| Title |
Author(s) |
|
How to Live Together with Her (2013): Posthuman Forms of Roland Barthes’ Idiorrhythmy
|
Bergmann, Max |
|
Truth Unreconciled: Counter-Dreaming in Jeff Barnaby’s Rhymes for Young Ghouls
|
Doyle, Caitlyn P. |
|
Encounters with the Forbidden: Satyajit Ray’s Pratidwandi and Jana Aranya
|
Ganguly, Suranjan |
|
Sons of God: Postwar Gender and Spirituality in Terrence Malick’s The Tree of Life
|
Elias, Christopher Michael |
|
Kogonada’s Urban Neorealism
|
Cooper, Travis Warren |
|
Postfeminism, Ambivalence and the Mother in Lynne Ramsay’s We Need to Talk about Kevin (2011)
|
Smyth, Sarah |
|
"If It’s Love, It Must Work Out:" Pedro Costa’s Vitalina Varela and Modes of Hauntology
|
Guetti, Edward |
|
Multiplying Mise-en-Scène: Found Sounds of The Night of the Hunter in Lewis Klahr’s Daylight Moon and Jean-Luc Godard’s Histoire(s) du cinéma
|
Skjerseth, Amy |
|
When the Woman Laughs: Genres of Female Laughter in the Films of Alfred Hitchcock
|
Sinaki, Navid |
|
Tracing a Lineage: Alain Resnais’s Painting Films and the Animated Aesthetic
|
Jackson, Thomas |
|
White Material: The Postcolonial Unconscious and the Violence of Intimacy
|
Dominick, Marcus |
|
On Cinematic Ekphrasis: Aleksandr Sokurov’s Otets i syn Redux
|
Ignashev, Diane Nemec |
