled vehicles
freewheeled vehicles by form or function
funerary structures
great lake and central woodland native american styles
how we live
inorganic material
land vehicles
land vehicles by form
legendary creatures
mammals
materials
materials by composition
native american
native north american styles
object genres
object genres by function
object-making processes and techniques
objects we use
people and culture
physical sciences concepts
processes and techniques
processes and techniques by specific type
religious structures
rites of passage
scientific concepts
sculpture techniques
single built works
single built works by function
single built works by specific type
styles and periods
styles and periods by region
the americas
tools and equipment
transportation vehicles
vehicles
visual works
visual works by medium or technique
Title
One of a pair of six-fold screens
Artist
Attributed Kanô Tan'yû
Physical Description
These panels represent six of the twelve months. The panels each have calligraphy and a red seal in one corner. In each panel there is a bird and a type of plant, which are suggestive of particular months. On the top left panel there is bamboo, the bow of the boat with a small lamp attached to it, and a type of water fowl. In the bottom middle panel is a blooming sakura tree and a pheasant. In the bottom left panel is blue and white wisteria ans small sparrows. In the bottom right panel there is a willow slowly coming back to life after winter over a thatched building.
Artist Life Dates
(Kyoto, 1604 - 1674, Edo)
Century
19th century?
Object Creation Date
19th century
Accession Number
1965/1.179
Medium and Support
ink and light color on paper, one of pair of Six fold screens
relevance
rank 3.69816
Secondary Keywords
upward
animals and creatures
asian
associated concepts
birds
bodies of water
bodies of water and components of bodies of water
bodies of water by size
buildings and the land
deciduous trees
descriptors
dwellings
earth sciences concepts
east asian
furnishings
furnishings by form or function
furniture
furniture by form or function
grass (plant material)
herbaceous plants
japanese
japanese styles
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
materials
materials by origin
natural landscapes
objects we use
people and culture
physical sciences concepts
plant material
plants
residential structures
riverine bodies
scientific concepts
seasons
settlements and landscapes
shrubs
single built works
single built works by function
single built works by specific type
styles and periods
styles and periods by region
transportation vehicles
trees by leaf life
vegetation and vegetation components
vegetation components
vehicles
watercraft
watercraft by general type
woody plants
Title
Buddha, standing on a table-like pedestal, with a flame mandorla
Artist
Artist Unknown, China
Century
4th century
Object Creation Date
4th century
Accession Number
1964/1.92
Medium and Support
cast and incised bronze
relevance
rank 3.69774
Secondary Keywords
associated concepts
attributes and properties
attributes and properties by specific type
descriptors
design elements
form attributes
motifs
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Title
Mandolin Woman (Femme-mandoline), Plate IV, from "Transmutations"
Artist
Brassaï (Gyula Halász)
Physical Description
A highly abstracted photographic composition in which the viewer catches glimpses of a female nude seen in the stomach at center and the keyhole glimpse of a breast to the viewer's right; the overall composition is dark with patterned, textured overlapping fabrics
Artist Life Dates
1899 - 1984
Century
20th century
Object Creation Date
1934-1935; printed 1967
Accession Number
1971/2.150.4
Medium and Support
clichés-verre on paper
relevance
rank 3.69771
Secondary Keywords
plucked
visual arts
artistic concepts
associated concepts
breasts
chordophones
concepts in the arts
european
european styles and periods
figures
figures (representations)
forms of expression
genres
lutelike chordophones
lutelike chordophones with short neck
modern european fine arts styles and movements
modern european styles and movements
movement
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people
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photographs
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visual works
visual works by medium or technique
visual works by subject type
Title
Tray
Artist
Artist Unknown, Iran
Century
12th century
Object Creation Date
12th century
Accession Number
1959/1.110
Medium and Support
bronze with inlaid silver and copper
relevance
rank 3.69636
Secondary Keywords
associated concepts
containers
containers by form
containers by function or context
containers for serving and consuming food
containers for writing equipment
culinary containers
descriptors
image-making processes and techniques
objects we use
people and culture
processes and techniques
processes and techniques by specific type
religions
religions and religious concepts
vessels for serving and consuming food
writing (processes)
Title
Pehar Gyalpo
Artist
Artist Unknown, Tibet or Nepal
Physical Description
A portable painting in mineral pigments and gold on a primed cotton ground; the painting is designed to be rolled up when not in use. The painting was folded at some time in its history, resulting in a loss of pigment along two vertical lines.
Century
19th century
Object Creation Date
19th century?
Accession Number
1980/2.211
Medium and Support
ink, gouache, and gold pigment on cotton
relevance
rank 3.69522
Secondary Keywords
african
african styles by region
animals and creatures
asian
associated concepts
descriptors
design elements
ewe cultures
mammals
motifs
natural element motifs
people
people (agents)
people and culture
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south asian
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west african styles
western guinea coast styles
Access to media is restricted to U-M users.
Title
Bombed-out Church, World War II Liberation, Limousin, Haute-Vienne, Oradour-sur-Glane, France
Artist
Henri Cartier-Bresson
Physical Description
A bombed out church with debris all around.
Artist Life Dates
1908-2004
Object Creation Date
1944
Accession Number
2014/2.323
Medium and Support
vintage gelatin silver print on paper
relevance
rank 3.68426
Secondary Keywords
associated concepts
buildings and the land
document genres
document genres by form
document genres for literary works
information forms
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people and culture
religions and religious concepts
religious buildings
religious structures
single built works
single built works by function
single built works by specific type
Title
Crossbow fibula with vegetal ornament on the catchplate
Artist
Anonymous Gallo-Roman
Physical Description
This fibula, a type of brooch used to pin outer garments, features a crossbar that ends in three onion-shaped terminals, which give the fibula a shape reminiscent of a crossbow. An arched bow connects the crossbar to the longer catchplate, which is ornamented with vegetal motifs.
Century
5th century
Object Creation Date
450-500
Accession Number
1966/2.17
Medium and Support
gilt bronze
relevance
rank 3.68321
Secondary Keywords
additive and joining processes and techniques
associated concepts
copper alloy
copper and copper alloy
costume
costume accessories
costume accessories worn
culture and related concepts
culture-related concepts
descriptors
europe (continent)
european
european styles and periods
geographic and political locations
inorganic material
jewelry
jewelry by location
jewelry worn on costume
materials
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medieval
medieval styles and periods
metal
metal and metal products
metal by composition or origin
metallizing
nonferrous metal
objects we use
people and culture
pins (jewelry)
processes and techniques
processes and techniques by specific type
styles and periods
styles and periods by region
surface covering processes and techniques
Title
An imaginary portrait of the Tibetan monk and scholar Go Lotsawa (1392–1481)
Artist
Workshop Unknown, Tibet or Nepal
Century
18th-19th century
Object Creation Date
18th century - 19th century
Accession Number
1972/2.347
Medium and Support
ink on silk?
relevance
rank 3.67771
Secondary Keywords
asian
associated concepts
objects we use
people
people (agents)
people and culture
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religions
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Access to media is restricted to U-M users.
Title
Heavy Burden, Esztergom, from "Hungarian Memories"
Artist
André Kertész
Physical Description
A woman makes a physical trek up the hillside that overlooks her small village. She balances two heavy buckets held together by a piece of wood. In the horizon of the photo, beyond the village, lies a body of water.
Artist Life Dates
1894-1985
Century
20th century
Object Creation Date
1916; printed 1981
Accession Number
1985/1.125.7
Medium and Support
gelatin silver print on paper
relevance
rank 3.67669
Secondary Keywords
upward
associated concepts
buildings and the land
containers
containers by form
descriptors
dwellings
inorganic material
landforms
landforms and landform components
landforms by shape or position
landscapes (environments)
materials
materials by composition
natural landscapes
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residential structures
settlements and landscapes
single built works
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single built works by specific type
vessels
Access to media is restricted to U-M users.
Title
Egôro (ritual censer)
Artist
Artist Unknown, Japan
Physical Description
It is a bronze incense burner with a long handle. The circular bowl is a brazier, in which incense is burnt in Shinto rituals. The brazier has a fluted mouth and double-lines on the outside body. A circular foot, in a chrysanthemum shape, is attached to the brazier. There is a support that connects between the brazier and the foot. The brazier’s lid has an intricate openwork design of lotus flower scrolls with a knob in the shape of a lotus bud. The rim has an incised, stylized design of clouds. The mounting between the brazier and the handle is in the shape of Buddhist jewel with two semi-precious stones. The handle has carved lotus flower scrolls, and the end of which is bent at a right angle and joined to a round pedestal. Rising from the pedestal is a small statue of a lion on a lotus-shape pedestal, which serves as a knob handgrip when the incense burner is held.
Century
16th-17th century
Object Creation Date
1583-1650
Accession Number
2007/2.6
Medium and Support
gilt bronze with semiprecious stones
relevance
rank 3.67162
Secondary Keywords
animals and creatures
associated concepts
buildings and the land
containers
containers by function or context
descriptors
design elements
events
flowers (plants)
herbaceous plants
landscapes (environments)
mammals
motifs
natural landscapes
object genres
object genres by material
objects we use
people and culture
plant-derived motifs
plants
religions
religions and religious concepts
settlements and landscapes
vegetation and vegetation components
vegetation components
woody plants
Title
Dvarapala (temple guardian; pair with 1980/2.291)
Artist
Artist Unknown, India, Kerala Workshop
Physical Description
The two-armed figure dances with his right leg raised and wrapped around a club. His left arm crosses his body and rests above the club and his right hand is raised almost to his ear. Tassels hang from him hips and under his armpits adding a great sense of movement to the whole figure. Multi-hooded snakes are at the base and also around the bottom of the club. He wears much of jewelry including bracelets, anklets, necklaces with should loops and an elaborate belt. His stomach protrudes over the belt. He also has large earrings and a jewel encrusted crown. His eyes bulge out and his mouth is open showing his teeth. He is a pair with 1980/2.291.
Century
15th century
Object Creation Date
15th century
Accession Number
1980/2.290
Medium and Support
wood
relevance
rank 3.66996
Secondary Keywords
associated concepts
buildings and the land
figures
hinduism
people
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Title
Royal Attendant for a Buddhist Shrine (one of a pair)
Artist
Artist Unknown, Burma
Century
19th century
Object Creation Date
19th century
Accession Number
2005/1.448.2
Medium and Support
gilt and lacquered wood with glass and tin inlay
relevance
rank 3.66124
Secondary Keywords
aristocracy
associated concepts
groups of people
nobility
objects we use
people
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religions and religious concepts
religious visual works
social classes
social classes by specific type
social groups
upper class
visual works
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Title
Seated Buddha in Bhumisparsa Mudrâ
Artist
Artist Unknown, Thailand
Physical Description
Gilt bronze Buddha with glass inlay in bhumisparsa mudra (the gesture of touching the earth with his right hand, palm inward), signaling his victory over Mara. He has elongated earlobes, wears a crown and tight-fitting intricate robes, and is seated on a pedesal.
Century
19th century
Object Creation Date
19th century
Accession Number
2005/1.454
Medium and Support
gilt bronze with glass inlay
relevance
rank 3.65418
Secondary Keywords
associated concepts
copper alloy
copper and copper alloy
descriptors
glass and glassmaking mixtures
inorganic material
materials
materials by composition
metal
metal and metal products
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nonferrous metal
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Title
Buddha, seated in the padmasana pose, in bhumisparsa mudra
Artist
Artist Unknown, Tibet or Nepal
Physical Description
A hollow cast bronze sculpture of the Buddha, including a lotus base. The bronze has a dark, shiny patina over most of its surface.
The Buddha sits with his legs crossed in the padmasana pose; his right hand reaches down, palm inwards, to touch the earth, in an elegant gesture with just the tip of his third finger making contact, while his right hand rests in his lap. His torso is tall and erect. His dhoti (a skirt-like garment) is tied high on his torso, while his outer robe covers his left shoulder completely and just brushes against his right shoulder. His face is shaped like a tall and narrow "U," with wide, gently arching brows, downcast eyes under swelling lids, a long and high nose, and full, cupid's-bow lips. The urna, an auspicious mark on his forehead, is indicated here by a small bump with an incised outline. His hair is arranged in rows of snail-shell curls, which are repeated in a larger size on his ushnisha, culminating in a lotus bud.
The upward-pointing lotus petals on the dais are in high relief, with curling tips.
Century
19th century
Object Creation Date
19th century
Accession Number
1995/1.58
Medium and Support
bronze
relevance
rank 3.64697
Secondary Keywords
asian
associated concepts
descriptors
design elements
devotional images
figures (representations)
motifs
objects we use
people
people (agents)
people and culture
people by state or condition
plant-derived motifs
religions
religions and religious concepts
religious visual works
south asian
styles and periods
styles and periods by region
visual works
visual works by function
visual works by subject type
Title
Standing Buddha, in double abhaya mudrâ
Artist
Artist Unknown, Thailand
Physical Description
Standing gilt bronze Buddha with glass inlay in royal costume. Stands on a lotus pedestal with both hands raised in abhaya mudra.
Century
19th-20th century
Object Creation Date
early 20th century
Accession Number
2005/1.475
Medium and Support
gilt bronze with glass inlay
relevance
rank 3.64670
Secondary Keywords
associated concepts
copper alloy
copper and copper alloy
descriptors
figures (representations)
glass and glassmaking mixtures
hinayana
inorganic material
materials
materials by composition
metal
metal and metal products
metal by composition or origin
nonferrous metal
objects we use
people and culture
physical activities
physical activities by general context
religions
religions and religious concepts
visual works
visual works by subject type
Title
"The Sound of Rustling Leaves" (Chinese poem, calligraphy)
Artist
Rai San'yô
Physical Description
This is a hanging scroll. It is mounted on olive green fabric and includes a poem in Chinese calligraphic text about nature. Has three red seals: two in the lower left side, one in the upper right corner.
Artist Life Dates
1780-1832
Century
19th century
Object Creation Date
circa 1811-1832
Accession Number
2002/1.164
Medium and Support
ink on paper
relevance
rank 3.64482
Secondary Keywords
associated concepts
descriptors
document genres
document genres by form
document genres for literary works
image-making processes and techniques
information forms
objects we use
paintings
paintings by form
people and culture
philosophical concepts
processes and techniques
processes and techniques by specific type
scroll paintings
visual works
visual works by medium or technique
writing (processes)
Title
Dakini
Artist
Artist Unknown, Nepal
Physical Description
A small stone sculpture in bas-relief, depicting a tantric goddess. The back of the image is carved in a stylized petal shape, while the figure is crudely carved in relief on the front.
Century
19th century
Object Creation Date
19th century
Accession Number
1983/1.111
Medium and Support
stone
relevance
rank 3.64284
Secondary Keywords
animal material
animal material by form or function
asian
associated concepts
descriptors
materials
materials by origin
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
skeleton and skeleton components
skeleton components
south asian
styles and periods
styles and periods by region
Title
Christ Healing the Deaf-Mute
Artist
Philippe de Champaigne
Physical Description
This painting depicts a river passing through a wooded landscape as human figures, dwarfed by the towering trees, move along its banks. The majestic landscape dominates the painting, but a group of four men in the right foreground also competes for attention since the bright, saturated primary colors of their robes stand out sharply against the muted tonalities of their surroundings. One of the men, wearing a blue cloak, places his left finger in the mouth of a man kneeling before him and touches the side of his head with his right hand. A third man leans forward to touch the kneeling figure's shoulder while the fourth, in a magnificent red cloak, raises his hands in astonishment.
Artist Life Dates
1602-1674
Century
17th century
Object Creation Date
circa 1650-1660
Accession Number
1960/2.93
Medium and Support
oil on canvas
relevance
rank 3.64187
Secondary Keywords
animals and creatures
associated concepts
birds
bodies of water
bodies of water and components of bodies of water
bodies of water by size
buildings and the land
events
landscapes (environments)
natural landscapes
objects we use
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paintings by material or technique
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riverine bodies
settlements and landscapes
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Access to media is restricted to U-M users.
Title
Unidentified Buddhist Goddess with eight arms and three heads, with base
Artist
Artist Unknown, Tibet or Nepal
Physical Description
A miniature figure of a tantric goddess, very finely cast by the cire perdue (lost wax) method. The goddess is shown seated in lalitasana pose ("royal ease," one knee bent and the other relaxes) on a lotus dais, which is separately cast. She has 8 arms which are in variants of vitarka mudra (the gesture of teaching). She has three heads, with the two lateral heads seen here as partial profiles; each wears the five-petal tiara of Tibetan Buddhist ritual. Her skirt is unusual, looking to be made of leaves, instead of the usual dhoti. Her hair is painted blue and her lips red.
Accession Number
2006/2.64A&B
Medium and Support
copper? with blue paint for hair and red for lips
relevance
rank 3.62754
Secondary Keywords
asian
associated concepts
attributes and properties
attributes and properties by specific type
descriptors
form attributes
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
size (extent)
size by specific type
south asian
styles and periods
styles and periods by region
Title
Bodhisattva Tara (Tibetan, Jetsun Dolma)
Artist
Artist Unknown, Tibet or Nepal
Physical Description
A suberply cast hollow bronze figure of Tara, a Buddhist goddess, shown leated in the lalitasana pose ("royal ease," with one knee bent and the other relaxed), her right hand extended to her right knee in vara mudra (the gesture of charity), and her left hand in vitarka mudra (the gesture of teaching, with the thumb and third finger brought together). She wears a dhoti and jewelry, including an elaborate tiara and enormous lotus-petal design ear plugs. Her face has a broad, open forehead, with wide, slightly arching brows; her eyes are downcast with "s"-shaped upper lids; her nose is straight and long, and her mouth, in a curved Cupid's bow shape, is small but full. Her torso leans slightly to her left, which is balanced by the right tilt of her head. She sits on a double lotus dais with beaded upper and lower rims. The image and the base were case in one piece in the lost-wax method. There are traces of red paint for her mouth and blue paint for her hair.
Century
18th century
Object Creation Date
18th century
Accession Number
1972/2.40
Medium and Support
gilt bronze with inlaid semi-precious stones and traces of polychrome
relevance
rank 3.62754
Secondary Keywords
asian
associated concepts
attributes and properties
attributes and properties by specific type
descriptors
form attributes
people
people (agents)
people and culture
people by state or condition
religions
religions and religious concepts
size (extent)
size by specific type
south asian
styles and periods
styles and periods by region
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