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PREFACE.
MORE than nine years ago the Author made choice of the death of Major André as the subject of a Tragedy, and part of what is now offered to the public was written at that time. Many circumstances discouraged him from finish|ing his Play, and among them must be reckoned a prevail|ing opinion that recent events are unfit subjects for tragedy. These discouragements have at length all given way to his desire of bringing a story on the Stage so eminently fitted, in his opinion, to excite interest in the breasts of an American audience.
In exhibiting a stage representation of a real transaction, the particulars of which are fresh in the minds of many of the audience, an author has this peculiar difficulty to struggle with, that those who know the events expect to see them all recorded; and any deviation from what they remember to be fact, appears to them as a fault in the poet; they are disappointed, their expectations are not fulfilled, and the writer is more or less condemned, not considering the differ|ence between the poet and the historian, or not knowing that what is intended to be exhibited is a free poetical pic|ture, not an exact historical portrait.
Still further difficulties has the Tragedy of André to sur|mount, difficulties independent of its own demerits, in its way to public favor. The subject necessarily involves poli|tical questions; but the Author presumes that he owes no apology to any one for having shewn himself an American. The friends of Major André (and it appears that all who