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Title Author(s)
Viewpoints on the History of Digital Synthesis Smith, III, Julius Orion
A New Chant Synthesizer in C and Its Control Environment in PATCHWORK Barriére, Jean-Baptiste; Iovino, Francisco; Laurson, Mikael
The Integration of Real-Time Synthesis into HMSL, the Hierarchical Music Specification Language Burk, Phil
Control Mechanisms into the MOSAIC Synthesis Program Morrison, Joseph Derek
MUSIC30 - SCORE30 Dashow, James
A High-Level System for Music Composition Camurri, Antonio; Canepa, Corrado; Frixione, Marcello; Innocenti, Carlo; Massucco, Claudio; Zaccaria, Renato
Live Interactive Intelligent Computer Music: Notes on Pieces Done in HMSL, 1984-91 Polansky, Larry
An Algorithmic Approach to Composition based on Dynamic Hierarchical Assembly Punch, III, William F.; Sullivan, Mark; Koehler, Robert
Computer-Graphic Tools for Music Analysis Brinkman, Alexander R.; Mesiti, Martha R.
Computer Analysis of Surface Details in Tonal Music Ficici, Sevan G.
Harmonizing Music as a Discipline in Constraint Logic Programming Tsang, C.P.; Aitken, M.
Automated Linguistic Analysis of Musical Compositions Joy, John
Optical Music Recognition: Progress Report Fujinaga, Ichiro; Alphonce, Bo; Pennycook, Bruce; Hogan, Kharim
Studio Report: Electroacoustic and Computer Studio at City University, London Emmerson, Simon
Studio Report: Computer Music Dept of CNUCE/CNR, Pisa, Italy Tarabella, Leonello; Bertini, Graziano
GRM Report Vinet, Hugues; Teruggi, Daniel
A Wavelet Based Sinusoid Model of Sound for Auditory Signal Separation Ellis, Daniel P. W.; Vercoe, Barry L.
Sound Explorer: A Workbench for Investigating Source Separation Mellinger, David K.; Mont-Reynaud, Bernard M.
Method for Automatic Evaluation of Timbre and Fluctuation of Pipe Organ Sounds Sasso, Massimo Dal; Debiassi, Giovanni B.; Spagiari, Giovanni
A Library of Orchestral Instrument Spectra Sandell, Gregory J.
Sound-Models: The Representation of Knowledge about Sound-Synthesis in the CPL Environment Lunden, Peter
A Phase Vocoder Graphical Interface for Timbral Manipulation of Cellular Automata and Fractal Landscape Mappings Katrami, A. I.; Kirk, R.; Myatt, A.
Interactive Music Composition with a Minimum of Input States Shuttleworth, Justin R.
PAT-PROC: An Interactive, Pattern-Process, Algorithmic Composition Program Winsor, Phil
A Multiprocessor DSP System for Real-Time Interactive Sound Processing and Synthesis Bate, John A.
Additive Synthesis and Resynthesis: A Tentatively Objective Evaluation Bélanger, Louis N.
A MIDI Foot Controller-The Podoboard Johnstone, Eric
Parametric Spectrumization Parent, Nil
Who's Playing - The Computer's Role in Musical Performance Belkin, Alan
Computers and Live Electronic Music: Some Solutions, Many Problems Emmerson, Simon
Composing the Output Interface Garton, Brad; Helmuth, Mara
Tempo Curves Considered Harmful Desain, Peter; Honing, Henkjan
A Development Environment for String Hyperinstruments Chung, Joseph T.
MIT-Media Lab Gershenfeld, Neil
Using State-of-the-Art Technologies to Investigate the Cognitive Mapping of Musical Intention to Performance Norris, Mary Ann
A Platform for Real-Time Perceptually-Based Audio Data Reduction Maglione, Tom; Vercoe, Barry
Non Linear Periodic Prediction for On-Line Identification of Oscillator Characteristics in Woodwind Instruments Cook, Perry R.
SVP: A Modular System for Analysis, Processing and Synthesis of Sound Signals Depalle, Philippe; Poirot, G.
Musical Applications of a Cellular Automata Workstation Orton, Richard; Hunt, Andy; Kirk, Ross
The Cro-Magnon Advanced Additive Analysis/Synthesis System Hill, Ralph David
In, Out, But Not Thru: The Current State of Electro-Acoustic Music Education in Canada Wraggett, R. D.
The Computer-Assisted Music Classroom: A Catalyst for Creativity Mahin, Bruce P.
Commonalities in the Time-Based Arts: A New Approach to the Teaching and Practice of the Electronic Arts Povall, Richard; Rolnick, Neil B.
Understanding Music with AI Laske, Otto E.
Has Structure Any Meaning in Computer Music? Lunell, Hans
Found Sound, Found Structure Summary Harris, Craig
Why Simulate When We Can Get The Real Thing? Richard, Dominique M.
The Relevance of Beating Partials for Musical Intonation Keislar, Douglas F.
The Musical Expectations of Self-Organizing Neural Networks Page, Michael
A Psychoacoustical Model for Tonal Composition Parncutt, Richard
Audification: The Use of Sound to Display Multivariate Data Kramer, Gregory; Ellison, Stephen
Sine Circuitu: 10,000 high quality sine waves without detours Jansen, Cor
An Expandable Real-Time Transputer Sound Generator Parash, Avi; Shimony, Uri
T-MAX: a parallel processing development system for MAX Pennycook, Bruce; Lea, Chris
Morphological Mutation Functions: Applications to Motivic Transformation and a New Class of Cross-Synthesis Techniques Polansky, Larry; McKinney, Martin
The Composer’s Toolbox Hallstrom, Jonathan; Skrien, Dale
A Formal Composition System Based on the Theory of Time Trees Arcela, Aluizio; Ramalho, Gerber
A Self-Critical Composition Algorithm Rowe, Robert
Self-organizing Control Sturctures Using Multiple Cellular Automata Beyls, Peter Evarist
How to Feed Musical Gestures into Compositions Mahling, Andreas
A Meta-level Architecture for the Analysis of Jazz Chord Sequences Pachet, Francois
A Fuzzy-Set-Theoretic Frame Work Towards Computer Generation of "AALAP", Patterns in Hindustani Music Chelpa, L. M.
Real-Time Neural Network Processing of Gestural and Acoustic Signals Lee, Michael; Freed, Adrian; Wessel, David
SHADOW: An Object-Oriented Performance System for the DMIX Environment Oppenheim, Daniel V.
Representing Knowledge Used by Jazz Muscians Pachet, Francois
Singing and Playing Music in Virtual Space Sato, Akio; Harada, Tsutomu; Hashimoto, Shuji; Ohteru,
Transmission-Line Modeling and Real-Time Synthesis of String and Wind Instruments Karjalainen, Matti; Laine, Unto K.; Laakso, Timo; Valimaki, Vesa
TBone: An Interactive WaveGuide Brass Instrument Synthesis Workbench for the NeXT Machine Cook, Perry R.
Digital Waveguide Modelling of Reed Woodwinds: An Interactive Development Hirschman, Suzanne; Cook, Perry R.; Smith, III, Julius O.
Waveguide Simulation of Non-Cylindrical Acoustic Tubes Smith, III, Julius O.
The Script for "Poème Electronique": Traces from a Pioneer Stimson, Ann
The Alternators of the Telharmonium, 1906 Weidenaar, Reynold
A New Digital System for Singing Synthesis Allowing Expressive Control Carlsson, Gunilla; Termstrom, Sten; Sundberg, Johan; Ungvary, Tamas
LECTOR: An Ecclesiastical Latin Control Language for the SPASM/singer Instrument Cook, Perry R.
Deriving a Quarter-Tone Harmonic Language Using Harmonic Spectra and their Formant Regions as a Model for Chord Voicings Smith, Ronald B.
The Architecture of a Musical Composition System Based on Constraint Resolution and Graph Rewriting Desainte-Catherine, Myriam
A Tool for Manipulating Expressive and Structural Hierarchies in Music Pope, Stephen Travis
A Theory of Poetry as Music and Its Exploration through a Computer Aid to Composition Lerdahl, Fred; Chabot, Xavier
Strange Attractors: A Virtual Instrument Algorithm for Acoustic Instruments Beck, Stephen David
Questions About Interactive Computer Performance as a Resource for Music Composition and Probelms of Musicality Zahler, Noel
The Artificially Intelligent Computer Performer and Parallel Processing Baird, Bridget
Improvisation with Highly Interactive Real-Time Performance Systems Wessel, David
Generalized Time Functions Desain, Peter; Honing, Henkjan
Further Experiments with Non-linear Dynamic Systems: Composition and Digital Synthesis Di Scipio, Agostino
An Analysis-by-Synthesis Approach to Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones George, E. Bryan; Smith, Mark J. T.
Implementation of the KL Synthesis Algorithm Under Real-Time Control Weeks, W. Brent; Schloss, W. Andrew; Kirlin, R. Lynn
Automatic Composition, Connectionism, and Musiconomy Loy, Gareth
MAXGEN: A graphical MAX object for the generation and editing of complex continuous control functions Piché, Jean; DesMeules, Sté[jame
Some Applications of Time Theory to Computer Music Design Pressing, Jeff
Towards a Better Software-Design for Supporting Creative Musical Activity (CMA) Oppenheim, Daniel V.
CNMAT Studio Report Delehanty, Leslie; Garnett, Guy E.
LIPM Studio Report Kropfl, Francisco
Studio Report: University of York, England Malha, Dave; Orton, Richard; Hunt, Andy; Kirk, Ross
Phase 1 de l’implantation d’un centre d’accèss multi-média à PRIM Roy, Myke
MAX Objects for Media Integration Freed, Adrian; Wessel, David; Zicarelli, David
CASCADES: Interactive Algorithmic Performance Logemann, George W.
The Expanded Instrument System (EIS) Oliveros, Pauline
Hierarchical Real Time Interapplication Communications Orlarey, Yann
A Geometric-Concordance Device for Sound Synthesis Brandão, Marcio C. P.; Nascimento, Ricardo S. R.
Graphical Control of Granular Synthesis using Cellular Automata and the Freehand Program Orton, Richard; Hunt, Andy; Kirk, Ross
The Arugula Computer-Music Score Editor Maverick, Vance
Using Self-Similiarity for Sound/Music Synthesis Yadegari, Shahrokh David
The Resource - Instance Model of Music Representation Dannenberg, Roger B.; Rubine, Dean; Neuendorffer, Tom
Sound Base: Phonetic Searching in Sound Archives de Koning, Kees; Oates, Shaun
An Intelligent Music Repository Eaglestone, Barry M.; Verschoor, Albert
Organization of Sounds with Neural Nets Feiten, Bernhard; Frank, Roland; Ungvary, Tamas
Recent Musical Creation at IRCAM Battier, Marc
Studio Report: LIEM CDMC Nunez, Adolfo; Cester, Carlos
Computer Based Experimental Research in Music Perception and Cognition at the CMR-FSU Taylor, Jack A.
CEDS TO GROW A CAT: A Progress/Studio Report Zahler, Noel
The Design of a C++ Library for MIDI Applications Punch, III, William F.; Sepesi, Greg
A Real-Time MIDI Composer and Interactive Improviser by Means of Feedback Systems Jorda, Sergi
Progress in the Application of 3-Dimensional Ambisonic Sound Systems to Computer Music Malham, Dave; Orton, Richard
A Performance Instrument for Lighting Demers, Louis-Philippe
Mapping Complex Systems Using Granular Synthesis Hamman, Michael
Genetic Algorithms and Computer-Assisted Music Composition Horner, Andrew; Goldberg, David E.
Applications of the Wavelet Transform at the Level of Pitch Contour Kussmaul, Clifton
Composition with Time-Shifted Environmental Sound Using a Real-Time Granulation Technique Truax, Barry
Patenting Your Computer Music Algorithms in the U.S. Miele, Anthony L.
Recent Changes in Computer and Electronic Music Subject Headings at the Library of Congress Davis, Deta S.
The International Digital Electroacoustic Music Archive Bauman, Marcia L.; Diener, Glendon R.; Mathews,
Lightweight Classes without Programming Scaletti, Carla
A Framework for Developing Signal Processing and Synthesis Algorithms for the Motorola 56001 Hebel, Kurt J.
Proportional Recursive Stochastic Compositon Using COMP2, a Smalltalk-80 Composition Program with the Kyma Digital Synthesis System Belet, Brian
More Thorough Stochastic Music Xenakis, Iannis
Musical and Extra-Musical Applications of the NeXT Music Kit Jaffe, David A.
Parallel Transform Method for Lossless Compression on Analog Data Crandell, R.; Minnick, M.
A Fast Communication-Interface to the CAMP-DSP-Subsystem for general purpose Sound-Synthesis, Analysis and Processing Nieberle, Rupert C.
Musical Performance Using the IRCAM Workstations Lippe, Cort; Puckette, Miller
Practical Aspects of a MIDI Conducting System Dannenberg, Roger B.; Bookstein, Kenneth
The MIDI Baton III Keane, David; Wood, Kevin
Interactive Signal Processing for Acoustic Instruments Winkler, Todd
Space at Performer’s Fingertips Ménard, Philippe
Musical Analysis of Computer Music with Sonagrams Brech, Martha
"MacSonogram": a Programme to Produce Large Scale Sonograms for Musical Purposes Lunden, Peter; Ungvary, Tamas
Fundamental Frequency Estimation Using a New Harmonic Matching Method Rodet, Xavier; Doval, Boris
The Criterion of Data Complexity in Rhythm Recognition Tanguiane, Andranick
Patchmix and StochGran: Two Graphical Interfaces Helmuth, Mara
New UPIC System Demonstration Raczinski, J. M.
BESSIE: A Real Time Interactive Computer Tutorial on Frequency Modulation Synthesis for the NeXT Computer Holland, Anthony G.
Creation of MIDI Files for Acoustical Experiment Using the TX81Z Pitre, Alain
MIDI Generation of Sound Morphologies de Laubier, Serge; Teruggi, Daniel
Real-Time Tempo Tracking Using Rules to Analyze Rythmic Qualities Driesse, Anthonie
Lime* Music Notation Software for the Macintosh Haken, Lippold
The Acousmographe, a Macintosh software for the graphical representation of sounds Koechlin, Olivier; Vinet, Hugues
DSP Station, a HyperCard environment for DSP sound processing algorhythms Koechlin, Olivier; Vinet, Hugues; Brisson, Didier
The Cro-Magnon Advanced Additive Analysis/Synthesis System* Hill, Ralph David