Modern curiosities of art & nature extracted out of the cabinets of the most eminent personages of the French court : together with the choicest secrets in mechanicks, communicated by the most approved artists of France / composed and experimented by the Sieur Lemery, apothecary to the French king ; made English from the original French.
About this Item
Title
Modern curiosities of art & nature extracted out of the cabinets of the most eminent personages of the French court : together with the choicest secrets in mechanicks, communicated by the most approved artists of France / composed and experimented by the Sieur Lemery, apothecary to the French king ; made English from the original French.
Author
Lémery, Nicolas, 1645-1715.
Publication
London :: Printed for Matthew Gilliflower ... and James Partridge...,
1685.
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Subject terms
Handbooks, vade-mecums, etc. -- Early works to 1800.
Recipes.
Home economics -- Early works to 1800.
Cite this Item
"Modern curiosities of art & nature extracted out of the cabinets of the most eminent personages of the French court : together with the choicest secrets in mechanicks, communicated by the most approved artists of France / composed and experimented by the Sieur Lemery, apothecary to the French king ; made English from the original French." In the digital collection Early English Books Online 2. https://name.umdl.umich.edu/A47660.0001.001. University of Michigan Library Digital Collections. Accessed May 15, 2024.
Pages
For the same after a more easie manner.
Your Work being covered with burnisht Gold or Silver (it
matters not which) mix and grind Lamp-black and Umber together very well with
Water, taking care you put not so much Umber as to destroy the Black; then
add some of the Yolk of an Egg, which grind with it, and lay it on your Work
with a soft Pencil or Brush very smooth, when dry (if you find cause)
give a second laying of the same Black, and with an Ivory Point very
smooth, discover your Work; if the Black come not easily off, then there
was too little of the Yolk; if the Stroaks be too broad and ragged, then there
was too much Yolk of Egg; this way of discovering the Gold, is more shining
than the other, but be sure to be careful that in varnishing, you pull not
off the Black, nor cause it to fully, to that end, be sure to work with a
soft Pen∣cil and smooth Stroak; you need not much
descriptionPage 332
fear the laying on the Varnish the second time, provided it be
not too thick, and that it be Oyl of Spike Varnish.
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