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Miniature painting of the Pure Waters, emerging from the mountains and from the realm beyond. The bathers, in their dip, identify themselves with Pure Earth and Primordial Waters.

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Work Title: Miniature painting of the Pure Waters, emerging from the mountains and from the realm beyond. The bathers, in their dip, identify themselves with Pure Earth and Primordial Waters.
Creator/Culture: Indian (South Asian), Hindu
Media/Technique: painting (image-making)
Subjects: Sacred spaces; Worship; Siva (Hindu deity); Ganges River (India and Bangladesh); General religious subjects; Mountains; Water; India
Work Record ID: 563999
Image Record ID: 1326202
Digital filename: 13d000203
HART Image Order Number: 280064
Date Added/Updated: 2013-04-24 06:00:04

The theme of the painting (17th-18th century) is influenced by the legend of the Pandavas ascending to Brahmalok, after having abdicated the throne of Hastinapura. Mahapanth (Great Road), in the Bhagirathi group of peaks, was the path they took in their journey to the heavens. The Ganges in its uppermost snowbound regions leads the way to heaven.; Pahari; creation date: ca. 17th-18th Century

Access to media is restricted to U-M users.

Work Title: The theme of the painting (17th-18th century) is influenced by the legend of the Pandavas ascending to Brahmalok, after having abdicated the throne of Hastinapura. Mahapanth (Great Road), in the Bhagirathi group of peaks, was the path they took in their journey to the heavens. The Ganges in its uppermost snowbound regions leads the way to heaven.
Creator/Culture: Indian (South Asian), Hindu
Period/Date: Pahari; creation date: ca. 17th-18th Century
Media/Technique: painting (image-making)
Subjects: Sacred spaces; Worship; Siva (Hindu deity); Ganges River (India and Bangladesh); General religious subjects; Mountains; India
Work Record ID: 563998
Image Record ID: 1326201
Digital filename: 13d000202
HART Image Order Number: 280064
Date Added/Updated: 2013-04-24 06:00:06

18th century miniature painting of ascetics and pilgrims by the riverside. The snow clad mountains and the Linga are the emblem of Shiva. The waters symbolize divine energy and the flow of primordial power.; Pahari; creation date: 18th Century

Access to media is restricted to U-M users.

Work Title: 18th century miniature painting of ascetics and pilgrims by the riverside. The snow clad mountains and the Linga are the emblem of Shiva. The waters symbolize divine energy and the flow of primordial power.
Creator/Culture: Indian (South Asian), Hindu
Period/Date: Pahari; creation date: 18th Century
Media/Technique: painting (image-making)
Subjects: Sacred spaces; Worship; Siva (Hindu deity); Ganges River (India and Bangladesh); Seated figures; General religious subjects; India
Work Record ID: 563977
Image Record ID: 1326200
Digital filename: 13d000201
HART Image Order Number: 280064
Date Added/Updated: 2013-04-24 06:00:06

Miniature painting of the Pure Waters, emerging from the mountains and from the realm beyond. The bathers, in their dip, identify themselves with Pure Earth and Primordial Waters.

Access to media is restricted to U-M users.

Work Title: Miniature painting of the Pure Waters, emerging from the mountains and from the realm beyond. The bathers, in their dip, identify themselves with Pure Earth and Primordial Waters.
Creator/Culture: Indian (South Asian), Hindu
Media/Technique: painting (image-making)
Subjects: Sacred spaces; Worship; Siva (Hindu deity); Ganges River (India and Bangladesh); General religious subjects; Mountains; Water; India
Work Record ID: 563999
Image Record ID: 1326202
Digital filename: 13d000203
HART Image Order Number: 280064
Date Added/Updated: 2013-04-24 06:00:04

The theme of the painting (17th-18th century) is influenced by the legend of the Pandavas ascending to Brahmalok, after having abdicated the throne of Hastinapura. Mahapanth (Great Road), in the Bhagirathi group of peaks, was the path they took in their journey to the heavens. The Ganges in its uppermost snowbound regions leads the way to heaven.; Pahari; creation date: ca. 17th-18th Century

Access to media is restricted to U-M users.

Work Title: The theme of the painting (17th-18th century) is influenced by the legend of the Pandavas ascending to Brahmalok, after having abdicated the throne of Hastinapura. Mahapanth (Great Road), in the Bhagirathi group of peaks, was the path they took in their journey to the heavens. The Ganges in its uppermost snowbound regions leads the way to heaven.
Creator/Culture: Indian (South Asian), Hindu
Period/Date: Pahari; creation date: ca. 17th-18th Century
Media/Technique: painting (image-making)
Subjects: Sacred spaces; Worship; Siva (Hindu deity); Ganges River (India and Bangladesh); General religious subjects; Mountains; India
Work Record ID: 563998
Image Record ID: 1326201
Digital filename: 13d000202
HART Image Order Number: 280064
Date Added/Updated: 2013-04-24 06:00:06

18th century miniature painting of ascetics and pilgrims by the riverside. The snow clad mountains and the Linga are the emblem of Shiva. The waters symbolize divine energy and the flow of primordial power.; Pahari; creation date: 18th Century

Access to media is restricted to U-M users.

Work Title: 18th century miniature painting of ascetics and pilgrims by the riverside. The snow clad mountains and the Linga are the emblem of Shiva. The waters symbolize divine energy and the flow of primordial power.
Creator/Culture: Indian (South Asian), Hindu
Period/Date: Pahari; creation date: 18th Century
Media/Technique: painting (image-making)
Subjects: Sacred spaces; Worship; Siva (Hindu deity); Ganges River (India and Bangladesh); Seated figures; General religious subjects; India
Work Record ID: 563977
Image Record ID: 1326200
Digital filename: 13d000201
HART Image Order Number: 280064
Date Added/Updated: 2013-04-24 06:00:06

18th century miniature painting of ascetics and pilgrims by the riverside. The snow clad mountains and the Linga are the emblem of Shiva. The waters symbolize divine energy and the flow of primordial power.; Pahari; creation date: 18th Century

Access to media is restricted to U-M users.

Work Title: 18th century miniature painting of ascetics and pilgrims by the riverside. The snow clad mountains and the Linga are the emblem of Shiva. The waters symbolize divine energy and the flow of primordial power.
Creator/Culture: Indian (South Asian), Hindu
Period/Date: Pahari; creation date: 18th Century
Media/Technique: painting (image-making)
Subjects: Sacred spaces; Worship; Siva (Hindu deity); Ganges River (India and Bangladesh); Seated figures; General religious subjects; India
Work Record ID: 563977
Image Record ID: 1326200
Digital filename: 13d000201
HART Image Order Number: 280064
Date Added/Updated: 2013-04-24 06:00:06

The theme of the painting (17th-18th century) is influenced by the legend of the Pandavas ascending to Brahmalok, after having abdicated the throne of Hastinapura. Mahapanth (Great Road), in the Bhagirathi group of peaks, was the path they took in their journey to the heavens. The Ganges in its uppermost snowbound regions leads the way to heaven.; Pahari; creation date: ca. 17th-18th Century

Access to media is restricted to U-M users.

Work Title: The theme of the painting (17th-18th century) is influenced by the legend of the Pandavas ascending to Brahmalok, after having abdicated the throne of Hastinapura. Mahapanth (Great Road), in the Bhagirathi group of peaks, was the path they took in their journey to the heavens. The Ganges in its uppermost snowbound regions leads the way to heaven.
Creator/Culture: Indian (South Asian), Hindu
Period/Date: Pahari; creation date: ca. 17th-18th Century
Media/Technique: painting (image-making)
Subjects: Sacred spaces; Worship; Siva (Hindu deity); Ganges River (India and Bangladesh); General religious subjects; Mountains; India
Work Record ID: 563998
Image Record ID: 1326201
Digital filename: 13d000202
HART Image Order Number: 280064
Date Added/Updated: 2013-04-24 06:00:06

Miniature painting of the Pure Waters, emerging from the mountains and from the realm beyond. The bathers, in their dip, identify themselves with Pure Earth and Primordial Waters.

Access to media is restricted to U-M users.

Work Title: Miniature painting of the Pure Waters, emerging from the mountains and from the realm beyond. The bathers, in their dip, identify themselves with Pure Earth and Primordial Waters.
Creator/Culture: Indian (South Asian), Hindu
Media/Technique: painting (image-making)
Subjects: Sacred spaces; Worship; Siva (Hindu deity); Ganges River (India and Bangladesh); General religious subjects; Mountains; Water; India
Work Record ID: 563999
Image Record ID: 1326202
Digital filename: 13d000203
HART Image Order Number: 280064
Date Added/Updated: 2013-04-24 06:00:04

A View of Benares; View of Benares with Aurangzeb's Mosque; Creation date: 1781

Access to media is restricted to U-M users.

Work Title: A View of Benares; View of Benares with Aurangzeb's Mosque
Creator/Culture: painter: William Hodges (British, 1744-1797)
Site/Repository: Repository: British Library (London, Greater London, England, United Kingdom) ID: Foster 94
Period/Date: Creation date: 1781
Media/Technique: oil on canvas, painting (image-making)
Dimensions: 68.5 x 91.5 cm (26.97 x 36.02 inches)
Subjects: Paintings (visual works); Ganges River (India and Bangladesh); Vārānasi (Uttar Pradesh, India); Mosques
Work Record ID: 199642
Image Record ID: 972082
Classification Filing Number: 377; H688; 85BAM; *.r

A View of Benares; View of Benares with Aurangzeb's Mosque; Creation date: 1781

Access to media is restricted to U-M users.

Work Title: A View of Benares; View of Benares with Aurangzeb's Mosque
Creator/Culture: painter: William Hodges (British, 1744-1797)
Site/Repository: Repository: British Library (London, Greater London, England, United Kingdom) ID: Foster 94
Period/Date: Creation date: 1781
Media/Technique: oil on canvas, painting (image-making)
Dimensions: 68.5 x 91.5 cm (26.97 x 36.02 inches)
Subjects: Paintings (visual works); Ganges River (India and Bangladesh); Vārānasi (Uttar Pradesh, India); Mosques
Work Record ID: 199642
Image Record ID: 972452
Classification Filing Number: 377; H688; 85BAM; cop.2*.r

A View of Benares; View of Benares with Aurangzeb's Mosque; Creation date: 1781

Access to media is restricted to U-M users.

Work Title: A View of Benares; View of Benares with Aurangzeb's Mosque
Creator/Culture: painter: William Hodges (British, 1744-1797)
Site/Repository: Repository: British Library (London, Greater London, England, United Kingdom) ID: Foster 94
Period/Date: Creation date: 1781
Media/Technique: oil on canvas, painting (image-making)
Dimensions: 68.5 x 91.5 cm (26.97 x 36.02 inches)
Subjects: Paintings (visual works); Ganges River (India and Bangladesh); Vārānasi (Uttar Pradesh, India); Mosques
Work Record ID: 199642
Image Record ID: 1308578
Digital filename: 11d002221
Classification Filing Number: 377; H688; 85BAM; *.digitalonly
HART Image Order Number: 260146
Date Added/Updated: 2012-11-25 08:44:00

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Miniature painting of the Pure Waters, emerging from the mountains and from the realm beyond. The bathers, in their dip, identify themselves with Pure Earth and Primordial Waters.

18th century miniature painting of ascetics and pilgrims by the riverside. The snow clad mountains and the Linga are the emblem of Shiva. The waters symbolize divine energy and the flow of primordial power.; Pahari; creation date: 18th Century

Miniature painting of the Pure Waters, emerging from the mountains and from the realm beyond. The bathers, in their dip, identify themselves with Pure Earth and Primordial Waters.

18th century miniature painting of ascetics and pilgrims by the riverside. The snow clad mountains and the Linga are the emblem of Shiva. The waters symbolize divine energy and the flow of primordial power.; Pahari; creation date: 18th Century

18th century miniature painting of ascetics and pilgrims by the riverside. The snow clad mountains and the Linga are the emblem of Shiva. The waters symbolize divine energy and the flow of primordial power.; Pahari; creation date: 18th Century

Miniature painting of the Pure Waters, emerging from the mountains and from the realm beyond. The bathers, in their dip, identify themselves with Pure Earth and Primordial Waters.

A View of Benares; View of Benares with Aurangzeb's Mosque; Creation date: 1781

A View of Benares; View of Benares with Aurangzeb's Mosque; Creation date: 1781

A View of Benares; View of Benares with Aurangzeb's Mosque; Creation date: 1781

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