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Showing results for "the natural world" in Secondary Keywords.
- Title
- The Traghetto, No. 2, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A dark passageway dominates the middle and left portions of the composition; to the right is a group of men seated outside at a table. The passageway has a view at the far end of a man seated while a gondola passes by. In front of the passageway re three young trees, the leaves of which fall in front of the passageway. To the left of the passageway is a child holding a baby. On either side of the passageway are windows that indicate the walls that fill the plate.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.377
- Medium and Support
- etching, printed in dark brown ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- buildings and the land
- europe
- figures
- italy
- locality
- objects
- open spaces
- open spaces and site elements
- open spaces by function
- people and occupations
- plants
- roads
- roads by form
- streets
- streets by form
- the natural world
- transportation spaces
- Title
- The Riva, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A view of a city along the edge of water sweeps from the foreground towards the right in the distance. Along quays, bridges and promenades can be seen groupoings of people walking and in conversation. Boats populate the water's edge: smaller boats in the foreground, larger multi-masted ships in the distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.378
- Medium and Support
- etching, printed in black ink on wove paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- cityscapes
- europe
- flat-bottomed watercraft
- geography
- italy
- locality
- monohulls
- objects we use
- ships
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- San Giorgio, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Ships at anchor in a lagoon is the focus of this image. Smaller boats are tied to the quay in the foreground and along the horizon line is a cityscape, leading to a large church at the left, with an impressive facade, dome and bell tower behind. A large ship is moored between the viewer and the church. Much of the foreground is occupied by water without boats, leaving the elements of the composition largely in the middle distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.386
- Medium and Support
- etching, printed in dark brown ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- churches
- cityscapes
- europe
- italy
- locality
- places of worship
- ships
- the natural world
- waterscapes
- Title
- Upright Venice, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Seen from an elevated vantage point, a quay in the foreground with boats anchored nearby and figures talking is balanced in the upper part of the image by a view of buildings along the canals, gondolas, shipping and, just left of center a large domed church.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.388
- Medium and Support
- etching and drypoint, printed in black ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- artists
- cityscapes
- europe
- flat-bottomed watercraft
- italy
- locality
- monohulls
- objects we use
- people and occupations
- ships
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- The Riva, No. 2, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A view of a city along the edge of water sweeps from the foreground towards the right in the distance. Along quays, bridges and promenades can be seen groupoings of people walking and in conversation. Boats populate the water's edge: smaller boats in the foreground, larger multi-masted ships in the distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.389
- Medium and Support
- etching and drypoint, printed in warm black ink on laid paper, trimmed to platem
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- cityscapes
- europe
- flat-bottomed watercraft
- geography
- italy
- locality
- monohulls
- objects we use
- ships
- study
- tents
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- Long Venice, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A sweeping panorama shows a city and shipping along the water. The left side is more minutely described as large three-story buildings hug the water's edge. Just to the right of center is a large building with several domes. Several small boats and gondolas are visible to left of center. A cloudy and blustery sky occupies the top of the image.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.391
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- cityscapes
- europe
- flat-bottomed watercraft
- italy
- locality
- monohulls
- objects we use
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by general type
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- Nocturne: Salute
- Artist
- James McNeill Whistler
- Physical Description
- This image shows structures and their reflections in the water, drawn largely through clusters of vertical lines. To the right in the distance are the masts of ships; at the right center is a small boat. More sketchily rendered are buildings or perhaps piers at the left of the image.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.393
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- europe
- italy
- locality
- study
- the natural world
- time
- waterscapes
- Title
- Regent's Quadrant
- Artist
- James McNeill Whistler
- Physical Description
- Glimpsed through an entableture and single doric column, a busy boulevard is seen filled with horse-drawn carriages and cabs, as well as with pedestrians, mostly in the foreground. In the distance is a building with large windows.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1880-1881
- Accession Number
- 1954/1.394
- Medium and Support
- etching and drypoint, printed in black ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill
- Secondary Keywords
- animals
- architecture
- mammals
- objects
- the natural world
- transportation
- vehicles
- Title
- The Young Tree
- Artist
- James McNeill Whistler
- Physical Description
- Two children sit on the ground next to a young tree that stands supported by a stake. The tree's foliage fills the image at the upper right. A fence in the upper part of the image separates the children from buildings in the distance, seen through the tree's branches. Presumably the children are in a part adjacent to a residential neighborhood.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1887
- Accession Number
- 1954/1.397
- Medium and Support
- etching, printed in warm black ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- buildings and the land
- figures
- open spaces
- open spaces and site elements
- open spaces by function
- people and occupations
- plants
- the natural world
- Title
- The Cock and the Pump
- Artist
- James McNeill Whistler
- Physical Description
- An open public space dominates the foreground of the image. In that space are several groups of children, particularly at the lower left of the image, a rooster at the lower right, and a water pump at the far side of the square just before the fence. Beyond is a street that receeds into the distance; on either side of the street are picturesque older buildings that face onto the square with banks of windows, overhangs, and steeply pitched rooflines.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1887
- Accession Number
- 1954/1.398
- Medium and Support
- etching, printed in warm black ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill
- Secondary Keywords
- animals
- architecture
- birds
- chickens
- figures
- people and occupations
- roads
- the natural world
- Title
- The Embroidered Curtain
- Artist
- James McNeill Whistler
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1889
- Accession Number
- 1954/1.407
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- europe
- geography
- locality
- netherlands
- the natural world
- waterscapes
- Title
- Café Corazza, Paris
- Artist
- James McNeill Whistler
- Physical Description
- Three arched openings (windows flanking a central door) are obscured by the trunks and foliage of two slender trees positioned in front of the building. Neither the tree trunks nor the building facade are drawn completely down to the ground.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1892-1893
- Accession Number
- 1954/1.409
- Medium and Support
- etching, printed in black ink on laid Japan tissue, trimmed to platemark
- Artist
- Whistler, James McNeill
- Secondary Keywords
- scale
- architectural elements
- architecture
- buildings and the land
- cityscapes
- components
- components and systems
- components by specific context
- landscapes (environments)
- natural landscapes
- openings (architectural elements)
- openings and opening components
- openings by form
- plants
- settlements
- settlements and landscapes
- settlements by form
- the natural world
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Rue de Vannes, Paris
- Artist
- James McNeill Whistler
- Physical Description
- A partial view of a four-story building, concentrating on pairs of windows on each story and a wrought iron fence on the ground level. Windows have window boxes or balconies; on the ground level are several dogs on either side and a pair of milk cans at the center in front of the fence.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1892-1893
- Accession Number
- 1954/1.410
- Medium and Support
- etching, printed in black ink on laid Japanese tissue
- Artist
- Whistler, James McNeill
- Secondary Keywords
- animals
- animals and creatures
- architectural elements
- architecture
- buildings and the land
- components
- components and systems
- components by specific context
- containers
- containers by form
- mammals
- objects
- objects we use
- open spaces and site elements
- openings (architectural elements)
- openings and opening components
- openings by form
- site elements
- the natural world
- windows and window components
- Title
- Limehouse
- Artist
- James McNeill Whistler
- Physical Description
- Seen from the water, which dominates the foreground, a barge with a standing man and woman occupy the middle distance. Beyond to the left a three-masted ship is in dry-dock, separated from other buildings and activities on the right by a small inlet of water. Behind the barge to the right is a complex of clapboard buildings; at the far right is another sailing ship pulled out of water. A group of men with flaming torches are tarring the exterior of the hull. This is a view of a busy dockyard along the river Thames under a blustery, cloudy sky.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1878
- Accession Number
- 1954/1.412
- Medium and Support
- lithotint with scraping and incising, on heavy wove paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- buildings and the land
- descriptors
- inorganic material
- materials
- materials by composition
- objects
- objects we use
- ships
- the natural world
- transportation vehicles
- vehicles
- watercraft by general type
- waterscapes
- Title
- Billingsgate
- Artist
- James McNeill Whistler
- Physical Description
- A group of figures stand on the bow of a boat at the left. Behind and to the left are buildings and steps leading up to a quay with people gathered along the railings. Behind the figures and to the right are the numerous masts of ships lined side by side, all containing figures while in the distance beyond are the arches of a bridge.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1859
- Accession Number
- 1954/1.339.1
- Medium and Support
- etching, printed in black ink on laid Japan paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- buildings and the land
- open spaces
- open spaces and site elements
- open spaces by location or context
- ships
- the natural world
- waterfront spaces
- waterfronts and waterfront spaces
- waterscapes
- Title
- The Dam Wood
- Artist
- James McNeill Whistler
- Physical Description
- In a desolate, wintery landscape stand a group of leafless trees with tall grasses beyond.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1874-1875
- Accession Number
- 1954/1.359
- Medium and Support
- drypoint on ivory laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- plants
- the natural world
- woods
- Title
- Lindsey Houses
- Artist
- James McNeill Whistler
- Physical Description
- Seen at a distance are several sailing ships at dock along a riverside embankment. Row houses can be seen beyond and in the distance at the left is a wooden bridge and and a clump of trees.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1876-1877
- Accession Number
- 1954/1.366
- Medium and Support
- etching and drypoint, printed in black ink on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- buildings and the land
- houses
- open spaces
- open spaces and site elements
- open spaces by location or context
- plants
- ships
- the natural world
- waterfront spaces
- waterfronts and waterfront spaces
- waterscapes
- Title
- Pickle Herring Wharf
- Artist
- James McNeill Whistler
- Physical Description
- A large port is seen from the water. In the foreground are two low rowboats; at the right side are a number of tall masted ships with reefed sails and beyond, at center, in the distance is more shipping at dock. Along the lefthand side is a large building seen as the embankment curves away into the distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1878
- Accession Number
- 1954/1.367
- Medium and Support
- etching and drypoint, printed in black ink on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- objects we use
- ships
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- Title
- The Little Mast, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- An open piazza the borders the water is dominated by a mast just to the right of center. In the foreground there is a group of figures, as well as in front of the buildings that form the perimeter of the square. In the distance is a pedestrian bridge as well as the masts of shipsin the water.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.373
- Medium and Support
- etching, printed in brown ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- europe
- italy
- locality
- objects
- ships
- the natural world
- waterscapes
- Title
- Little Putney Bridge
- Artist
- James McNeill Whistler
- Physical Description
- Seen from a distance, the Little Putney bridge is visible with its wooden piers. The left bank is not drawn, but on the right bank can be seen a number of buildings and the tower of a church.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1983/1.226
- Medium and Support
- etching on pale green wove paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- the natural world
- waterscapes
- Title
- Sea and Rain: Variations in Violet and Green
- Artist
- James McNeill Whistler
- Physical Description
- Painting depicts a solitary male figure standing along the shore. The thin layers of paint evoke a misty, overcast day with the figure standing perhaps on a tidal flat.
- Artist Life Dates
- 1834-1903
- Century
- 20th century
- Object Creation Date
- 1865
- Accession Number
- 1955/1.89
- Medium and Support
- oil on canvas
- Artist
- Whistler, James McNeill
- Secondary Keywords
- relation to water
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- geography
- landforms
- landforms and landform components
- landforms by position
- landforms by shape or position
- landscapes (environments)
- marine bodies
- movement
- natural landscapes
- people and occupations
- settlements and landscapes
- shores (landforms)
- the natural world
- waterscapes
- Title
- The Forge—Passage du Dragon
- Artist
- James McNeill Whistler
- Physical Description
- A dark horizontal opening shows three men working and talking. Above is an arched recess, at the top of which is an open window with a plant. Below the large horizontal opening, a chicken stands in the street just below.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1894
- Accession Number
- 1992/1.143
- Medium and Support
- transfer lithograph with stumping on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- animals
- animals and creatures
- architecture
- birds
- buildings and the land
- the natural world
- Title
- Rotherhithe, one of the "Sixteen Etchings," or the "Thames Set"
- Artist
- James McNeill Whistler
- Physical Description
- Two men smoking long-stem pipes are seen sitting on a balcony. Behind them are visible the masts of ships along the bank, and further behind them in the distance a river sweeps towards the left. Buildings crowd the shore and boats are shown moored or in the river.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1860
- Accession Number
- 1954/1.346
- Medium and Support
- etching and drypoint on paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- buildings and the land
- cityscapes
- figures
- hydraulic structures
- hydraulic structures by function
- people and occupations
- reservoirs (water distribution structures)
- ships
- single built works
- single built works by function
- single built works by specific type
- the natural world
- water distribution structures
- waterscapes
- Title
- Amsterdam, from the Tolhuis
- Artist
- James McNeill Whistler
- Physical Description
- Several ships are seen at the near right side. In the distance is a city with many tall masted ships along the edge of the water; above are the lines of blustery clouds.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1863
- Accession Number
- 1954/1.352
- Medium and Support
- etching, printed in black ink on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- atmospheric effects
- europe
- geography
- locality
- netherlands
- ships
- the natural world
- waterscapes
- Title
- Speke Hall: The Avenue
- Artist
- James McNeill Whistler
- Physical Description
- A woman in a long dress and hat stands in the foreground of a wintery landscape. She stands in the tree-lined approach to a grand house with numerous gabes and elaborate geometric half-timbered designs on the facade. The scene is viewed from an elevated vantagepoint, thus looking down on the woman, who is seen in profile facing to the left and looking down.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1870
- Accession Number
- 1954/1.354
- Medium and Support
- etching and drypoint, printed in black ink on old laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- clothing
- objects
- people and occupations
- plants
- the natural world
- Title
- Old Hungerford Bridge, from the 'Sixteen Etchings,' or the 'Thames Set'
- Artist
- James McNeill Whistler
- Physical Description
- The thriving commercial activity of a metropolitan river is shown as ships and barges of all types maneuver along the river's edge in the foreground. In the middle distance a bridge spans the water and beyond more buildings are loosely sketched in.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1861
- Accession Number
- 1955/1.121
- Medium and Support
- etching and drypoint, printed in black ink on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- bridges
- cityscapes
- geography
- machine
- objects
- objects we use
- people and occupations
- reflections
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- Title
- Early Morning
- Artist
- James McNeill Whistler
- Physical Description
- Two men sit on a bench at the lower right. Behind them is a large expanse of water; barges ply the water while smokestacks and buildings are visible on the opposite shore. The overall impression is one of foggy weather and features are generally indistinct.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1878
- Accession Number
- 1954/1.415
- Medium and Support
- lithotint with scraping on a prepared half-tint ground on wove paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- associated concepts
- bodies of water and components of bodies of water
- buildings and the land
- earth sciences concepts
- landscapes (environments)
- natural landscapes
- objects
- objects we use
- people and culture
- physical sciences concepts
- scientific concepts
- settlements and landscapes
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- Title
- Early Morning
- Artist
- James McNeill Whistler
- Physical Description
- Two men sit on a bench at the lower right. Behind them is a large expanse of water; barges ply the water while smokestacks and buildings are visible on the opposite shore. The overall impression is one of foggy weather and features are generally indistinct.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1878
- Accession Number
- 1954/1.416
- Medium and Support
- lithotint on wove paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- associated concepts
- earth sciences concepts
- objects
- people and culture
- people and occupations
- physical sciences concepts
- scientific concepts
- the natural world
- waterscapes
- Title
- The Broad Bridge
- Artist
- James McNeill Whistler
- Physical Description
- A man in a small boat with oars sits in front of a bridge, a pier of which is just behind and to the left of the boat. The viewer is also positioned on the water as only the bottom of the span is visible. Several other piers, also framed and clad with wood to protect against collision are visible on either side of the image. The distant view, seen between the piers, include a suspension bridge to the left of the central pier and the tower of a church or other buildings to the right.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1878
- Accession Number
- 1954/1.417
- Medium and Support
- lithotint with scraping, printed in brown ink on Japan paper, laid down on heavy wove paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- bodies of water and components of bodies of water
- buildings and the land
- landscapes (environments)
- natural landscapes
- objects
- objects we use
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- transportation structures
- transportation structures by form
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- Title
- The Tall Bridge
- Artist
- James McNeill Whistler
- Physical Description
- Two piers of a bridge soar in the upper half of the image, including the span with pedestrians and the railing at the top of the work. In the foreground, the water and reflections at the foot of the bridge dominate. Between the piers smoke stacks can be seen in the distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1878
- Accession Number
- 1954/1.418
- Medium and Support
- lithotint with scraping, printed in black ink on white wove paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- buildings and the land
- descriptors
- figures
- inorganic material
- materials
- materials by composition
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- single built works
- single built works by function
- single built works by specific type
- the natural world
- transportation structures
- transportation structures by form
- waterscapes
- Title
- Gaiety Stage Door
- Artist
- James McNeill Whistler
- Physical Description
- A building with an arched doorway, windows at the center right, and the beginning of a flight of stairs on the right acts as architectural foils for the figures and a cart and horse (hansom cab?) arrayed in front of the building or grouped in the dark entryway.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1954/1.419
- Medium and Support
- transfer lithograph with scraping on buff-colored paper, laid down on white wove
- Artist
- Whistler, James McNeill
- Secondary Keywords
- animals and creatures
- architectural elements
- architecture
- buildings and the land
- circulation elements
- components
- components and systems
- components by specific context
- freewheeled vehicles
- freewheeled vehicles by form or function
- land vehicles
- land vehicles by form
- objects
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- service and utility vehicles
- stair components
- stairs and stair components
- steps and step components
- the natural world
- transportation
- transportation vehicles
- vehicles
- windows and window components
- Title
- Vitré—The Canal
- Artist
- James McNeill Whistler
- Physical Description
- A French town, with houses along a canal or river in the foreground extends in the distance showing rooflines and towers under a blustery sky.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1893
- Accession Number
- 1954/1.435
- Medium and Support
- transfer lithograph with stumping on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architectural elements
- architecture
- buildings and the land
- cityscapes
- components
- components and systems
- components by specific context
- cultural landscapes
- cultural landscapes by location or context
- descriptors
- dwellings
- geography
- hydraulic structures
- hydraulic structures by form
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- openings (architectural elements)
- openings and opening components
- openings by form
- residential structures
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- waterscapes
- windows and window components
- Title
- Vitré—The Canal
- Artist
- James McNeill Whistler
- Physical Description
- A French town, with houses along a canal or river in the foreground extends in the distance showing rooflines and towers under a blustery sky.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1893
- Accession Number
- 1954/1.436
- Medium and Support
- transfer lithograph with stumping on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- cityscapes
- geography
- the natural world
- waterscapes
- Title
- The Steps, Luxembourg Gardens
- Artist
- James McNeill Whistler
- Physical Description
- A broad set of steps leading up to a tree-lined terrace are the main features of this work. Figures on the terrace and a sculpture of putti supporting an urn or pot are visible at the top of the stairs; in the left foreground, a woman and little girl are climbing the stairs.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1893
- Accession Number
- 1954/1.437
- Medium and Support
- transfer lithograph with stumping on wove paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- agricultural complexes
- animals
- animals and creatures
- architectural elements
- buildings and the land
- built complexes and districts
- circulation elements
- complexes
- complexes by function
- components
- components and systems
- components by specific context
- europe
- europe (continent)
- figures
- france
- france (nation)
- gardens by form
- geographic and political locations
- locality
- objects
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in agriculture or natural resource occupations
- people in science-related occupations
- physical activities
- physical activities by general context
- scientists and people in science-related occupations
- sculpture
- sculpture by subject type
- stair components
- stairs and stair components
- terraces
- the natural world
- ville de paris, dèpartement de (department)
- visual works
- visual works by medium or technique
- œle-de-france (region)
- Title
- The Pantheon, from the Terrace of the Luxembourg Gardens
- Artist
- James McNeill Whistler
- Physical Description
- The balustrade of a public park walkway seen at a slight distance acts as a foil for several figures grouped in front of the balustrade. To the left, two women stand talking while a child, with her back facing the viewer looks between the balusters towards the dome of a building in the distance beyond some trees. Too the right of the composition, a seated man and a woman shown in profile are grouped. Two ornamental urns decorate the balustrade.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1893
- Accession Number
- 1954/1.439
- Medium and Support
- transfer lithograph with stumping on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- europe
- figures
- france
- gardens
- locality
- man
- paris
- people and occupations
- plants
- terraces
- the natural world
- women
- Title
- The Piazzetta, one of the "Twelve Etchings," or the "First Venice Set"
- Artist
- James McNeill Whistler
- Physical Description
- A group of figures and pigeons lounge around the base of a column, which is unfinished in the upper portion of the plate. In the distance are a number of buildings of different styles that form a square where there are more people--and pigeons.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1987/2.41
- Medium and Support
- etching and drypoint on wove paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- animals
- architecture
- buildings
- churches
- europe
- italy
- locality
- places of worship
- the natural world
- Title
- The Terrace, Luxembourg
- Artist
- James McNeill Whistler
- Physical Description
- Six figures, women and girls, sit or stand in front of a balustrade. On the left side is an urn holding a plant; the upper portion of a young tree projects above the balustrade at center; in the distance on the right appears the upper portion of a building with a mansard roof
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1894
- Accession Number
- 1954/1.448
- Medium and Support
- transfer lithograph with stumping on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- animals
- animals and creatures
- architecture
- buildings and the land
- containers
- containers by form
- europe
- europe (continent)
- figures
- france
- france (nation)
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- geographic and political locations
- landscapes (environments)
- locality
- natural landscapes
- objects
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- seating furniture
- settlements and landscapes
- single seating furniture
- the natural world
- vegetation and vegetation components
- vegetation components
- ville de paris, dèpartement de (department)
- œle-de-france (region)
- Title
- Sunday, Lyme Regis
- Artist
- James McNeill Whistler
- Physical Description
- A curving country town street lies before the viewer. On either side of the street are row houses and other buildings; along the right side of the composition is a darkened doorway and steps facing the viewer. Along the street are numerous figures strolling. At the bottom of the image at the right is a dog, facing up the street and away from the viewer.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1895
- Accession Number
- 1954/1.452
- Medium and Support
- transfer lithograph on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- animals
- architecture
- cityscapes
- mammals
- streets
- the natural world
- Title
- Kensington Gardens
- Artist
- James McNeill Whistler
- Physical Description
- A vignetted view of a park where two different walkways intersect. Metal railings frame the wakway and in the upper portion of the image trees can be seen. Along the walkways are groups of people strolling.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1896
- Accession Number
- 1954/1.456
- Medium and Support
- lithograph on printed on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- buildings and the land
- england
- europe
- figures
- kensington gardens
- locality
- open spaces
- open spaces and site elements
- open spaces by function
- people and occupations
- plants
- the natural world
- united kingdom
- Title
- Savoy Pigeons
- Artist
- James McNeill Whistler
- Physical Description
- A vignetted view looking down a river with a roadway on one side, bridges crossing, and distant buildings with towers. In the foreground is the cropped inclusion of a balcony railing; two birds are perched on the railing.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1896
- Accession Number
- 1954/1.457
- Medium and Support
- transfer lithograph on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- animals
- architecture
- cityscapes
- the natural world
- waterscapes
- Title
- Evening--Little Waterloo Bridge
- Artist
- James McNeill Whistler
- Physical Description
- Viewed from an elevated vantage point, a curved roadway at the lower left meets a bridge that crosses a river; in hte far distance are indications of buildings along the far bank. On both the roadway and bridge can be seen horse-drawn carriages and conveyances.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1896
- Accession Number
- 1954/1.458
- Medium and Support
- transfer lithograph with stumping on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- buildings and the land
- descriptors
- inorganic material
- materials
- materials by composition
- single built works
- single built works by function
- single built works by specific type
- the natural world
- transportation structures
- transportation structures by form
- waterscapes
- Title
- Charing Cross Railway Bridge
- Artist
- James McNeill Whistler
- Physical Description
- A curving boulevard with carriages is seen at the bottom of the image. Along side is a river with barges and other shipping. Beyond a railroad trestle crosses the river; trains and steam/smoke are visible. On the opposite bank are many buildings.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1896
- Accession Number
- 1954/1.459
- Medium and Support
- transfer lithograph with stumping, scraping, and incising on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- child
- objects we use
- people and occupations
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- Title
- Little London
- Artist
- James McNeill Whistler
- Physical Description
- A sweeping panorama of a city is visible from an elevated vantage point. Bridges cross a river and boats are evident. The river occupies the right side of the composition and the curving near bank of the river dominates the left side of the work. The cityscape includes many buildings, culimnating in one large dome in the distance. There is evidence that a window ledge exists along the bottom of the image and in the distance there are blustery clouds, indicating a leaden wintery sky.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1896
- Accession Number
- 1954/1.460
- Medium and Support
- transfer lithograph wtih stumping on wove paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- buildings and the land
- cityscapes
- cultural landscapes
- cultural landscapes by location or context
- descriptors
- england
- england (country)
- europe
- europe (continent)
- geographic and political locations
- greater london (metropolitan area)
- inorganic material
- landscapes (environments)
- locality
- materials
- materials by composition
- objects we use
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- the natural world
- transportation structures
- transportation structures by form
- transportation vehicles
- united kingdom
- united kingdom (nation)
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- Title
- Little London
- Artist
- James McNeill Whistler
- Physical Description
- A sweeping panorama of a city is visible from an elevated vantage point. Bridges cross a river and boats are evident. The river occupies the right side of the composition and the curving near bank of the river dominates the left side of the work. The cityscape includes many buildings, culimnating in one large dome in the distance. There is evidence that a window ledge exists along the bottom of the image and in the distance there are blustery clouds, indicating a leaden wintery sky.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1896
- Accession Number
- 1954/1.461
- Medium and Support
- transfer lithograph with stumping on wove paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- cityscapes
- england
- europe
- locality
- objects we use
- the natural world
- transportation vehicles
- united kingdom
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- Title
- Waterloo Bridge
- Artist
- James McNeill Whistler
- Physical Description
- A vignetted view of a roadway with carriages is shown passing beneather a bridge crossing a river, which, too has carriages on its roadbed. The scene is one of bustling activity, although seen from a distance and from an elevated height.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1896
- Accession Number
- 1954/1.462
- Medium and Support
- transfer lithograph on old laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- objects
- roads
- the natural world
- transportation
- vehicles
- waterscapes
- Title
- The Thames
- Artist
- James McNeill Whistler
- Physical Description
- This work portrays a view across a river, whose surface is dotted with shipping. Drawn from a very high vantage point, a roadway is seen through a screen of nearly leafless trees at the bottom of the image; in the distance the far bank of the shore is congested with buildings, some towers--particularly a large one to the right of center--and smoke blowing away and to the right from the viewer can be seen.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1896
- Accession Number
- 1954/1.463
- Medium and Support
- Lithotint with scraping on a prepared half-tint ground on heavy wove paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- descriptors
- geography
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- objects we use
- plants
- riverine bodies
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- streams
- the natural world
- transportation structures
- transportation structures by form
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- woody plants
- Title
- The Butcher's Dog
- Artist
- James McNeill Whistler
- Physical Description
- A partial view of a butcher's shop is seen frontally from across the road. To the left is an arched doorway within a pedimented entryway; a woman holding a baby stands silhouetted against the doorway while a little girl sits on the stoop. To the right is an arched shopfront that comprises both the doorway and the window in which hangs two large cuts of meat. The window of the shop is partially screened by an awning the extends before the facade of the building. A dog is seen sitting in front of the shop window.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1896
- Accession Number
- 1954/1.464
- Medium and Support
- transfer lithograph on wove paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- animals
- animals and creatures
- architectural elements
- architecture
- buildings and the land
- components
- components and systems
- components by specific context
- descriptors
- figures
- mammals
- materials
- materials by function
- open spaces
- open spaces and site elements
- open spaces by function
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- roads
- roads by form
- the natural world
- transportation spaces
- windows and window components
- Title
- St. Giles-in-the-Fields
- Artist
- James McNeill Whistler
- Physical Description
- The south flank of a church is seen through the branches of leafless trees. A central tower over the entrance dominates the upper portion of the composition. In the foreground, a curving rail indicates a path leading up to the side of the building; seated just to the left of the church are several people seated on a park bench.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1896
- Accession Number
- 1954/1.465
- Medium and Support
- transfer lithograph with stumping on printed on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architectural elements
- architecture
- buildings and the land
- churches
- components
- components and systems
- components by specific context
- landscapes (environments)
- natural landscapes
- open spaces and site elements
- openings (architectural elements)
- openings and opening components
- openings by form
- places of worship
- plants
- settlements and landscapes
- site elements
- the natural world
- vegetation and vegetation components
- vegetation components
- windows and window components
- woody plants
- Title
- The Palaces, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A series of buildings and gondolas are seen along the edge of a canal. The emphasis on the dark tile roofs is contrasted with the play of window tracery and balconies along the facades of the building.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1955/1.123
- Medium and Support
- etching, drypoint, and open bite, printed in black ink on laid paper, trimmed to platemark
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- buildings
- castles and palaces
- cityscapes
- europe
- flat-bottomed watercraft
- geography
- houses
- italy
- locality
- monohulls
- objects we use
- palaces
- sketches
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- Title
- The Riva, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A view of a city along the edge of water sweeps from the foreground towards the right in the distance. Along quays, bridges and promenades can be seen groupoings of people walking and in conversation. Boats populate the water's edge: smaller boats in the foreground, larger multi-masted ships in the distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1955/1.125
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper
- Artist
- Whistler, James McNeill
- Secondary Keywords
- architecture
- cityscapes
- europe
- figures
- flat-bottomed watercraft
- geography
- italy
- locality
- monohulls
- objects we use
- people and occupations
- streets
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- waterscapes