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Title Author(s)
Panel: Touched by Machine? Composition and Performance in the Digital Age —
Is There Life After MIDI? Puckette, Miller
MPI Revisited: Aga Matter for Piano and Tape Tipei, Sever
Temporal-Gestalt Segmentation - Extensions for Compound Monophonic and Simple Polyphonic Musical Contexts: Appl. to Works Boulez, ; Cage, ; Xenakis, ; Ligeti,
Physical Models for Music and Animated Image: The Use of CORDIS-ANIMA in "ESQUISSES"; a Music Film by ACROE Cadoz, Claude; Lucianni, Annie; Florens, Jean-Loup
The Computer Music World View: Sketch of an Ethnomusicalogical and Aesthetic Approach Chambers, Evan K.
The Extended Environment Young, John
Novelty, Progress and Research Method in Computer Music Composition Pressing, Jeff
'Local/field': towards a typology of live electroacoustic music Emmerson, Simon
Modelling the Influence of Pitch Duration on the Induction of Tonality from Pitch-Use Griffith, Niall
Computer-Assisted Training of Timbre Perception Skills Quesnel, René
Timbre Characterization with Mel-Cepstrum and Neural Nets Cosi, Piero; De Poli, Giovanni; Prandoni, Paolo
Loudness of musical sounds in a reverberant environment Chomyszyn, Jan
A Visual Model for Embedded Chroma Spaces: Theory and Software Applications Moreno, Enrique
Kant: a Critique of Pure Quantification Agon, Carlos; Assayag, Gérard; Fineberg, Joshua; Rueda, Camilo
Pattern Processing in Music Rowe, Robert; Li, Tang-Chun
Automating Ensemble Performance Grubb, Lorin; Dannenberg, Roger B.
Adaptive Karaoke System: Human Singing Accompaniment Based on Speech Recognition Inoue, Wataru; Hashimoto, Shuji; Ohteru, Sadamu
Foot-tapping: a brief intoduction to beat induction Desain, Peter; Honing, Henkjan
Rulebased models of initial beat induction and an analysis of their behavior Desain, Peter; Honing, Henkjan
A Model of Beat Induction Accounting for Perceptual Ambiguity by Continuously Variable Parameters Parncutt, Richard
Rhythm Tracking Using Multiple Hypotheses Rosenthal, David; Goto, Masataka; Muraoka, Yoichi
An Auditory-Motor Model of Beat Induction Todd, Neil P. McAngus; Lee, Chris
The Resonant Dynamics of Beat Tracking and Meter Pereception Large, Edward W.
Advanced issues in beat induction modeling: syncopation, tempo and timing Desain, Peter; Honing, Henkjan
Learning Expression at Multiple Structural Levels Widmer, Gerhard
The RUBATO Performance Workstation on NeXTSTEP Mazzola, Guerino; Zahorka, Oliver
Neural Networks vs. Rules System: Evaluation of Test of Automatic Performance Bresin, Roberto; de Poli, Giovanni; U Battel, Giovanni; Vidolin, Alvise
Evaluations of Artificial-Neural-Network Types for the Determination of Pitch Taylor, Ian; Greenhough, Mike
Melonet: Neural Networks that Learn Harmony-Based Melodic Variations Feulner, Johannes; Hörnel, Dominik
The Detection of Rhythmic Repetition Using a Self-Organising Neural Network Roberts, Simon; Greenhough, Mike
A Rhythm Perception Model by Neural Rhythm Generators Ohya, Ken-ichi
GenJam: A Genetic Algorithm for Generating Jazz Solos Biles, John
Genetic Algorithms as a Method for Granular Synthesis Regulation Fujinaga, Ichiro; Vantomme, Jason
Generating Rhythms with Genetic Algorithms Horowitz, Damon
Toward a new model of performance Chen, Mon-chu
A Meta Trumpet(er) Impett, Jonathan
Adaptive Timbre Control System Using Gesture Hartono, Pitoyo; Asano, Kazumi; Inoue, Wataru; Hashimoko, Shuji
An evaluation of input devices for use in the ISEE human-synthesizer interface Vetegaal, Roed; Eaglestone, Barry
The aXi0 MIDI Controler Cariou, Brad
The Virtual Piano Action: Design and Implementation Gillespie, Brent
The use of active tactile and force feedback in timbre controlling electronic instruments Bongers, Bert
Live Performance and Virtuosic Pitch-blend Technique for the Synthesizer Favilla, Stuart
The LDR Controller Favilla, Stuart
The MIDI Time Clip: A Performer/Machine Synchronization System for Life Performance Pennycook, Bruce; Stammen, Dale
Using HyperInstruments for the Redistribution of the Performance Control Interface Anderson, Tim; Hearn, Debbie
Dynamic Intonation for Keyboard Instruments Munck-Fairwood, Roger
Motographicon: a system for computer choreography Rajka, Peter; Ungvary, Tamas
Nuntius: a transmedial communication system for computer music and computer choreography Ungvary, Tamas
A Virtual Piano Concerto - Coupling of the Mathews/Boie Radio Drum and the Yamaha Disklavier Grand Piano in the "The Seven Wonders of the Ancience World" Jaffe, David A.; Schloss, Andrew
Demonstration of Gesture Sensors for the Shakuhachi Katayose, Haruhiro; Kanamori, Tsutomu; Shimura, Satoshi; Inokuchi, Seiji
The SoundLab: a wearable computer music instrument Curtin, Steve
Formal Processes of Timbre Composition Challenging the Dualistic Paradigm of Computer Music Di Scipio, Agostino
Algorithms Adapted from Chaos Theory: Compositional Consideration Harley, James
The Morpho Concepts: Trends in a Software for Acousmatic Music Composition Teruggi, Daniel
A Common Lisp Interface for Dynamic Patching with the IRCAM Signal Processing Workstation Hummel, Thomas
Design and Implementation of an object-oriented Media Composition Framework Ackermann, Philipp
The Communal Groove Machine Wolman, Amnon; Becker, Canton
The IRCAM "Real-Time Platform" - Evolutions and Perspectives Dechelle, Francois; De Cecco, Maurizio; Puckette, Miller; Zicarelli, David
MARS Application Using APPLI20 Development Tools: A Case Study Armani, Fabio; Paladin, Andrea; Rosati, Claudio
The MARS Station: Algorithm Design and Real Time Performance Maggi, Enzo; Armani, Fabio
MacMusic, the MUSIC N Environment for Macintosh: Algorithmic Synthesis and Composition Made Easy Perez, Isidoro
The Musical Object Development Environment: MODE (Ten years of music software in Smalltalk) Pope, Stephen Travis
Lambda Calculus and Music Calculi Orlarey, Yann; Fober, Dominique; Lezt, Stéphane; Bilton, Mark
Abstract Time Warping of Compound Events and Signals Dannenberg, Roger B.
Blending "Traditional" off-line Algorithmic Textual Input with Realtime Interaction and Graphics Oppenheim, Daniel
Musically Salient Control Abstractions for Sound Synthesis Eckel, Gerhard; Gonzales-Arroyo, Ramon
Music Space: A Metaphor for Music Representation and Music Generation Zannos, Ioannis
Complex Musical Pattern Description in Common Music Taube, Heinrich
Soundmodels: A language for description of sound and sonic structures based on a taxonomy Lundén, Peter
A Graphical Environment for Electroacoustic Music Composition Rossiter, David; Howard, David M.
A graphical user interface for MIDI Signal Generation and sound synthesis Horry, Youichi
The Audio Browser - An Audio Database Navigation Tool in a Virtual Environment Whitehead, John F.
A Modular Construction Set for Time-Domain Editors Feiten, Bernhard; Spitzer, Markus
The Design of a Pen-based Music Notation System Garnett, Guy; Leroy, Annick; Müller, Giovanni
Optical Music Recognition - progress report Wolman, Amnon; Yaeger, Tad
A Fuzzy Syntactic Approach to Recognising Hand-written Music Watkins, Greg
NoteAbility: A Music Notation System that Combines Musical Intelligence with Graphical Flexibility Hamel, Keith
DSP Based Reliable Pitch-to-MIDI Converter by Harmonic Matching Casajús-Quiros, Francisco J.; Fernandez-Cid, Pablo
Blind Decomposition of Concurrent Sounds Ueda, Mamoru; Hashimoto, Shuji
The Effects of Multi-Channel Signal Decorrelation in Audio Reproduction Kendall, Gary
Geometic Sound Transformations Monro, Gordon; Drummond, Jon
Timbre Morphing Using the Lemur Representation Holloway, Bryan; Tellman, Edwin; Haken, Lippold
Analysis/Synthesis of Sound Using a Time-Varying Linear Model Therrien, Charles W.; Cristi, Roberto; Kjono,
Efficient Fourier Synthesis of Nonstationary Sinusoids Goodwin, Michael; Rodet, Xavier
Granulation and Time-Shifting of Sampled Sounds in Real-Time with a QUAD DSP Audio Computer System Bartoo, Timothy; Murphy, David; Ovans, Russell; Truax, Barry
Realtime Musical Applications using FFT based Resynthesis Settel, Zack; Lippe, Cort
A Method of Denoising and Reconstructing Audio Signals Berger, Jonathan; Goldberg, M.; Coifman, R.
Sound hybridization based on a deterministic plus stochastic decomposition model Serra, Xavier
Using Wavelet Based Analysis and Resynthesis to Uncover the Past Berger, Jonathan; Nichols, Charles
A real time singing voice analysis/synthesis system Pabon, Peter
A Virtual Castrato (!?) Depalle, Philippe; Garcia, G.; Rodet, Xavier
Real-time Spectrum/cepstrum games Pabon, Peter
Real-Time Additive Synthesis Controlled by a Mixture of Neural-Networks and Direct Manipulation of Physical and Perceptual Attributes Freed, Adrian; Goldstein, Mark; Goodwin, Michael; Lee, Michael; McMiller, Keith; Rodet, Xavier; Wesse;, David; Wright, Matthew
A Multirate Optimisation for Real-time Additive synthesis Phillips, Desmond; Purvis, Allan; Johnson, Simon
Neural Networks for Musical Tones Compression, Control and Synthesis Bresin, Roberto; Vedovetto, Alessandro
Control of Frequency and Decay in Oscillating Filters using Multirate Techniques Holm, Frode
Connections between Feedback Delay Networks and Waveguide Networks for Digital Reverberation Smith, Julius O.; Rochesso, Davide
Circulant Feedback Delay Networks for Sound Synthesis and Processing Rochesso, Davide; Smith, Julius O.
Real-time Synthesis on a Multi-processor Network Itagaki, Takebumi; Purvis, Allan; Manning, Peter D.
Stability/Instability of Periodic Solutions and Chaos in Physical Modles of Musical Instruments Rodet, Xavier
Dynamically Configurable Feedback/Delay Networks: A Virtual Instrument Composition Model Hamman, Michael
Organizing the parameter space of physical models with sounds feature maps Feiten, Bernhard; Behles, Gerhard
Intelligent Synthesis Control with Applications to a Physical Model of Acoustic Guitar Jánosy, Zoltán; Karjalainen, Matti; Välimäki,
A Simplified Approach to Modeling Dispersion Caused by Stiffness in Strings and Plates Van Duyne, Scott A.; Smith III, Julius O.
Traveling Wave Implementation of a Lossless Mode-coupling Filter and the Wave Digital Hammer Van Duyne, Scott A.; Pierce, John R.; Smith III, Julius O.
On the Use of Schrodinger's Equation in the Analytic Determination of Horn Reflectance Berners, David
Digital Waveguide Modeling of Wind Instrument Bores constructed of Truncated Cones Välimäki, Vesa; Karjalainen, Matti
Synthesis of Trumpet Tones Using a Fixed Wavetable and a Centroid-Controlled Second Order Filter Horner, Andrew; Beauchamp, James
Combined Linear and Nonlinear Periodic Prediction in Calibrating Models of Musical Instruments to Recordings Scavone, Gary; Cook, Perry R.
The Rebirth of Computer Music by Analog Signal Processing Freed, Adrian
A New Network and Communications Protocol for Electronic Musical Devices Wessel, David; McMillen, Keith; Wright, Matthew; Simon, David
Real-time MIDI data flow on Ethernet and the software architecture of MidiShare Fober, Dominique
MIDI and Audio via ISDN Nielsen, Ole; Danmark, Tele
Virtual Instruments in Virtual ooms - A Real-Time Binaural Room Simulation Environment for Physical Models of Musical Instruments Huopaniemi, Jyri; Karjalainen, Matti; Välimäki, Vesa; Huotilainen, Tommi
Simulation of Room Acoustics with a 3-D Finite Difference Mesh Savioja, Lauri; Takala, Tapio; Rinne,
sndSpace: A Graphical 3-D Stereo Software Tool Starks, Gavin R.; Linton, Ken
Model based interactive sound for an immersive virtual environment Bargar, Robin; Choi, Insook; Das, Sumit; Goudeseune, Camille
Sound Spatializations in Real Time By First-Reflection Simulation Rocchesso, Davide; Ballan, Oscar; Mozzoni, Luca
Sound Utilities 2.0: A Software System for Creating Virtual Acoustic Spaces Stammen, Dale; Soulodre, Gilbert
A Dynamic Spatial Sound Movement Toolkit Lezcano, Fernando López
PITCH: the Percussion Instruments' Tinbral Classification Hierarchy Bell, Robert
Voice Source and Acoustic Output Qualities for Singing Synthesis Rossiter, David; Howard, David M.
Analysis of "Touch Effect" on the Transient of Pipe Organs with Mechanical Transmission Bazzanella, Laura; Debiasi, Giovanni B.
Instruction of Computer Music for Computer Engineering Students and Professionals Camurri, Antonio; de Poli, Giovanni; Dannenberg, Roger; Smith, Julius O.
Center for Computer Research in Music and Acoustics (CCRMA) Lezcano, Fernando López
Integrated Arts Technology: New Facilities at the University of Michigan Chambers, Evan
The Theremin Center for Electro-Acoustic Music Smirnov, Andre
Computer Music at Texas A & M University Helmuth, Mara
University College Bretton Hall - Studio Report Landy, Leigh; de Paor, Paschall
Computer Music Project of the University of Illinois Experimental Music Studios Tipei, Sever; Beauchamp, James
The IBM Computer Music Centre: Studio Report Jameson, David
University of Helsinki Electronic Music Studio Lassfolk, Kai; Tiits, Kalev
The Making of an All-Digital Facility for Artistic Production and Research under the Label "avantgarde" Goebel, Johannes
IRIS Studio Report Di Giugno, Giuseppe
Author Index —
Subject Index —