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Showing results for "people" in Secondary Keywords.
- Title
- Ariane
- Artist
- Henri Fantin-Latour
- Artist Life Dates
- 1836-1904
- Century
- 20th century
- Object Creation Date
- 1900
- Accession Number
- 1965/1.163
- Medium and Support
- lithograph on paper
- Date Added/Updated
- 2013-12-20 16:38:52
- Secondary Keywords
- allegory and literature
- figures
- modern and contemporary art
- people and occupations
- Title
- Courtesan in procession
- Artist
- Kitagawa Utamaro
- Physical Description
- This is a portrait of courtesan and her attendant. The courtesan wears a kimono with overall cherry blossom patterns and a darker color cloak with fan, plover and wave design lining with overall cherry blossom design silk; the cloak is slipping from her right shoulder. Her obi is draped in front; it has overall hollyhock pattern. Her face is white; Her hair is sculpted like a balloon on the top and has broad wings to the side. Tortoise-shell comb and multiple hairpins adorn the hair. She is strolling toward the right. Her attendant is walking behind her, her face and body partially hidden by the courtesan. She wears the matching kimono with plover and wave design; her kimono has long sleeves (furisode), whose openings are tied with ribbons. Her obi, with peony and geometric design, is tied at the back. Her hair is in the similar shape as the courtesan but not too exaggerated. But she wears an enormous hair accessory consisting of cherry blossoms and tassels, made of silver. Her face is also in white. The painting is accompanied by poem written by Santô Kyôden with his signature and two seals. On the lower left, there are the artist's signature and seal. The mounting is made of silk brocade with embroidery in the design of clematis and millets.
- Artist Life Dates
- 1754-1806
- Century
- 18th century
- Object Creation Date
- circa 1793-1795
- Accession Number
- 1962/1.104
- Medium and Support
- ink, white pigment, and red color on paper
- Date Added/Updated
- 2013-12-20 16:38:38
- Secondary Keywords
- associated concepts
- concepts in the arts
- costume
- costume by form
- descriptors
- genres in the arts
- image-making processes and techniques
- literary, oral and motion picture genres
- main garments
- objects we use
- people
- people (agents)
- people and culture
- people by age group
- people by occupation
- people in service occupations
- processes and techniques
- processes and techniques by specific type
- prostitutes
- writing (processes)
- youth
- Title
- Censer with Maltese crosses, birds, and columns
- Artist
- Artist Unknown, Coptic, Egypt
- Physical Description
- The body of this cylindrical censer is decorated with eight columns spaced at regular intervals. The lid of the censer consists of an openwork dome divided into sections by eight vertical ribs that converge at its apex. An arched horizontal band intersects the midpoint of the ribs, and these eight junctures are marked with a projecting bird that holds a small bronze ball dangling from its beak. Two segments of the dome are decorated with Maltese crosses while another two feature curved plant forms. The apex is surmounted by a finial comprised of a globe topped by a Maltese cross on which a bird holding a piece of fruit perches.
- Century
- 6th-7th century
- Object Creation Date
- 500-699
- Accession Number
- 1960/2.4
- Medium and Support
- bronze
- Date Added/Updated
- 2013-12-20 16:38:35
- Secondary Keywords
- animals and creatures
- architectural elements
- associated concepts
- ceremonial containers
- christianity
- columns and column components
- components
- components and systems
- components by specific context
- containers
- containers by function or context
- copper alloy
- copper and copper alloy
- crosses (motifs)
- descriptors
- design elements
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- motifs
- nonferrous metal
- objects we use
- people and culture
- religions
- religions and religious concepts
- structural elements
- structural elements and structural element components
- supporting and resisting elements
- Title
- Street Scene, Paris [Rue Laffitte (?) ]
- Artist
- James McNeill Whistler
- Physical Description
- This watercolor on brown prepared board is vertically oriented. The piece
- is reputedly a view of a Parisian street (perhaps in the 8th arrondissement), and the perspective is as if the viewer is on the fourth floor of an adjacent
- building. The upper two-thirds of the piece show a building-lined street,
- curving gently to the left. The buildings are about six stories tall, and
- additional rooftops are barely visible in the distance. On the ground
- floor of the buildings, there are traces of people, shops, and cafés. In
- the bottom third of the work, the road dissolves, but forms suggesting a
- few people populate the space.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1883-1885
- Accession Number
- 1955/1.91
- Medium and Support
- watercolor on brown prepared board
- Date Added/Updated
- 2013-12-20 16:38:27
- Secondary Keywords
- architecture
- cityscapes
- europe
- france
- groups
- locality
- movement
- people and occupations
- streets
- Title
- Old Hungerford Bridge, from the 'Sixteen Etchings,' or the 'Thames Set'
- Artist
- James McNeill Whistler
- Physical Description
- The thriving commercial activity of a metropolitan river is shown as ships and barges of all types maneuver along the river's edge in the foreground. In the middle distance a bridge spans the water and beyond more buildings are loosely sketched in.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1861
- Accession Number
- 1955/1.121
- Medium and Support
- etching and drypoint, printed in black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:24
- Secondary Keywords
- architecture
- bridges
- cityscapes
- geography
- machine
- objects
- objects we use
- people and occupations
- reflections
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- Title
- Courtesan in an iris-patterned robe: "June" in a series of Twelve Months
- Artist
- Kaigetsudô Dohan
- Physical Description
- This is a large monochrome print of a courtesan wearing kimono with iris design. The courtesan is standing with her right hand in the sleeve that she raises to her chin and left hand gathering up her kimono; Her cloak with bamboo leaf and gentian flower design is slipping off her shoulder and revealing her dark kimono with iris roundels. She has long hair; her hair is tied and draped on the back. She is looking toward the right side. There is the artist’s signature and seal, and publisher’s seal on the right.
- Artist Life Dates
- active 1710 - 1716
- Century
- 18th century
- Object Creation Date
- circa 1714
- Accession Number
- 1955/1.128
- Medium and Support
- Kakemono-e (oversize) sumizurii-e (monochrome woodblock print) on paper
- Date Added/Updated
- 2013-12-20 16:38:24
- Secondary Keywords
- costume
- costume by form
- descriptors
- grass (plant material)
- main garments
- materials
- materials by origin
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in service occupations
- physical activities
- physical activities by general context
- plant material
- prostitutes
- Title
- 20 décembre 1952
- Artist
- Pierre Soulages
- Physical Description
- Abstract painting in muted colors with shades of blacks, browns, and white. The composition consists of bold diagonal lines and blocks of black, brown, and white.
- Artist Life Dates
- born 1919
- Century
- 20th century
- Object Creation Date
- 1952
- Accession Number
- 1954/2.61
- Medium and Support
- oil on canvas
- Date Added/Updated
- 2013-12-20 16:38:23
- Secondary Keywords
- art genres
- artistic concepts
- associated concepts
- concepts in the arts
- european
- european styles and periods
- genres
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- non-representational art
- people and culture
- styles and periods
- styles and periods by region
- Title
- Landscape
- Artist
- John Francis Murphy
- Physical Description
- Landscape of flat terrain; water, perhaps a small stream, in the foreground; four leafless trees (two large, two small) right of center, and two leafless trees left of center, below a cloud-filled sky.
- Artist Life Dates
- 1853 - 1921
- Century
- 19th century
- Object Creation Date
- 1880
- Accession Number
- 1954/1.80
- Medium and Support
- oil on canvas
- Date Added/Updated
- 2013-12-20 16:38:23
- Secondary Keywords
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- descriptors
- design elements
- earth sciences concepts
- geography
- inorganic material
- materials
- materials by composition
- natural landscapes
- ornament areas
- people and culture
- physical sciences concepts
- plants
- riverine bodies
- scientific concepts
- settlements and landscapes
- the natural world
- vegetation and vegetation components
- vegetation components
- waterscapes
- weather and related phenomena
- weather-related phenomena
- wetlands
- woody plants
- Title
- Trixie (Mrs. Beatrice Whistler)
- Artist
- James McNeill Whistler
- Physical Description
- A seated woman in late 19th c. dress is shown against an undescribed dark background; she looks directly at the viewer and rests her chin on her right hand. At the lower left is a flower-like form that is the artist's "butterfly" signature.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1892-1894
- Accession Number
- 1954/1.411
- Medium and Support
- drypoint, printed in dark brown ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:21
- Secondary Keywords
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- physical activities
- physical activities by general context
- portraits
- visual works
- visual works by subject type
- Title
- Nocturne
- Artist
- James McNeill Whistler
- Physical Description
- Set at night, a man in a lighter or small boat is seen in the foreground; in the distance stands the silhouettes of various buildings, including smokestacks, a clock tower, and a church spire, all of which are reflected in the water's surface, as well as reflections of lights and smoke.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1878
- Accession Number
- 1954/1.413
- Medium and Support
- lithotint with scraping on a prepared half-tint ground on blue-grey laid paper,
- Date Added/Updated
- 2013-12-20 16:38:21
- Secondary Keywords
- architecture
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- earth sciences concepts
- geography
- landscapes (environments)
- natural landscapes
- objects
- objects we use
- people and culture
- physical sciences concepts
- riverine bodies
- scientific concepts
- settlements and landscapes
- streams
- time
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- Title
- The Square House, Amsterdam
- Artist
- James McNeill Whistler
- Physical Description
- A street facing onto a canal is seen at a very slight angle. The three buildings each have balconies (some enclosed), banks of windows, and doors at the water's edge. A dense network of hatching lines describe the brick facades, balconies and windows, and reflecions.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1889
- Accession Number
- 1954/1.404
- Medium and Support
- etching and drypoint, printed in brown ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:20
- Secondary Keywords
- height
- architectural elements
- associated concepts
- building divisions
- buildings and the land
- components
- components and systems
- components by specific context
- dwellings
- energy and related concepts
- energy-related concepts
- europe (continent)
- geographic and political locations
- hydraulic structures
- hydraulic structures by form
- light-related concepts
- netherlands (nation)
- north holland (province)
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- physical sciences concepts
- physics concepts
- residential structures
- rooms and spaces
- rooms and spaces by form
- scientific concepts
- single built works
- single built works by form
- single built works by function
- single built works by specific type
- visual works
- visual works by subject type
- windows and window components
- Title
- Steps, Amsterdam
- Artist
- James McNeill Whistler
- Physical Description
- Seen frontally is a building along a canal. In front of the facade is a brick or cobble pavement; steps lead up to a triple doorway entrance while laundry and windows complete the second story. To either side of the central steps are doorways that lead down. In each of the doorways and on the pavement are grouped figures of women and children. The lower portion of the print shows the reflections of the building and figures.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1889
- Accession Number
- 1954/1.403
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- Date Added/Updated
- 2013-12-20 16:38:20
- Secondary Keywords
- architectural elements
- architecture
- circulation elements
- components
- components and systems
- components by specific context
- europe
- figures
- geography
- locality
- netherlands
- people and occupations
- stair components
- stairs and stair components
- steps and step components
- Title
- The Beggars, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A deep covered passageway dominates the composition. At the near end of the passage, to the right side stand a woman and young girl, both with heads covered and looking at the viewer. Looking down the passageway, light catches the timbered ceiling and figures can be seen walking at the far end, silhouetted against the bright light in the square or street beyond. A lantern hangs above the entrance at the near end of the passage.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.382
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- Date Added/Updated
- 2013-12-20 16:38:18
- Secondary Keywords
- architecture
- buildings and the land
- europe
- figures
- italy
- locality
- open spaces
- open spaces and site elements
- open spaces by function
- people and occupations
- roads
- roads by form
- streets
- streets by form
- transportation spaces
- Title
- The Traghetto, No. 2, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A dark passageway dominates the middle and left portions of the composition; to the right is a group of men seated outside at a table. The passageway has a view at the far end of a man seated while a gondola passes by. In front of the passageway re three young trees, the leaves of which fall in front of the passageway. To the left of the passageway is a child holding a baby. On either side of the passageway are windows that indicate the walls that fill the plate.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.377
- Medium and Support
- etching, printed in dark brown ink on laid paper, trimmed to platemark
- Date Added/Updated
- 2013-12-20 16:38:18
- Secondary Keywords
- architecture
- buildings and the land
- europe
- figures
- italy
- locality
- objects
- open spaces
- open spaces and site elements
- open spaces by function
- people and occupations
- plants
- roads
- roads by form
- streets
- streets by form
- the natural world
- transportation spaces
- Title
- Nocturne, from the "Twelve Etchings" or the "First Venice Set"
- Artist
- James McNeill Whistler
- Physical Description
- This is a nighttime view of a city on water. Along the horizon can be seen numerous buildings and ships. At center left is a three-masted ship at anchor; along the right side are buildings, incuding domes and a tall tower. Throughout the image, there is an importance given to reflections and the nocturnal setting.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.372
- Medium and Support
- etching and drypoint, printed in warm black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:17
- Secondary Keywords
- scale
- architecture
- associated concepts
- buildings
- buildings and the land
- churches
- earth sciences concepts
- energy and related concepts
- energy-related concepts
- europe (continent)
- geographic and political locations
- italy (nation)
- light-related concepts
- objects we use
- people and culture
- physical sciences concepts
- physics concepts
- places of worship
- scientific concepts
- settlements
- settlements and landscapes
- settlements by form
- study
- transportation vehicles
- vehicles
- veneto (region)
- venezia (province)
- visual works
- visual works by subject type
- watercraft
- watercraft by general type
- Title
- The Traghetto, No. 1
- Artist
- James McNeill Whistler
- Physical Description
- An empty covered passageway dominates this image. In the foreground are three young saplings. At the far end of the passageway a man can be seen sitting in the sunlight alongside the edge of the canal. On either side of the passageway in the foreground are windows and indications of cornices, etc. of the architecture.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.376
- Medium and Support
- etching, printed in warm black ink on laid Japan paper
- Date Added/Updated
- 2013-12-20 16:38:17
- Secondary Keywords
- architecture
- buildings and the land
- europe
- figures
- italy
- locality
- open spaces
- open spaces and site elements
- open spaces by function
- people and occupations
- plants
- roads
- roads by form
- streets
- streets by form
- the natural world
- transportation spaces
- Title
- The Doorway, from the "Twelve Etchings", or the "First Venice Set"
- Artist
- James McNeill Whistler
- Physical Description
- A large ornate waterdoor faces onto a canal. On the threshold near the water, a woman bends down towards the surface of the canal. Behind the doorway stands another figure in the shadows and beyond is another opening to a small square or open-air workspace. The Doorway consists of a large lunette shaped transom light over the door and the portal is flanked on either side by large arched windows. The glazing is all fitted into a fine network of mullions in either square on diamond patterns. The door and windows are each framed by carved pilasters and engaged corinthian capitals. Below the windows are bands of rosettes and other carved ornaments that extends to the water level.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.375
- Medium and Support
- etching, drypoint, and roulette on laid paper on laid paper
- Date Added/Updated
- 2013-12-20 16:38:17
- Secondary Keywords
- arches and arch components
- architectural elements
- associated concepts
- buildings and the land
- circulation elements
- components
- components and systems
- components by specific context
- energy and related concepts
- energy-related concepts
- europe (continent)
- geographic and political locations
- hydraulic structures
- hydraulic structures by form
- italy (nation)
- light-related concepts
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- physical activities
- physical activities by general context
- physical sciences concepts
- physics concepts
- scientific concepts
- single built works
- single built works by function
- single built works by specific type
- spanning and projecting structural elements
- stair components
- stairs and stair components
- steps and step components
- structural elements
- structural elements and structural element components
- veneto (region)
- venezia (province)
- windows and window components
- Title
- Irving as Philip of Spain, No. 1
- Artist
- James McNeill Whistler
- Physical Description
- A man stands in a full-length portrait, turned slightly to the left, but looking directly at the viewer. He is in historical costume with a short cape, high dark hat with a white feather and fitted vest and pants. The dark background is not described.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1876-1877
- Accession Number
- 1954/1.368
- Medium and Support
- drypoint, printed in black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:16
- Secondary Keywords
- clothing
- figures
- objects
- people and occupations
- Title
- Sir Garnet Wolseley
- Artist
- James McNeill Whistler
- Physical Description
- A distinguished looking man sits in a bust-length, three-quarter view, his face turned to straight profile, facing to the left. He has a moustache and goatee and a high collared shirt.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1877
- Accession Number
- 1954/1.365
- Medium and Support
- drypoint, printed in black ink with grey wash on laid paper
- Date Added/Updated
- 2013-12-20 16:38:16
- Secondary Keywords
- image form
- figures
- objects we use
- people and occupations
- views
- views by vantage point or orientation
- visual works
- visual works by form
- Title
- Whistler with the White Lock
- Artist
- James McNeill Whistler
- Physical Description
- Very loosely drawn image of a man's head and shoulders, the rest of the body is left undescribed. The man has a moustache and curly dark hair, wth the exception of a white patch right at the hairline at his forehead.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1954/1.369
- Medium and Support
- etching and drypoint, printed in black ink on pale green laid paper
- Date Added/Updated
- 2013-12-20 16:38:16
- Secondary Keywords
- people and occupations
- portraits
- Title
- Battersea Morn
- Artist
- James McNeill Whistler
- Physical Description
- A stretch of water in the foreground and middle ground leads to a horizontal distant shore that is composed of a series of horizontal stepped recessions. The buildings on the far shore appear to be industrial buildings, with many smokestacks. At the bottom of the image are some lightly drawn boats.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1877
- Accession Number
- 1954/1.362
- Medium and Support
- drypoint, printed in brown ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:15
- Secondary Keywords
- associated concepts
- earth sciences concepts
- geography
- people and culture
- physical sciences concepts
- scientific concepts
- ships
- the natural world
- waterscapes
- Title
- Free Trade Wharf
- Artist
- James McNeill Whistler
- Physical Description
- The curving bank of a river begins at the lower left of the image and sweeps around towards the left. Hugging the water's edge are many wooden buildings of two to five stories in height. At the far left, in the distance, are numerous two- and three-masted ships at anchor. The water at the lower left is open and quiet; a few small boats can be seen; the sky indicates that it is an overcast day.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1877
- Accession Number
- 1954/1.364
- Medium and Support
- etching and drypoint, printed in black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:15
- Secondary Keywords
- architecture
- objects
- people and occupations
- ships
- the natural world
- waterscapes
- Title
- The Little Forge
- Artist
- James McNeill Whistler
- Physical Description
- Several figures are seen within an interior; the two principal figures are each bent over their tasks. The man at the bottom of the image holds a hammer in his left hand and is about to strike something held in his right hand that is positioned on an anvil; his figure is leaning forward, in profile, facing to the right. The other figure sits with his back to the viewer, facing to the left and towards a window at the far left. The furnace is visible at the center background, and other figures are lightly drawn in at the far right. Deep shadows and a timber ceiling create a sense of a dark interior and numerous horseshoes are visible on the wall between the furnace and the window.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1875
- Accession Number
- 1954/1.361
- Medium and Support
- drypoint on laid paper
- Date Added/Updated
- 2013-12-20 16:38:14
- Secondary Keywords
- figures
- genres
- people and occupations
- Title
- Agnes
- Artist
- James McNeill Whistler
- Physical Description
- A woman sits facing the viewer, looking slightly to the right. Her hands are in her lap and she is holding a piece of fabric. The background is undescribed and her skirt is loosely drawn.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1873-1875
- Accession Number
- 1954/1.357
- Medium and Support
- drypoint, printed in warm black ink on laid Japan tissue
- Date Added/Updated
- 2013-12-20 16:38:13
- Secondary Keywords
- figures
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- objects we use
- people and occupations
- seating furniture
- single seating furniture
- Title
- Weary
- Artist
- James McNeill Whistler
- Physical Description
- A woman, leaning back in a curved armchair, sits at an angle to the viewer. Her face is presented in nearly strict profile, looking to the right; her long, waving hair cascades around her, framing her face. Her right arm is in her lap and her skirt is only lightly sketched in. At the lower left corner, another sketch of a woman's head (seen upside down) is visible.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1863
- Accession Number
- 1954/1.353
- Medium and Support
- drypoint and roulette, printed in warm black ink on laid Japan tissue, tipped down
- Date Added/Updated
- 2013-12-20 16:38:13
- Secondary Keywords
- figures
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- objects we use
- people and occupations
- seating furniture
- single seating furniture
- Title
- Florence Leyland
- Artist
- James McNeill Whistler
- Physical Description
- An adolescent girl stand facing the viewer; her left leg is behind her and she holds a hoop in her right hand, her right leg steps through the hoop. Her long hair falls to her shoulders and she has bangs. To the right are the words, "I am Flo".
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1873
- Accession Number
- 1954/1.356
- Medium and Support
- drypoint, printed in dark brown ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:13
- Secondary Keywords
- figures
- objects
- people and occupations
- tools
- Title
- The Forge, One of the 'Sixteen Etchings,' or the 'Thames Set'
- Artist
- James McNeill Whistler
- Physical Description
- Within a dark interior, a man in hat and wearing an apron stands at the left side of the image, facing a furnace. He holds the long handle of a tool into the furnace, holding his left hand on his hip. Behind him, to the right, are two youthful assistants wearing dark broad-brimmed hats, one leaning on an anvil. Further to the right are a seated woman and small child and at the far right is a man in a hat going down a flight of stairs. A second woman is visible in the background between the smith and the furnace, she is looking at the smith with hands raised. The interior shows evidence of the smith's work with tools hanging on the wall and a shovel next to one of the assistants.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1861
- Accession Number
- 1954/1.347
- Medium and Support
- drypoint on laid Japan tissue
- Date Added/Updated
- 2013-12-20 16:38:12
- Secondary Keywords
- figures
- genres
- people and occupations
- Title
- Jo's Bent Head
- Artist
- James McNeill Whistler
- Physical Description
- A young woman is seen sitting in profile. She faces to the right, her head bent downward, her waving hair framing her face and falling down her back. Only the face and hair are drawn fully, the rest of the woman's body is quickly drawn in a few lines.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1861
- Accession Number
- 1954/1.350
- Medium and Support
- drypoint, printed in dark brown ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:12
- Secondary Keywords
- image form
- figures
- objects we use
- people and occupations
- views
- views by vantage point or orientation
- visual works
- visual works by form
- Title
- Arthur Haden
- Artist
- James McNeill Whistler
- Physical Description
- A young boy sits sideways on a chair and looks at the viewer. The chair faces the viewer; the boy sits facing to the right, his left leg crossed over the right. He his left hand is on the back of the chair, and his right hand holds his left foot. He has thick waving hair and is dressed in a short black velvet coat and striped pants. Behind him is a curtain and on the floor at lower right is a dark straw hat.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1859
- Accession Number
- 1954/1.343
- Medium and Support
- drypoint on paper
- Date Added/Updated
- 2013-12-20 16:38:11
- Secondary Keywords
- clothing
- figures
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- objects
- objects we use
- people and occupations
- seating furniture
- single seating furniture
- Title
- Finette
- Artist
- James McNeill Whistler
- Physical Description
- A woman in a dark dress stands in an interior beside a window at left. Her left hand hangs at her side while her right hand, positioned in front of her waist, holds a cigar or cigarette. She wears a dark hat and has long curling hair; her head is inclined at an angle to the right.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1859
- Accession Number
- 1954/1.342
- Medium and Support
- etching and drypoint, printed in black ink on laid Japan tissue
- Date Added/Updated
- 2013-12-20 16:38:11
- Secondary Keywords
- architecture
- child
- genres
- people and occupations
- women
- Title
- The Title Page for "Douze Eaux Fortes d'après Nature" or the French Set
- Artist
- James McNeill Whistler
- Physical Description
- A man in a broad-brimmed hat and a moustache sits sketching, his face largely in shadow. Around him are clustered groups of children absorbed in watching him drawing. A single figure of a boy, standing slightly apart at the right, gazes out at the viewer.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1856-1858
- Accession Number
- 1954/1.332
- Medium and Support
- etching and drypont, printed in black ink on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:10
- Secondary Keywords
- audiences
- clothing
- figures
- objects
- people and occupations
- sketches
- Title
- La Vieille aux Loques
- Artist
- James McNeill Whistler
- Physical Description
- An old woman in a white cap sits in a cluttered interior. Positioned just inside the doorway, the woman is surrounded by piles of cloth with domestic objects on shelves and walls that gleam in the darkness.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.328
- Medium and Support
- etching and drypoint, printed in dark brown ink on green laid paper
- Date Added/Updated
- 2013-12-20 16:38:09
- Secondary Keywords
- architecture
- figures
- objects
- people and occupations
- Title
- The Kitchen, One of the 'Twelve Etchings from Nature,' or the 'French Set'
- Artist
- James McNeill Whistler
- Physical Description
- A dark interior view is shown with a deep recessed space. At the end of the space is a window; the recessed space is full of reflected light and a woman is seen framed against the bright view out the window. Closer to the viewer, the foreground is filled with domestic objects: furniture on hte left with vases stored on top; a wall rack with plates stored on the right and other objects with basins or pots below the plates.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.330
- Medium and Support
- etching, printed in black ink on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:09
- Secondary Keywords
- architecture
- building divisions
- components
- components and systems
- components by specific context
- objects
- people and occupations
- rooms and spaces
- rooms and spaces by function
- work and instructional spaces
- Title
- La Vieille aux Loques
- Artist
- James McNeill Whistler
- Physical Description
- An old woman in a white cap sits in a cluttered interior. Positioned just inside the doorway, the woman is surrounded by piles of cloth with domestic objects on shelves and walls that gleam in the darkness.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.327
- Medium and Support
- etching, printed in black ink on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:09
- Secondary Keywords
- architectural elements
- components
- components and systems
- components by specific context
- containers
- containers by form
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people
- people (agents)
- people and culture
- people by gender
- physical activities
- physical activities by general context
- Title
- La Marchande de Moutarde, one of the "Twelve Etchings from Nature," or the "French Set"
- Artist
- James McNeill Whistler
- Physical Description
- A young woman at the left stands at the threshold of a stone doorway; in the interior beyond her, a woman in a white cap is preparing a jar at a desk or counter. Above the desk is a row of jars on a shelf.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.329
- Medium and Support
- etching, printed in black ink on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:09
- Secondary Keywords
- architectural elements
- architecture
- building divisions
- buildings and the land
- components
- components and systems
- components by specific context
- containers
- containers by form
- figures
- genres
- objects
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- rooms and spaces
- rooms and spaces by location or context
- Title
- Street at Saverne, One of the 'Twelve Etchings from Nature,' or the 'French Set'
- Artist
- James McNeill Whistler
- Physical Description
- In this nighttime view down a street, buildings along the left-hand side of the street are shown in with sharp recession into space. A solitary figure is seen in the shadows on the left-hand side half way down the street. The sky is darkened with parallel horizontal hatching lines. The only source of light is a lantern on the wall of the right side of the street. Dark shadows fall across the buildings on the left side.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.326
- Medium and Support
- etching, printed in black ink on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:08
- Secondary Keywords
- architecture
- buildings and the land
- figures
- open spaces
- open spaces and site elements
- open spaces by function
- people and occupations
- roads
- roads by form
- streets
- streets by form
- transportation spaces
- Title
- The Unsafe Tenement, One of the 'Twelve Etchings from Nature,' or the 'French Se
- Artist
- James McNeill Whistler
- Physical Description
- A ramshackle, half-timbered house fills most of the plate. Seen from an angle, the view of the house is accented by the sharp shadows created by dormer windows and a patchwork of overhanging roof. In the foreground, at the left, a dog is curled up sleeping in the sun; next to him leaning against the house is a pitchfork. At the center foreground, two children speak to one another through a partially open doorway or gate in the yard.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.324
- Medium and Support
- etching, printed in black ink on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:08
- Secondary Keywords
- animals
- architecture
- figures
- hay
- mammals
- people and occupations
- the natural world
- Title
- La Mère Gérard, one of the "Twelve Etchings from Nature," or the "French Set"
- Artist
- James McNeill Whistler
- Physical Description
- A woman in hat and half-length jacket stands in bright sunlight in front of a wall. She stands at a slight angle to the viewer, holding a garment in her left hand and possibly a chain in her right hand; she looks up and to the right of the viewer. A dark shadow cast by her body against the wall partly obscures her left side.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.319
- Medium and Support
- etching, printed in black ink on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:07
- Secondary Keywords
- figures
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- physical activities
- physical activities by general context
- Title
- En Plein Soleil, One of the 'Twelve Etchings from Nature,' or the 'French Set'
- Artist
- James McNeill Whistler
- Physical Description
- Seen slightly from below, a woman is seated in a landscape on a hillock. She is holding a dark, fringed parasol and has a shawl wrapped around her shoulders. Her face is partly shaded by the parasol; beside her to the left is a pot or container of some kind. Behind her to the right is a lone poplar tree and behind her to the left are some low buildings and indication of a stand of trees. The foreground is uneven, with tufts of grass standing up between the figure and the viewer.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.322
- Medium and Support
- etching and drypoint, printed in black ink on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:07
- Secondary Keywords
- costume
- costume accessories
- costume accessories carried
- grasses
- landscapes
- objects we use
- people and occupations
- plants
- the natural world
- women
- Title
- La Rétameuse, One of the 'Twelve Etchings from Nature,' or the 'French Set'
- Artist
- James McNeill Whistler
- Physical Description
- A woman is seated with her hands in her lap looking directly at the viewer. She has a high, dark hat on her head with long ribbons that hang to her waist.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.321
- Medium and Support
- etching, printed in black ink on Japan paper, laid down on white laid plate paper
- Date Added/Updated
- 2013-12-20 16:38:07
- Secondary Keywords
- clothing
- figures
- objects
- people and occupations
- Title
- Fumette, One of the 'Twelve Etchings from Nature,' or the 'French Set'
- Artist
- James McNeill Whistler
- Physical Description
- A young woman is seated in bright sunlight on a step or stoop, leaning slightly forward. The light source is to the right, causing deep shadows to fall on the right side of her face. Her arms are folded over the dark fabric in her lap and she holds a cigarette in her right hand.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.320
- Medium and Support
- etching and drypoint on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:07
- Secondary Keywords
- figures
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- Title
- Annie, One of the 'Twelve Etchings from Nature,' or the 'French Set'
- Artist
- James McNeill Whistler
- Physical Description
- A girl stands facing to the left, her face turned slightly towards the viewer. She is show standing in a dark dress with a high collar and long hair parted in the middle. Her dress comes to just below the knee and although she holds the hem of her skirt in her left hand, there is only slight indication of the girl's left leg. The result is a vignetted view; the artist's signature and the inscription bearing the information about the printer (Auguste Delatre) form the bottom of an implied oval frame.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.318
- Medium and Support
- etching, printed in black ink on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:06
- Secondary Keywords
- figures
- people and occupations
- Title
- Little Arthur, One of the 'Twelve Etchings from Nature,' or the 'French Set'
- Artist
- James McNeill Whistler
- Physical Description
- A young child sits facing the viewer. He has shoulder length hair, a white colar and dark suit, the pants of which come to just below his knees. His feet are together and his hands rest in his lap beween his knees. The image is strongly lit from the left by an unseen light source.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1858
- Accession Number
- 1954/1.317
- Medium and Support
- etching, printed in black ink on Japan paper, laid down on white wove plate paper
- Date Added/Updated
- 2013-12-20 16:38:06
- Secondary Keywords
- figures
- people and occupations
- Title
- Sunset
- Artist
- George Inness
- Physical Description
- Landscape scene depicting trees silhouetted against a reddening sky with a dead fallen tree trunk lying diagonally across the foreground.
- Artist Life Dates
- 1825-1894
- Century
- 19th century
- Object Creation Date
- 1886
- Accession Number
- 1954/1.170
- Medium and Support
- oil on canvas, laid down on panel
- Date Added/Updated
- 2013-12-20 16:38:05
- Secondary Keywords
- associated concepts
- atmospheric effects
- buildings and the land
- cultural landscapes
- cultural landscapes by location or context
- earth sciences concepts
- european
- european styles and periods
- landscapes (environments)
- modern american styles and periods
- modern european fine arts styles and movements
- modern european styles and movements
- modern north american fine arts styles and movements
- modern north american styles and movements
- natural landscapes
- people and culture
- physical sciences concepts
- plants
- scientific concepts
- settlements and landscapes
- styles and periods
- styles and periods by region
- the americas
- the natural world
- vegetation and vegetation components
- vegetation components
- wilderness
- woods
- woody plants
- Title
- Mountain Valley with River and Buildings
- Artist
- Anonymous American?
- Physical Description
- Trees, figures by a river, small house on the left hand side, mountains behind.
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1953/1.53
- Medium and Support
- oil on canvas
- Date Added/Updated
- 2013-12-20 16:38:04
- Secondary Keywords
- architecture
- geography
- people and occupations
- plants
- the natural world
- Title
- Invariables
- Artist
- Zoltan Sepeshy
- Physical Description
- A man in the center with geometric shapes around, other figures with different facial expressions.
- Artist Life Dates
- 1898-1974
- Century
- 20th-century
- Object Creation Date
- 1947
- Accession Number
- 1950/1.206
- Medium and Support
- tempera on board
- Date Added/Updated
- 2013-12-20 16:37:57
- Secondary Keywords
- genres
- people and occupations
- Title
- Complete Illustrations of Yoshiwara Parodies of Kabuki: Courtesans of the Matsubaya (Seirô kabuki yatsushiga tsukushi: Matsubaya no uchi)
- Artist
- Kitagawa Utamaro
- Physical Description
- This triptych shows courtesans in a garden of Yoshiwara under flowering trees. The inscribed names allow us to identify the women as courtesans of the Matsubaya House, centered on the grand courtesan Yoso’oi (in the central triptych, with the dragon-design obi). Flanking her on either side are two shinzô apprentices, and at the right, two kamuro or child attendants.
- The courtesans at left interact with a puppet of the actor Ichikawa Danjûrô VI in his role as Sukeroku. The bearded older man in the center is the villain Hige no Ikyû, Sukeroku’s rival for the affections of the courtesan Agemaki.
- Artist Life Dates
- 1754-1806
- Century
- 18th century
- Object Creation Date
- 1798
- Accession Number
- 1948/1.186
- Medium and Support
- oban (large size) nishiki-e (full-color woodblock print) on paper, triptych
- Date Added/Updated
- 2013-12-20 16:37:29
- Secondary Keywords
- transfer method
- asian
- east asian
- entertainment events
- events
- japanese
- japanese printmaking styles
- japanese styles
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in service occupations
- performances
- prints
- prints by process
- prints by process or technique
- prostitutes
- relief prints
- styles and periods
- styles and periods by region
- visual works
- visual works by form
- visual works by medium or technique
- Title
- Complete Illustrations of Yoshiwara Parodies of Kabuki: Courtesans of the Matsubaya (Seirô kabuki yatsushiga tsukushi: Matsubaya no uchi)
- Artist
- Kitagawa Utamaro
- Physical Description
- This triptych shows courtesans in a garden of Yoshiwara under flowering trees. The inscribed names allow us to identify the women as courtesans of the Matsubaya House, centered on the grand courtesan Yoso’oi (in the central triptych, with the dragon-design obi). Flanking her on either side are two shinzô apprentices, and at the right, two kamuro or child attendants.
- The courtesans at left interact with a puppet of the actor Ichikawa Danjûrô VI in his role as Sukeroku. The bearded older man in the center is the villain Hige no Ikyû, Sukeroku’s rival for the affections of the courtesan Agemaki.
- Artist Life Dates
- 1754-1806
- Century
- 18th century
- Object Creation Date
- 1798
- Accession Number
- 1948/1.185
- Medium and Support
- oban (large size) nishiki-e (full-color woodblock print) on paper, triptych
- Date Added/Updated
- 2013-12-20 16:37:29
- Secondary Keywords
- transfer method
- asian
- east asian
- entertainment events
- events
- japanese
- japanese printmaking styles
- japanese styles
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in service occupations
- performances
- prints
- prints by process
- prints by process or technique
- prostitutes
- relief prints
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Complete Illustrations of Yoshiwara Parodies of Kabuki: Courtesans of the Matsubaya (Seirô kabuki yatsushiga tsukushi: Matsubaya no uchi)
- Artist
- Kitagawa Utamaro
- Physical Description
- This triptych shows courtesans in a garden of Yoshiwara under flowering trees. The inscribed names allow us to identify the women as courtesans of the Matsubaya House, centered on the grand courtesan Yoso’oi (in the central triptych, with the dragon-design obi). Flanking her on either side are two shinzô apprentices, and at the right, two kamuro or child attendants.
- The courtesans at left interact with a puppet of the actor Ichikawa Danjûrô VI in his role as Sukeroku. The bearded older man in the center is the villain Hige no Ikyû, Sukeroku’s rival for the affections of the courtesan Agemaki.
- Artist Life Dates
- 1754-1806
- Century
- 18th century
- Object Creation Date
- 1798
- Accession Number
- 1948/1.187
- Medium and Support
- oban (large size) nishiki-e (full-color woodblock print) on paper, triptych
- Date Added/Updated
- 2013-12-20 16:37:29
- Secondary Keywords
- transfer method
- asian
- east asian
- entertainment events
- events
- japanese
- japanese printmaking styles
- japanese styles
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in service occupations
- performances
- prints
- prints by process
- prints by process or technique
- prostitutes
- relief prints
- styles and periods
- styles and periods by region
- visual works
- visual works by form
- visual works by medium or technique
- Title
- Miss Louise Renville (later Mrs. William Fleming Breakey)
- Artist
- Anonymous American
- Physical Description
- Portrait of a woman, flowers in hair, blue dress and straw hat. There is a sailboat in the background.
- Century
- 19th century
- Object Creation Date
- circa 1855
- Accession Number
- 1946/2.1
- Medium and Support
- oil on canvas
- Date Added/Updated
- 2013-12-20 16:37:28
- Secondary Keywords
- clothing
- objects
- people and occupations
- women