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TOWARDS AN AUTOMATED MUSIC TEACHING SYSTEM: AUTOMATIC RECOGNITION OF MUSICAL MELODIES USING THE WF-4R Solis, Jorge; Chida, Keisuke; Suefuji, Kei; Arino, Chiaki; Takanishi, Atsuo
Free Sound Within Culturally Specific Practice Gluck, Robert J.
THE OVERTONE VIOLIN: A NEW COMPUTER MUSIC INSTRUMENT Overholt, Dan
PERMUTATION GROUPS AND CHORD TESSELATIONS Jedrzejewski, Franck
THE MUSIC, TECHNOLOGY AND INNOVATION RESEARCH CENTRE (MTI) AT DE MONTFORT UNIVERSITY - STUDIO REPORT Landy, Leigh
SIMULATION OF HUMAN VOICE TIMBRE BY ORCHESTRATION OF ACOUSTIC MUSIC INSTRUMENTS Hummel, Thomas A.
SYNAPSE>VALENTINE: REUNITING ACOUSTIC AND ELECTRONIC Baguyos, Jeremy Castro
THE DELEUZE-IAN/GUATTARIAN PERFORMANCE: PERFORMANCING AT N-1 DIMENSIONS Schroeder, Franziska
LARGE AUDIENCE PARTICIPATION, TECHNOLOGY, AND ORCHESTRAL PERFORMANCE Freeman, Jason
THE COMBINATION OF VISUAL AND SONIC GENERATIVE PROCESSES IN A DIGITAL LANDSCAPE Otondo, Felipe; Petersen, Thomas
AN AUTOMATED EVENT ANALYSIS SYSTEM WITH COMPOSITIONAL APPLICATIONS Collins, Nick
THE SUICIDED VOICE - THE MEDIATED VOICE Bokowiec, Mark Alexander; Bokowiec, Julie
A GENETIC ALGORITHM FOR THE AUTOMATIC GENERATION OF PLAYABLE GUITAR TABLATURE Tuohy, D. R.; Potter, W. D.
MIDI TO SP-MIDI TRANSCODING USING PHRASE STEALING Lui, Simon; Horner, Andrew; Ayers, Lydia
TIMING IS TEMPO-SPECIFIC Honing, Henkjan
JACK AUDIO SERVER FOR MULTI-PROCESSOR MACHINES Letz, S.; Fober, D.; Orlarey, Y.
PLYMOUTH BRAIN-COMPUTER MUSIC INTERFACE PROJECT: INTELLIGENT ASSISTIVE TECHNOLOGY FOR MUSIC-MAKING Miranda, Eduardo Reck; Brouse, Andrew; Boskamp, Bram; Mullaney, Hilary
MUSICAL SCORE GENERATION IN VALSES AND ETUDES Kim-Boyle, David
INTEGRATION OF SOUND AND IMAGE IN TWO WORKS FOR PIANO AND COMPUTER Kim-Boyle, David
SEMI-SUPERVISED CLASSIFICATION OF MUSICAL GENRE USING MULTI-VIEW FEATURES Xu, Yungpeng; Zang, Changshui; Yang, Jing
IMUTUS SCORE PROCESSING COMPONENTS Fober, D.; Letz, S.; Orlarey, Y.
BLOCK-BASED PHYSICAL MODELING FOR DIGITAL SOUND SYNTHESIS OF MEMBRANES AND PLATES Petrausch, Stefan; Rabenstein, Rudolf
COMPOSITION AS GAME STRATEGY: MAKING MUSIC BY PLAYING BOARD GAMES AGAINST EVOLVED ARTIFICIAL NEURAL NETWORKS Miranda, Eduardo Reck; Zhang, Qijun
KITTy: A PACKAGE FOR EXTERNAL PATCHES COMMUNICATION MANAGEMENT IN MAX/MSP - A PROGRESS REPORT de Sousa Dias, António; Lopes, Paulo Ferreira
THE ARCHITECTURE OF AURACLE: A VOICE-CONTROLLED, NETWORKED SOUND INSTRUMENT Freeman, Jason; Ramakrishnan, Sekhar; Varnik, Kristjan
INNER ROOM EXTENSION OF A GENERAL MODEL FOR SPATIAL PROCESSING OF SOUNDS Yadegari, Shahrokh
The jChing: a Java-Based Algorithmic Composition Tool Hamilton, Robert
JACK-ON: A LOW-COST WIRELESS SENSOR INTERFACE Moon, Barry; Atkinson, Sacha
A NOVEL APPROACH TO MIXED MODEL DISCRETE-TIME DOMAIN SIMULATION OF THE SOUND FIELD GENERATED BY A STRING Escolano, J.; Pueo, B.; Petrausch, S.; Rabenstein, R.
EXTENDED PRINCIPAL COMPONENTS ANALYSIS MATCHING WITH SPECTRAL WEIGHTING FOR WAVETABLE SYNTHESIS Wun, Simon; Horner, Andrew; Ayers, Lydia
GRANULAR SYNTHESIS OF SOUNDS THROUGH MARKOV CHAINS WITH FUZZY CONTROL Miranda, Eduardo Reck; Maia Junior, Adolfo
LIE POISSON SYNTHESIS Benzel, Stephen
THE 'COSMOS' MODEL; AN EVENT GENERATION SYSTEM FOR SYNTHESIZING EMERGENT SONIC STRUCTURES Bokesoy, Sinan
MUSICAL THOUGHT NETWORKED Tanzi, Dante
AUTOMATIC GENERATION OF METRICAL STRUCTURE BASED ON GTTM Hamanaka, Masatoshi; Hirata, Keiji; Tojo, Satoshi
APPLICATION OF IMAGE SONIFICATION METHODS TO MUSIC Yeo, Woon Seung; Berger, Jonathan
DEVELOPING CROSS-PLATFORM AUDIO AND MUSIC APPLICATIONS WITH THE CLAM FRAMEWORK Amatrian, Xavier; Arumí, Pau
A SIMPLE DYNAMIC TONEHOLE MODEL FOR REAL-TIME SYNTHESIS OF CLARINET-LIKE INSTRUMENTS Terrior, Jonathan; Guillemain, Philippe
AN INTERACTIVE AURAL APPROACH TO THE ANALYSIS OF COMPUTER MUSIC Clarke, Michael
NEW WARPED LPC-BASED FEATURE FOR FAST AND ROBUST SPEECH/MUSIC DISCRIMINATION Muñoz-Expósito, J.E.; Garcia-Galán, S.; Ruiz-Reyes, N.; Vera-Candeas, P.; Rivas-Peña, F.
MODERNISING LIVE ELECTRONICS TECHNOLOGY IN THE WORKS OF JONATHAN HARVEY Bullock, Jamie; Coccioli, Lamberto
NEW APPROACHES TO DIGITAL SUBTRACTIVE SYNTHESIS Huovilainen, Antti; Vôlimôki, Vesa
MULTI-RIPPLE LOSS FILTER FOR WAVEGUIDE PIANO SYNTHESIS Rauhala, Jukka; Vôlimôki, Vesa; Lehtonen, Heidi-Maria
SPAA- AN AGENT BASED INTERACTIVE COMPOSITION Spicer, Michael
CURRENT RESEARCH IN CONCATENATIVE SOUND SYNTHESIS Schwarz, Diemo
THE COMPOSITIONAL PROCESSES OF ELECTROACOUSTIC COMPOSERS: CONTRASTING PERSPECTIVES Upton, Catherine; Eaglestone, Barry; Ford, Nigel
EVOLVING ADAPTIVE SENSORS IN A SYNTHETIC LISTENER Beyls, Peter
THE "AIR WORM": AN INTERFACE FOR REAL-TIME MANIPULATION OF EXPRESSIVE MUSIC PERFORMANCE Dixon, Simon; Goebl, Werner; Widmer, Gerhard
STUDIO REPORT: MUSIC RESEARCH CENTRE, DEPARTMENT OF MUSIC, UNIVERSITY OF YORK Myatt, Tony
FINDING SUBSEQUENCES OF MELODIES IN MUSICAL PIECES Adiloğlu, Kamil; Obermayer, Klaus
TOWARDS SCHENKERIAN ANALYSIS BY COMPUTER: A REDUCTIONAL MATRIX Marsden, Alan
A PEN-BASED MUSICAL SCORE EDITOR Macé, Sébastien; Anquetil, Eric; Garrivier, Elodie; Bossis, Bruno
SCRIME STUDIO REPORT Desainte-Catherin, Myriam; Hanna, Pierre; Havel, Christophe; Kurtag, Gyorgy; Lagrange, Mathieu; Marchand, Sylvain; Nicouleau, Edgar; Raspaud, Martin; Robine, Matthias; Strandh, Robert
DEMONSTRATION OF FAUST SIGNAL PROCESSING LANGUAGE Orlarey, Yann; Fober, Dominique; Letz, Stephane
DATA ANTICIPATION FOR GESTURE RECOGNITION IN THE AIR PERCUSSION Goudard, Vincent; Havel, Christophe; Marchand, Sylvain; Desainte-Catherine, Myriam
A FLEXIBLE AUTHORING TOOL FOR WAVE FIELD SYNTHESIS Bleda, S.; López, J.J.; Escolano, J.; Pueo, B.
IXI SOFTWARE: OPEN CONTROLLERS FOR OPEN SOURCE AUDIO SOFTWARE Magnusson, Thor
IMUTUS - AN EFFECTIVE PRACTICING ENVIRONMENT FOR MUSIC TUITION Raptis, Spyros; Chalamandaris, Aimilios; Baxevanis, Alexandros; Askenfelt, Anders; Schoonderwaldt, Erwin; Falkenberg Hansen, Kjetil; Fober, Dominique; Letz, Stéphane; Orlarey, Yann
AN EVALUATION OF WARPING TECHNIQUES APPLIED TO PARTIAL ENVELOPE ANALYSIS Timoney, Joseph; Lysaght, Tom; MacManus, Lorcan; Lazzarini, Victor
MODELING A PROCESSIVE PERSPECTIVE ON METER IN MUSIC Volk, Anja
NOTATION-BASED ANCIENT GREEK MUSIC SYNTHESIS WITH ?RION Politis, Dionysios; Vandikas, Konstantinos; Margounakis, Dimitrios
FROM BOULEZ TO BALLADS: TRAINING IRCAM'S SCORE FOLLOWER Schwarz, Diemo; Cont, Arshia; Schnell, Norbert
MODALYS DEMONSTRATION Ellis, Nicholas; Bensoam, Joël; Caussé, René
TILING THE (MUSICAL) LINE WITH POLYNOMIALS: SOME THEORETICAL AND IMPLEMENTATIONAL ASPECTS Amiot, Emmanuel; Andreatta, Moreno; Agon, Carlos
EXPLOITING MELODIC SMOOTHNESS FOR MELODY DETECTION IN POLYPHONIC AUDIO Paiva, Rui Pedro; Mendes, Teresa; Cardoso, Amílcar
KARAOKE SYSTEM WITH SPATIAL ACOUSTICS ESTIMATION FOR VOCAL OR INSTRUMENTAL REMOVAL Xiang, Pei; Dubnov, Shlomo
A STREAMING OBJECT ORIENTED IMPLEMENTATION OF THE MODAL DISTRIBUTION Lysaght, Thomas; Lazzarini, Victor; Timoney, Joseph
SYNTHESIS AND PERCEPTUAL MANIPULATION OF PERCUSSIVE SOUNDS Aramaki, Mitsuko; Kronland-Martinet, Richard; Voinier, Thierry; Ystad, Sølvi
HAILE - AN INTERACTIVE ROBOTIC PERCUSSIONIST Weinberg, Gil; Driscoll, Scott; Parry, Mitchell
DRUMTRACK: BEAT INDUCTION FROM AN ACOUSTIC DRUM KIT WITH SYNCHRONISED SCHEDULING Collins, Nick
SYMBOLIC CONTROL OF SOUND SYNTHESIS IN COMPUTER ASSISTED COMPOSITION Bresson, Jean; Stroppa, Marco; Agon, Carlos
MIMESIS, A VISUAL AND MUSICAL INSTRUMENT Simó, Agueda; Karman, Gregorio G.
SYNTHESIZING A JAVANESE GONG AGENG Ayers, Lydia; Horner, Andrew
LATTICE: STRATEGIES FOR AND AGAINST CONTROL IN AN IMPROVISATION INSTRUMENT Burns, Christopher
SOFTWARE AGENTS AND CREATING MUSIC/SOUND ART: FRAMES, DIRECTIONS, AND WHERE TO FROM HERE? Whalley, Ian
USING TIMBRE IN A COMPUTER-BASED IMPROVISATION SYSTEM Hsu, William
SOFTWARE FOR SPECTRAL ANALYSIS, EDITING, AND SYNTHESIS Klingbeil, Michael
EXTENDING DYNAMIC STOCHASTIC SYNTHESIS Brown, Andrew R.
GROUP STRUCTURE AND EQUIVALENCE CLASSES IN EXTENDED TWELVE-TONE OPERATIONS Ilomôki, Tuukka
Evolution And Embodiment: Playable Instruments for Free Music Favilla, Stuart; Cannon, Joanne; Greenwood, Garry
NEAREST CENTROID ERROR CLUSTERING FOR RADIAL/ELLIPTICAL BASIS FUNCTION NEURAL NETWORKS IN TIMBRE CLASSIFICATION Park, Tae Hong; Cook, Perry
NAVIGATING THE LANDSCAPE OF COMPUTER AIDED ALGORITHMIC COMPOSITION SYSTEMS: A DEFINITION, SEVEN DESCRIPTORS, AND A LEXICON OF SYSTEMS AND RESEARCH Ariza, Christopher
REAL-TIME AUDITORY MODELS Pressnitzer, Daniel; Gnansia, Dan
CONCATENATION AND STRETCH/SQUEEZE OF MUSICAL INSTRUMENTAL SOUND USING SOUND MORPHING Osaka, Naotoshi
MICHELANGELO LUPONE: "CORDA DI METALLO" (1997) Cianciusi, Walter
SLIDING IS SMOOTHER THAN JUMPING Bradford, Russel; Dobson, Richard; ffitch, John
AN SQL-BASED CONTROL SYSTEM FOR LIVE ELECTRONICS Canavese, Francesco; Giomi, Francesco; Meacci, Damiano; Schwoon, Kilian
DISSONANCE, SEX AND NOISE: (RE)BUILDING (HI)STORIES OF ELECTROACOUSTIC MUSIC Álvarez Fernández, Miguel
ENP EXPRESSION DESIGNER: A VISUAL TOOL FOR CREATING ENP-EXPRESSIONS Muuskankare, Mika; Laurson, Mikael
SOUND DIFFUSION USING HAND-HELD LIGHT-EMITTING PEN CONTROLLERS Brown, Kenneth; Alcorn, Michael; Rebelo, Pedro
ELECTROACOUSTIC PERFORMANCE INTERFACES THAT LEARN FROM THEIR USERS Melo, Andrés; Drever, John; Wiggins, Geraint
HEARING EMERGENCE: TOWARDS SOUND-BASED SELF-ORGANISATION Davis, Tom; Rebelo, Pedro
PATHS ON STERN-BROCOT TREE AND WINDING NUMBERS OF MODES Vicinanza, Domenico
A VIRTUAL PATCHBAY FOR ROBUST DISTRIBUTED INTERACTIVE MUSIC SYSTEMS Dannenberg, Roger B.
ACE: A GENERAL-PURPOSE CLASSIFICATION ENSEMBLE OPTIMIZATION FRAMEWORK McKay, Cory; McEnnis, Daniel; Fiebrink, Rebecca; Fujinaga, Ichiro
USING A PERCEPTUALLY BASED TIMBRE METRIC FOR PARAMETER CONTROL ESTIMATION IN PHYSICAL MODELING SYNTHESIS Terasawa, Hiroko; Berger, Jonathan; Smith, Julius O.
EXTRACTING THE MELODY OF AN IMAGE USING MATE-SIMILARITY GENETIC ALGORITHM Pirnia, Abbas; Ghavamizadeh, Ramak
AUDIO SIGNAL DRIVEN SOUND SYNTHESIS Poepel, Cornelius; Dannenberg, Roger B.
Large-Scale Duration Organization in 'Hodoi tô Ergô' Kuitunen, Kimmo; Kuuskankare, Mika; Laurson, Mikael
ON THE RELATIVE INFLUENCE OF EVEN AND ODD HARMONICS IN CLARINET TIMBRE Barthet, Mathieu; Guillemain, Philippe; Kronland-Martinet, Richard; Ystad, Solvi
BEGINNER'S MIND: AN ENVIRONMENT FOR SONIC IMPROVISATION Ciufo, Thomas
DESIGN AND IMPLEMENTATION OF AUTOMATIC EVALUATION OF RECORDER PERFORMANCE IN IMUTUS Schoonderwaldt, Erwin; Askenfelt, Anders; Falkenberg Hansen, Kjetil
TACTILE COMPOSITION SYSTEMS FOR COLLABORATIVE FREE SOUND Livingstone, Dan; O'Shea, Chris
THE PHASE PROJECT : HAPTIC AND VISUAL INTERACTION FOR MUSIC EXPLORATION Rodet, Xavier; Lambert, Jean-Philippe; Cahen, Roland; Gosselin, Florian; Mobuchon, Pascal
STATE-BASED SEQUENCING: DIRECTING THE EVOLUTION OF MUSIC Jewell, Michael O.; Nixon, Mark S.; Prügel-Bennett, Adam
A NEW DISSIMILARITY METRIC FOR THE CLUSTERING OF PARTIALS USING THE COMMON VARIATION CUE Lagrange, Mathieu
A SMARTER WAY TO FIND PITCH McLeod, Philip; Wyvill, Geoff
PEAK EXTRACTION AND PARTIAL TRACKING OF MUSIC SIGNALS USING KALMAN FILTERING Satar-Boroujeni, Hamid; Shafai, Bahram
MICRO TEXTURES WITH MACRO-NOTES Laurson, Mikael; Kuuskankare, Mika
ELEVATION PROBLEMS IN THE AURALISATION OF SOUND SOURCES WITH ARBITRARY SHAPE WITH WAVE FIELD SYNTHESIS Baalman, M. A. J.
SURVIVING ON PLANET CCRMA, TWO YEARS LATER AND STILL ALIVE Lopez-Lezcano, Fernando
AN ALGORITHM FOR AUDIO SKEW COMPENSATION IN LOW LATENCY ENVIRONMENTS Werner, Stefan
HAPTIC THEREMIN: DEVELOPING A HAPTIC MUSICAL CONTROLLER USING THE SENSABLE PHANTOM OMNI Moss, William 'Pete'; Cunitz, Bryan
DESIGN OF A GENERATIVE MODEL FOR SOUNDSCAPE CREATION Birchfield, David; Mattar, Nahla; Sundaram, Hari
RESPONSIVE ENVIRONMENTS: NEW TECHNOLOGY AND THEATRE SOUND Kraskin, Michael
COMBINING AUDIO AND GESTURES FOR A REAL-TIME IMPROVISER Morales, Roberto; Morales, Eduardo F.; Wessel, David
λGTK: A PORTABLE GRAPHICS LAYER FOR COMMON MUSIC Taube, Heinrich
THE CROAKER: A PHYSICAL MODEL AND A LEGO CONTROLLER Serafin, Stefania; De Goetzen, Amalia
USING CODES: COOPERATIVE MUSIC PROTOTYPING AND EDUCATIONAL PERSPECTIVES Miletto, Evandro Manara; Pimenta, Marcelo Soares; Vicari, Rosa Maria
THE BALLANCER ‒GESTURALLY CONTROLLED PHYSICS-BASED SOUND Rath, Matthias
ISIS, AN ALTERNATIVE APPROACH TO SOUND WAVES Barlow, Clarence
AUTOMATIC MOTIVIC ANALYSIS INCLUDING MELODIC SIMILARITY FOR DIFFERENT CONTOUR CARDINALITIES: APPLICATION TO SCHUMANN'S OF FOREIGN LANDS AND PEOPLE Buteau, Chantal
PHASE BASHING FOR SAMPLE-BASED FORMANT SYNTHESIS Puckette, Miller
SONENVIR - A PROGRESS REPORT de Campo, Alberto; Frauenberger, Christopher; Hoeldrich, Robert
ORB3 - MUSICAL ROBOTS WITHIN AN ADAPTIVE SOCIAL COMPOSITION SYSTEM Livingstone, Dan; Miranda, Eduardo
TOWARDS A ROADMAP FOR THE RESEARCH IN MUSIC TECHNOLOGY Serra, Xavier
VISUALIZATION OF LOW DIMENSIONAL STRUCTURE IN TONAL PITCH SPACE Burgoyne, J. Ashley; Saul, Lawrence K.
GEOMETRY IN SOUND: A SPEECH/MUSIC AUDIO CLASSIFIER INSPIRED BY AN IMAGE CLASSIFIER Casagrande, Norman; Eck, Douglas; Kégl, Balázs
FTM ‒ COMPLEX DATA STRUCTURES FOR MAX Schnell, Norbert; Borghesi, Riccardo; Schwarz, Diemo; Bevilacqua, Frederic; Müller, Remy
SNDTOOLS: REAL-TIME AUDIO DSP AND 3D VISUALIZATION Misra, Ananya; Wang, Ge; Cook, Perry R.
OPTIMAL POSITIONING IN LOW-DIMENSIONAL CONTROL SPACES USING CONVEX OPTIMIZATION Kassakian, Peter; Wessel, David
TOWARDS THE SYNTHESIS OF WAVEFRONT EVOLUTION IN 2-D Essl, Georg
A SYNAESTHETIC APPROACH FOR A SYNTHESIZER INTERFACE BASED ON GENETIC ALGORITHMS AND FUZZY SETS Schatter, Günther; Züger, Emanuel; Nitschke, Christian
PERCEPTUAL ATOMIC NOISE Jensen, Kristoffer
ALGORITHMS TODAY: NOTES ON LANGUAGE DESIGN FOR JUST IN TIME PROGRAMMING Rohrhuber, Julian; de Campo, Alberto; Wieser, Renate
GISMO: AN APPLICATION FOR AGENT-BASED COMPOSITION Uozumi, Yuta
DESIGNING AND IMPLEMENTING THE CHUCK PROGRAMMING LANGUAGE Wang, Ge; Cook, Perry R.; Misra, Ananya
ILEARN: AN ITUNES AUDIO INDEXING PLUG-IN FOR EDUCATION McAllister, G.; Taylor, P.S.; Rodgers, M.
CONTROL OF VST PLUG-INS USING OSC Zbyszyński, Michael; Freed, Adrian
PERFORMING ALGORITHMIC COMPUTER MUSIC: REAL-TIME SCORE INTERPRETATION OF DAVID BIRCHFIELD'S COMMUNITY ART: RESONANT ENERGY Esler, Robert
QOSQO: SPIRITUALITY, PROCESS AND STRUCTURE Kendall, Gary S.
WAVETABLE INTERPOLATION OF MULTIPLE INSTRUMENT TONES Mohr, Jonathan; Li, Xiaobo
A STETHOSCOPE FOR IMAGINARY SOUND INTERACTIVE SOUND IN A HEALTH CARE ENVIRONMENT Rebelo, Pedro; Alcorn, Michael; Wilson, Paul
SPATIALISATION USING SOUNDING OBJECTS van Walstijn, Maarten; Alcorn, Michael; Bilbao, Stefan
THE PROSTHETIC CONGA: TOWARDS AN ACTIVELY CONTROLLED HYBRID MUSICAL INSTRUMENT van Walstijn, Maarten; Rebelo, Pedro
NEW SOUND DECOMPOSITION METHOD APPLIED TO GRANULAR SYNTHESIS Bascou, Charles; Pottier, Laurent
TOWARDS A SEMANTIC DESCRIPTOR OF SUBJECTIVE INTENSITY IN MUSIC Sandvold, Vegard; Herrera, Perfecto
SARC: STUDIO REPORT Alcorn, Michael; Corrigan, Chris; Rebelo, Pedro
RE-WIRED : REWORKING 20TH CENTURY LIVE ELECTRONICS FOR TODAY Polfreman, Richard; Sheppard, David; Dearden, Ian
LIEM-CDMC, STUDIO REPORT Núñez, Adolfo
THE MACHINE LEARNING AND INTELLIGENT MUSIC PROCESSING GROUP AT THE AUSTRIAN RESEARCH INSTITUTE FOR ARTIFICIAL INTELLIGENCE (ÖFAI), VIENNA Widmer, Gerhard; Dixon, Simon; Flexer, Arthur; Goebl, Werner; Knees, Peter; Tjagvad Madsen, Søren; Pampalk, Elias; Pohle, Tim; Schedl, Markus; Tobudic, Asmir
MICHELANGELO LUPONE: "FORMA DEL RESPIRO" Spanu, Luca
THE VIRTUAL ELECTRONIC POEM (VEP) PROJECT Lombardo, Vincenzo; Arghinenti, Andrea; Nunnari, Fabrizio; Valle, Andrea; Vogel, Heinrich H.; Fitch, John; Dobson, Richard; Padget, Julian; Tazelaar, Kees; Weinzierl, Stefan; Benser, Sebastian; Kersten, Stefan; Starosolski, Roman; Borczyk, Wojciech; Pytlik, Wojciech; Niedbała, Sławomir
RTMIDI, RTAUDIO, AND A SYNTHESIS TOOLKIT (STK) UPDATE Scavone, Gary P.; Cook, Perry R.
A FINITE DIFFERENCE PLATE MODEL Bilbao, Stefan; van Walstijn, Maarten
ANALYSIS OF ELECTROACOUSTIC WORKS WITH MUSIC AND LANGUAGE INTERSECTIONS Segnini, Rodrigo; Ruviaro, Bruno
ESTIMATING TRANSFER FUNCTION FROM AIR TO BONE CONDUCTION USING SINGING VOICE Won, Sook Young; Berger, Jonathan
A TAXONOMY OF SEQUENCER USER-INTERFACES Duignan, Matthew; Noble, James; Biddle, Robert
STUDIO REPORT: UNIVERSITY OF VICTORIA MUSIC INTELLIGENCE AND SOUND TECHNOLOGY INTERDISCIPLINARY CENTRE (MISTIC) Driessen, Peter F.; Schloss, W. Andrew; Tzanetakis, George; McNally, Kirk; Kapur, Ajay
PAGE TURNING AND IMAGE SIZE IN A DIGITAL MUSIC STAND Bell, Tim; Church, Annabel; McPherson, John; Bainbridge, David
AUDIO ANALOGIES: CREATING NEW MUSIC FROM AN EXISTING PERFORMANCE BY CONCATENATIVE SYNTHESIS Simon, Ian; Basu, Sumit; Salesin, David; Agrawala, Maneesh
A HISTORY OF ROBOTIC MUSICAL INSTRUMENTS Kapur, Ajay
TIME-STRETCHING USING THE INSTANTANEOUS FREQUENCY DISTRIBUTION AND PARTIAL TRACKING Lazzarini, Victor; Timoney, Joe; Lysaght, Tom
VARÈSE'S POÈME ÉLECTRONIQUE REGAINED: EVIDENCE FROM THE VEP PROJECT Dobson, Richard; ffitch, John; Tazelaar, Kees; Valle, Andrea; Lombardo, Vincenzo
IMPORTANCE OF INHARMONICITY IN THE ACOUSTIC GUITAR Jôrvelôinen, Hanna; Karjalainen, Matti
GUITAR FINGERING FOR MUSIC PERFORMANCE Radicioni, Daniele; Lombardo, Vincenzo
HOME CONDUCTING - CONTROL THE OVERALL MUSICAL EXPRESSION WITH GESTURES Friberg, Anders
Electroacoustic Music Laboratory Jesús Guridi Conservatoire of Music Studio Report de la Torre Ray, Alfonso Garcia
WHAT IS THE COLOR OF THAT MUSIC PERFORMANCE? Bresin, Roberto
VIRTUAL AUDIO REPRODUCTION ENGINE FOR SPATIAL ENVIRONMENTS Musil, Thomas; Zmölnig, Johannes M.; Zouhar, Vit; Höldrich, Robert
THE SEMANTIC HIFI PROJECT Vinet, Hugues
THE REACTABLE* Jordà, Sergi; Kaltenbrunner, Martin; Geiger, Günter; Bencina, Ross
INTRA-NOTE FEATURES PREDICTION MODEL FOR JAZZ SAXOPHONE PERFORMANCE Ramirez, Rafael; Hazan, Amaury; Maestre, Esteban
TONALITY VISUALIZATION OF POLYPHONIC AUDIO Gómez, Emilia; Bonada, Jordi
AN ASSOCIATIVE APPROACH TO COMPUTER-ASSISTED MUSIC COMPOSITION Dahan, Kevin
A GOALS-BASED REVIEW OF PHYSICAL MODELLING Castagné, Nicolas; Cadoz, Claude
THE THING LIKE US: A TOPOLOGY OF ULTRA-LOW FREQUENCIES van Maas, Sander
DEVELOPING TOOLS FOR STUDYING MUSICAL GESTURES WITHIN THE MAX/MSP/JITTER ENVIRONMENT Refsum Jensenius, Alexander; Godøy, Rolf Inge; Wanderley, Marcelo M.
SEMANTIC SEGMENTATION OF MUSIC AUDIO CONTENTS Ong, Bee Suan; Herrera, Perfecto
THE LABORATORY FOR CREATIVE ARTS & TECHNOLOGIES - STUDIO REPORT Beck, Stephen David
TEMPLATE BASED KEY FINDING FROM AUDIO İzmirli, Özgür
THE M-OBJECTS: A SMALL LIBRARY FOR MUSICAL RHYTHM GENERATION AND MUSICAL TEMPO CONTROL FROM DANCE MOVEMENT IN REAL TIME Guedes, Carlos
FREEDOM WITHIN STRUCTURAL CONSTRAINTS IN THE DARKRIDE COMPOSITION HARRICAN DAY England, Robert
A FRAMEWORK FOR PERSONALIZATION OF INTERACTIVE SOUND SYNTHESIS Gerhard, David; Hepting, Daryl H.
SOUND RE-SYNTHESIS FROM RHYTHM PATTERN FEATURES - AUDIBLE INSIGHT INTO A MUSIC FEATURE EXTRACTION PROCESS Lidy, Thomas; Pölzlbauer, Georg; Rauber, Andreas
TIME VARIABLE TEMPO DETECTION AND BEAT MARKING Peeters, Geoffroy
MUSIC HAPTIC : MUSICAL HARMONY NOTIONS FOR ALL WITH A FORCE FEEDBACK MOUSE AND A SPATIAL REPRESENTATION Tornil, Bertrand; Baptiste-Jessel, Nadine
TOWARDS A HOLOPHONIC MUSICAL TEXTURE Kokoras, Panayiotis A.
IMPLICIT PATCHING FOR DATAFLOW-BASED AUDIO ANALYSIS AND SYNTHESIS Bray, Stuart; Tzanetakis, George
A GENERALIZED PARAMETRIC REED MODEL FOR VIRTUAL MUSICAL INSTRUMENTS Smyth, Tamara; Abel, Jonathan; Smith, Julius O.
LARYNXOPHONE: USING VOICE AS A WIND CONTROLLER Loscos, Àlex; Celma, Óscar
THE RHYTHM TRANSFORM: TOWARDS A GENERIC RHYTHM DESCRIPTION Guaus, Enric; Herrera, Perfecto
AUTOMATED TESTING OF OPEN-SOURCE MUSIC SOFTWARE WITH OPEN SOUND WORLD AND OPENSOUND CONTROL Chaudhary, Amar
Piano Case, Keyboard, And Strings: Separation-Derived Musical Instruments In An Interactive Composition Kojs, Juraj
WHY DOES THE ACOUSTIC SPACE OF CHURCHES EXALT GREGORIAN CHANT? A FIRST STEP TOWARDS ACOUSTIC CHARACTERIZATION BY MEANS OF THE MODULATION TRANSFER FUNCTION Vitale, Renzo; Pisani, Raffaele; Onali, Paolo; Astolfi, Arianna
THE INTEGRAL MUSIC CONTROLLER: INTRODUCING A DIRECT EMOTIONAL INTERFACE TO GESTURAL CONTROL OF SOUND SYNTHESIS Knapp, R. Benjamin; Cook, Perry R.
CO-AUDICLE: A COLLABORATIVE AUDIO PROGRAMMING SPACE Wang, Ge; Misra, Ananya; Davidson, Philip; Cook, Perry R.
MEDIALOGY AT AALBORG UNIVERSITY COPENHAGEN Nordahl, Rolf; Serafin, Stefania; De Goetzen, Amalia; Kojs, Juraj
POCKET GAMELAN: A BLUEPRINT FOR PERFORMANCE USING WIRELESS DEVICES Schiemer, Greg; Havryliv, Mark
REAL TIME SIGNAL TRANSPOSITION WITH ENVELOPE PRESERVATION IN THE PHASE VOCODER Röbel, A.; Rodet, X.
MMT TRAVEL KIT Mountain, Rosemary
STUDIOS FOR SOUND, TECHNOLOGY & RESEARCH, UNIVERSITY OF MINNESOTA Geers, Douglas
OPEN-SOURCE MATLAB TOOLS FOR INTERPOLATION OF SDIF SINUSOIDAL SYNTHESIS PARAMETERS Wright, Matthew; Smith III, Julius O.
TIMBRE AS A PSYCHOACOUSTIC PARAMETER FOR HARMONIC ANALYSIS AND COMPOSITION MacCallum, John; Hunt, Jeremy; Einbond, Aaron
DISSCO: A Unified Approach to Sound Synthesis and Composition Kaper, Hans G.; Tipei, Sever
MUSICSTRANDS™: A PLATFORM FOR DISCOVERING AND EXPLORING MUSIC Holmberg, Gunnar; Torrens, Marc
FUZZY RULES IN COMPUTER-ASSISTED MUSIC INTERPRETATION Kiseliova, Tatiana; Kiendl, Harro; Rambinintsoa, Yves
MUSIQUE LAB 2 : A THREE LEVEL APPROACH FOR MUSIC EDUCATION AT SCHOOL Puig, Vincent; Guédy, Fabrice; Fingerhut, Michel; Serrière, Fabienne; Bresson, Jean; Zeller, Olivier
IF I HAD A HAMMER: DESIGN AND THEORY OF AN ELECTROMAGNETICALLY-PREPARED PIANO Berdahl, Edgar; Backer, Steven; Smith III, Julius O.