into MyPalette for each local audio file: description, source, copyright, notes, genre, key, and tempo. In addition, each file may be placed in a class (Effect, Instrument, or Other) and in a system-defined or user-defined category and subcategory. The main window of the program displays a hierarchical view of MyPalette files organized by class, category, and sub-category. The collection of sounds at FindSounds.com is accessible using FindSounds Palette and is called "WebPalette." With one query, a user can search MyPalette and WebPalette to find local and remote files satisfying search criteria. Up to 200 MyPalette hits are returned in one list, and up to 200 WebPalette hits are retrieved in another. Hits may be displayed in tabular form and sorted by clicking on column headings, or may appear in a "stacked" view like the hits at FindSounds.com. A Comparisonics waveform display appears beside each hit along with icons for playing the file, opening the file in the audio editor, and launching a sounds-like search. Once opened in the audio editor, a WebPalette file can be saved locally to MyPalette. Users can specify keyword, sounds-like, and combined searches. Any search may place restrictions on file format, file size, number of channels, resolution, sample rate, duration, key, and tempo. Keyword searches can apply to any combination of text fields: file name, description, source, copyright, notes, genre, category, and sub-category. A sounds-like search can specify the desired range of similarity scores. Hollywood sound designers know well that useful and interesting sounds can be obtained by changing the playback speed of an audio recording. For example, in his book on sound effects, Mott (1990) describes how a single recording of a waterfall, when played at different speeds, has been used convincingly to create the sounds of printing presses and atomic bomb explosions. In a sounds-like search, FindSounds Palette can search the sounds produced by playing audio files at various speeds. Each file in MyPalette can be indexed at its normal speed and 24 other speeds: the normal speed modified by plus or minus one to 12 semitones. This has the effect of multiplying the size of the local audio collection, but without increasing hard disk utilization because each audio file is stored only once, at its normal speed. A collection of 10,000 local audio files thereby becomes a searchable database of 250,000 sounds. Likewise, each WebPalette file is indexed at more than 40 speeds. The 50,000 sounds in the FindSounds index become a searchable collection of 2,000,000 sounds! The audio editor enables a user to play, record, and edit an audio file while viewing its Comparisonics waveform display. Editing operations include cut, copy, paste, mix, delete, fade, adjust volume, undo, and redo. The user may change the playback speed of a file, and appropriately, the waveform display is automatically repainted with new colors to reflect the change in sound. The user may select any sound in an audio file by highlighting it in the colored waveform display. Clicking on the sounds-like search icon retrieves sounds in MyPalette and WebPalette that are similar to the selected sound. Using his voice or props, a user can mimic a desired sound into a microphone and find similar sounds available locally and on the Web. FindSounds Palette is available for computers running Microsoft Windows. A free trial can be downloaded from: http://www.FindSounds.com/Palette.html 4 Conclusion FindSounds.com offers unprecedented access to sound effects on the Web. Keyword searching supplemented with content-based retrieval, hits illustrated by colored waveform displays, and careful semi-automated index construction, create a powerful and enjoyable Web search engine. FindSounds Palette extends the search capabilities of FindSounds.com to local audio files, enables sounds-like searching of multiple speeds, and integrates a unique colored waveform editor. References Ananthaswamy, A. (2001). "You Hum and I'll Find It." New Scientist, March 17, 34-37. Butner, R. (2001). "Incredibly Useful Sites." Yahoo! Internet Life, January, 92-94. Foote, J. T. (1997). "Content-Based Retrieval of Music and Audio." In Multimedia Storage and Archiving Systems II, Proceedings ofSPIE 3229, 138-147. Mott, R. L. (1990). Sound Effects: Radio, TV, and Film. Boston: Focal Press. Notess, G. R. (2000). "Searching Beyond Text: Multimedia Search Tools." Online, November/December, 63-65. O'Connell, P. L. (2002). "Armchair Movie Criticism and Sound Searches." New York Times, May 9. Paumgarten, N. (2003). "A Rare and Different Tune." The New Yorker, September 15, 36-38. Rice, S. V., and J. Latartara. (2004). "Frequency-Based Coloring and Navigation of the Audio Waveform Display." Technical report TR-2004-60, Dept. of Computer and Information Science, Univ. of Mississippi. Rice, S. V., and M. D. Patten. (2001). "Waveform Display Utilizing Frequency-Based Coloring and Navigation." U.S. patent 6,184,898. Wold, E., T. Blum, D. Keislar, and J. Wheaton. (1996). "ContentBased Classification, Search, and Retrieval of Audio." IEEE MultiMedia 3(3), 27-36. Zetter, K. (2002). "Best of Today's Web: Greatest Hits and Hidden Gems." PC World, August, 69-78. Proceedings ICMC 2004
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