Title |
Author(s) |
Viewpoints on the History of Digital Synthesis
|
Smith, III, Julius Orion |
A New Chant Synthesizer in C and Its Control Environment in PATCHWORK
|
Barriére, Jean-Baptiste; Iovino, Francisco; Laurson, Mikael |
The Integration of Real-Time Synthesis into HMSL, the Hierarchical Music Specification Language
|
Burk, Phil |
Control Mechanisms into the MOSAIC Synthesis Program
|
Morrison, Joseph Derek |
MUSIC30 - SCORE30
|
Dashow, James |
A High-Level System for Music Composition
|
Camurri, Antonio; Canepa, Corrado; Frixione, Marcello; Innocenti, Carlo; Massucco, Claudio; Zaccaria, Renato |
Live Interactive Intelligent Computer Music: Notes on Pieces Done in HMSL, 1984-91
|
Polansky, Larry |
An Algorithmic Approach to Composition based on Dynamic Hierarchical Assembly
|
Punch, III, William F.; Sullivan, Mark; Koehler, Robert |
Computer-Graphic Tools for Music Analysis
|
Brinkman, Alexander R.; Mesiti, Martha R. |
Computer Analysis of Surface Details in Tonal Music
|
Ficici, Sevan G. |
Harmonizing Music as a Discipline in Constraint Logic Programming
|
Tsang, C.P.; Aitken, M. |
Automated Linguistic Analysis of Musical Compositions
|
Joy, John |
Optical Music Recognition: Progress Report
|
Fujinaga, Ichiro; Alphonce, Bo; Pennycook, Bruce; Hogan, Kharim |
Studio Report: Electroacoustic and Computer Studio at City University, London
|
Emmerson, Simon |
Studio Report: Computer Music Dept of CNUCE/CNR, Pisa, Italy
|
Tarabella, Leonello; Bertini, Graziano |
GRM Report
|
Vinet, Hugues; Teruggi, Daniel |
A Wavelet Based Sinusoid Model of Sound for Auditory Signal Separation
|
Ellis, Daniel P. W.; Vercoe, Barry L. |
Sound Explorer: A Workbench for Investigating Source Separation
|
Mellinger, David K.; Mont-Reynaud, Bernard M. |
Method for Automatic Evaluation of Timbre and Fluctuation of Pipe Organ Sounds
|
Sasso, Massimo Dal; Debiassi, Giovanni B.; Spagiari, Giovanni |
A Library of Orchestral Instrument Spectra
|
Sandell, Gregory J. |
Sound-Models: The Representation of Knowledge about Sound-Synthesis in the CPL Environment
|
Lunden, Peter |
A Phase Vocoder Graphical Interface for Timbral Manipulation of Cellular Automata and Fractal Landscape Mappings
|
Katrami, A. I.; Kirk, R.; Myatt, A. |
Interactive Music Composition with a Minimum of Input States
|
Shuttleworth, Justin R. |
PAT-PROC: An Interactive, Pattern-Process, Algorithmic Composition Program
|
Winsor, Phil |
A Multiprocessor DSP System for Real-Time Interactive Sound Processing and Synthesis
|
Bate, John A. |
Additive Synthesis and Resynthesis: A Tentatively Objective Evaluation
|
Bélanger, Louis N. |
A MIDI Foot Controller-The Podoboard
|
Johnstone, Eric |
Parametric Spectrumization
|
Parent, Nil |
Who's Playing - The Computer's Role in Musical Performance
|
Belkin, Alan |
Computers and Live Electronic Music: Some Solutions, Many Problems
|
Emmerson, Simon |
Composing the Output Interface
|
Garton, Brad; Helmuth, Mara |
Tempo Curves Considered Harmful
|
Desain, Peter; Honing, Henkjan |
A Development Environment for String Hyperinstruments
|
Chung, Joseph T. |
MIT-Media Lab
|
Gershenfeld, Neil |
Using State-of-the-Art Technologies to Investigate the Cognitive Mapping of Musical Intention to Performance
|
Norris, Mary Ann |
A Platform for Real-Time Perceptually-Based Audio Data Reduction
|
Maglione, Tom; Vercoe, Barry |
Non Linear Periodic Prediction for On-Line Identification of Oscillator Characteristics in Woodwind Instruments
|
Cook, Perry R. |
SVP: A Modular System for Analysis, Processing and Synthesis of Sound Signals
|
Depalle, Philippe; Poirot, G. |
Musical Applications of a Cellular Automata Workstation
|
Orton, Richard; Hunt, Andy; Kirk, Ross |
The Cro-Magnon Advanced Additive Analysis/Synthesis System
|
Hill, Ralph David |
In, Out, But Not Thru: The Current State of Electro-Acoustic Music Education in Canada
|
Wraggett, R. D. |
The Computer-Assisted Music Classroom: A Catalyst for Creativity
|
Mahin, Bruce P. |
Commonalities in the Time-Based Arts: A New Approach to the Teaching and Practice of the Electronic Arts
|
Povall, Richard; Rolnick, Neil B. |
Understanding Music with AI
|
Laske, Otto E. |
Has Structure Any Meaning in Computer Music?
|
Lunell, Hans |
Found Sound, Found Structure Summary
|
Harris, Craig |
Why Simulate When We Can Get The Real Thing?
|
Richard, Dominique M. |
The Relevance of Beating Partials for Musical Intonation
|
Keislar, Douglas F. |
The Musical Expectations of Self-Organizing Neural Networks
|
Page, Michael |
A Psychoacoustical Model for Tonal Composition
|
Parncutt, Richard |
Audification: The Use of Sound to Display Multivariate Data
|
Kramer, Gregory; Ellison, Stephen |
Sine Circuitu: 10,000 high quality sine waves without detours
|
Jansen, Cor |
An Expandable Real-Time Transputer Sound Generator
|
Parash, Avi; Shimony, Uri |
T-MAX: a parallel processing development system for MAX
|
Pennycook, Bruce; Lea, Chris |
Morphological Mutation Functions: Applications to Motivic Transformation and a New Class of Cross-Synthesis Techniques
|
Polansky, Larry; McKinney, Martin |
The Composer’s Toolbox
|
Hallstrom, Jonathan; Skrien, Dale |
A Formal Composition System Based on the Theory of Time Trees
|
Arcela, Aluizio; Ramalho, Gerber |
A Self-Critical Composition Algorithm
|
Rowe, Robert |
Self-organizing Control Sturctures Using Multiple Cellular Automata
|
Beyls, Peter Evarist |
How to Feed Musical Gestures into Compositions
|
Mahling, Andreas |
A Meta-level Architecture for the Analysis of Jazz Chord Sequences
|
Pachet, Francois |
A Fuzzy-Set-Theoretic Frame Work Towards Computer Generation of "AALAP", Patterns in Hindustani Music
|
Chelpa, L. M. |
Real-Time Neural Network Processing of Gestural and Acoustic Signals
|
Lee, Michael; Freed, Adrian; Wessel, David |
SHADOW: An Object-Oriented Performance System for the DMIX Environment
|
Oppenheim, Daniel V. |
Representing Knowledge Used by Jazz Muscians
|
Pachet, Francois |
Singing and Playing Music in Virtual Space
|
Sato, Akio; Harada, Tsutomu; Hashimoto, Shuji; Ohteru, |
Transmission-Line Modeling and Real-Time Synthesis of String and Wind Instruments
|
Karjalainen, Matti; Laine, Unto K.; Laakso, Timo; Valimaki, Vesa |
TBone: An Interactive WaveGuide Brass Instrument Synthesis Workbench for the NeXT Machine
|
Cook, Perry R. |
Digital Waveguide Modelling of Reed Woodwinds: An Interactive Development
|
Hirschman, Suzanne; Cook, Perry R.; Smith, III, Julius O. |
Waveguide Simulation of Non-Cylindrical Acoustic Tubes
|
Smith, III, Julius O. |
The Script for "Poème Electronique": Traces from a Pioneer
|
Stimson, Ann |
The Alternators of the Telharmonium, 1906
|
Weidenaar, Reynold |
A New Digital System for Singing Synthesis Allowing Expressive Control
|
Carlsson, Gunilla; Termstrom, Sten; Sundberg, Johan; Ungvary, Tamas |
LECTOR: An Ecclesiastical Latin Control Language for the SPASM/singer Instrument
|
Cook, Perry R. |
Deriving a Quarter-Tone Harmonic Language Using Harmonic Spectra and their Formant Regions as a Model for Chord Voicings
|
Smith, Ronald B. |
The Architecture of a Musical Composition System Based on Constraint Resolution and Graph Rewriting
|
Desainte-Catherine, Myriam |
A Tool for Manipulating Expressive and Structural Hierarchies in Music
|
Pope, Stephen Travis |
A Theory of Poetry as Music and Its Exploration through a Computer Aid to Composition
|
Lerdahl, Fred; Chabot, Xavier |
Strange Attractors: A Virtual Instrument Algorithm for Acoustic Instruments
|
Beck, Stephen David |
Questions About Interactive Computer Performance as a Resource for Music Composition and Probelms of Musicality
|
Zahler, Noel |
The Artificially Intelligent Computer Performer and Parallel Processing
|
Baird, Bridget |
Improvisation with Highly Interactive Real-Time Performance Systems
|
Wessel, David |
Generalized Time Functions
|
Desain, Peter; Honing, Henkjan |
Further Experiments with Non-linear Dynamic Systems: Composition and Digital Synthesis
|
Di Scipio, Agostino |
An Analysis-by-Synthesis Approach to Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical Tones
|
George, E. Bryan; Smith, Mark J. T. |
Implementation of the KL Synthesis Algorithm Under Real-Time Control
|
Weeks, W. Brent; Schloss, W. Andrew; Kirlin, R. Lynn |
Automatic Composition, Connectionism, and Musiconomy
|
Loy, Gareth |
MAXGEN: A graphical MAX object for the generation and editing of complex continuous control functions
|
Piché, Jean; DesMeules, Sté[jame |
Some Applications of Time Theory to Computer Music Design
|
Pressing, Jeff |
Towards a Better Software-Design for Supporting Creative Musical Activity (CMA)
|
Oppenheim, Daniel V. |
CNMAT Studio Report
|
Delehanty, Leslie; Garnett, Guy E. |
LIPM Studio Report
|
Kropfl, Francisco |
Studio Report: University of York, England
|
Malha, Dave; Orton, Richard; Hunt, Andy; Kirk, Ross |
Phase 1 de l’implantation d’un centre d’accèss multi-média à PRIM
|
Roy, Myke |
MAX Objects for Media Integration
|
Freed, Adrian; Wessel, David; Zicarelli, David |
CASCADES: Interactive Algorithmic Performance
|
Logemann, George W. |
The Expanded Instrument System (EIS)
|
Oliveros, Pauline |
Hierarchical Real Time Interapplication Communications
|
Orlarey, Yann |
A Geometric-Concordance Device for Sound Synthesis
|
Brandão, Marcio C. P.; Nascimento, Ricardo S. R. |
Graphical Control of Granular Synthesis using Cellular Automata and the Freehand Program
|
Orton, Richard; Hunt, Andy; Kirk, Ross |
The Arugula Computer-Music Score Editor
|
Maverick, Vance |
Using Self-Similiarity for Sound/Music Synthesis
|
Yadegari, Shahrokh David |
The Resource - Instance Model of Music Representation
|
Dannenberg, Roger B.; Rubine, Dean; Neuendorffer, Tom |
Sound Base: Phonetic Searching in Sound Archives
|
de Koning, Kees; Oates, Shaun |
An Intelligent Music Repository
|
Eaglestone, Barry M.; Verschoor, Albert |
Organization of Sounds with Neural Nets
|
Feiten, Bernhard; Frank, Roland; Ungvary, Tamas |
Recent Musical Creation at IRCAM
|
Battier, Marc |
Studio Report: LIEM CDMC
|
Nunez, Adolfo; Cester, Carlos |
Computer Based Experimental Research in Music Perception and Cognition at the CMR-FSU
|
Taylor, Jack A. |
CEDS TO GROW A CAT: A Progress/Studio Report
|
Zahler, Noel |
The Design of a C++ Library for MIDI Applications
|
Punch, III, William F.; Sepesi, Greg |
A Real-Time MIDI Composer and Interactive Improviser by Means of Feedback Systems
|
Jorda, Sergi |
Progress in the Application of 3-Dimensional Ambisonic Sound Systems to Computer Music
|
Malham, Dave; Orton, Richard |
A Performance Instrument for Lighting
|
Demers, Louis-Philippe |
Mapping Complex Systems Using Granular Synthesis
|
Hamman, Michael |
Genetic Algorithms and Computer-Assisted Music Composition
|
Horner, Andrew; Goldberg, David E. |
Applications of the Wavelet Transform at the Level of Pitch Contour
|
Kussmaul, Clifton |
Composition with Time-Shifted Environmental Sound Using a Real-Time Granulation Technique
|
Truax, Barry |
Patenting Your Computer Music Algorithms in the U.S.
|
Miele, Anthony L. |
Recent Changes in Computer and Electronic Music Subject Headings at the Library of Congress
|
Davis, Deta S. |
The International Digital Electroacoustic Music Archive
|
Bauman, Marcia L.; Diener, Glendon R.; Mathews, |
Lightweight Classes without Programming
|
Scaletti, Carla |
A Framework for Developing Signal Processing and Synthesis Algorithms for the Motorola 56001
|
Hebel, Kurt J. |
Proportional Recursive Stochastic Compositon Using COMP2, a Smalltalk-80 Composition Program with the Kyma Digital Synthesis System
|
Belet, Brian |
More Thorough Stochastic Music
|
Xenakis, Iannis |
Musical and Extra-Musical Applications of the NeXT Music Kit
|
Jaffe, David A. |
Parallel Transform Method for Lossless Compression on Analog Data
|
Crandell, R.; Minnick, M. |
A Fast Communication-Interface to the CAMP-DSP-Subsystem for general purpose Sound-Synthesis, Analysis and Processing
|
Nieberle, Rupert C. |
Musical Performance Using the IRCAM Workstations
|
Lippe, Cort; Puckette, Miller |
Practical Aspects of a MIDI Conducting System
|
Dannenberg, Roger B.; Bookstein, Kenneth |
The MIDI Baton III
|
Keane, David; Wood, Kevin |
Interactive Signal Processing for Acoustic Instruments
|
Winkler, Todd |
Space at Performer’s Fingertips
|
Ménard, Philippe |
Musical Analysis of Computer Music with Sonagrams
|
Brech, Martha |
"MacSonogram": a Programme to Produce Large Scale Sonograms for Musical Purposes
|
Lunden, Peter; Ungvary, Tamas |
Fundamental Frequency Estimation Using a New Harmonic Matching Method
|
Rodet, Xavier; Doval, Boris |
The Criterion of Data Complexity in Rhythm Recognition
|
Tanguiane, Andranick |
Patchmix and StochGran: Two Graphical Interfaces
|
Helmuth, Mara |
New UPIC System Demonstration
|
Raczinski, J. M. |
BESSIE: A Real Time Interactive Computer Tutorial on Frequency Modulation Synthesis for the NeXT Computer
|
Holland, Anthony G. |
Creation of MIDI Files for Acoustical Experiment Using the TX81Z
|
Pitre, Alain |
MIDI Generation of Sound Morphologies
|
de Laubier, Serge; Teruggi, Daniel |
Real-Time Tempo Tracking Using Rules to Analyze Rythmic Qualities
|
Driesse, Anthonie |
Lime* Music Notation Software for the Macintosh
|
Haken, Lippold |
The Acousmographe, a Macintosh software for the graphical representation of sounds
|
Koechlin, Olivier; Vinet, Hugues |
DSP Station, a HyperCard environment for DSP sound processing algorhythms
|
Koechlin, Olivier; Vinet, Hugues; Brisson, Didier |
The Cro-Magnon Advanced Additive Analysis/Synthesis System*
|
Hill, Ralph David |