The arte of English poesie Contriued into three bookes: the first of poets and poesie, the second of proportion, the third of ornament.

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Title
The arte of English poesie Contriued into three bookes: the first of poets and poesie, the second of proportion, the third of ornament.
Author
Puttenham, George, d. 1590.
Publication
At London :: Printed by Richard Field, dwelling in the black-Friers, neere Ludgate,
1589.
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Subject terms
Poetics -- Early works to 1800.
Cite this Item
"The arte of English poesie Contriued into three bookes: the first of poets and poesie, the second of proportion, the third of ornament." In the digital collection Early English Books Online 2. https://name.umdl.umich.edu/A68619.0001.001. University of Michigan Library Digital Collections. Accessed May 4, 2024.

Pages

CHAP. VI.

Of the high, low, and meane subiect.

THe matters therefore that concerne the Gods and diuine things are highest of all other to be couched in writing, next to them the noble gests and great fortunes of Princes, and the no∣table accidēts of time, as the greatest affaires of war & peace, these be all high subiectes, and therefore are deliuered ouer to the Poets Hymnick & historicall who be occupied either in diuine laudes, or in heroicall reports: the meane matters be those that cōcerne meane men, their life and busines, as lawyers, gentlemen, and marchants, good housholders and honest Citizens, and which sound neither to matters of state nor of warre, nor leagues, nor great alliances, but smatch all the common conuersation, as of the ciuiller and better sort of men: the base and low matters be the doings of the commō artificer, seruing man, yeoman, groome, husbandman, day-labourer, sailer, shepheard, swynard, and such like of homely cal∣ling, degree and bringing vp: so that in euery of the sayd three degrees, not the selfe same vertues be egally to be praysed nor the same vices, egally to be dispraised, nor their loues, mariages, quarels, contracts and other behauiours, be like high nor do require to be set fourth with the like stile: but euery one in his degree and de∣cencie, which made that all hymnes and histories, and Tragedies, were written in the high stile: all Comedies and Enterludes and other common Poesies of loues, and such like in the meane stile, all Eglogues and pastorall poemes in the low and base stile, other∣wise they had bene vtterly disproporcioned: likewise for the same cause some phrases and figures be onely peculiar to the high stile, some to the base or meane, some common to all three, as shalbe de∣clared more at large hereafter when we come to speake of figure and phrase: also some wordes and speaches and sentences doe be∣come the high stile, that do not become th'other two. And contra∣riwise, as shalbe said when we talke of words and sentences: final∣ly some kinde of measure and concord, doe not beseeme the high stile, that well become the meane and low, as we haue said spea∣king

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of concord and measure. But generally the high stile is dis∣graced and made foolish and ridiculous by all wordes affected, counterfait, and puffed vp, as it were a windball carrying more countenance then matter, and can not be better resembled then to these midsommer pageants in London, where to make the people wonder are set forth great and vglie Gyants marching as if they were aliue, and armed at all points, but within they are stuffed full of browne paper and tow, which the shrewd boyes vnderpeering, do guilefully discouer and turne to a great derision: also all darke and vnaccustomed wordes, or rusticall and homely, and sentences that hold too much of the mery & light, or infamous & vnshame∣fast are to be accounted of the same sort, for such speaches become not Princes, nor great estates, nor them that write of their doings to vtter or report and intermingle with the graue and weightie matters.

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