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Title Author(s)
Computer Music: A Grand Adventure and Some Thoughts About Loudness Chowning, John M.
Cosmology and Technology in Music Yuasa, Joji
Simplicity as complexity - technicalities and aesthetics of Japanese musical instruments and music Simura, Satosi; Tukitani, Tuneko; Seyama, Toru; Yamaguti, Osamu
UPIC Special Session Pape, Gerard; Rocton, Didier
Panel Discussion: Algorithmic Music —
Position Papers for the Second Panel on Algorithmic Music Tanaka, Atau; Austin, Larry; Cope, David; Herman, Martin; Laske,
Modeling of Woodwind Bores with Finger Holes Välimäki, Vesa; Karjalainen, Matti; Laakso, Timo I.
Physical Modeling with the 2-D Digital Waveguide Mesh Van Duyne, Scott A.; Smith III, Julius O.
Flexible Yet Controllable Physical Models: A Nonlinear Dynamics Approach Rodet, Xavier
Towards High-Quality Sound Synthesis of the Guitar and String Instruments Karjlainen, Matti; Välimäki, Vesa; Jánosy, Zoltán
Efficient Synthesis of Stringed Musical Instruments Smith III, Julius O.
Physical Models That Learn Szilas, Nicolas; Cadoz, Claude
Tactile Audio Feedback Chafe, Chris
Time-Shifting and Transposition of Sampled Sound with a Real-Time Granulation Technique Traux, Barry
Towards Non-Linear Resynthesis of Instrumental Sounds Kronland-Martinet, R.; Guillemain, Ph.
Analysis of Sound for Additive Synthesis: Tracking of Partials Using Hidden Markov Models Depalle, Ph.; Garcia, G.; Rodet, X.
Synthesis and Control of Hundreds of Sinusoidal Partials on a Desktop Computer without Custom Hardware Freed, A.; Rodet, X.; Depalle, Ph.
Musical Sound Transformation by Convolution Roads, Curtis
Visualization and Predictive Modelling of Musical Signals using Embedding Techniques Pressing, Jeff; Scallan, Chris; Dicker, Neil
A Binaural Recording and Playback System for the Reproduction of Virtual Concert Halls Soulodre, Gilbert A.; Stammen, Dale R.
PinnaWorks: a NeXT Application for Three-Dimensional Sound Processing in Real-Time Kendall, Gary S.
Spectral Transformation and Cross Synthesis of Sinusoidal Analysis Peaks Apel, Theodore
Musical Technical Issues in Using Interactive Instrument Technology with Application to the BioMuse Tanaka, Atau
Gesture Sensor in Virtual Performer Kanamori, Tautomu; Katayose, Haruhiro; Simura, Satosi; Inokuchi, Seiji
A MIDI Control and Performance System for Brass Instruments Cook, Perry; Morrill, Dexter; Smith, Julius O.
Nonobvious roles for electronics in performance enhancement Puckette, Miller; Settel, Zack
Virtual Performer Katayose, Haruhro; Kanamori, Tsutomu; Kamei, Katsuyuki; Nagashima, Yoichi; Sato, Kosuke; Inokuchi, Seiji; Simura, Satosi
The Use of 3-D Audio in a Synthetic Environment: An Aural Renderer for a Distributed Virtual Reality System Pope, Stephen Travis; Fahlen, Lennart E.
A Computer Music System for Human Singing Inoue, Wataru; Hashimoto, Shuji; Ohteru, Sadamu
Virtual Sound Compostion for the CAVE Bargar, Robin
Remote Control Applications using 'Smart-Controllers' in Versatile Hardware Configurations Zicarelli, David
Krayola: A Flexible, Robust, and User-friendly Precompositional Sketching Environment Skries, Dale; Hallstrom, Jonathan
The Software Architecture of the Kyma System Hebel, Kurt J.; Scaletti, Carla
The Implementation of Nyquist, A Sound Synthesis Language Dannenberg, Roger B.
Real-Time Neuro-Fuzzy Systems for Adaptive Control of Musical Processes Lee, Michael A.; Wessel, David
A Behavioral or Actor-Based Paradigm of Sound Production and Studio Composition Elliot, Kevin
Using Physically-Based Models and Genetic Algorithms for Functional Composition of Sound Signals, Synchronized to Animated Motion Takala, Tapio; Hahn, James; Gritz, Larry; Geigel, Joe; Lee, Jong Won
Generalized Diphone Control Depalle, Ph.; Rodet, X.; Galas, ; Eckel,
A Musical Application of Real-time Granular Sampling Using the IRCAM Signal Processing Workstation Lippe, Cort
Deterministic Chaos, Iterative Models, Dynamical Systems and Their Application in Algorithmic Composition Herman, Martin
Modeling a Hypermedia Composition/Performance System Austin, Larry
A Confluence of Computer Music and Ancient Chinese Aesthetics Seltzer, Linda A.
The Music Representation Project at IRCAM Assayag, Gerard; Rueda, Camilo
On the Realization of NoaNoa and Près, Two Pieces for Solo Instruments and Ircam Signal Processing Workstation Chabot, X.; Saariaho, K.; Barrière, J. B.
Integration of Aid to Composition and Performance Environments: Experiences of Interactions between Patchwork and Max-ISPW Barrière, J.B.; Chabot, X.
On Continuous Musical Control of Discrete Musical Objects Desain, Peter; Honing, Henkjan
MAX as an Overall Control Mechanism for Multi-Discipline Installation Art Bestor, Charles
Toward a Computer Model of a Jazz Improviser Pennycook, Bruce; Stammen, Dale R.; Reynolds, Debbie
Real-time Recognition of Melodic Fragments Using the Dynamic Timewarp Algorithm Stammen, Dale R.; Pennycook, Bruce
Neural Networks that Learn and Reproduce Various Styles of Harmonization Feulner, Johannes
Distal Learning of Musical Instrument Control Parameters Casey, Michael A.
An Object Oriented ARTMAP System for Classifying Pitch Taylor, Ian; Greenhough, Mike
A Sound Source Separation System with the Ability of Automatic Tone Modeling Kashino, Kunio; Tanaka, Hidehiko
A Neural Network Model for Sound Localization in Binaural Fusion Berkley, Steve
Self-organizing Neural Network and Grey's Timbre Space De Poli, Giovanni; Tonella, Paolo
Wavelet Analysis of Rhythm in Expressive Musical Performance Todd, Neil P. McAngus
Understanding and Learning Musical Expression Widmer, Gerhard
Techniques to Foster Drum Machine Expressivity Bilmes, Jeff A.
An Artificial Perception Model and Its Application to Music Recognition Tanguiane, Andranick
A Computational Model of Music Cognition Based on Interacting Primitive Agents Hiraga, Yuzuru
Narrativisation in Electroacoustic and Computer Music - Reflections on Empirical Research into Listener's Response Bridger, Michael
SIbelius Academy Computer Music Studio Laine, Pauli
DIEM (The Danish Institute of Electroacoustic Music) Studio Report Siegel, Wayne
Studio Report: Center for Computer Research in Music and Acoustics (CCRMA) Wood, Patte; Chafe, Chris; Cook, Perry
Computer Aided Composition in Chinese Studio Jian, Wu
Introduction of Computer Music Studio of Sonology Department, Kunitachi College of Music Rai, Takayuki; Matsunuma, K.; Takasaki, K.; Mokushou, S.
A Network for Music Research, Composition and Pedagogy in the University of Glasgow Arnold, Stephen
Studio Report Elektronisches Studio TU Berlin Hein, Folkmar; Feiten, Bernhard
Studio Report: The University of Victoria's Laboratory for Extended Media Schloss, W. Andrew
The International Digital ElectroAcoustic Music Archive - A new source for research into the history of electroacoustic music Gerwin, Thomas
Computer Music Enters the Museum: Recent Developments in Paris Battier, Marc
The Sound Studios of the Banff Centre for the Arts Elliot, Kevin
Studio Report: The Electroacoustic Music Studio at The University of Birmingham (UK) Harrison, Jonty; Dow, Robert
SYSTHEMA - Analysis and Automatic Synthesis of Classical Themes Hörnel, Dominik
Transcribe: A Comprehensive Autotranscription Program Pressing, Jeff; Lawrence, Peter
Organization of Clang-tint Roads, Curtis
Melody Retrieval with Humming Kageyama, Tetsuya; Mochizuki, Kazuhiro; Yosuke,
Helsinki Music Tools Kervinen, Jukka-Pekka; Lassfolk, Kai
MicroTuner: An Interactive Tuning System for the MAX Environment Szigetvari, Andrea
AREM/ARMS - Reinterpretation of musical structures Calzón, Miguel
Whatever Happened to CMAP for Macintosh? A Status Report Castine, Peter
Automatic Generation of Expressive Performance by using Music Structures Noike, Kenzi; Takiguchi, Nobuo; Nose, Takashi; Kotani, Yoshiyuki; Nisimura, Hirohiko
What Ever Happened to our Beautiful Schematics Desain, Peter; Brus, Tom
Knowledge Representation of Sounds and Sonic-Structures Based on Constraints and Mulitple Inheritance Lundén, Peter
MixNet - A Comprehensive Realtime Automated Production System: Progress Report Bidlack, Rick; Elliot, Kevin; Otto, Peter
The ICMC 92 CD Stack Tincher, Russell; Strange, Allen
Pegasus-2: Real-Time Composing Environment with Chaotic Interaction Model Nagashima, Yoichi; Katayose, Haruhiro; Inokuchi, Seiji
Linking Different Cultures with Computers Chen, Steve Shihong; Dennis, J. Richard
Losses in Tubular Acoustic Systems - Theory and Experiment in the Sampled Time and Frequency Domains Amir, Noam; Rosenhouse, Giora; Shimony, Uri; Shelef, Itai
IGDIS (Instrument for Greek DIction and Singing): A Modern Greek Text to Speech/Singing Program for the SPASM/Singer Instrument Cook, Perry; Kamarotos, Dimitris
Synthesis from attractors Monro, Gordon
Towards a Chaotic Musical Instrument Degazio, Bruno
Timbre Breeding Horner, Andrew; Beauchamp, James; Packard, Norman
A New Software Package for Spectral Investigation and Analysis/Synthesis Using FFT and Sinusoidal Modelling Techniques Scallan, Chris; Stainsby, Thomas
Parameter Estimation of Non-Linear Physical Models by Simulated Evolution - Application to the Flute Model Vuori, Jarkko; Välimäki, Vesa
The Recognition and Editing System for Shakuhachi Score Matsushima, Toshiaki
Developing Jazz Improvisional Skills with the Use of Music Sequencing Software Thurmond, Dennis
DIEM Multi DSP Box for Live Performance Steffensen, Kim; Slipsager, Bjarne; Folmer, Mads; Brandorff, Steffen
A Real-Time Implementation of MPEG Audio Layer I Decoding on a Fixed-Point DSP Platform Hyun, Kwang Rip; Banerjea, Raja; Kim, Munchurl; Latchman, Haniph; Sudharsanan, Subramania I.
Experiments on Computerized Piano Accompaniment Igarashi, Shigeru; Tsuji, Takashi; Mizutani, Tetsuya; Haraguchi, Tsuyoshi
A Computer Accompaniment System with Independence Horiuchi, Yasuo; Tanaka, Hozumi
Perceptual Parameters-Their Specification, Scoring and Control within Two Software Composition Systems Oppenheim, Daniel V.; Anderson, Tim; Kirk, Ross
A High-Performance Dylan Implementation Bachrach, Jonathan
The Development of a Piano Player Hayashi, Eiji; Ishikawa, Tatsuya; Yamamoto, Kazuhiro; Yamane, Masami; Mori, Hajime
The Development of an Automatic Drum Playing Device Sekiguchi, Koichi; Amemiya, Ryoji; Kubota, Hiroshi; Yamane, Masami
The Development of an Automatic Bagpipe Playing Device Ohta, Hiroshisa; Akita, Hiroshi; Ohtami, Motomu; Ishikado, Satoshi; Yamane, Masami
On the Mechanism of ’Hypersonic Effect’ Oohashi, Tsutomu; Nishina, Emi; Fuwamoto, Yoshitaka; Kawai, Norie
Listening Simulations: Concepts, Design and an Application to Virtual Reality Handelman, Eliot
A Knowledge Based System for Recognition and Transcription of XVIth Century Guitar Tablatures Derrien-Péden, D.
An Implementation of a 3D Binaural Audio System within an Integrated Virtual Reality Environment Bidlack, Rick; Blaszczak, Dorota; Kendall, Gary
The IRCAM Signal Processign Workstation and IRCAM Max User Groups: Future Developments and Platforms Lippe, Cort; Puckette, Miller; Settel, Zack; Puig, Vincent
Granular Synthesis with Cmix and MAX Helmuth, Mara
The MAX Timeline Object Zicarelli, David; Lee, Michael
SeeMusic: A Tool for Music Visualization Mont-Reynaud, Bernard
Demonstration of Concerto Accompanist, a Program for the Macintosh Computer Weinstock, Frank
Real Time Sound Processing and Synthesis on Multiple DSPs Using the Music Kit and the Ariel Quint Processor Jaffe, David A.; Smith, Julius O.
Slappability: A New Metaphor for Human Computer Interaction Oppenheim, Daniel V.
The ’Blues-o-Matic’ Real-time Interactive Performance Model Garton, Brad; Horowitz, Damon