The art of speaking written in French by Messieurs du Port Royal in pursuance of a former treatise intituled, The art of thinking ; rendred into English.
About this Item
Title
The art of speaking written in French by Messieurs du Port Royal in pursuance of a former treatise intituled, The art of thinking ; rendred into English.
Author
Lamy, Bernard, 1640-1715.
Publication
London :: Printed by W. Godbid, and are to be sold by M. Pitt ...,
1676.
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Subject terms
Rhetoric -- Early works to 1800.
Cite this Item
"The art of speaking written in French by Messieurs du Port Royal in pursuance of a former treatise intituled, The art of thinking ; rendred into English." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A70499.0001.001. University of Michigan Library Digital Collections. Accessed May 4, 2024.
Pages
descriptionPage 4
II.
The Qualities of the Style depend upon
the Qualities of the Imagination,
Memory, and Judgment of the Writer.
WHen the outward Object
strikes upon our Sense, the
motion it makes is communicated by
the Nerves to the very Centre of the
Brain, whose substance being soft, re∣ceives
thereby certain prints and
impressions: The Alliance or Con∣nexion
betwixt the Mind and the Bo∣dy,
is the cause that the Ideas of Cor∣poral
things are annex'd to these
Prints; so that when the Prints of
an Object, (for Example of the Sun)
are imprinted in the brain, the Idea
of the Sun presents it self to the mind;
and as oft as the Idea of the
Sun is presented to the Mind, the
Impressions caus'd by the presence
of the Sun, begin to open and dilate.
We may call those Prints the Images
of the Objects. The power the Soul
has to form upon the Brain the Ima∣ges
descriptionPage 5
of things that have been percei∣v'd,
is called Imagination, which
word signifies both that power of the
Soul, and the Images that it forms.
The Qualities of a good Imaginati∣on
are very necessary to Well-speak∣ing;
for Discourse is nothing but a
Copy of those things of which we
are to speak, form'd before by the
Soul. If the Original be confused, the
Copy must be so also; if the Original
be not, the Copy cannot be like. The
form, the clearness, the good Order of
our Idea's, depend upon the clearness
and distinction of the Impressions
which the Objects make upon our
Brain; so that it cannot be doubted
but the Quality of the Style must de∣pend
upon the quality of the Imagi∣nation.
The substance of the Brain
has not the same qualities in all heads,
and therefore we are not to wonder
if the ways of Speaking be different
in each Author.
Words read or heard leave their Im∣pressions
in the Brain, as well as other
Objects, so as we commonly think of
Words and Things at the same time;
descriptionPage 6
the Impressions of Words and Things
which have been opened in Company
at several times, are linked together
in such sort that the Things represent
themselves to the mind with their
Names: when this falls out, we say
the Memory is happy, and its Felici∣ty
consists only in the easiness where∣with
the prints of words, and the
things to which they are linked, do
open themselves at the same time;
that is to say, when the name of the
thing follows the thought we have of
it. When the Memory is unfaithful
in representing the proper Terms of
the things committed to it, we cannot
speak justly; we are forced either to
say nothing, or make use of the first
words that occur, though perhaps
they are not proper to express what
we would say. Happy and just Ex∣pression
is the effect of good Memo∣ry.
In short, it is manifest the Quali∣ties
of the Mind are the cause of the
Difference observed among all Au∣thors.
Discourse is the Image of the
Mind; we shew our Humours and In∣clinations
descriptionPage 7
in our Words before we
think of it. The Minds then being
different, what wonder if the Style of
every Author has a character that di∣stinguishes
it from all others, though
all use the same Terms and Expressi∣ons
in the same Language.
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