| Title |
Author(s) |
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Generation of Complex Sound Sequences using Physical Models with Dynamical Structures
|
Tache, Oliver; Cadoz, Claude |
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An Introduction to Eco-Structuralism
|
Opie, Timothy; Brown, Andrew R. |
|
Enmeshed: live in 3D fog~
|
Clarke, Michael |
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Time Slices, Graphic Scores and Music Composition
|
Evans, Brian |
|
Waveguide-based Room Acoustics through Graphics Hardware
|
Röber, Niklas; Spindler, Martin; Masuch, Maic |
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From Score-Based Approach Towards Real-Time Control in PWGLSynth
|
Laurson, Mikael; Norilo, Vesa; Penttinen, Henri |
|
Fantasy Birds in Yazi's Dream
|
Ayers, Lydia |
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Raster Scanning: A New Approach to Image Sonification, Sound Visualization, Sound Analysis And Synthesis
|
Yeo, Woon Seung; Berger, Jonathan |
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The ixi Instruments as Semiotic Machines
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Magnusson, Thor |
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Pocket Gamelan: mobile media for microtonal performance
|
Schiemer, Greg; Havryliv, Mark |
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Shifty Looping: meter-aware, non-repeating rhythmic loops
|
Wright, Matthew |
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Sound Synthesis Affected by Physical Gestures in Real-time
|
Graugaard, Lars |
|
Mood Mapping Technologies Within Hybrid Audio Design
|
Graugaard, Lars; Arnspang, Jens |
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Metamodels and Design Patterns in CSL4
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Pope, Stephen Travis; Amatrianin, Xavier; Putnam, Lance; Castellanos, Jorge; Avery, Ryan |
|
GranCloud - A New SuperCollider Class for Real-time Granular Synthesis
|
Lee, Terry A. |
|
miniAudicle and ChucK Shell: New Interfaces for ChucK Development and Performance
|
Salazar, Spencer; Wang, Ge; Cook, Perry |
|
Design and Implementation of a Real-Time Fingering Detection System for Piano Performance
|
Takegawa, Yoshinari; Terada, Tsutomu; Nishio, Shojiro |
|
FOMUS, a Music Notation Software Package for Computer Music Composers
|
Psenicka, David |
|
Flexible Scheduling for DataFlow Audio Processing
|
Burroughs, Neil; Parkin, Adam; Tzanetakis, George |
|
Functors for Music: The Rubato Composer System
|
Mazzola, Guerino; Milmeister, Gérard |
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On Musical Scale Rationalization
|
Grôf, Albert |
|
Fourier Oracles for Computer-Aided Improvisation
|
Amiot, Emmanuel; Noll, Thomas; Andreatta, Moreno; Agon, Carlos |
|
Melodic Clustering Within Topological Spaces of Schumann's Trôumerei
|
Buteau, Chantal |
|
Melodic Topologies
|
Adiloğlu, Kamil; Obermayer, Klaus |
|
Integrated System for Cross-Platform/Cross-Application Education on Sound Synthesis and Signal Processing
|
Cipriani, Alessandro; Giri, Maurizio |
|
Exploring Cognitive Process Through Music Composition
|
Lockhart, Adam; Keller, Damián |
|
Third-Order Ambisonic Extensions for Max/MSP with Musical Applications
|
Wakefield, Graham |
|
Amber: A Granular Sampling Application for Mac OS X
|
Bernard, Jennifer; McCabe, Matthew; Hoffmann, Kenneth |
|
Digital Autonomy In Electroacoustic Music Performance: Re-Forging Stockhausen
|
Esler, Robert |
|
Cooperative Multimedia Environments for Technology-Enhanced Music Playing and Learning with 3D Posture and Gesture Supports
|
Ong, Bee; Khan, Ali; Ng, Kia; Bellini, Pierfrancesco; Mitolo, Nicola; Nesi, Paolo |
|
Spectral and Granular Spatialization with Boids
|
Kim-Boyle, David |
|
Jamoma: A Modular Standard for Structuring Patches in Max
|
Place, Tim; Lossius, Trond |
|
Providing Rhythm Patterns in Sound Synthesis
|
Graugaard, Lars |
|
The Table is The Score: An Augmented-Reality Interface for Real-Time, Tangible, Spectrographic Performance
|
Levin, Golan |
|
Sound Scope Headphones: Controlling an Audio Mixer through Natural Movement
|
Hamanaka, Masatoshi; Lee, Seunghee |
|
Agents in ChucK: A Timely Programming Experience
|
Spicer, Michael |
|
Using Concatenative Synthesis for Expressive Performance in Jazz Saxophone
|
Maestre, Esteban; Hazan, Amaury; Ramirez, Rafael; Perez, Alfonso |
|
Estimation of partial parameters for non stationary sinusoids
|
Roebel, Axel |
|
YASAS - Yet Another Sound Analysis-Synthesis Method
|
Dubnov, Shlomo |
|
Timbral, Perceptual, And Statistical Attributes for Synthesized Sound
|
McDermott, James; Griffith, Niall J.L.; O'Neill, Michael |
|
Analysis of musical structure in Audio and MIDI signals using information rate
|
Dubnov, Shlomo |
|
The Interpretation of MIDI Velocity
|
Dannenberg, Roger B. |
|
An approach to visualization of complex event data for generating sonic structures
|
Bokesoy, Sinan; Thiebaut, Jean Baptiste |
|
Semantic Time: Representing Time and Temporal Transformations for Digital Audio in Interactive ComputerMusic Systems
|
Lee, Eric; Borchers, Jan |
|
A Logic-based Language for Modeling and Verifying Musical Processes
|
Ramirez, Rafael |
|
The Shiraz Festival: avant-garde arts performance in 1970s Iran
|
Gluck, Robert J. |
|
Hear Me Now: the implication and significance of the female composer's voice as sound source in her electroacoustic music
|
Hinkle-Turner, Elizabeth |
|
Noise, Dissonance and the Twentieth-Century Spiritual Crisis: Synchresis in Chion's Requiem
|
Jacobs, Sarah L.; Rudy, Paul |
|
Sound Art in Mexico
|
Rocha Iturbide, Manuel |
|
Negotiating the Musical Work: An empirical study.
|
Frisk, Henrik; Östersjö, Stefan |
|
Towards the One-Man Indian Computer Music Performance System
|
Kapur, Ajay; Tzanetakis, George; Schloss, Andrew; Driessen, Peter; Singer, Eric |
|
Computer Aided Composition by Means of Interactive GP
|
Ando, Daichi; Dahlstedt, Palle; Nordahl, Mats G.; Iba, Hitoshi |
|
Recent Trends in PWGL
|
Laurson, Mikael; Kuuskankare, Mika |
|
Aesthetics, Score Generation, and Sonification in a Game Piece
|
Magnus, Cristyn |
|
Orchestra Spatialization Using The AUDIENCE Engine
|
Thomaz, Leandro F.; Faria, Regis Rossi A.; Zuffo, Marcelo K.; Zuffo, João Antônio |
|
The Bluetooth Radio Ball Interface (BRBI): A Wireless Interface for Music/Sound Control And Motion Sonification
|
Yeo, Woon Seung |
|
Ambisonics Spatialization Tools for Max/MSP
|
Schacher, Jan C.; Kocher, Philippe |
|
Mobile STK for Symbian OS
|
Essel, Georg; Rohs, Michael |
|
VScore: A Real-time Visual Application for Scoring Music
|
Topper, David; Kojs, Juraj |
|
PerfComp: A Heuristic-Based Program for Analysis of MIDI Performance Files
|
Walker, Timothy M. |
|
Creativity and Access in Electronic Music: Cracked and Pirated Software Instruments
|
Doloswala, Kalika N. |
|
Summarizing Musical Preferences as Audio Signatures
|
Freeman, Jason |
|
jSymbolic: A Feature Extractor for MIDI Files
|
McKay, Cory; Fujinaga, Ichiro |
|
Automatic Chord Recognition from Audio Using Enhanced Pitch Class Profile
|
Lee, Kyogu |
|
Automatic Raag Classification of Pitch-tracked Performances Using Pitch-class and Pitch-class Dyad Distributions
|
Chordia, Parag |
|
A Parallel-Formant Speech Synthesizer in Max/MSP
|
Ma, Michael Kexin; Fels, Sidney; Pritchard, Robert |
|
{TranSpell}
|
Shiota, Kazuaki |
|
Extended Applications of the Wireless Sensor Array (WISEAR)
|
Topper, David |
|
An Application of The System, "BodySuit" and "RoboticMusic" - Its Introduction and Aesthetics
|
Goto, Suguro |
|
Visualizing Sound Environment during Orchestra Performance based on Time Frequency Analysis
|
Morita, Satoru; Tokunou, Sayaka |
|
Musical Tapestry: Re-composing Natural Sounds
|
Misra, Ananya; Cook, Perry R.; Wang, Ge |
|
Fuzzy Logic Control Tool Kit: Real-time Fuzzy Control for Max/MSP and Pd
|
Cádiz, Rodrigo F.; Kendall, Gary S. |
|
ScalableWavetable Matching for Real-Time Polyphonic Synthesis
|
Wun, Simon; Horner, Andrew |
|
Concatenative Synthesis Using Score-Aligned Transcriptions
|
Dannenberg, Roger B. |
|
Circle Maps as Simple Oscillators for Complex Behavior: I. Basics
|
Essl, Georg |
|
On the Development of a System for Gesture Control of Spatialization
|
Marshall, M. T.; Peters, N.; Jensenius, A. R.; Boissinot, J.; Wanderley, M. M.; Braasch, J. |
|
Development of a Versatile Interactive Performance System
|
Geers, Douglas; Cerar, Maja |
|
Radio drum gesture detection system using only sticks, antenna and computer with audio interface
|
Nevile, Ben; Driessen, Peter; Schloss, W. A. |
|
Performer Adaptive Scores: An Introduction
|
Frank, Robert J. |
|
The ArtsSync Project: Methods and Architectures for Mapping Foreground, Middle-ground and Background Musical Structures to Visual Images
|
Keyes, Christopher J.; Wierckx, Marcel |
|
Spectral Signal Processing in Csound 5
|
Lazzarini, Victor; Lysaght, Thomas; Timoney, Joseph |
|
MaxLink: a New Tool for Networked Performance
|
Kriss, Jesse |
|
The LoM Mapping Toolbox for Max/MSP/Jitter
|
Van Nort, Doug; Wanderley, Marcelo M. |
|
A Collaborative Composition System Based On A Service Oriented Architecture
|
Dovey, Matthew; Gibson, Ian |
|
Motion as the Connection Between Audio and Visuals
|
Moody, Niall; Fells, Nick; Bailey, Nicholas |
|
The KiOm: A Paradigm for Collaborative Controller Design
|
Kapur, Ajay; Tindale, Adam R.; Benning, Manjinder S.; Driessen, Peter F. |
|
Georgia Tech Music Technology Group - Studio Report
|
Weinberg, Gil; Freeman, Jason; Chordia, Parag; Clark, Frank; Moore, Chris; Driscoll, Scott; Thatcher, Travis |
|
The University Music Technology Lab
|
Hinderlie, Sanford |
|
tMt: tulane Music technology Studio Report
|
Richardson, Conner; Cook, James T. E.; Park, Tae Hong |
|
Musical Interaction Design with the CREATE USB Interface Teaching HCI with CUIs instead of GUIs
|
Overholt, Dan |
|
Sound and Interaction for K-12 Mediated Education
|
Birchfield, David; Ciufo, Thomas; Thornburg, Harvey; Savenye, Wilhelmina |
|
Musical Performance Over Internet2 Using The AccessGrid
|
Nichols, Charles; Deal, Scott; Rogers, Timothy J.; Miklavcic, Jimmy; Miklavcic, Beth; Ayromlou, Many; Wachtel, Robert; Mercer, Paul; Humbert, Joe; King, Rob |
|
PLOrk: The Princeton Laptop Orchestra, Year 1
|
Trueman, Daniel; Cook, Perry; Smallwood, Scott; Wang, Ge |
|
Real-time synchronization of independently controlled phasors
|
Wyse, Lonce |
|
A Paradigm for Physical Interaction with Sound in 3-D Audio Space
|
Wozniewski, Mike; Settel, Zack; Cooperstock, Jeremy R. |
|
Jam'aa - A Middle Eastern Percussion Ensemble for Human and Robotic Players
|
Weinberg, Gil; Driscoll, Scott; Thatcher, Travis |
|
Recording Quality Ratings by Music Professionals
|
Repp, Richard |
|
Data Association Techniques for a Robust Partial Tracker of Music Signals
|
Satar-Boroujeni, Hamid; Shafai, Bahram; Wolfe, Patrick J. |
|
Musical Tension Curves and its Applications
|
Yoo, Min-Joon; Lee, In-Kwon |
|
Detecting Motives and Recurring Patterns in PolyphonicMusic
|
Utgoff, Paul E.; Kirlin, Phillip B. |
|
Melodic Modeling: A Comparison of Scale Degree and Interval
|
Li, Yipeng |
|
Using Motiongrams in the Study of Musical Gestures
|
Jensenius, Alexander Refsum |
|
Real-time Spectral Attenuation Based Analysis and Resynthesis, Spectral Modification, Spectral Accumulation, and Spectral Evaporation; Theory, Implementation, and Compositional Implications.
|
Parks, Ronald Keith |
|
Phase-bashed packet synthesis: a musical test
|
Puckette, Miller |
|
A Music Information Retrieval system for structural queries
|
Pinto, Alberto |
|
Morphopoiesis: An Analytical Model for Electroacoustic Music
|
Kokoras, Panayiotis A. |
|
Studio Report: Audio Technology at American University Improving Curriculum through upgrading Facilities
|
Oehlers, Paul A.; Larkin, Teresa; Katz, Fred; Boerum, Matt; Weiner, Matt |
|
Ssynth: a Real Time Additive Synthesizer With Flexible Control
|
Verfaille, V.; Boissinot, J.; Depalle, Ph.; Wanderley, M. M. |
|
Pragmatic Considerations in Mixed Music: a Case Study of La Rage
|
Tremblay, Pierre Alexandre |
|
ComputerMusic Enaction
|
Dahan, Kevin |
|
Feature-Based Synthesis: Mapping Acoustic and Perceptual Features onto Synthesis Parameters
|
Hoffman, Matt; Cook, Perry R. |
|
The Fujara: A Physical Model of The Bass Pipe Instrument in An Interactive Composition
|
Kojs, Juraj; Serafin, Stefania |
|
Mobile Networked Music Demonstration: Sequencer404
|
Thatcher, Travis; Jimison, David; Goetzinger, John; Freeman, Jason; Weinberg, Gil |
|
A Comparison of Statistical Approaches to Symbolic Genre Recognition
|
Pérez-Sancho, Carlos; Ponce de León, Pedro J.; Iñesta, José M. |
|
A Novel Approach to Automatic Music Composing: Using Genetic Algorithm
|
Daylamani Zad, Damon; Araabi, Babak N.; Lucas, Caru |
|
A Factored Language Model of Quantized Pitch and Duration
|
Li, Xiao; Ji, Gang; Bilmes, Jeff |
|
Auralization of a Constraint Solver: The music of n-queens
|
Lallouet, Arnaud; Vautard, Jérémie |
|
Towards Machine Learning of Expressive Microtiming in Brazilian Drumming
|
Wright, Matthew; Berdahl, Edgar |
|
An Evolved Neural Network/HC Hybrid for Tablature Creation in GA-based Guitar Arranging
|
Tuohy, Daniel R.; Potter, W. D. |
|
An Acousmatic Composition Environment
|
Breinbjerg, Morten; Caprani, Ole; Lunding, Rasmus B.; Kramhøft, Line |
|
"We Don't Write Songs. We Write Records": a compositional methodology based on late 20th century popular music.
|
Zagorski-Thomas, Simon |
|
Score Generation in Voice-Leading and Chord Spaces
|
Gogins, Michael |
|
Bioinformatic Response Data as a Compositional Driver
|
Hamilton, Robert |
|
A Sample Accurate Triggering System for Pd and Max/MSP
|
Lyon, Eric |
|
A Bottom-Up Approach to Chord Detection
|
Sailer, Christian; Rosenbauer, Katja |
|
A Brief Survey of the Current Applications of ENP
|
Kuuskankare, Mika; Laurson, Mikael |
|
Java Music Specification Language and Max/MSP
|
Didkovsky, Nick; Crawford, Langdon |
|
Score Following of Orchestral Music Using Acoustic Pressure Peak-Tracking and Linear Stretch Matching
|
Miura, Takefumi; Akabane, Ayumu; Sato, Makoto; Tsuda, Takao; Inoue, Seiki |
|
Mondrian Music Description Language and Sequencer
|
Brinkmann, Peter |
|
MSC: a computer assisted system integrating music and video through magic squares as compositional models
|
Oehlers, Paul A.; Mich, Christopher H. |
|
Comparing Musical Control Structures and Signal Processing Strategies for the Augmented Cello and Guitar
|
Freed, Adrian; Lee, Ahm; Schott, John; Uitti, Frances Marle; Wright, Matt; Zbyszynski, Michael |
|
Laptop Performance: Techniques, Tools, and a New Interface Design
|
Zadel, Mark; Scavone, Gary |
|
The Immersive Computer-controlled Audio Sound Theater: Experiments in multi-mode sound diffusion systems for electroacoustic music performance
|
Beck, Stephen David; Patrick, Joseph; Willkie, Brian; Malveaux, Kenley |
|
The AIMS Project: Creative Experiments in Musical Sonification
|
Bain, Reginald |
|
The Sound Recordist as Composer: Aesthestic and Practical Concerns
|
Leider, Colby; Burns, Kristine H. |
|
An Intelligent SP-MIDI Polyphonic Reduction Algorithm
|
Lui, Simon; Horner, Andrew; Ayers, Lydia |
|
Musical Pattern Design Using Contour Icons
|
Cullen, Charlie; Coyle, Eugene |
|
The thing about the quotes: "Music Technology" degrees in Britain
|
Boehm, Carola |
|
Evaluating and Extending Computational Models of Rhythmic Syncopation in Music
|
Smith, Leigh M.; Honing, Henkjan |
|
DSP Programming with Faust, Q and SuperCollider
|
Orlarey, Yann; Grôf, Albert; Kersten, Stefan |
|
AUTUMN: A General Pitch-Extraction Wave-to-MIDI Transcription System
|
Di Filippo, Kevin J.; Horner, Andrew; Fung, Eric; Lim, Jenny; Ayers, Lydia |
|
PhaVoRIT: A Phase Vocoder for Real-Time Interactive Time-Stretching
|
Karrer, Thorsten; Lee, Eric; Borchers, Jan |
|
DARRT: Distributed Audio Rendering & Retrieval using Triana - Experiments in applying Grid Computing technologies for audio processing
|
Taylor, Ian; Al-Shakarchi, Eddie; Beck, Stephen David |
|
Squawk: A Graphical Software for Spectral Audio Processing
|
Kobayashi, Ryoho |
