Title |
Author(s) |
Volume/Issue |
Date |
Downloads
|
Selective Tradition and Structure of Feeling in the 2008 Presidential Election: A Genealogy of “Yes We Can Can”
|
Curtis, Bruce |
vol. 14
no. 1 |
Winter 2020 |
|
Shaping the Past and Creating the Future: Music, Nationalism, and the Negotiation of Cultural Memory at Macedonia’s Celebration of Twenty Years of Independence
|
Wilson, Dave |
vol. 13
no. 2 |
Summer 2019 |
|
Shostakovich and the Peace Conference
|
Klefstad, Terry |
vol. 6
no. 2 |
Summer 2012 |
|
Silent City: A Commemoration of Halabja’s Tragedy
|
Rostami, Mehrenegar |
vol. XI
no. 1 |
Winter 2017 |
|
“Sing Vasya, Sing!”: Vasya Oblomov’s Rap Trios as Political Satire in Putin’s Russia
|
Ewell, Philip |
vol. 7
no. 2 |
Summer 2013 |
|
The Singer as Individual: Pop Singers, Music and Political Propaganda in Contemporary Maltese Electoral Campaigns
|
Ciantar, Philip |
vol. X
no. 1 |
Winter 2016 |
|
Singing a New Song: Stephen Foster and the New American Minstrelsy
|
Shaftel, Matthew |
vol. I
no. 2 |
Summer 2007 |
|
Singing its Way to Prosperity: Shaping the Public Mind through “Healthy Popular Music” in South Korea
|
Lee, Jung Min Mina |
vol. 14
no. 1 |
Winter 2020 |
|
"Singing Trauma Trails": Songs of the Stolen Generations in Indigenous Australia
|
Barney, Katelyn; Mackinlay, Elizabeth |
vol. IV
no. 2 |
Summer 2010 |
|
The Slow Sublime and 9/11: Insecurity and Fear in William Basinski’s The Disintegration Loops
|
Jones, Ellis |
vol. VIII
no. 1 |
Winter 2014 |
|
Smetana’s The Brandenburgers in Bohemia and Czech Nationalism: A Historical Reevaluation
|
Nedbal, Martin |
vol. 14
no. 1 |
Winter 2020 |
|
“Songs of Malice and Spite”?: Wales, Prince Charles, and an Anti-Investiture Ballad of Dafydd Iwan
|
Jones, Craig Owen |
vol. 7
no. 2 |
Summer 2013 |
|
Songs with a Message: Common Themes in Swedish 1970s Rock/Folk Songs
|
Arvidsson, Alf |
vol. IV
no. 1 |
Winter 2010 |
|
The Sound of Media Spectacle: Music at the Party Conventions
|
Deaville, James |
vol. IX
no. 2 |
Summer 2015 |
|
Sovietizing Czechoslovak Music: The "Hatchet-Man" Miroslav Barvik and his Speech The Composers Go with the People
|
Svatos, Thomas |
vol. IV
no. 1 |
Winter 2010 |
|
Sustainability and Sound: Ecomusicology Inside and Outside the Academy
|
Allen, Aaron S.; Titon, Jeff Todd; Von Glahn, Denise |
vol. VIII
no. 2 |
Summer 2014 |
|