| Title |
Author(s) |
|
Tutorial on Automated Composition
|
Ames, Charles |
|
Waveguide Filter Tutorial
|
Smith III, Julius O. |
|
Integration of Music and Graphics through Algorithmic Congruence
|
Evans, Brian |
|
Procedural Composition
|
Greenberg, Gary |
|
Composition Design System: A Functional Approach to Composition
|
Hamel, Keith; Pennycook, Bruce; Ripley, Bill; Blevis, Eli |
|
The P-G-G Environment for Music Composition
|
Oppenheim, Daniel Vincent |
|
Kyma: An Object-oriented Language for Music Composition
|
Scaletti, Carla |
|
Musical Production at IRCAM in 1986-87
|
Barriere, Jean-Baptiste |
|
The Development of a Computer Music Facility at The American University
|
Harnden, Eric N.; Massaro, Ron; Gibian, Gary L. |
|
The Missing Link
|
Harris, Craig R. |
|
The Computer Music Studio at the University of California, Santa Barbara
|
Kuchera-Morin, JoAnn; Timis, Dan |
|
Musical Information from a Narrowed Autocorrelation Function
|
Brown, Judith C.; Puckette, Miller S. |
|
Modeling Piano Sound using Waveguide Digital Filtering Techniques
|
Garnett, Guy E. |
|
Elthar - A Signal Processing Expert that Learns
|
Garton, Brad |
|
Javelina: An Environment for the Development of Software for Digital Signal Processing
|
Hebel, Kurt J. |
|
Control of Phrasing and Articulation in Synthesis
|
Wessel, David; Bristow, David; Settel, Zack |
|
On the Scheduling of Multiple Parallel Processors Executing Synchronously
|
Loy, Gareth |
|
Real Time Synthesis of Bowed String Timbres
|
Robinson, Charlie Q. |
|
General-purpose Hi-fidelity Affordable Real-time Computer Music System
|
Snell, John M. |
|
Real-Time Granulation of Sampled Sound with the DMX-1000
|
Truax, Barry |
|
The Composers' Desktop Project
|
Atkins, Martin; Bentley, Andrew; Endrich, Tom; Fischman, Rajmil; Malham, David; Orton, Richard; Wishart, Trevor |
|
Le_Loup, an Object-Oriented Extension of Le_Lisp for an Integrated Computer Music Environment
|
Duthen, Jacques; Potard, Yves |
|
A Sun-Mercury Music Workstation
|
Eckel, Gerhard; Rodet, Xavier; Potard, Yves |
|
A Smalltalk-80-based Music Toolkit
|
Pope, Stephen Travis |
|
Experiments in Music Intelligence (EMI)
|
Cope, David |
|
New Cognitive Theories of Harmony Applied to Direct Manipulation Tools for Novices
|
Holland, Simon |
|
Connectionist Models of Musical Thinking
|
Lischka, Christoph |
|
Morphological Metrics: An Introduction to a Theory of Formal Distances
|
Polansky, Larry |
|
Modeling Processes of Musical Invention
|
Austin, Larry; DeLisa, Eugene |
|
Instruments, Cybernetics, and Computer Music
|
Grossman, Gary |
|
HMSL: Overview (Version 3.1) and Notes on Intelligent Instrument Design
|
Polansky, Larry; Rosenboom, David; Burk, Phil |
|
Isomorphism, Computers, and the Multi-media Work
|
Zahler, Noel |
|
Synthesizer Management Based on Note Priorities
|
Anderson, David P. |
|
MIDI Synthesizers in Performance: Realtime Dynamic Timbre Production
|
Francois, Jean-Charles; Chabot, Xavier; Silber, John |
|
Following an Improvisation in Real Time
|
Dannenberg, Roger B.; Mont-Reynaud, Bernard |
|
Audio Time Compansion for Studio and Performance Synchronization
|
LoCascio, Marc |
|
The Dysfunctions of MIDI
|
Moore, F. Richard |
|
Sound Synthesis by Physical Models: Application to Strings
|
Adrien, Jean Marie; Causse, René; Rodet, Xavier |
|
From Small Beginnings
|
Kitching, L. K. |
|
Principal Components Analysis and Resynthesis of Spectral Cues to Perceived Direction
|
Martens, William L. |
|
A Microcomputer-Based Analysis/Resynthesis Scheme for Processing Sampled Sounds using FM
|
Payne, Russell G. |
|
PARSHL: An Analysis/Synthesis Program for Non-Harmonic Sounds Based on a Sinusoidal Representation
|
Smith, Julius O.; Serra, Xavier |
|
Computer Printing, Storage, and Transfer of Musical Scores
|
Assayag, Gerard; Timis, Dan |
|
ORPHEUS: A Music Notation Program
|
Cook, Diane Joyce |
|
Data Structures in the Note Processor
|
Dydo, J. Stephen |
|
Towards an Extensible Data Structure for the Representation of Music on Computers
|
Free, John |
|
Issues in the Design of a Music Notation Systems
|
Hamel, Keith A. |
|
High Quality Music Notation: Interactive Editing and Input by Piano Keyboard
|
Müller, Giovanni; Giulietti, Raffaello |
|
Personal-Computer Microworlds for Learning About Signals and Sound
|
Dolson, Mark; Singer, Abe; Rivas, David |
|
PRECOMP/GT -- A Graphic Tool for Learning Topics in Computer-Assisted Composition
|
Kufrin, Richard |
|
Design of an Intelligent Tutoring System in Harmony
|
Sorisio, Linda |
|
Computer Music and Human Engineering: The Making of Labyrinth
|
Keane, David |
