help, and I must trust to my industry and good fortune for future advancement."
"Call here to-morrow, without fail," says Mr. Krahe, with an emphasis that manifested pleasure and astonish|ment.
Early the next morning, the professor called upon an intimate friend at Keysersworth, a few miles from Dussel|dorff, of which place the young man was a native.
This friend, with the power, had the disposition to do good. Krahe told him the story, shewed him the work|manship, and begged him to lend the young artist two hundred crowns. "He will, doubtless," adds he, "be|come, in a few years, a distinguished engraver, and be able to reimburse you. I will be security for the pay|ment."
"I take no security," answered his friend; and he ad|vanced three hundred crowns.
Krahe returned to the astonished and transported ba|ker with the money. He quitted the oven, learned ge|ometry and perspective, applied to drawing according to the rules of the art, and acquired a competent knowledge of history.
After assiduous application, for the space of two years, the young man had made such rapid progress, that Mr. Krahe advised him to quit Dusseldorff, where no further improvement was to be expected, and visit Paris, promis|ing him a letter of introduction to Mr. Willes, a celebrat|ed engraver in that metropolis.
Smith (for this was the young man's name) put his advice into execution; and, in order to economize his little store, he travelled on foot from Dusseldorff to Paris. But unfortunately, he fell ill immediately upon his arriv|al; and, although he applied to a monastery, where he was hospitably received, and carefully attended, yet inci|dental expenses, during an illness of some continuance, had entirely exhausted his little store. Upon his recov|ery, that delicate kind of pride, which so frequently ac|companies true genius, forbade his making application to Mr. Willes, while he must appear an indigent beggar.
One day, as he was walking, pensively in the streets, his mind occupied with his unfortunate situation, he was